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at Shipley Art Gallery
This truly magical, life-sized knitted garden was created in 2011 by over 2,500 knitters and crocheters in Dorset. People from the age of 2 to 99 created elements of the garden, complete with woolly flora and fauna, garden gnomes and small creatures. An exhibition guaranteed to put a smile on your face!
at Shipley Art Gallery
Whether it’s sharing a meal with a loved one, having a pint in the pub, making music or dressing up for a night out, people have always found ways to celebrate life and enjoy themselves. Eat, Drink and Make Merry is all about these celebrations.
It’s the culmination of a partnership project with Gateshead University of the Third Age (U3A), with the selected works chosen by the volunteers together with the curator.
If you would like to know more about volunteering at Tyne & Wear Archives & Museums, or about joining the U3A in your area, please contact us. Email: info@shipleyartgallery.org.uk.
at Hatton Gallery
In celebration of drawing, Speculations: making thinking drawing brings together archival material with the work of contemporary artists in order to explore the ingenious and imaginative ways in which ideas, materials, space and structure can be evoked and investigated on the flat plane of the paper’s surface.
Speculations: making thinking drawing forms part of the inaugural exhibitions of ‘drawing?’ - a series of exhibitions, discussions, publications, lectures and events based around the theme of drawing, which will take place in various museums and galleries in the North East over the forthcoming year.
Exploring the creative process in art, design, science & technology.
at Hatton Gallery
Widely known for his sculptures, installations and public artworks Gormley’s work is usually large scale. This small group of drawings from 2002 – 2014 reveal how drawing and sculpture have been in continuous dialogue throughout the artist’s career. Drawing is a means of moving away from the slow process of sculpture and of thinking and feeling beyond the body, into the abstracted condition of architecture.
In the words of the artist:
“I have been trying to reconcile the body with its habitat or architecture with anatomy and this show brings together drawings that try to make body volumes into chambers or frames and then locate them within a wider matrix.
“The drawings of the body as a space within space took me underground, above ground, any and everywhere. The paradox was that in attempting to 'define' an absolute crystallisation of human space in space, I ended up floating in indeterminacy”.
The exhibition forms part of the ‘Year of Drawing’ - a series of exhibitions, discussions, publications, lectures and events based around the theme of drawing, which will take place in various museums and galleries in the North East over the forthcoming year.
Exploring the creative process in art, design, science & technology.
at Hatton Gallery
See the latest collection of work by the Friends of the Hatton.
Find out more about the Friends of the Hatton
at Shipley Art Gallery
This truly magical, life-sized knitted garden was created in 2011 by over 2,500 knitters and crocheters in Dorset. People from the age of 2 to 99 created elements of the garden, complete with woolly flora and fauna, garden gnomes and small creatures. An exhibition guaranteed to put a smile on your face!
at Laing Art Gallery
Opening up an extraordinary documentary narrative, this exhibition is the first major account of the AmberSide Collection started by a group of like-minded students at Regent Street Polytechnic in London in 1968. With a resolve to collect documents of working class culture, Amber Collective moved to the North East of England the following year in 1969 and in 1977 opened Side Gallery where it remains today.
In 1982 a Channel 4 franchise enabled Amber to grow its ambitions in filmmaking and 45 years later it’s still producing, commissioning, supporting and collecting. The Amber films and photographs of collective member Sirkka-Liisa Konttinen have been recognised by UNESCO, and, for the first time since its beginnings, this major exhibition at the Laing celebrates the full story.
Photographs by Graham Smith, Chris Killip, Martine Franck, John Davies, Tish Murtha, beginning in the 1970s and continuing through to the present are shown alongside the contemporary international work Side has collected and exhibited. This includes Sander, Doisneau, Weegee, Russell Lee, Susan Meiselas, Eugene Richards and Graciela Iturbide, amongst others. Rooted in documenting the vernacular and cultural life of working class and marginalised communities in North East England, this remarkable archive is a conduit for engaging with international documentary photography and film and socially excluded communities worldwide.
‘For ever Amber’ is a partnership between Amber Film and Photography Collective and Laing Art Gallery, with support from Tyne & Wear Archives & Museums.
The title of the exhibition is taken from an inscription by Henri Cartier-Bresson on a photograph that he donated to the Amber collection.
at Laing Art Gallery
This exhibition from the British Library takes a look back at 10 of the most iconic children’s books that have been illustrated and re-illustrated throughout the 20th century.
From beautiful and rare first editions to original artwork by the likes of Quentin Blake, Michael Foreman, Peggy Fortnum and Lauren Child, the exhibition revisits much loved stories and characters that have been re-illustrated and reinterpreted for different generations of children. The exhibition reveals, through these unique and changing styles and techniques, a new way in which to appreciate some of the most familiar British children’s books.
Featuring at least four illustrated editions or pieces of artwork for each title, the exhibition focuses on 10 classics - Just So Stories, The Iron Man, Charlie and the Chocolate Factory, The Wind in the Willows, Paddington Bear, Peter Pan and Wendy, The Hobbit, The Borrowers, The Secret Garden and The Railway Children, many of which are published by The Folio Society in beautifully illustrated cloth-bound editions.
We'd love to hear your feedback on this exhibition. Fill in this survey for the chance to win £50. A winner will be chosen at random on 1 October 2015.
at Shipley Art Gallery
Whether it’s sharing a meal with a loved one, having a pint in the pub, making music or dressing up for a night out, people have always found ways to celebrate life and enjoy themselves. Eat, Drink and Make Merry is all about these celebrations.
It’s the culmination of a partnership project with Gateshead University of the Third Age (U3A), with the selected works chosen by the volunteers together with the curator.
If you would like to know more about volunteering at Tyne & Wear Archives & Museums, or about joining the U3A in your area, please contact us. Email: info@shipleyartgallery.org.uk.
at Hatton Gallery
In celebration of drawing, Speculations: making thinking drawing brings together archival material with the work of contemporary artists in order to explore the ingenious and imaginative ways in which ideas, materials, space and structure can be evoked and investigated on the flat plane of the paper’s surface.
Speculations: making thinking drawing forms part of the inaugural exhibitions of ‘drawing?’ - a series of exhibitions, discussions, publications, lectures and events based around the theme of drawing, which will take place in various museums and galleries in the North East over the forthcoming year.
Exploring the creative process in art, design, science & technology.
at Hatton Gallery
Widely known for his sculptures, installations and public artworks Gormley’s work is usually large scale. This small group of drawings from 2002 – 2014 reveal how drawing and sculpture have been in continuous dialogue throughout the artist’s career. Drawing is a means of moving away from the slow process of sculpture and of thinking and feeling beyond the body, into the abstracted condition of architecture.
In the words of the artist:
“I have been trying to reconcile the body with its habitat or architecture with anatomy and this show brings together drawings that try to make body volumes into chambers or frames and then locate them within a wider matrix.
“The drawings of the body as a space within space took me underground, above ground, any and everywhere. The paradox was that in attempting to 'define' an absolute crystallisation of human space in space, I ended up floating in indeterminacy”.
The exhibition forms part of the ‘Year of Drawing’ - a series of exhibitions, discussions, publications, lectures and events based around the theme of drawing, which will take place in various museums and galleries in the North East over the forthcoming year.
Exploring the creative process in art, design, science & technology.
at Hatton Gallery
See the latest collection of work by the Friends of the Hatton.
Find out more about the Friends of the Hatton
at Shipley Art Gallery
This truly magical, life-sized knitted garden was created in 2011 by over 2,500 knitters and crocheters in Dorset. People from the age of 2 to 99 created elements of the garden, complete with woolly flora and fauna, garden gnomes and small creatures. An exhibition guaranteed to put a smile on your face!
at Laing Art Gallery
Opening up an extraordinary documentary narrative, this exhibition is the first major account of the AmberSide Collection started by a group of like-minded students at Regent Street Polytechnic in London in 1968. With a resolve to collect documents of working class culture, Amber Collective moved to the North East of England the following year in 1969 and in 1977 opened Side Gallery where it remains today.
In 1982 a Channel 4 franchise enabled Amber to grow its ambitions in filmmaking and 45 years later it’s still producing, commissioning, supporting and collecting. The Amber films and photographs of collective member Sirkka-Liisa Konttinen have been recognised by UNESCO, and, for the first time since its beginnings, this major exhibition at the Laing celebrates the full story.
Photographs by Graham Smith, Chris Killip, Martine Franck, John Davies, Tish Murtha, beginning in the 1970s and continuing through to the present are shown alongside the contemporary international work Side has collected and exhibited. This includes Sander, Doisneau, Weegee, Russell Lee, Susan Meiselas, Eugene Richards and Graciela Iturbide, amongst others. Rooted in documenting the vernacular and cultural life of working class and marginalised communities in North East England, this remarkable archive is a conduit for engaging with international documentary photography and film and socially excluded communities worldwide.
‘For ever Amber’ is a partnership between Amber Film and Photography Collective and Laing Art Gallery, with support from Tyne & Wear Archives & Museums.
The title of the exhibition is taken from an inscription by Henri Cartier-Bresson on a photograph that he donated to the Amber collection.
at Laing Art Gallery
This exhibition from the British Library takes a look back at 10 of the most iconic children’s books that have been illustrated and re-illustrated throughout the 20th century.
From beautiful and rare first editions to original artwork by the likes of Quentin Blake, Michael Foreman, Peggy Fortnum and Lauren Child, the exhibition revisits much loved stories and characters that have been re-illustrated and reinterpreted for different generations of children. The exhibition reveals, through these unique and changing styles and techniques, a new way in which to appreciate some of the most familiar British children’s books.
Featuring at least four illustrated editions or pieces of artwork for each title, the exhibition focuses on 10 classics - Just So Stories, The Iron Man, Charlie and the Chocolate Factory, The Wind in the Willows, Paddington Bear, Peter Pan and Wendy, The Hobbit, The Borrowers, The Secret Garden and The Railway Children, many of which are published by The Folio Society in beautifully illustrated cloth-bound editions.
We'd love to hear your feedback on this exhibition. Fill in this survey for the chance to win £50. A winner will be chosen at random on 1 October 2015.
at Great North Museum: Hancock
Over 1,600 photographs of North East wildlife were entered into this prestigious regional competition.
The exhibition in the museum’s galleria showcases the 18 amazing wildlife images that were judged as the winners and runners-up, plus a digital slideshow of 60 of the best entries so you can decide whether you agree with the judges.
at Shipley Art Gallery
This new exhibition shows many of the interior scenes Naomi Alexander has painted of homes around the world over the past 30 years, including paintings created as part of a recent residency in Gateshead.
The exhibition is accompanied by a display of artwork by the local Jewish community, who worked with Naomi as part of her residency.
at Shipley Art Gallery
Whether it’s sharing a meal with a loved one, having a pint in the pub, making music or dressing up for a night out, people have always found ways to celebrate life and enjoy themselves. Eat, Drink and Make Merry is all about these celebrations.
It’s the culmination of a partnership project with Gateshead University of the Third Age (U3A), with the selected works chosen by the volunteers together with the curator.
If you would like to know more about volunteering at Tyne & Wear Archives & Museums, or about joining the U3A in your area, please contact us. Email: info@shipleyartgallery.org.uk.
at Hatton Gallery
In celebration of drawing, Speculations: making thinking drawing brings together archival material with the work of contemporary artists in order to explore the ingenious and imaginative ways in which ideas, materials, space and structure can be evoked and investigated on the flat plane of the paper’s surface.
Speculations: making thinking drawing forms part of the inaugural exhibitions of ‘drawing?’ - a series of exhibitions, discussions, publications, lectures and events based around the theme of drawing, which will take place in various museums and galleries in the North East over the forthcoming year.
Exploring the creative process in art, design, science & technology.
at Hatton Gallery
Widely known for his sculptures, installations and public artworks Gormley’s work is usually large scale. This small group of drawings from 2002 – 2014 reveal how drawing and sculpture have been in continuous dialogue throughout the artist’s career. Drawing is a means of moving away from the slow process of sculpture and of thinking and feeling beyond the body, into the abstracted condition of architecture.
In the words of the artist:
“I have been trying to reconcile the body with its habitat or architecture with anatomy and this show brings together drawings that try to make body volumes into chambers or frames and then locate them within a wider matrix.
“The drawings of the body as a space within space took me underground, above ground, any and everywhere. The paradox was that in attempting to 'define' an absolute crystallisation of human space in space, I ended up floating in indeterminacy”.
The exhibition forms part of the ‘Year of Drawing’ - a series of exhibitions, discussions, publications, lectures and events based around the theme of drawing, which will take place in various museums and galleries in the North East over the forthcoming year.
Exploring the creative process in art, design, science & technology.
at Hatton Gallery
See the latest collection of work by the Friends of the Hatton.
Find out more about the Friends of the Hatton
at Shipley Art Gallery
This truly magical, life-sized knitted garden was created in 2011 by over 2,500 knitters and crocheters in Dorset. People from the age of 2 to 99 created elements of the garden, complete with woolly flora and fauna, garden gnomes and small creatures. An exhibition guaranteed to put a smile on your face!
at Hatton Gallery
Join us for a private view of the exhibition on Friday 21 August (6-8pm)
The exhibition is the interim show for the 1st year MFAs and the culminating show for the 2nd year MFAs. The MFA Summer Exhibition presents a wide range of media, exemplifying the diversity within the practice of fine art.
Included are works by 1st years, Mirela Bistran, Helen Shaddock, Yein Son and Liying Zhao.
2nd years: Alex Charrington, Sarah Dunn, Paul Martin Hughes, Soonwon Hwang, Ute Kirkwood, Nigel Morgan and Sofija R. L. Sutton.
The MFA at Newcastle University is a two-year studio-based programme in Fine Art that promotes critically engaged artistic practice. The programme is designed to advocate interdisciplinary experimentation that deepens independent practice-led research. The exhibition showcases the talents of the postgraduate students at Newcastle University.
Find out more about the MFA degree.
at Laing Art Gallery
Opening up an extraordinary documentary narrative, this exhibition is the first major account of the AmberSide Collection started by a group of like-minded students at Regent Street Polytechnic in London in 1968. With a resolve to collect documents of working class culture, Amber Collective moved to the North East of England the following year in 1969 and in 1977 opened Side Gallery where it remains today.
In 1982 a Channel 4 franchise enabled Amber to grow its ambitions in filmmaking and 45 years later it’s still producing, commissioning, supporting and collecting. The Amber films and photographs of collective member Sirkka-Liisa Konttinen have been recognised by UNESCO, and, for the first time since its beginnings, this major exhibition at the Laing celebrates the full story.
Photographs by Graham Smith, Chris Killip, Martine Franck, John Davies, Tish Murtha, beginning in the 1970s and continuing through to the present are shown alongside the contemporary international work Side has collected and exhibited. This includes Sander, Doisneau, Weegee, Russell Lee, Susan Meiselas, Eugene Richards and Graciela Iturbide, amongst others. Rooted in documenting the vernacular and cultural life of working class and marginalised communities in North East England, this remarkable archive is a conduit for engaging with international documentary photography and film and socially excluded communities worldwide.
‘For ever Amber’ is a partnership between Amber Film and Photography Collective and Laing Art Gallery, with support from Tyne & Wear Archives & Museums.
The title of the exhibition is taken from an inscription by Henri Cartier-Bresson on a photograph that he donated to the Amber collection.
at Laing Art Gallery
This exhibition from the British Library takes a look back at 10 of the most iconic children’s books that have been illustrated and re-illustrated throughout the 20th century.
From beautiful and rare first editions to original artwork by the likes of Quentin Blake, Michael Foreman, Peggy Fortnum and Lauren Child, the exhibition revisits much loved stories and characters that have been re-illustrated and reinterpreted for different generations of children. The exhibition reveals, through these unique and changing styles and techniques, a new way in which to appreciate some of the most familiar British children’s books.
Featuring at least four illustrated editions or pieces of artwork for each title, the exhibition focuses on 10 classics - Just So Stories, The Iron Man, Charlie and the Chocolate Factory, The Wind in the Willows, Paddington Bear, Peter Pan and Wendy, The Hobbit, The Borrowers, The Secret Garden and The Railway Children, many of which are published by The Folio Society in beautifully illustrated cloth-bound editions.
We'd love to hear your feedback on this exhibition. Fill in this survey for the chance to win £50. A winner will be chosen at random on 1 October 2015.
at Great North Museum: Hancock
Over 1,600 photographs of North East wildlife were entered into this prestigious regional competition.
The exhibition in the museum’s galleria showcases the 18 amazing wildlife images that were judged as the winners and runners-up, plus a digital slideshow of 60 of the best entries so you can decide whether you agree with the judges.
at Shipley Art Gallery
This new exhibition shows many of the interior scenes Naomi Alexander has painted of homes around the world over the past 30 years, including paintings created as part of a recent residency in Gateshead.
The exhibition is accompanied by a display of artwork by the local Jewish community, who worked with Naomi as part of her residency.
at Great North Museum: Hancock
Explore the awesome world of invertebrates in our new colourful and immersive family friendly exhibition Spineless.
Spineless is the first major natural history exhibition at the museum since it reopened in 2009.
Created by the museum’s own team, Spineless showcases specimens from the museum’s extensive natural history collections not currently on display, with live specimens including the world’s heaviest stick insect and largest spider.
With loans from the Natural History Museum in London including the world’s only venomous crustacean.
at Shipley Art Gallery
Whether it’s sharing a meal with a loved one, having a pint in the pub, making music or dressing up for a night out, people have always found ways to celebrate life and enjoy themselves. Eat, Drink and Make Merry is all about these celebrations.
It’s the culmination of a partnership project with Gateshead University of the Third Age (U3A), with the selected works chosen by the volunteers together with the curator.
If you would like to know more about volunteering at Tyne & Wear Archives & Museums, or about joining the U3A in your area, please contact us. Email: info@shipleyartgallery.org.uk.
at Shipley Art Gallery
This truly magical, life-sized knitted garden was created in 2011 by over 2,500 knitters and crocheters in Dorset. People from the age of 2 to 99 created elements of the garden, complete with woolly flora and fauna, garden gnomes and small creatures. An exhibition guaranteed to put a smile on your face!
at Hatton Gallery
Join us for a private view of the exhibition on Friday 21 August (6-8pm)
The exhibition is the interim show for the 1st year MFAs and the culminating show for the 2nd year MFAs. The MFA Summer Exhibition presents a wide range of media, exemplifying the diversity within the practice of fine art.
Included are works by 1st years, Mirela Bistran, Helen Shaddock, Yein Son and Liying Zhao.
2nd years: Alex Charrington, Sarah Dunn, Paul Martin Hughes, Soonwon Hwang, Ute Kirkwood, Nigel Morgan and Sofija R. L. Sutton.
The MFA at Newcastle University is a two-year studio-based programme in Fine Art that promotes critically engaged artistic practice. The programme is designed to advocate interdisciplinary experimentation that deepens independent practice-led research. The exhibition showcases the talents of the postgraduate students at Newcastle University.
Find out more about the MFA degree.
at Laing Art Gallery
Opening up an extraordinary documentary narrative, this exhibition is the first major account of the AmberSide Collection started by a group of like-minded students at Regent Street Polytechnic in London in 1968. With a resolve to collect documents of working class culture, Amber Collective moved to the North East of England the following year in 1969 and in 1977 opened Side Gallery where it remains today.
In 1982 a Channel 4 franchise enabled Amber to grow its ambitions in filmmaking and 45 years later it’s still producing, commissioning, supporting and collecting. The Amber films and photographs of collective member Sirkka-Liisa Konttinen have been recognised by UNESCO, and, for the first time since its beginnings, this major exhibition at the Laing celebrates the full story.
Photographs by Graham Smith, Chris Killip, Martine Franck, John Davies, Tish Murtha, beginning in the 1970s and continuing through to the present are shown alongside the contemporary international work Side has collected and exhibited. This includes Sander, Doisneau, Weegee, Russell Lee, Susan Meiselas, Eugene Richards and Graciela Iturbide, amongst others. Rooted in documenting the vernacular and cultural life of working class and marginalised communities in North East England, this remarkable archive is a conduit for engaging with international documentary photography and film and socially excluded communities worldwide.
‘For ever Amber’ is a partnership between Amber Film and Photography Collective and Laing Art Gallery, with support from Tyne & Wear Archives & Museums.
The title of the exhibition is taken from an inscription by Henri Cartier-Bresson on a photograph that he donated to the Amber collection.
at Laing Art Gallery
This exhibition from the British Library takes a look back at 10 of the most iconic children’s books that have been illustrated and re-illustrated throughout the 20th century.
From beautiful and rare first editions to original artwork by the likes of Quentin Blake, Michael Foreman, Peggy Fortnum and Lauren Child, the exhibition revisits much loved stories and characters that have been re-illustrated and reinterpreted for different generations of children. The exhibition reveals, through these unique and changing styles and techniques, a new way in which to appreciate some of the most familiar British children’s books.
Featuring at least four illustrated editions or pieces of artwork for each title, the exhibition focuses on 10 classics - Just So Stories, The Iron Man, Charlie and the Chocolate Factory, The Wind in the Willows, Paddington Bear, Peter Pan and Wendy, The Hobbit, The Borrowers, The Secret Garden and The Railway Children, many of which are published by The Folio Society in beautifully illustrated cloth-bound editions.
We'd love to hear your feedback on this exhibition. Fill in this survey for the chance to win £50. A winner will be chosen at random on 1 October 2015.
at Great North Museum: Hancock
Over 1,600 photographs of North East wildlife were entered into this prestigious regional competition.
The exhibition in the museum’s galleria showcases the 18 amazing wildlife images that were judged as the winners and runners-up, plus a digital slideshow of 60 of the best entries so you can decide whether you agree with the judges.
at Shipley Art Gallery
This new exhibition shows many of the interior scenes Naomi Alexander has painted of homes around the world over the past 30 years, including paintings created as part of a recent residency in Gateshead.
The exhibition is accompanied by a display of artwork by the local Jewish community, who worked with Naomi as part of her residency.
at Great North Museum: Hancock
Explore the awesome world of invertebrates in our new colourful and immersive family friendly exhibition Spineless.
Spineless is the first major natural history exhibition at the museum since it reopened in 2009.
Created by the museum’s own team, Spineless showcases specimens from the museum’s extensive natural history collections not currently on display, with live specimens including the world’s heaviest stick insect and largest spider.
With loans from the Natural History Museum in London including the world’s only venomous crustacean.
at Hatton Gallery
The Hatton Gallery is taken over by seven contemporary artists who reveal the unseen and unnoticed facets of our everyday environment.
Matthew Flintham presents a new installation revealing the hidden, virtual geometries of military airspaces that are all around us.
Rachel Garfield screens the second film in her trilogy The Struggle, commissioned by Beaconsfield, acknowledging unspoken ideologies saturating society.
Aaron Guy draws attention to how the layers of our environment are being shaped by invisible forces, changing the way we interact with the urban landscape.
A series of prints by Autumn Richardson and Richard Skelton trace the origins of familiar words to unearth their forgotten roots in the British landscape.
Matthew Tickle’s What the eye can’t see the heart can’t grieve for samples background radiation from the big bang which washes over and through our bodies.
Commissioned to accompany Unsensed, Yelena Popova uses the Hatton Gallery as a stage to present an installation of new ‘invisible’ paintings evoking the transience of visual images in the digital age
This exhibition has been supported by money raised through Arts Council England’s Catalyst Arts: capacity building and match funding scheme.
at Hatton Gallery
Newcastle University alumnus Laurence Kavanagh presents a new art work in the Hatton Gallery's glass entrance, commissioned to respond to the legacy of Basic Design teaching at the University led by Victor Pasmore and Richard Hamilton in the 1950s and 1960s. Working with the Star and Shadow Cinema co-operative, Newcastle Upon Tyne, Kavanagh has created a collage which represents the cinema screen as a sculptural object, examining the relationship between the real space we inhabit when looking at the art work, and the imagined filmic space that the screen reflects.
Laurence Kavanagh is the 2014/2015 Warwick Stafford Fellow at Northumbria University.
This commission has been supported by money raised through Arts Council England’s Catalyst Arts: capacity building and match funding scheme.
at Shipley Art Gallery
Whether it’s sharing a meal with a loved one, having a pint in the pub, making music or dressing up for a night out, people have always found ways to celebrate life and enjoy themselves. Eat, Drink and Make Merry is all about these celebrations.
It’s the culmination of a partnership project with Gateshead University of the Third Age (U3A), with the selected works chosen by the volunteers together with the curator.
If you would like to know more about volunteering at Tyne & Wear Archives & Museums, or about joining the U3A in your area, please contact us. Email: info@shipleyartgallery.org.uk.
at Shipley Art Gallery
This new exhibition shows many of the interior scenes Naomi Alexander has painted of homes around the world over the past 30 years, including paintings created as part of a recent residency in Gateshead.
The exhibition is accompanied by a display of artwork by the local Jewish community, who worked with Naomi as part of her residency.
at Great North Museum: Hancock
Explore the awesome world of invertebrates in our new colourful and immersive family friendly exhibition Spineless.
Spineless is the first major natural history exhibition at the museum since it reopened in 2009.
Created by the museum’s own team, Spineless showcases specimens from the museum’s extensive natural history collections not currently on display, with live specimens including the world’s heaviest stick insect and largest spider.
With loans from the Natural History Museum in London including the world’s only venomous crustacean.
at Hatton Gallery
The Hatton Gallery is taken over by seven contemporary artists who reveal the unseen and unnoticed facets of our everyday environment.
Matthew Flintham presents a new installation revealing the hidden, virtual geometries of military airspaces that are all around us.
Rachel Garfield screens the second film in her trilogy The Struggle, commissioned by Beaconsfield, acknowledging unspoken ideologies saturating society.
Aaron Guy draws attention to how the layers of our environment are being shaped by invisible forces, changing the way we interact with the urban landscape.
A series of prints by Autumn Richardson and Richard Skelton trace the origins of familiar words to unearth their forgotten roots in the British landscape.
Matthew Tickle’s What the eye can’t see the heart can’t grieve for samples background radiation from the big bang which washes over and through our bodies.
Commissioned to accompany Unsensed, Yelena Popova uses the Hatton Gallery as a stage to present an installation of new ‘invisible’ paintings evoking the transience of visual images in the digital age
This exhibition has been supported by money raised through Arts Council England’s Catalyst Arts: capacity building and match funding scheme.
at Laing Art Gallery
Devised as a series of encounters between historic and contemporary works, this exhibition traces the origins and legacy of the Arts and Crafts Movement and its fascination with the creation of the home.
Through the work and ideas of John Ruskin and William Morris, the exhibition will explore how subsequent generations of designers created new ways of living and working in an era of collaborative design and experimentation. The exhibition will also look at the link between house and garden and how nature became a primary source of inspiration for designers. Presenting richly diverse media including furniture, textiles, paintings, ceramics, wallpaper, books and photography, the show will bring together objects from important Arts and Crafts collections and houses.
Celebrated designers and collaborators such as Edwin Lutyens and Gertrude Jekyll, Alfred and Louise Powell, the Barnsley Brothers and Ernest Gimson will be explored alongside today’s leading designers including: Sebastian Cox, Rosa Nguyen, Andrew Wicks, Jim Partridge and Liz Walmsley. A number of key Arts & Crafts houses will also be featured including Cragside, Morris’ homes at Kelmscott Manor and Red House, Lutyens and Jekyll’s Munstead Wood and Rodmarton Manor.
Exhibition organised by Compton Verney.
We'd love to hear your feedback about this exhibition. Fill in our visitor survey to be in with a chance of winning £50.
at Laing Art Gallery
Tony is a Mexican Mafia hit-man on Death Row in San Quentin State Prison. His letters to artist and penpal Lyn Hagan, along with those to other women, form part of this exhibition, which also features artwork based on accounts from those most closely involved in Tony’s life.
Hagan’s practice is situated within a long tradition of artists and writers working with prisoners.
at Hatton Gallery
Newcastle University alumnus Laurence Kavanagh presents a new art work in the Hatton Gallery's glass entrance, commissioned to respond to the legacy of Basic Design teaching at the University led by Victor Pasmore and Richard Hamilton in the 1950s and 1960s. Working with the Star and Shadow Cinema co-operative, Newcastle Upon Tyne, Kavanagh has created a collage which represents the cinema screen as a sculptural object, examining the relationship between the real space we inhabit when looking at the art work, and the imagined filmic space that the screen reflects.
Laurence Kavanagh is the 2014/2015 Warwick Stafford Fellow at Northumbria University.
This commission has been supported by money raised through Arts Council England’s Catalyst Arts: capacity building and match funding scheme.
at Shipley Art Gallery
Whether it’s sharing a meal with a loved one, having a pint in the pub, making music or dressing up for a night out, people have always found ways to celebrate life and enjoy themselves. Eat, Drink and Make Merry is all about these celebrations.
It’s the culmination of a partnership project with Gateshead University of the Third Age (U3A), with the selected works chosen by the volunteers together with the curator.
If you would like to know more about volunteering at Tyne & Wear Archives & Museums, or about joining the U3A in your area, please contact us. Email: info@shipleyartgallery.org.uk.
at Great North Museum: Hancock
Explore the awesome world of invertebrates in our new colourful and immersive family friendly exhibition Spineless.
Spineless is the first major natural history exhibition at the museum since it reopened in 2009.
Created by the museum’s own team, Spineless showcases specimens from the museum’s extensive natural history collections not currently on display, with live specimens including the world’s heaviest stick insect and largest spider.
With loans from the Natural History Museum in London including the world’s only venomous crustacean.
at Hatton Gallery
The Hatton Gallery is taken over by seven contemporary artists who reveal the unseen and unnoticed facets of our everyday environment.
Matthew Flintham presents a new installation revealing the hidden, virtual geometries of military airspaces that are all around us.
Rachel Garfield screens the second film in her trilogy The Struggle, commissioned by Beaconsfield, acknowledging unspoken ideologies saturating society.
Aaron Guy draws attention to how the layers of our environment are being shaped by invisible forces, changing the way we interact with the urban landscape.
A series of prints by Autumn Richardson and Richard Skelton trace the origins of familiar words to unearth their forgotten roots in the British landscape.
Matthew Tickle’s What the eye can’t see the heart can’t grieve for samples background radiation from the big bang which washes over and through our bodies.
Commissioned to accompany Unsensed, Yelena Popova uses the Hatton Gallery as a stage to present an installation of new ‘invisible’ paintings evoking the transience of visual images in the digital age
This exhibition has been supported by money raised through Arts Council England’s Catalyst Arts: capacity building and match funding scheme.
at Great North Museum: Hancock
Opened in 1884, the museum building was created by local architect John Wardle Junior (c1827-1899), the son of the well known Grainger town architect John Wardle Senior.
Featuring a timeline of the development of the museum including plans of the site, a watercolour of the house that pre-existed the museum and the announcement of support for the project from a variety of benefactors including Lord and Lady Armstrong.
Also on display will be tools of the architectural trade and examples of students work.
at Laing Art Gallery
Devised as a series of encounters between historic and contemporary works, this exhibition traces the origins and legacy of the Arts and Crafts Movement and its fascination with the creation of the home.
Through the work and ideas of John Ruskin and William Morris, the exhibition will explore how subsequent generations of designers created new ways of living and working in an era of collaborative design and experimentation. The exhibition will also look at the link between house and garden and how nature became a primary source of inspiration for designers. Presenting richly diverse media including furniture, textiles, paintings, ceramics, wallpaper, books and photography, the show will bring together objects from important Arts and Crafts collections and houses.
Celebrated designers and collaborators such as Edwin Lutyens and Gertrude Jekyll, Alfred and Louise Powell, the Barnsley Brothers and Ernest Gimson will be explored alongside today’s leading designers including: Sebastian Cox, Rosa Nguyen, Andrew Wicks, Jim Partridge and Liz Walmsley. A number of key Arts & Crafts houses will also be featured including Cragside, Morris’ homes at Kelmscott Manor and Red House, Lutyens and Jekyll’s Munstead Wood and Rodmarton Manor.
Exhibition organised by Compton Verney.
We'd love to hear your feedback about this exhibition. Fill in our visitor survey to be in with a chance of winning £50.
at Laing Art Gallery
Tony is a Mexican Mafia hit-man on Death Row in San Quentin State Prison. His letters to artist and penpal Lyn Hagan, along with those to other women, form part of this exhibition, which also features artwork based on accounts from those most closely involved in Tony’s life.
Hagan’s practice is situated within a long tradition of artists and writers working with prisoners.
at Hatton Gallery
Newcastle University alumnus Laurence Kavanagh presents a new art work in the Hatton Gallery's glass entrance, commissioned to respond to the legacy of Basic Design teaching at the University led by Victor Pasmore and Richard Hamilton in the 1950s and 1960s. Working with the Star and Shadow Cinema co-operative, Newcastle Upon Tyne, Kavanagh has created a collage which represents the cinema screen as a sculptural object, examining the relationship between the real space we inhabit when looking at the art work, and the imagined filmic space that the screen reflects.
Laurence Kavanagh is the 2014/2015 Warwick Stafford Fellow at Northumbria University.
This commission has been supported by money raised through Arts Council England’s Catalyst Arts: capacity building and match funding scheme.
at Shipley Art Gallery
Whether it’s sharing a meal with a loved one, having a pint in the pub, making music or dressing up for a night out, people have always found ways to celebrate life and enjoy themselves. Eat, Drink and Make Merry is all about these celebrations.
It’s the culmination of a partnership project with Gateshead University of the Third Age (U3A), with the selected works chosen by the volunteers together with the curator.
If you would like to know more about volunteering at Tyne & Wear Archives & Museums, or about joining the U3A in your area, please contact us. Email: info@shipleyartgallery.org.uk.
at South Shields Museum & Art Gallery
Part of Great North Museum's blockbuster summer exhibition, Spineless tours to South Shields this winter and spring 2016.
Spineless: Rainforest Creepy Crawlies is a colourful and immersive exhibition that people of all ages can enjoy.
See the awesome world of the rainforest brought to life in South Shields and uncover the mysteries of the critters that live amongst the tree canopies.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
The Hatton Gallery is taken over by seven contemporary artists who reveal the unseen and unnoticed facets of our everyday environment.
Matthew Flintham presents a new installation revealing the hidden, virtual geometries of military airspaces that are all around us.
Rachel Garfield screens the second film in her trilogy The Struggle, commissioned by Beaconsfield, acknowledging unspoken ideologies saturating society.
Aaron Guy draws attention to how the layers of our environment are being shaped by invisible forces, changing the way we interact with the urban landscape.
A series of prints by Autumn Richardson and Richard Skelton trace the origins of familiar words to unearth their forgotten roots in the British landscape.
Matthew Tickle’s What the eye can’t see the heart can’t grieve for samples background radiation from the big bang which washes over and through our bodies.
Commissioned to accompany Unsensed, Yelena Popova uses the Hatton Gallery as a stage to present an installation of new ‘invisible’ paintings evoking the transience of visual images in the digital age
This exhibition has been supported by money raised through Arts Council England’s Catalyst Arts: capacity building and match funding scheme.
at Great North Museum: Hancock
Opened in 1884, the museum building was created by local architect John Wardle Junior (c1827-1899), the son of the well known Grainger town architect John Wardle Senior.
Featuring a timeline of the development of the museum including plans of the site, a watercolour of the house that pre-existed the museum and the announcement of support for the project from a variety of benefactors including Lord and Lady Armstrong.
Also on display will be tools of the architectural trade and examples of students work.
at Laing Art Gallery
Devised as a series of encounters between historic and contemporary works, this exhibition traces the origins and legacy of the Arts and Crafts Movement and its fascination with the creation of the home.
Through the work and ideas of John Ruskin and William Morris, the exhibition will explore how subsequent generations of designers created new ways of living and working in an era of collaborative design and experimentation. The exhibition will also look at the link between house and garden and how nature became a primary source of inspiration for designers. Presenting richly diverse media including furniture, textiles, paintings, ceramics, wallpaper, books and photography, the show will bring together objects from important Arts and Crafts collections and houses.
Celebrated designers and collaborators such as Edwin Lutyens and Gertrude Jekyll, Alfred and Louise Powell, the Barnsley Brothers and Ernest Gimson will be explored alongside today’s leading designers including: Sebastian Cox, Rosa Nguyen, Andrew Wicks, Jim Partridge and Liz Walmsley. A number of key Arts & Crafts houses will also be featured including Cragside, Morris’ homes at Kelmscott Manor and Red House, Lutyens and Jekyll’s Munstead Wood and Rodmarton Manor.
Exhibition organised by Compton Verney.
We'd love to hear your feedback about this exhibition. Fill in our visitor survey to be in with a chance of winning £50.
at Laing Art Gallery
Tony is a Mexican Mafia hit-man on Death Row in San Quentin State Prison. His letters to artist and penpal Lyn Hagan, along with those to other women, form part of this exhibition, which also features artwork based on accounts from those most closely involved in Tony’s life.
Hagan’s practice is situated within a long tradition of artists and writers working with prisoners.
at Hatton Gallery
Newcastle University alumnus Laurence Kavanagh presents a new art work in the Hatton Gallery's glass entrance, commissioned to respond to the legacy of Basic Design teaching at the University led by Victor Pasmore and Richard Hamilton in the 1950s and 1960s. Working with the Star and Shadow Cinema co-operative, Newcastle Upon Tyne, Kavanagh has created a collage which represents the cinema screen as a sculptural object, examining the relationship between the real space we inhabit when looking at the art work, and the imagined filmic space that the screen reflects.
Laurence Kavanagh is the 2014/2015 Warwick Stafford Fellow at Northumbria University.
This commission has been supported by money raised through Arts Council England’s Catalyst Arts: capacity building and match funding scheme.
at Shipley Art Gallery
Whether it’s sharing a meal with a loved one, having a pint in the pub, making music or dressing up for a night out, people have always found ways to celebrate life and enjoy themselves. Eat, Drink and Make Merry is all about these celebrations.
It’s the culmination of a partnership project with Gateshead University of the Third Age (U3A), with the selected works chosen by the volunteers together with the curator.
If you would like to know more about volunteering at Tyne & Wear Archives & Museums, or about joining the U3A in your area, please contact us. Email: info@shipleyartgallery.org.uk.
at South Shields Museum & Art Gallery
Part of Great North Museum's blockbuster summer exhibition, Spineless tours to South Shields this winter and spring 2016.
Spineless: Rainforest Creepy Crawlies is a colourful and immersive exhibition that people of all ages can enjoy.
See the awesome world of the rainforest brought to life in South Shields and uncover the mysteries of the critters that live amongst the tree canopies.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
Opened in 1884, the museum building was created by local architect John Wardle Junior (c1827-1899), the son of the well known Grainger town architect John Wardle Senior.
Featuring a timeline of the development of the museum including plans of the site, a watercolour of the house that pre-existed the museum and the announcement of support for the project from a variety of benefactors including Lord and Lady Armstrong.
Also on display will be tools of the architectural trade and examples of students work.
at Laing Art Gallery
Devised as a series of encounters between historic and contemporary works, this exhibition traces the origins and legacy of the Arts and Crafts Movement and its fascination with the creation of the home.
Through the work and ideas of John Ruskin and William Morris, the exhibition will explore how subsequent generations of designers created new ways of living and working in an era of collaborative design and experimentation. The exhibition will also look at the link between house and garden and how nature became a primary source of inspiration for designers. Presenting richly diverse media including furniture, textiles, paintings, ceramics, wallpaper, books and photography, the show will bring together objects from important Arts and Crafts collections and houses.
Celebrated designers and collaborators such as Edwin Lutyens and Gertrude Jekyll, Alfred and Louise Powell, the Barnsley Brothers and Ernest Gimson will be explored alongside today’s leading designers including: Sebastian Cox, Rosa Nguyen, Andrew Wicks, Jim Partridge and Liz Walmsley. A number of key Arts & Crafts houses will also be featured including Cragside, Morris’ homes at Kelmscott Manor and Red House, Lutyens and Jekyll’s Munstead Wood and Rodmarton Manor.
Exhibition organised by Compton Verney.
We'd love to hear your feedback about this exhibition. Fill in our visitor survey to be in with a chance of winning £50.
at Laing Art Gallery
Tony is a Mexican Mafia hit-man on Death Row in San Quentin State Prison. His letters to artist and penpal Lyn Hagan, along with those to other women, form part of this exhibition, which also features artwork based on accounts from those most closely involved in Tony’s life.
Hagan’s practice is situated within a long tradition of artists and writers working with prisoners.
at Hatton Gallery
Newcastle University alumnus Laurence Kavanagh presents a new art work in the Hatton Gallery's glass entrance, commissioned to respond to the legacy of Basic Design teaching at the University led by Victor Pasmore and Richard Hamilton in the 1950s and 1960s. Working with the Star and Shadow Cinema co-operative, Newcastle Upon Tyne, Kavanagh has created a collage which represents the cinema screen as a sculptural object, examining the relationship between the real space we inhabit when looking at the art work, and the imagined filmic space that the screen reflects.
Laurence Kavanagh is the 2014/2015 Warwick Stafford Fellow at Northumbria University.
This commission has been supported by money raised through Arts Council England’s Catalyst Arts: capacity building and match funding scheme.
at Shipley Art Gallery
Whether it’s sharing a meal with a loved one, having a pint in the pub, making music or dressing up for a night out, people have always found ways to celebrate life and enjoy themselves. Eat, Drink and Make Merry is all about these celebrations.
It’s the culmination of a partnership project with Gateshead University of the Third Age (U3A), with the selected works chosen by the volunteers together with the curator.
If you would like to know more about volunteering at Tyne & Wear Archives & Museums, or about joining the U3A in your area, please contact us. Email: info@shipleyartgallery.org.uk.
at Hatton Gallery
For the first time in many years, and as a fitting celebration before our temporary closure, the entire Gallery will display a selection from its permanent collection.
With works from the early-Renaissance to the late–twentieth century and sections devoted to prints, drawings and artists associated with Newcastle University’s Fine Art Department, this will be a fantastic opportunity for an in depth view of the full range of this unique collection, including some recent acquisitions and rarely seen works.
at Great North Museum: Hancock
A bird in the hand … is inspired by the Great North Museum: Hancock collections, the extinction of the Great Auk and the possibilities of using ancient DNA to reintroduce extinct species.
Dr Marianne Wilde is an Associate Researcher from Fine Art in the School of Arts and Cultures at Newcastle University.
The Great North Museum: Hancock Fellowship programme provides a platform for Newcastle University academic staff to showcase their research through publically accessible displays, resources, events and outreach activities.
at Discovery Museum
This exhibition features Paul Piercy's striking portraits in black impasto oil paint.
The portraits document some of the bravest human rights activists from around the world. Some of Piercy's subjects have either died or are currently imprisoned for their struggles to protect universal freedoms, some are famous Nobel Laureates, some are still waiting for their story to be told.
The exhibition will also feature six never-before-seen portraits.
A series of events and talks will run alongside the exhibition.
at South Shields Museum & Art Gallery
See artworks produced by some of South Tyneside's most talented young artists.
All the pieces on display are the final 25 of an annual competition jointly initiated by the Rotary Clubs of Cleadon and District and Jarrow with Harton.
The winning artist in each age group (11-15 and 16-18) plus four runners up will receive art materials and other prizes.
Don't miss this stunning display of our up and coming artistic talent.
With thanks to:
Judges - Bob Olley and Graham Hodgson.
Sponsors: Sentient, Ross Papercraft Shows, Morrisons, Hawthorn Arts and Boldon Picture Framing.
South Tyneside Council Education, Learning and Skills service.
Tyne & Wear Archives & Museums.
Arts Connect.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
Gertrude Bell, who was born at Washington Hall, County Durham, in 1868, led a remarkably full life and was a key figure in drawing up the political map of the Middle East in the early twentieth century.
She was a talented linguist, archaeologist, explorer, mountaineer and government official and played a major role in the establishment of the state of Iraq, as well as writing Iraq’s first antiquities law and creating the National Museum in Baghdad.
This new exhibition explores her fascinating story.
Image: Gertrude Bell on horseback, Kubbet Duris 1900, A_340 © Gertrude Bell Archive, Newcastle University
See the Gertrude Bell archive at: www.gerty.ncl.ac.uk
at South Shields Museum & Art Gallery
Part of Great North Museum's blockbuster summer exhibition, Spineless tours to South Shields this winter and spring 2016.
Spineless: Rainforest Creepy Crawlies is a colourful and immersive exhibition that people of all ages can enjoy.
See the awesome world of the rainforest brought to life in South Shields and uncover the mysteries of the critters that live amongst the tree canopies.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
Discover what life is like in the coldest places on Earth in the new Polar Explorers exhibition for families with younger children.
The resilient ways of life of people and wildlife living in polar extremes will be explored in this immersive exhibition, inspiring young minds through sensory and accessible stimulation.
Drawn from our natural history and world cultures collections.
at Shipley Art Gallery
This exhibition explores the riches of the Shipley’s three-dimensional craft and design collection to showcase a wealth of pattern and decoration. Many techniques are included, both on the surface and creating a ‘surface’ in glass, ceramic, textile, metal and wood.
at Laing Art Gallery
Tony is a Mexican Mafia hit-man on Death Row in San Quentin State Prison. His letters to artist and penpal Lyn Hagan, along with those to other women, form part of this exhibition, which also features artwork based on accounts from those most closely involved in Tony’s life.
Hagan’s practice is situated within a long tradition of artists and writers working with prisoners.
at Hatton Gallery
Newcastle University alumnus Laurence Kavanagh presents a new art work in the Hatton Gallery's glass entrance, commissioned to respond to the legacy of Basic Design teaching at the University led by Victor Pasmore and Richard Hamilton in the 1950s and 1960s. Working with the Star and Shadow Cinema co-operative, Newcastle Upon Tyne, Kavanagh has created a collage which represents the cinema screen as a sculptural object, examining the relationship between the real space we inhabit when looking at the art work, and the imagined filmic space that the screen reflects.
Laurence Kavanagh is the 2014/2015 Warwick Stafford Fellow at Northumbria University.
This commission has been supported by money raised through Arts Council England’s Catalyst Arts: capacity building and match funding scheme.
at Shipley Art Gallery
Whether it’s sharing a meal with a loved one, having a pint in the pub, making music or dressing up for a night out, people have always found ways to celebrate life and enjoy themselves. Eat, Drink and Make Merry is all about these celebrations.
It’s the culmination of a partnership project with Gateshead University of the Third Age (U3A), with the selected works chosen by the volunteers together with the curator.
If you would like to know more about volunteering at Tyne & Wear Archives & Museums, or about joining the U3A in your area, please contact us. Email: info@shipleyartgallery.org.uk.
at Hatton Gallery
For the first time in many years, and as a fitting celebration before our temporary closure, the entire Gallery will display a selection from its permanent collection.
With works from the early-Renaissance to the late–twentieth century and sections devoted to prints, drawings and artists associated with Newcastle University’s Fine Art Department, this will be a fantastic opportunity for an in depth view of the full range of this unique collection, including some recent acquisitions and rarely seen works.
at Great North Museum: Hancock
A bird in the hand … is inspired by the Great North Museum: Hancock collections, the extinction of the Great Auk and the possibilities of using ancient DNA to reintroduce extinct species.
Dr Marianne Wilde is an Associate Researcher from Fine Art in the School of Arts and Cultures at Newcastle University.
The Great North Museum: Hancock Fellowship programme provides a platform for Newcastle University academic staff to showcase their research through publically accessible displays, resources, events and outreach activities.
at Discovery Museum
This exhibition features Paul Piercy's striking portraits in black impasto oil paint.
The portraits document some of the bravest human rights activists from around the world. Some of Piercy's subjects have either died or are currently imprisoned for their struggles to protect universal freedoms, some are famous Nobel Laureates, some are still waiting for their story to be told.
The exhibition will also feature six never-before-seen portraits.
A series of events and talks will run alongside the exhibition.
at Great North Museum: Hancock
Re-trace the steps of our ancestors and discover the story of the ancient people of the British Isles.
The Humans in Ancient Britain display features some of the oldest human remains ever found in Britain – the Swanscombe skull, found in Kent is thought to be about 400,000 years old.
Alongside this, other objects illustrating the story of modern humans in Britain will be on display including an intricately carved 14,000-year-old harpoon point.
Following the success of the Natural History Museum’s popular exhibition, Britain: One Million Years of the Human Story, some of the most fascinating objects will be displayed at the Great North Museum: Hancock.
at Laing Art Gallery
In February 2016, 10 of the finest drawings by Leonardo da Vinci in the Royal Collection will travel to the Laing Art Gallery to be shown in this new exhibition. The works have been selected to show the extraordinary scope of the artist's interests, from painting and sculpture to engineering, zoology, botany, mapmaking and anatomy, as well as his use of different media – pen and ink, red and black chalks, watercolour and metalpoint.
There are almost 600 drawings by Leonardo da Vinci in the Royal Collection. They were originally bound into a single album, which was probably acquired in the 17th century by Charles II . Beyond the 20 or so surviving paintings by Leonardo, the artist's drawings are the main source of our knowledge of this extraordinary Renaissance man and his many activities. Leonardo's drawings are the richest, most wide-ranging, most technically brilliant, and most endlessly fascinating of any artist.
Please note this exhibition may be busy at times, particularly lunchtimes. Quieter times are 3pm to 5pm.
School visits will be restricted to 10.30am to 12 noon and 1.30pm to 3pm.
Further Education groups, please book to avoid clashes. Email info@laingartgallery.org.uk.
Read more about the exhibition in our blog plus our new blog on the methods Leonardo used. You can also watch a 4 minute film of Royal Collection conservator Alan Donnithorne demonstrating Leonardo's drawing materials.
Supported by the Friends of the Laing Art Gallery
---------------------------------------------------
Image: The expressions of fury in horses, a lion and a man c.1504-5 (detail) Royal Collection Trust / © Her Majesty Queen Elizabeth II
at South Shields Museum & Art Gallery
Part of Great North Museum's blockbuster summer exhibition, Spineless tours to South Shields this winter and spring 2016.
Spineless: Rainforest Creepy Crawlies is a colourful and immersive exhibition that people of all ages can enjoy.
See the awesome world of the rainforest brought to life in South Shields and uncover the mysteries of the critters that live amongst the tree canopies.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
This display tells the story of how abstraction became the biggest artistic development of the twentieth century. Ranging from the technical experiments of around 1900 to the high-point of ‘pure’ abstraction in the mid-twentieth century, the selection includes works by celebrated painters such as David Bomberg, Prunella Clough, Patrick Heron, Ben Nicholson, Winifred Nicholson, and Walter Sickert. These paintings are shown alongside works by living artists including Frank Auerbach, Gillian Ayres and Chris Ofili, which show the continued influence of abstraction in contemporary art.
Although most works in this display are from the Laing Collection, Echoes of Abstraction also offers a last chance to see key examples of abstract painting borrowed from the Hatton Gallery, which closes for an exciting redevelopment in February 2016. To find out more about the Hatton Gallery redevelopment and its final exhibition please see their website.
at Discovery Museum
Known as the effervescent health salt, Andrews Liver Salt was first made in Newcastle in 1894 and was taken to relieve constipation and heartburn.
Thanks to a kind donation from pharmaceutical company Sanofi in 2015, we are able to display a range of nostaglic old packaging, advertisements and images from their years at Fawdon Manufacturing Centre.
at Shipley Art Gallery
This exhibition explores the riches of the Shipley’s three-dimensional craft and design collection to showcase a wealth of pattern and decoration. Many techniques are included, both on the surface and creating a ‘surface’ in glass, ceramic, textile, metal and wood.
at Great North Museum: Hancock
A bird in the hand … is inspired by the Great North Museum: Hancock collections, the extinction of the Great Auk and the possibilities of using ancient DNA to reintroduce extinct species.
Dr Marianne Wilde is an Associate Researcher from Fine Art in the School of Arts and Cultures at Newcastle University.
The Great North Museum: Hancock Fellowship programme provides a platform for Newcastle University academic staff to showcase their research through publically accessible displays, resources, events and outreach activities.
at Discovery Museum
This exhibition features Paul Piercy's striking portraits in black impasto oil paint.
The portraits document some of the bravest human rights activists from around the world. Some of Piercy's subjects have either died or are currently imprisoned for their struggles to protect universal freedoms, some are famous Nobel Laureates, some are still waiting for their story to be told.
The exhibition will also feature six never-before-seen portraits.
A series of events and talks will run alongside the exhibition.
at Laing Art Gallery
An exhibition of diverse works by artists, curators and designers who have been brought together over the past year through the kinship of Drop City, a collective-gallery established in Newcastle in 2014 and currently resident in Düsseldorf and Brussels, with the central objective of strengthening the dialogues between the local and international art scenes.
Drop City Centre presents painting, photography, design, furniture, objects, sculpture and installation, as well as event-based artist film screenings and live performance by artists including Christian Jendreiko, Eleanor Wright, Francesco Pedraglio, hobbypopMUSEUM, Katie Schwab, Markus Karstiess, Nadia Hebson, Paul Becker, Ralf Brög, Sam Watson, and Sophie Macpherson.
Free opening event
Friday 11 March, 12pm – 3pm
Drop in to the free Drop City opening event featuring the performance DREAM/RE-DREAM by Christian Jendreiko.
at Great North Museum: Hancock
Re-trace the steps of our ancestors and discover the story of the ancient people of the British Isles.
The Humans in Ancient Britain display features some of the oldest human remains ever found in Britain – the Swanscombe skull, found in Kent is thought to be about 400,000 years old.
Alongside this, other objects illustrating the story of modern humans in Britain will be on display including an intricately carved 14,000-year-old harpoon point.
Following the success of the Natural History Museum’s popular exhibition, Britain: One Million Years of the Human Story, some of the most fascinating objects will be displayed at the Great North Museum: Hancock.
at South Shields Museum & Art Gallery
See artworks produced by some of South Tyneside's most talented young artists.
All the pieces on display are the final 25 of an annual competition jointly initiated by the Rotary Clubs of Cleadon and District and Jarrow with Harton.
The winning artist in each age group (11-15 and 16-18) plus four runners up will receive art materials and other prizes.
Don't miss this stunning display of our up and coming artistic talent.
With thanks to:
Judges - Bob Olley and Graham Hodgson.
Sponsors: Sentient, Ross Papercraft Shows, Morrisons, Hawthorn Arts and Boldon Picture Framing.
South Tyneside Council Education, Learning and Skills service.
Tyne & Wear Archives & Museums.
Arts Connect.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
In February 2016, 10 of the finest drawings by Leonardo da Vinci in the Royal Collection will travel to the Laing Art Gallery to be shown in this new exhibition. The works have been selected to show the extraordinary scope of the artist's interests, from painting and sculpture to engineering, zoology, botany, mapmaking and anatomy, as well as his use of different media – pen and ink, red and black chalks, watercolour and metalpoint.
There are almost 600 drawings by Leonardo da Vinci in the Royal Collection. They were originally bound into a single album, which was probably acquired in the 17th century by Charles II . Beyond the 20 or so surviving paintings by Leonardo, the artist's drawings are the main source of our knowledge of this extraordinary Renaissance man and his many activities. Leonardo's drawings are the richest, most wide-ranging, most technically brilliant, and most endlessly fascinating of any artist.
Please note this exhibition may be busy at times, particularly lunchtimes. Quieter times are 3pm to 5pm.
School visits will be restricted to 10.30am to 12 noon and 1.30pm to 3pm.
Further Education groups, please book to avoid clashes. Email info@laingartgallery.org.uk.
Read more about the exhibition in our blog plus our new blog on the methods Leonardo used. You can also watch a 4 minute film of Royal Collection conservator Alan Donnithorne demonstrating Leonardo's drawing materials.
Supported by the Friends of the Laing Art Gallery
---------------------------------------------------
Image: The expressions of fury in horses, a lion and a man c.1504-5 (detail) Royal Collection Trust / © Her Majesty Queen Elizabeth II
at Great North Museum: Hancock
Gertrude Bell, who was born at Washington Hall, County Durham, in 1868, led a remarkably full life and was a key figure in drawing up the political map of the Middle East in the early twentieth century.
She was a talented linguist, archaeologist, explorer, mountaineer and government official and played a major role in the establishment of the state of Iraq, as well as writing Iraq’s first antiquities law and creating the National Museum in Baghdad.
This new exhibition explores her fascinating story.
Image: Gertrude Bell on horseback, Kubbet Duris 1900, A_340 © Gertrude Bell Archive, Newcastle University
See the Gertrude Bell archive at: www.gerty.ncl.ac.uk
at South Shields Museum & Art Gallery
Part of Great North Museum's blockbuster summer exhibition, Spineless tours to South Shields this winter and spring 2016.
Spineless: Rainforest Creepy Crawlies is a colourful and immersive exhibition that people of all ages can enjoy.
See the awesome world of the rainforest brought to life in South Shields and uncover the mysteries of the critters that live amongst the tree canopies.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
Discover what life is like in the coldest places on Earth in the new Polar Explorers exhibition for families with younger children.
The resilient ways of life of people and wildlife living in polar extremes will be explored in this immersive exhibition, inspiring young minds through sensory and accessible stimulation.
Drawn from our natural history and world cultures collections.
at South Shields Museum & Art Gallery
Janis Blower, renowned 'Cookson Country' journalist retired from the Shields Gazette in 2015, after 44 years.
With her expert knowledge of South Tyneside, she has trawled through the collection at South Shields Museum and chosen her favourite pieces to go on display.
All the panel text is Janis' own words, thoughts and feelings.
Works chosen include the wonderful scene depicting the harbour on the day Albert Edward Dock was opened and works showing places that are no longer there, like Pie Lane, and the never-built Hippodrome Theatre.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Top 1980s television show, The Tube, was filmed right here in Newcastle bringing some of the biggest names in music to the North East including Tina Turner and Sir Paul McCartney as well as launching the careers of relatively unknown acts, such as Frankie Goes to Hollywood who went on to have global success.
This small display brings together items from the show and our collections as well as digital stories of those who used to work on the production of the show, to offer visitors a trip down memory lane and the opportunity to reminisce about one of the most popular TV shows of the 1980s that influenced the future of live music and entertainment television.
at Laing Art Gallery
This display tells the story of how abstraction became the biggest artistic development of the twentieth century. Ranging from the technical experiments of around 1900 to the high-point of ‘pure’ abstraction in the mid-twentieth century, the selection includes works by celebrated painters such as David Bomberg, Prunella Clough, Patrick Heron, Ben Nicholson, Winifred Nicholson, and Walter Sickert. These paintings are shown alongside works by living artists including Frank Auerbach, Gillian Ayres and Chris Ofili, which show the continued influence of abstraction in contemporary art.
Although most works in this display are from the Laing Collection, Echoes of Abstraction also offers a last chance to see key examples of abstract painting borrowed from the Hatton Gallery, which closes for an exciting redevelopment in February 2016. To find out more about the Hatton Gallery redevelopment and its final exhibition please see their website.
at Discovery Museum
Take a fresh look at our costume collection through the eyes of Northumbria University fashion students.
16 fabulous outfits dating from 1850 to 1900 from shoes and parasols to lace collars and bags are on show.
Students are working in the gallery to create their own unique responses to the collection which will go on display at the end of May.
The exhibition will be closed on Tuesday 24 May so we can add more objects to the display.
at Discovery Museum
Known as the effervescent health salt, Andrews Liver Salt was first made in Newcastle in 1894 and was taken to relieve constipation and heartburn.
Thanks to a kind donation from pharmaceutical company Sanofi in 2015, we are able to display a range of nostaglic old packaging, advertisements and images from their years at Fawdon Manufacturing Centre.
at Shipley Art Gallery
This exhibition explores the riches of the Shipley’s three-dimensional craft and design collection to showcase a wealth of pattern and decoration. Many techniques are included, both on the surface and creating a ‘surface’ in glass, ceramic, textile, metal and wood.
at Shipley Art Gallery
This exhibition has been created to complement ‘Surface Deep’, but with the focus on two-dimensional works on art. Paintings, drawings, prints, tapestries and embroideries will be shown in a rich, multi-layered display of pattern, surfaces, colour and narrative.
at Great North Museum: Hancock
A bird in the hand … is inspired by the Great North Museum: Hancock collections, the extinction of the Great Auk and the possibilities of using ancient DNA to reintroduce extinct species.
Dr Marianne Wilde is an Associate Researcher from Fine Art in the School of Arts and Cultures at Newcastle University.
The Great North Museum: Hancock Fellowship programme provides a platform for Newcastle University academic staff to showcase their research through publically accessible displays, resources, events and outreach activities.
at Discovery Museum
This exhibition features Paul Piercy's striking portraits in black impasto oil paint.
The portraits document some of the bravest human rights activists from around the world. Some of Piercy's subjects have either died or are currently imprisoned for their struggles to protect universal freedoms, some are famous Nobel Laureates, some are still waiting for their story to be told.
The exhibition will also feature six never-before-seen portraits.
A series of events and talks will run alongside the exhibition.
at Laing Art Gallery
An exhibition of diverse works by artists, curators and designers who have been brought together over the past year through the kinship of Drop City, a collective-gallery established in Newcastle in 2014 and currently resident in Düsseldorf and Brussels, with the central objective of strengthening the dialogues between the local and international art scenes.
Drop City Centre presents painting, photography, design, furniture, objects, sculpture and installation, as well as event-based artist film screenings and live performance by artists including Christian Jendreiko, Eleanor Wright, Francesco Pedraglio, hobbypopMUSEUM, Katie Schwab, Markus Karstiess, Nadia Hebson, Paul Becker, Ralf Brög, Sam Watson, and Sophie Macpherson.
Free opening event
Friday 11 March, 12pm – 3pm
Drop in to the free Drop City opening event featuring the performance DREAM/RE-DREAM by Christian Jendreiko.
at Great North Museum: Hancock
Re-trace the steps of our ancestors and discover the story of the ancient people of the British Isles.
The Humans in Ancient Britain display features some of the oldest human remains ever found in Britain – the Swanscombe skull, found in Kent is thought to be about 400,000 years old.
Alongside this, other objects illustrating the story of modern humans in Britain will be on display including an intricately carved 14,000-year-old harpoon point.
Following the success of the Natural History Museum’s popular exhibition, Britain: One Million Years of the Human Story, some of the most fascinating objects will be displayed at the Great North Museum: Hancock.
at South Shields Museum & Art Gallery
See artworks produced by some of South Tyneside's most talented young artists.
All the pieces on display are the final 25 of an annual competition jointly initiated by the Rotary Clubs of Cleadon and District and Jarrow with Harton.
The winning artist in each age group (11-15 and 16-18) plus four runners up will receive art materials and other prizes.
Don't miss this stunning display of our up and coming artistic talent.
With thanks to:
Judges - Bob Olley and Graham Hodgson.
Sponsors: Sentient, Ross Papercraft Shows, Morrisons, Hawthorn Arts and Boldon Picture Framing.
South Tyneside Council Education, Learning and Skills service.
Tyne & Wear Archives & Museums.
Arts Connect.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
In February 2016, 10 of the finest drawings by Leonardo da Vinci in the Royal Collection will travel to the Laing Art Gallery to be shown in this new exhibition. The works have been selected to show the extraordinary scope of the artist's interests, from painting and sculpture to engineering, zoology, botany, mapmaking and anatomy, as well as his use of different media – pen and ink, red and black chalks, watercolour and metalpoint.
There are almost 600 drawings by Leonardo da Vinci in the Royal Collection. They were originally bound into a single album, which was probably acquired in the 17th century by Charles II . Beyond the 20 or so surviving paintings by Leonardo, the artist's drawings are the main source of our knowledge of this extraordinary Renaissance man and his many activities. Leonardo's drawings are the richest, most wide-ranging, most technically brilliant, and most endlessly fascinating of any artist.
Please note this exhibition may be busy at times, particularly lunchtimes. Quieter times are 3pm to 5pm.
School visits will be restricted to 10.30am to 12 noon and 1.30pm to 3pm.
Further Education groups, please book to avoid clashes. Email info@laingartgallery.org.uk.
Read more about the exhibition in our blog plus our new blog on the methods Leonardo used. You can also watch a 4 minute film of Royal Collection conservator Alan Donnithorne demonstrating Leonardo's drawing materials.
Supported by the Friends of the Laing Art Gallery
---------------------------------------------------
Image: The expressions of fury in horses, a lion and a man c.1504-5 (detail) Royal Collection Trust / © Her Majesty Queen Elizabeth II
at Great North Museum: Hancock
Gertrude Bell, who was born at Washington Hall, County Durham, in 1868, led a remarkably full life and was a key figure in drawing up the political map of the Middle East in the early twentieth century.
She was a talented linguist, archaeologist, explorer, mountaineer and government official and played a major role in the establishment of the state of Iraq, as well as writing Iraq’s first antiquities law and creating the National Museum in Baghdad.
This new exhibition explores her fascinating story.
Image: Gertrude Bell on horseback, Kubbet Duris 1900, A_340 © Gertrude Bell Archive, Newcastle University
See the Gertrude Bell archive at: www.gerty.ncl.ac.uk
at South Shields Museum & Art Gallery
Part of Great North Museum's blockbuster summer exhibition, Spineless tours to South Shields this winter and spring 2016.
Spineless: Rainforest Creepy Crawlies is a colourful and immersive exhibition that people of all ages can enjoy.
See the awesome world of the rainforest brought to life in South Shields and uncover the mysteries of the critters that live amongst the tree canopies.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
Discover what life is like in the coldest places on Earth in the new Polar Explorers exhibition for families with younger children.
The resilient ways of life of people and wildlife living in polar extremes will be explored in this immersive exhibition, inspiring young minds through sensory and accessible stimulation.
Drawn from our natural history and world cultures collections.
at Discovery Museum
The Union of Shop Distributive and Allied Workers (Usdaw) is celebrating its 125th anniversary.
The union’s pop-up exhibition reviews Usdaw’s social history and showcases campaigns then and now in the areas of safer workplaces, better conditions, improved pay and fairness at work.
125 years ago, representatives of workers met in Manchester and Birmingham to establish the trade unions which would, in 1947, amalgamate to become the Union of Shop, Distributive and Allied Workers. It was in 1923 that the Scottish Slaughtermen and Allied Workers’ Union joined with NUDAW, a founding union of Usdaw.
at South Shields Museum & Art Gallery
Janis Blower, renowned 'Cookson Country' journalist retired from the Shields Gazette in 2015, after 44 years.
With her expert knowledge of South Tyneside, she has trawled through the collection at South Shields Museum and chosen her favourite pieces to go on display.
All the panel text is Janis' own words, thoughts and feelings.
Works chosen include the wonderful scene depicting the harbour on the day Albert Edward Dock was opened and works showing places that are no longer there, like Pie Lane, and the never-built Hippodrome Theatre.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
This exhibition presents 18 works selected to explore how artists expand their disciplines through the use of unexpected materials and content. Some of these works present original ways of using traditional media while others introduce a completely new art form.
Spanning from 18 century painting to downloadable drawing, including media ranging from tree bark to porcelain, these works expand conceptions of what art can be and what it can do. Despite being created all over the globe, these pieces are connected in their ability to push the boundaries of art making. Viewing these artworks together encourages us to look for unexpected connections and reconsider the potential of art.
The Possibility Of... bring together pieces from Hatton Gallery, the Laing Art Gallery and the Shipley Art Gallery as well as artists living and working in the North East.
This exhibition is hosted by Laing Art Gallery and presented by the ICCHS Masters students of Newcastle University.
at Discovery Museum
Top 1980s television show, The Tube, was filmed right here in Newcastle bringing some of the biggest names in music to the North East including Tina Turner and Sir Paul McCartney as well as launching the careers of relatively unknown acts, such as Frankie Goes to Hollywood who went on to have global success.
This small display brings together items from the show and our collections as well as digital stories of those who used to work on the production of the show, to offer visitors a trip down memory lane and the opportunity to reminisce about one of the most popular TV shows of the 1980s that influenced the future of live music and entertainment television.
at South Shields Museum & Art Gallery
The South Shields Digital Group is a collection of people that came together due to the “Digital Data Explosion” of the new millennium.
Founded by members of South Shields Photographic Society in the early 2000s, they have grown into a group of novice and more experienced photographers who use the latest digital techniques to produce the images shown in this exhibition.
This exhibition is the product of a friendly bunch of photographic enthusiasts and includes work by around 30 individual photographers. We can be found out and about around the North East of England photographing landscapes, wildlife, people, street scenes, sporting events and more.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
This display tells the story of how abstraction became the biggest artistic development of the twentieth century. Ranging from the technical experiments of around 1900 to the high-point of ‘pure’ abstraction in the mid-twentieth century, the selection includes works by celebrated painters such as David Bomberg, Prunella Clough, Patrick Heron, Ben Nicholson, Winifred Nicholson, and Walter Sickert. These paintings are shown alongside works by living artists including Frank Auerbach, Gillian Ayres and Chris Ofili, which show the continued influence of abstraction in contemporary art.
Although most works in this display are from the Laing Collection, Echoes of Abstraction also offers a last chance to see key examples of abstract painting borrowed from the Hatton Gallery, which closes for an exciting redevelopment in February 2016. To find out more about the Hatton Gallery redevelopment and its final exhibition please see their website.
at Discovery Museum
Take a fresh look at our costume collection through the eyes of Northumbria University fashion students.
16 fabulous outfits dating from 1850 to 1900 from shoes and parasols to lace collars and bags are on show.
Students are working in the gallery to create their own unique responses to the collection which will go on display at the end of May.
The exhibition will be closed on Tuesday 24 May so we can add more objects to the display.
at Discovery Museum
Known as the effervescent health salt, Andrews Liver Salt was first made in Newcastle in 1894 and was taken to relieve constipation and heartburn.
Thanks to a kind donation from pharmaceutical company Sanofi in 2015, we are able to display a range of nostaglic old packaging, advertisements and images from their years at Fawdon Manufacturing Centre.
at Shipley Art Gallery
This exhibition explores the riches of the Shipley’s three-dimensional craft and design collection to showcase a wealth of pattern and decoration. Many techniques are included, both on the surface and creating a ‘surface’ in glass, ceramic, textile, metal and wood.
at Shipley Art Gallery
This exhibition has been created to complement ‘Surface Deep’, but with the focus on two-dimensional works on art. Paintings, drawings, prints, tapestries and embroideries will be shown in a rich, multi-layered display of pattern, surfaces, colour and narrative.
at Great North Museum: Hancock
Gertrude Bell, who was born at Washington Hall, County Durham, in 1868, led a remarkably full life and was a key figure in drawing up the political map of the Middle East in the early twentieth century.
She was a talented linguist, archaeologist, explorer, mountaineer and government official and played a major role in the establishment of the state of Iraq, as well as writing Iraq’s first antiquities law and creating the National Museum in Baghdad.
This new exhibition explores her fascinating story.
Image: Gertrude Bell on horseback, Kubbet Duris 1900, A_340 © Gertrude Bell Archive, Newcastle University
See the Gertrude Bell archive at: www.gerty.ncl.ac.uk
at South Shields Museum & Art Gallery
Part of Great North Museum's blockbuster summer exhibition, Spineless tours to South Shields this winter and spring 2016.
Spineless: Rainforest Creepy Crawlies is a colourful and immersive exhibition that people of all ages can enjoy.
See the awesome world of the rainforest brought to life in South Shields and uncover the mysteries of the critters that live amongst the tree canopies.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
Discover what life is like in the coldest places on Earth in the new Polar Explorers exhibition for families with younger children.
The resilient ways of life of people and wildlife living in polar extremes will be explored in this immersive exhibition, inspiring young minds through sensory and accessible stimulation.
Drawn from our natural history and world cultures collections.
at Shipley Art Gallery
Introducing the works of 15 emerging U.K. and foreign artists for the first time, Dry Run is the annual exhibition of University of Sunderland 2nd year BA Glass and Ceramics students.
Celebrating its seventeenth year the exhibition allows the students to show their work in a professional and contemporary cultural environment.
Private View
Friday 20 May (6-8pm)
at Discovery Museum
The Union of Shop Distributive and Allied Workers (Usdaw) is celebrating its 125th anniversary.
The union’s pop-up exhibition reviews Usdaw’s social history and showcases campaigns then and now in the areas of safer workplaces, better conditions, improved pay and fairness at work.
125 years ago, representatives of workers met in Manchester and Birmingham to establish the trade unions which would, in 1947, amalgamate to become the Union of Shop, Distributive and Allied Workers. It was in 1923 that the Scottish Slaughtermen and Allied Workers’ Union joined with NUDAW, a founding union of Usdaw.
at Discovery Museum
This touring exhibition created by Crisis and Youth Homeless North East explores the impact of the loss of Housing Benefit for 18 – 21 year olds through an range of artwork.
The artwork has been directly influenced and created by young people from their thoughts, concerns and worries for the future removal of Housing Benefit. The research carried out prior to the art sessions will also heavily influence the artwork content.
The exhibition will also feature artwork from Northumbria University and Centrepoint.
at Laing Art Gallery
This exhibition is a collaborative interpretation of North East industrial landscapes inspired by the works of L.S. Lowry, brought together by our L-Ink group.
L-Ink is the Laing Art Gallery's young people's group, for anyone aged between 15 and 21 who loves art or who wants to pursue a career in art. The group meets regularly to organise events and exhibitions, work with artists, and to make and talk about art.
L-Ink 2016 are:
Alice Archer, Lauren Basey, Jacob Brown, Trixie Collins, Isabella Dalliston, Laura Dyter, Edie Frith, Olivia Fryer, Hannah Grice, Euan Jones, Niamh Kingsland, Siu Wei Mah, Andrew Parr, Hannah Povey, Lucie Robson, Joanne Smith and Rebecca Steven.
If you're interested in joining L-Ink, get in touch on learning@laingartgallery.org.uk.
at South Shields Museum & Art Gallery
Janis Blower, renowned 'Cookson Country' journalist retired from the Shields Gazette in 2015, after 44 years.
With her expert knowledge of South Tyneside, she has trawled through the collection at South Shields Museum and chosen her favourite pieces to go on display.
All the panel text is Janis' own words, thoughts and feelings.
Works chosen include the wonderful scene depicting the harbour on the day Albert Edward Dock was opened and works showing places that are no longer there, like Pie Lane, and the never-built Hippodrome Theatre.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
This exhibition presents 18 works selected to explore how artists expand their disciplines through the use of unexpected materials and content. Some of these works present original ways of using traditional media while others introduce a completely new art form.
Spanning from 18 century painting to downloadable drawing, including media ranging from tree bark to porcelain, these works expand conceptions of what art can be and what it can do. Despite being created all over the globe, these pieces are connected in their ability to push the boundaries of art making. Viewing these artworks together encourages us to look for unexpected connections and reconsider the potential of art.
The Possibility Of... bring together pieces from Hatton Gallery, the Laing Art Gallery and the Shipley Art Gallery as well as artists living and working in the North East.
This exhibition is hosted by Laing Art Gallery and presented by the ICCHS Masters students of Newcastle University.
at Discovery Museum
Top 1980s television show, The Tube, was filmed right here in Newcastle bringing some of the biggest names in music to the North East including Tina Turner and Sir Paul McCartney as well as launching the careers of relatively unknown acts, such as Frankie Goes to Hollywood who went on to have global success.
This small display brings together items from the show and our collections as well as digital stories of those who used to work on the production of the show, to offer visitors a trip down memory lane and the opportunity to reminisce about one of the most popular TV shows of the 1980s that influenced the future of live music and entertainment television.
at South Shields Museum & Art Gallery
The South Shields Digital Group is a collection of people that came together due to the “Digital Data Explosion” of the new millennium.
Founded by members of South Shields Photographic Society in the early 2000s, they have grown into a group of novice and more experienced photographers who use the latest digital techniques to produce the images shown in this exhibition.
This exhibition is the product of a friendly bunch of photographic enthusiasts and includes work by around 30 individual photographers. We can be found out and about around the North East of England photographing landscapes, wildlife, people, street scenes, sporting events and more.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
This display tells the story of how abstraction became the biggest artistic development of the twentieth century. Ranging from the technical experiments of around 1900 to the high-point of ‘pure’ abstraction in the mid-twentieth century, the selection includes works by celebrated painters such as David Bomberg, Prunella Clough, Patrick Heron, Ben Nicholson, Winifred Nicholson, and Walter Sickert. These paintings are shown alongside works by living artists including Frank Auerbach, Gillian Ayres and Chris Ofili, which show the continued influence of abstraction in contemporary art.
Although most works in this display are from the Laing Collection, Echoes of Abstraction also offers a last chance to see key examples of abstract painting borrowed from the Hatton Gallery, which closes for an exciting redevelopment in February 2016. To find out more about the Hatton Gallery redevelopment and its final exhibition please see their website.
at Discovery Museum
Take a fresh look at our costume collection through the eyes of Northumbria University fashion students.
16 fabulous outfits dating from 1850 to 1900 from shoes and parasols to lace collars and bags are on show.
Students are working in the gallery to create their own unique responses to the collection which will go on display at the end of May.
The exhibition will be closed on Tuesday 24 May so we can add more objects to the display.
at South Shields Museum & Art Gallery
In 1866 South Shields Volunteer Life Brigade (SSVLB) was formed and to mark the 150th Anniversary South Shields Museum is hosting this exhibition as part of a year long program of activities and events.
Join us on the grand opening day where you will be able to watch and learn about the creation and history of the gansie from the ‘Materialistics’, hear as ‘The Ancient Mariners’ regale tales of the seafaring communities through sea shanties, take part in family learning craft activities and of course visit the exhibition and meet members of SSVLB who will be on hand to tell their story.
Echoing the Brigade’s motto, the “Always Ready for 150 years” the exhibition explores the story of the first organisation in the world to save lives from shipwrecks using the breeches buoy.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Known as the effervescent health salt, Andrews Liver Salt was first made in Newcastle in 1894 and was taken to relieve constipation and heartburn.
Thanks to a kind donation from pharmaceutical company Sanofi in 2015, we are able to display a range of nostaglic old packaging, advertisements and images from their years at Fawdon Manufacturing Centre.
at South Shields Museum & Art Gallery
This small display commemorates the centenary of the Battle of Jutland, a First World War naval battle fought by the British Royal Navy’s Grand Fleet against the Imperial German Navy’s High Seas Fleet, 31 May to 1 June 1916.
In particular, the display tells the tragic fate of HMS Queen Mary – built at Palmers, Jarrow – which was sunk during the battle, with all but twenty of her 1,286 man crew lost. Drawing upon the expertise of local First World War historian Peter Hoy, the display also commemorates the service and sacrifice of South Tyneside men in the Battle.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
A British Library exhibition with additional loans from the Victoria & Albert Museum especially for the Laing, Alice in Wonderland delves into the world of Lewis Carroll’s classic tale, Alice’s Adventures in Wonderland.
Explore the different ways generations of illustrators, artists, musicians, filmmakers and designers over the past 150 years have been inspired by the story of the girl who went ‘down the rabbit hole’.
The exhibition includes illustrations and drawings celebrating Alice in Wonderland by Mervyn Peake, Ralph Steadman, Leonard Weisgard, Arthur Rackham, Peter Blake and Salvador Dali.
Alice in Wonderland will be accompanied by a programme events for adults and for children throughout the summer. There are also family trails available, please ask a member of staff for details. Download the programme (PDF 690KB).
A British Library exhibition.
NB: This is a family-friendly exhibition and children of all ages are welcome, but the content is not aimed at very young children. For the under-fives we would recommend teaming up your visit with a Big Wednesday event during the school holidays or a visit to our under-fives area.
at Shipley Art Gallery
This exhibition explores the riches of the Shipley’s three-dimensional craft and design collection to showcase a wealth of pattern and decoration. Many techniques are included, both on the surface and creating a ‘surface’ in glass, ceramic, textile, metal and wood.
at Shipley Art Gallery
This exhibition has been created to complement ‘Surface Deep’, but with the focus on two-dimensional works on art. Paintings, drawings, prints, tapestries and embroideries will be shown in a rich, multi-layered display of pattern, surfaces, colour and narrative.
at Discovery Museum
This touring exhibition created by Crisis and Youth Homeless North East explores the impact of the loss of Housing Benefit for 18 – 21 year olds through an range of artwork.
The artwork has been directly influenced and created by young people from their thoughts, concerns and worries for the future removal of Housing Benefit. The research carried out prior to the art sessions will also heavily influence the artwork content.
The exhibition will also feature artwork from Northumbria University and Centrepoint.
at Shipley Art Gallery
A permanent new home breathing new life into the objects from Saltwell Park Museum collection has been created at the Shipley.
Due to open on Saturday 11 June, the new display features glassware and ceramics, taxidermy, bird eggs, insects, minerals, fossils and geology, as well as objects donated by Gateshead residents.
CELEBRATION EVENT SATURDAY 11 JUNE
On Saturday 11 June from 2-4pm, there will be a celebratory event taking place at the Shipley Art Gallery to mark the opening of the gallery.
SPECIAL SUNDAY OPENING
The Shipley is normally open from 10am-4pm from Tuesday to Friday and 10am-5pm on Saturday, but will additionally open on Sunday afternoon 12 June from 1-5pm to enable people to see the new gallery.
The refurbishment of the gallery and the new display were made possible through funding from the DCMS Wolfson Museums and Galleries Improvement Fund.
at South Shields Museum & Art Gallery
Janis Blower, renowned 'Cookson Country' journalist retired from the Shields Gazette in 2015, after 44 years.
With her expert knowledge of South Tyneside, she has trawled through the collection at South Shields Museum and chosen her favourite pieces to go on display.
All the panel text is Janis' own words, thoughts and feelings.
Works chosen include the wonderful scene depicting the harbour on the day Albert Edward Dock was opened and works showing places that are no longer there, like Pie Lane, and the never-built Hippodrome Theatre.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
This exhibition presents 18 works selected to explore how artists expand their disciplines through the use of unexpected materials and content. Some of these works present original ways of using traditional media while others introduce a completely new art form.
Spanning from 18 century painting to downloadable drawing, including media ranging from tree bark to porcelain, these works expand conceptions of what art can be and what it can do. Despite being created all over the globe, these pieces are connected in their ability to push the boundaries of art making. Viewing these artworks together encourages us to look for unexpected connections and reconsider the potential of art.
The Possibility Of... bring together pieces from Hatton Gallery, the Laing Art Gallery and the Shipley Art Gallery as well as artists living and working in the North East.
This exhibition is hosted by Laing Art Gallery and presented by the ICCHS Masters students of Newcastle University.
at Discovery Museum
Top 1980s television show, The Tube, was filmed right here in Newcastle bringing some of the biggest names in music to the North East including Tina Turner and Sir Paul McCartney as well as launching the careers of relatively unknown acts, such as Frankie Goes to Hollywood who went on to have global success.
This small display brings together items from the show and our collections as well as digital stories of those who used to work on the production of the show, to offer visitors a trip down memory lane and the opportunity to reminisce about one of the most popular TV shows of the 1980s that influenced the future of live music and entertainment television.
at South Shields Museum & Art Gallery
The South Shields Digital Group is a collection of people that came together due to the “Digital Data Explosion” of the new millennium.
Founded by members of South Shields Photographic Society in the early 2000s, they have grown into a group of novice and more experienced photographers who use the latest digital techniques to produce the images shown in this exhibition.
This exhibition is the product of a friendly bunch of photographic enthusiasts and includes work by around 30 individual photographers. We can be found out and about around the North East of England photographing landscapes, wildlife, people, street scenes, sporting events and more.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
This display tells the story of how abstraction became the biggest artistic development of the twentieth century. Ranging from the technical experiments of around 1900 to the high-point of ‘pure’ abstraction in the mid-twentieth century, the selection includes works by celebrated painters such as David Bomberg, Prunella Clough, Patrick Heron, Ben Nicholson, Winifred Nicholson, and Walter Sickert. These paintings are shown alongside works by living artists including Frank Auerbach, Gillian Ayres and Chris Ofili, which show the continued influence of abstraction in contemporary art.
Although most works in this display are from the Laing Collection, Echoes of Abstraction also offers a last chance to see key examples of abstract painting borrowed from the Hatton Gallery, which closes for an exciting redevelopment in February 2016. To find out more about the Hatton Gallery redevelopment and its final exhibition please see their website.
at Discovery Museum
Take a fresh look at our costume collection through the eyes of Northumbria University fashion students.
16 fabulous outfits dating from 1850 to 1900 from shoes and parasols to lace collars and bags are on show.
Students are working in the gallery to create their own unique responses to the collection which will go on display at the end of May.
The exhibition will be closed on Tuesday 24 May so we can add more objects to the display.
at South Shields Museum & Art Gallery
In 1866 South Shields Volunteer Life Brigade (SSVLB) was formed and to mark the 150th Anniversary South Shields Museum is hosting this exhibition as part of a year long program of activities and events.
Join us on the grand opening day where you will be able to watch and learn about the creation and history of the gansie from the ‘Materialistics’, hear as ‘The Ancient Mariners’ regale tales of the seafaring communities through sea shanties, take part in family learning craft activities and of course visit the exhibition and meet members of SSVLB who will be on hand to tell their story.
Echoing the Brigade’s motto, the “Always Ready for 150 years” the exhibition explores the story of the first organisation in the world to save lives from shipwrecks using the breeches buoy.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Known as the effervescent health salt, Andrews Liver Salt was first made in Newcastle in 1894 and was taken to relieve constipation and heartburn.
Thanks to a kind donation from pharmaceutical company Sanofi in 2015, we are able to display a range of nostaglic old packaging, advertisements and images from their years at Fawdon Manufacturing Centre.
at South Shields Museum & Art Gallery
This small display commemorates the centenary of the Battle of Jutland, a First World War naval battle fought by the British Royal Navy’s Grand Fleet against the Imperial German Navy’s High Seas Fleet, 31 May to 1 June 1916.
In particular, the display tells the tragic fate of HMS Queen Mary – built at Palmers, Jarrow – which was sunk during the battle, with all but twenty of her 1,286 man crew lost. Drawing upon the expertise of local First World War historian Peter Hoy, the display also commemorates the service and sacrifice of South Tyneside men in the Battle.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
185 men of South Tyneside were killed on the first day of the Battle of the Somme, on 1 July 1916. More were to perish as the bloody battle dragged on until 1 November that year.
This exhibition tells the story of one of the bloodiest military battles of history, with a particular emphasis on the local men who made the ultimate sacrifice.
Guest-curated by First World War historian Peter Hoy, who has toiled for years to compile a database containing over 7,000 of South Tyneside’s Great War participants, the exhibition will feature haunting photographs of many of the Somme’s local victims.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
A British Library exhibition with additional loans from the Victoria & Albert Museum especially for the Laing, Alice in Wonderland delves into the world of Lewis Carroll’s classic tale, Alice’s Adventures in Wonderland.
Explore the different ways generations of illustrators, artists, musicians, filmmakers and designers over the past 150 years have been inspired by the story of the girl who went ‘down the rabbit hole’.
The exhibition includes illustrations and drawings celebrating Alice in Wonderland by Mervyn Peake, Ralph Steadman, Leonard Weisgard, Arthur Rackham, Peter Blake and Salvador Dali.
Alice in Wonderland will be accompanied by a programme events for adults and for children throughout the summer. There are also family trails available, please ask a member of staff for details. Download the programme (PDF 690KB).
A British Library exhibition.
NB: This is a family-friendly exhibition and children of all ages are welcome, but the content is not aimed at very young children. For the under-fives we would recommend teaming up your visit with a Big Wednesday event during the school holidays or a visit to our under-fives area.
at Shipley Art Gallery
This exhibition explores the riches of the Shipley’s three-dimensional craft and design collection to showcase a wealth of pattern and decoration. Many techniques are included, both on the surface and creating a ‘surface’ in glass, ceramic, textile, metal and wood.
at Shipley Art Gallery
This exhibition has been created to complement ‘Surface Deep’, but with the focus on two-dimensional works on art. Paintings, drawings, prints, tapestries and embroideries will be shown in a rich, multi-layered display of pattern, surfaces, colour and narrative.
at South Shields Museum & Art Gallery
The South Shields Digital Group is a collection of people that came together due to the “Digital Data Explosion” of the new millennium.
Founded by members of South Shields Photographic Society in the early 2000s, they have grown into a group of novice and more experienced photographers who use the latest digital techniques to produce the images shown in this exhibition.
This exhibition is the product of a friendly bunch of photographic enthusiasts and includes work by around 30 individual photographers. We can be found out and about around the North East of England photographing landscapes, wildlife, people, street scenes, sporting events and more.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
This display tells the story of how abstraction became the biggest artistic development of the twentieth century. Ranging from the technical experiments of around 1900 to the high-point of ‘pure’ abstraction in the mid-twentieth century, the selection includes works by celebrated painters such as David Bomberg, Prunella Clough, Patrick Heron, Ben Nicholson, Winifred Nicholson, and Walter Sickert. These paintings are shown alongside works by living artists including Frank Auerbach, Gillian Ayres and Chris Ofili, which show the continued influence of abstraction in contemporary art.
Although most works in this display are from the Laing Collection, Echoes of Abstraction also offers a last chance to see key examples of abstract painting borrowed from the Hatton Gallery, which closes for an exciting redevelopment in February 2016. To find out more about the Hatton Gallery redevelopment and its final exhibition please see their website.
at Discovery Museum
Take a fresh look at our costume collection through the eyes of Northumbria University fashion students.
16 fabulous outfits dating from 1850 to 1900 from shoes and parasols to lace collars and bags are on show.
Students are working in the gallery to create their own unique responses to the collection which will go on display at the end of May.
The exhibition will be closed on Tuesday 24 May so we can add more objects to the display.
at Great North Museum: Hancock
Over 1,500 photographs of North East wildlife were entered into this prestigious regional competition.
The exhibition in the museum’s Galleria showcases some of the amazing wildlife images that were judged as winners and runners-up, plus a digital slideshow of the other contenders.
Will you agree with the judges' decision?
In partnership with the Natural History Society of Northumbria and the Wildlife Trusts of Durham, Tees Valley and Northumberland.
at South Shields Museum & Art Gallery
In 1866 South Shields Volunteer Life Brigade (SSVLB) was formed and to mark the 150th Anniversary South Shields Museum is hosting this exhibition as part of a year long program of activities and events.
Join us on the grand opening day where you will be able to watch and learn about the creation and history of the gansie from the ‘Materialistics’, hear as ‘The Ancient Mariners’ regale tales of the seafaring communities through sea shanties, take part in family learning craft activities and of course visit the exhibition and meet members of SSVLB who will be on hand to tell their story.
Echoing the Brigade’s motto, the “Always Ready for 150 years” the exhibition explores the story of the first organisation in the world to save lives from shipwrecks using the breeches buoy.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Known as the effervescent health salt, Andrews Liver Salt was first made in Newcastle in 1894 and was taken to relieve constipation and heartburn.
Thanks to a kind donation from pharmaceutical company Sanofi in 2015, we are able to display a range of nostaglic old packaging, advertisements and images from their years at Fawdon Manufacturing Centre.
at South Shields Museum & Art Gallery
This small display commemorates the centenary of the Battle of Jutland, a First World War naval battle fought by the British Royal Navy’s Grand Fleet against the Imperial German Navy’s High Seas Fleet, 31 May to 1 June 1916.
In particular, the display tells the tragic fate of HMS Queen Mary – built at Palmers, Jarrow – which was sunk during the battle, with all but twenty of her 1,286 man crew lost. Drawing upon the expertise of local First World War historian Peter Hoy, the display also commemorates the service and sacrifice of South Tyneside men in the Battle.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
185 men of South Tyneside were killed on the first day of the Battle of the Somme, on 1 July 1916. More were to perish as the bloody battle dragged on until 1 November that year.
This exhibition tells the story of one of the bloodiest military battles of history, with a particular emphasis on the local men who made the ultimate sacrifice.
Guest-curated by First World War historian Peter Hoy, who has toiled for years to compile a database containing over 7,000 of South Tyneside’s Great War participants, the exhibition will feature haunting photographs of many of the Somme’s local victims.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
A British Library exhibition with additional loans from the Victoria & Albert Museum especially for the Laing, Alice in Wonderland delves into the world of Lewis Carroll’s classic tale, Alice’s Adventures in Wonderland.
Explore the different ways generations of illustrators, artists, musicians, filmmakers and designers over the past 150 years have been inspired by the story of the girl who went ‘down the rabbit hole’.
The exhibition includes illustrations and drawings celebrating Alice in Wonderland by Mervyn Peake, Ralph Steadman, Leonard Weisgard, Arthur Rackham, Peter Blake and Salvador Dali.
Alice in Wonderland will be accompanied by a programme events for adults and for children throughout the summer. There are also family trails available, please ask a member of staff for details. Download the programme (PDF 690KB).
A British Library exhibition.
NB: This is a family-friendly exhibition and children of all ages are welcome, but the content is not aimed at very young children. For the under-fives we would recommend teaming up your visit with a Big Wednesday event during the school holidays or a visit to our under-fives area.
at Laing Art Gallery
Dozens of artists submitted proposals to an open call in spring 2016 to develop designs for a roaming pavilion (temporary architectural structure) inspired by the Hatton Gallery's collection.
This exhibition features the work of Catrin Huber, Toby Paterson, and duo Harriet Sutcliffe & Jack Mutton.
Visitors are invited to comment on the proposals and an independent panel of judges will decide which artist will go on to complete the pavilion which will tour around Newcastle and Gateshead in spring/summer 2017.
Showcase: Designs for a Touring Pavilion is part of the offsite programme which aims to maintain the profile of the Hatton Gallery whilst it is closed for a £3.8million refurbishment, which has been funded by the Heritage Lottery Fund.
Showcase: Designs for a Touring Pavilion has been supported by money raised through Arts Council England’s Catalyst Arts: capacity building and match funding scheme and the Heritage Lottery Fund.
Find out more about the artists here.
at Hatton Gallery
Dozens of artists submitted proposals to an open call in spring 2016 to develop designs for a roaming pavilion (temporary architectural structure) inspired by the Hatton Gallery's collection.
This exhibition features the work of Catrin Huber, Toby Paterson, and duo Harriet Sutcliffe & Jack Mutton.
Visitors are invited to comment on the proposals and an independent panel of judges will decide which artist will go on to complete the pavilion which will tour around Newcastle and Gateshead in spring/summer 2017.
Showcase: Designs for a Touring Pavilion is part of the offsite programme which aims to maintain the profile of the Hatton Gallery whilst it is closed for a £3.8million refurbishment, which has been funded by the Heritage Lottery Fund.
Showcase: Designs for a Touring Pavilion has been supported by money raised through Arts Council England’s Catalyst Arts: capacity building and match funding scheme and the Heritage Lottery Fund.
Find out more about the artists here.
at Shipley Art Gallery
This exhibition explores the riches of the Shipley’s three-dimensional craft and design collection to showcase a wealth of pattern and decoration. Many techniques are included, both on the surface and creating a ‘surface’ in glass, ceramic, textile, metal and wood.
at Shipley Art Gallery
This exhibition has been created to complement ‘Surface Deep’, but with the focus on two-dimensional works on art. Paintings, drawings, prints, tapestries and embroideries will be shown in a rich, multi-layered display of pattern, surfaces, colour and narrative.
at Discovery Museum
Visit The Hub to see a selection of Tyne & Wear Archives & Museums’ costume and textiles collection. Created by volunteers, this exhibition highlights different techniques and trends in handmade textiles, from ancient decorations to modern designers.
For millennia people have decorated their clothes and household items by hand, creating personal and beautiful items. These techniques continue to be used to decorate textiles today.
at Laing Art Gallery
This exhibition of the Laing’s watercolour collection will take you on a journey through three centuries and increasingly distant parts of the world, starting from a scene of Newcastle.
The ever increasing popularity of watercolour combined with new travel routes defined where artists could visit. The artists, along with prevailing fashions in society and art defined how the British public saw the world. Featured artists include Edward Lear, JMW Turner, John Constable, David Roberts, JW Carmichael and John Singer Sargent.
at South Shields Museum & Art Gallery
The South Shields Digital Group is a collection of people that came together due to the “Digital Data Explosion” of the new millennium.
Founded by members of South Shields Photographic Society in the early 2000s, they have grown into a group of novice and more experienced photographers who use the latest digital techniques to produce the images shown in this exhibition.
This exhibition is the product of a friendly bunch of photographic enthusiasts and includes work by around 30 individual photographers. We can be found out and about around the North East of England photographing landscapes, wildlife, people, street scenes, sporting events and more.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
This display tells the story of how abstraction became the biggest artistic development of the twentieth century. Ranging from the technical experiments of around 1900 to the high-point of ‘pure’ abstraction in the mid-twentieth century, the selection includes works by celebrated painters such as David Bomberg, Prunella Clough, Patrick Heron, Ben Nicholson, Winifred Nicholson, and Walter Sickert. These paintings are shown alongside works by living artists including Frank Auerbach, Gillian Ayres and Chris Ofili, which show the continued influence of abstraction in contemporary art.
Although most works in this display are from the Laing Collection, Echoes of Abstraction also offers a last chance to see key examples of abstract painting borrowed from the Hatton Gallery, which closes for an exciting redevelopment in February 2016. To find out more about the Hatton Gallery redevelopment and its final exhibition please see their website.
at Discovery Museum
Take a fresh look at our costume collection through the eyes of Northumbria University fashion students.
16 fabulous outfits dating from 1850 to 1900 from shoes and parasols to lace collars and bags are on show.
Students are working in the gallery to create their own unique responses to the collection which will go on display at the end of May.
The exhibition will be closed on Tuesday 24 May so we can add more objects to the display.
at Great North Museum: Hancock
Over 1,500 photographs of North East wildlife were entered into this prestigious regional competition.
The exhibition in the museum’s Galleria showcases some of the amazing wildlife images that were judged as winners and runners-up, plus a digital slideshow of the other contenders.
Will you agree with the judges' decision?
In partnership with the Natural History Society of Northumbria and the Wildlife Trusts of Durham, Tees Valley and Northumberland.
at South Shields Museum & Art Gallery
In 1866 South Shields Volunteer Life Brigade (SSVLB) was formed and to mark the 150th Anniversary South Shields Museum is hosting this exhibition as part of a year long program of activities and events.
Join us on the grand opening day where you will be able to watch and learn about the creation and history of the gansie from the ‘Materialistics’, hear as ‘The Ancient Mariners’ regale tales of the seafaring communities through sea shanties, take part in family learning craft activities and of course visit the exhibition and meet members of SSVLB who will be on hand to tell their story.
Echoing the Brigade’s motto, the “Always Ready for 150 years” the exhibition explores the story of the first organisation in the world to save lives from shipwrecks using the breeches buoy.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Known as the effervescent health salt, Andrews Liver Salt was first made in Newcastle in 1894 and was taken to relieve constipation and heartburn.
Thanks to a kind donation from pharmaceutical company Sanofi in 2015, we are able to display a range of nostaglic old packaging, advertisements and images from their years at Fawdon Manufacturing Centre.
at South Shields Museum & Art Gallery
This small display commemorates the centenary of the Battle of Jutland, a First World War naval battle fought by the British Royal Navy’s Grand Fleet against the Imperial German Navy’s High Seas Fleet, 31 May to 1 June 1916.
In particular, the display tells the tragic fate of HMS Queen Mary – built at Palmers, Jarrow – which was sunk during the battle, with all but twenty of her 1,286 man crew lost. Drawing upon the expertise of local First World War historian Peter Hoy, the display also commemorates the service and sacrifice of South Tyneside men in the Battle.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
185 men of South Tyneside were killed on the first day of the Battle of the Somme, on 1 July 1916. More were to perish as the bloody battle dragged on until 1 November that year.
This exhibition tells the story of one of the bloodiest military battles of history, with a particular emphasis on the local men who made the ultimate sacrifice.
Guest-curated by First World War historian Peter Hoy, who has toiled for years to compile a database containing over 7,000 of South Tyneside’s Great War participants, the exhibition will feature haunting photographs of many of the Somme’s local victims.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
A British Library exhibition with additional loans from the Victoria & Albert Museum especially for the Laing, Alice in Wonderland delves into the world of Lewis Carroll’s classic tale, Alice’s Adventures in Wonderland.
Explore the different ways generations of illustrators, artists, musicians, filmmakers and designers over the past 150 years have been inspired by the story of the girl who went ‘down the rabbit hole’.
The exhibition includes illustrations and drawings celebrating Alice in Wonderland by Mervyn Peake, Ralph Steadman, Leonard Weisgard, Arthur Rackham, Peter Blake and Salvador Dali.
Alice in Wonderland will be accompanied by a programme events for adults and for children throughout the summer. There are also family trails available, please ask a member of staff for details. Download the programme (PDF 690KB).
A British Library exhibition.
NB: This is a family-friendly exhibition and children of all ages are welcome, but the content is not aimed at very young children. For the under-fives we would recommend teaming up your visit with a Big Wednesday event during the school holidays or a visit to our under-fives area.
at Laing Art Gallery
Dozens of artists submitted proposals to an open call in spring 2016 to develop designs for a roaming pavilion (temporary architectural structure) inspired by the Hatton Gallery's collection.
This exhibition features the work of Catrin Huber, Toby Paterson, and duo Harriet Sutcliffe & Jack Mutton.
Visitors are invited to comment on the proposals and an independent panel of judges will decide which artist will go on to complete the pavilion which will tour around Newcastle and Gateshead in spring/summer 2017.
Showcase: Designs for a Touring Pavilion is part of the offsite programme which aims to maintain the profile of the Hatton Gallery whilst it is closed for a £3.8million refurbishment, which has been funded by the Heritage Lottery Fund.
Showcase: Designs for a Touring Pavilion has been supported by money raised through Arts Council England’s Catalyst Arts: capacity building and match funding scheme and the Heritage Lottery Fund.
Find out more about the artists here.
at Hatton Gallery
Dozens of artists submitted proposals to an open call in spring 2016 to develop designs for a roaming pavilion (temporary architectural structure) inspired by the Hatton Gallery's collection.
This exhibition features the work of Catrin Huber, Toby Paterson, and duo Harriet Sutcliffe & Jack Mutton.
Visitors are invited to comment on the proposals and an independent panel of judges will decide which artist will go on to complete the pavilion which will tour around Newcastle and Gateshead in spring/summer 2017.
Showcase: Designs for a Touring Pavilion is part of the offsite programme which aims to maintain the profile of the Hatton Gallery whilst it is closed for a £3.8million refurbishment, which has been funded by the Heritage Lottery Fund.
Showcase: Designs for a Touring Pavilion has been supported by money raised through Arts Council England’s Catalyst Arts: capacity building and match funding scheme and the Heritage Lottery Fund.
Find out more about the artists here.
at Shipley Art Gallery
This exhibition explores the riches of the Shipley’s three-dimensional craft and design collection to showcase a wealth of pattern and decoration. Many techniques are included, both on the surface and creating a ‘surface’ in glass, ceramic, textile, metal and wood.
at Shipley Art Gallery
This exhibition has been created to complement ‘Surface Deep’, but with the focus on two-dimensional works on art. Paintings, drawings, prints, tapestries and embroideries will be shown in a rich, multi-layered display of pattern, surfaces, colour and narrative.
at South Shields Museum & Art Gallery
In 1978 Vince Rea embarked on a major project, to produce a photographic record of Jarrow and its people. Vince’s year-long endeavour resulted in some 5,000 negatives. This exhibition offers a selection of his work. His pictures put people and their environment before us with striking immediacy, and are also invaluable as a social record of the time.
Vince Rea (b. 1936) was the driving force behind the Bede Gallery, housed in a former nuclear bunker in Jarrow’s Springwell Park. As Director of the gallery, Vince staged an impressive array of exhibitions showcasing the best of British and international modern art. But Vince also had a passion for the social and industrial history of Jarrow, which led him to present a number of important historical exhibitions and, in the process, to build up a unique collection of archives and artefacts, many of which are now in the care of Tyne & Wear Archives & Museums. This exhibition is the first of a series highlighting key aspects from that collection.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Visit The Hub to see a selection of Tyne & Wear Archives & Museums’ costume and textiles collection. Created by volunteers, this exhibition highlights different techniques and trends in handmade textiles, from ancient decorations to modern designers.
For millennia people have decorated their clothes and household items by hand, creating personal and beautiful items. These techniques continue to be used to decorate textiles today.
at Discovery Museum
Over 7,000 men and women from the North East of England served in the Canadian, Australian, and New Zealand armies during the First World War.
This exhibition draws upon the research undertaken for the ‘Dominion Geordies’ project at Northumbria University. The project recruited volunteers from around the world to research the lives and wartime service of ‘Geordies’ in the Dominion armies (Australia, New Zealand, Canada, and Newfoundland) during the First World War. The ambition of the project is to understand why these men and women left the region before 1914, why they joined up, and why many of those who survived the war chose to make their lives in distant lands.
The exhibition concentrates on the stories of around a dozen men who, having travelled thousands of miles to the various Dominions to make new lives, enlisted and fought for their adopted countries.
at Laing Art Gallery
This exhibition of the Laing’s watercolour collection will take you on a journey through three centuries and increasingly distant parts of the world, starting from a scene of Newcastle.
The ever increasing popularity of watercolour combined with new travel routes defined where artists could visit. The artists, along with prevailing fashions in society and art defined how the British public saw the world. Featured artists include Edward Lear, JMW Turner, John Constable, David Roberts, JW Carmichael and John Singer Sargent.
at Laing Art Gallery
This display tells the story of how abstraction became the biggest artistic development of the twentieth century. Ranging from the technical experiments of around 1900 to the high-point of ‘pure’ abstraction in the mid-twentieth century, the selection includes works by celebrated painters such as David Bomberg, Prunella Clough, Patrick Heron, Ben Nicholson, Winifred Nicholson, and Walter Sickert. These paintings are shown alongside works by living artists including Frank Auerbach, Gillian Ayres and Chris Ofili, which show the continued influence of abstraction in contemporary art.
Although most works in this display are from the Laing Collection, Echoes of Abstraction also offers a last chance to see key examples of abstract painting borrowed from the Hatton Gallery, which closes for an exciting redevelopment in February 2016. To find out more about the Hatton Gallery redevelopment and its final exhibition please see their website.
at Discovery Museum
Take a fresh look at our costume collection through the eyes of Northumbria University fashion students.
16 fabulous outfits dating from 1850 to 1900 from shoes and parasols to lace collars and bags are on show.
Students are working in the gallery to create their own unique responses to the collection which will go on display at the end of May.
The exhibition will be closed on Tuesday 24 May so we can add more objects to the display.
at Great North Museum: Hancock
Over 1,500 photographs of North East wildlife were entered into this prestigious regional competition.
The exhibition in the museum’s Galleria showcases some of the amazing wildlife images that were judged as winners and runners-up, plus a digital slideshow of the other contenders.
Will you agree with the judges' decision?
In partnership with the Natural History Society of Northumbria and the Wildlife Trusts of Durham, Tees Valley and Northumberland.
at South Shields Museum & Art Gallery
In 1866 South Shields Volunteer Life Brigade (SSVLB) was formed and to mark the 150th Anniversary South Shields Museum is hosting this exhibition as part of a year long program of activities and events.
Join us on the grand opening day where you will be able to watch and learn about the creation and history of the gansie from the ‘Materialistics’, hear as ‘The Ancient Mariners’ regale tales of the seafaring communities through sea shanties, take part in family learning craft activities and of course visit the exhibition and meet members of SSVLB who will be on hand to tell their story.
Echoing the Brigade’s motto, the “Always Ready for 150 years” the exhibition explores the story of the first organisation in the world to save lives from shipwrecks using the breeches buoy.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Known as the effervescent health salt, Andrews Liver Salt was first made in Newcastle in 1894 and was taken to relieve constipation and heartburn.
Thanks to a kind donation from pharmaceutical company Sanofi in 2015, we are able to display a range of nostaglic old packaging, advertisements and images from their years at Fawdon Manufacturing Centre.
at South Shields Museum & Art Gallery
This small display commemorates the centenary of the Battle of Jutland, a First World War naval battle fought by the British Royal Navy’s Grand Fleet against the Imperial German Navy’s High Seas Fleet, 31 May to 1 June 1916.
In particular, the display tells the tragic fate of HMS Queen Mary – built at Palmers, Jarrow – which was sunk during the battle, with all but twenty of her 1,286 man crew lost. Drawing upon the expertise of local First World War historian Peter Hoy, the display also commemorates the service and sacrifice of South Tyneside men in the Battle.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
185 men of South Tyneside were killed on the first day of the Battle of the Somme, on 1 July 1916. More were to perish as the bloody battle dragged on until 1 November that year.
This exhibition tells the story of one of the bloodiest military battles of history, with a particular emphasis on the local men who made the ultimate sacrifice.
Guest-curated by First World War historian Peter Hoy, who has toiled for years to compile a database containing over 7,000 of South Tyneside’s Great War participants, the exhibition will feature haunting photographs of many of the Somme’s local victims.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
A British Library exhibition with additional loans from the Victoria & Albert Museum especially for the Laing, Alice in Wonderland delves into the world of Lewis Carroll’s classic tale, Alice’s Adventures in Wonderland.
Explore the different ways generations of illustrators, artists, musicians, filmmakers and designers over the past 150 years have been inspired by the story of the girl who went ‘down the rabbit hole’.
The exhibition includes illustrations and drawings celebrating Alice in Wonderland by Mervyn Peake, Ralph Steadman, Leonard Weisgard, Arthur Rackham, Peter Blake and Salvador Dali.
Alice in Wonderland will be accompanied by a programme events for adults and for children throughout the summer. There are also family trails available, please ask a member of staff for details. Download the programme (PDF 690KB).
A British Library exhibition.
NB: This is a family-friendly exhibition and children of all ages are welcome, but the content is not aimed at very young children. For the under-fives we would recommend teaming up your visit with a Big Wednesday event during the school holidays or a visit to our under-fives area.
at Laing Art Gallery
Dozens of artists submitted proposals to an open call in spring 2016 to develop designs for a roaming pavilion (temporary architectural structure) inspired by the Hatton Gallery's collection.
This exhibition features the work of Catrin Huber, Toby Paterson, and duo Harriet Sutcliffe & Jack Mutton.
Visitors are invited to comment on the proposals and an independent panel of judges will decide which artist will go on to complete the pavilion which will tour around Newcastle and Gateshead in spring/summer 2017.
Showcase: Designs for a Touring Pavilion is part of the offsite programme which aims to maintain the profile of the Hatton Gallery whilst it is closed for a £3.8million refurbishment, which has been funded by the Heritage Lottery Fund.
Showcase: Designs for a Touring Pavilion has been supported by money raised through Arts Council England’s Catalyst Arts: capacity building and match funding scheme and the Heritage Lottery Fund.
Find out more about the artists here.
at Hatton Gallery
Dozens of artists submitted proposals to an open call in spring 2016 to develop designs for a roaming pavilion (temporary architectural structure) inspired by the Hatton Gallery's collection.
This exhibition features the work of Catrin Huber, Toby Paterson, and duo Harriet Sutcliffe & Jack Mutton.
Visitors are invited to comment on the proposals and an independent panel of judges will decide which artist will go on to complete the pavilion which will tour around Newcastle and Gateshead in spring/summer 2017.
Showcase: Designs for a Touring Pavilion is part of the offsite programme which aims to maintain the profile of the Hatton Gallery whilst it is closed for a £3.8million refurbishment, which has been funded by the Heritage Lottery Fund.
Showcase: Designs for a Touring Pavilion has been supported by money raised through Arts Council England’s Catalyst Arts: capacity building and match funding scheme and the Heritage Lottery Fund.
Find out more about the artists here.
at Great North Museum: Hancock
We're hosting two exhibitions as part of the 2016 International Print Biennale. The Biennale is organised by Northern Print and takes place at venues across the North East from Friday 16 September to Sunday 30 October.
In the Galleria, Norwegian artists (and sisters) Annette and Caroline Kierulf are showing a series of woodcuts they have made individually but resulting from a collaborative project.
Using the scale and format of posters, these woodcuts use one of the oldest forms of printmaking to explore very current concerns around technology, economy, consumerism and the environment.
London-based Rebecca Jewell is an artist printmaker who specialises in working with museum collections (she recently undertook a residency at the British Museum working with the ethnographic collection). Her work displayed in the World Cultures Gallery explores her interest in both the natural world and human cultures and has been inspired by her artistic examination of natural history specimens and museum artefacts.
at Shipley Art Gallery
This exhibition explores the riches of the Shipley’s three-dimensional craft and design collection to showcase a wealth of pattern and decoration. Many techniques are included, both on the surface and creating a ‘surface’ in glass, ceramic, textile, metal and wood.
at Discovery Museum
This collaborative exhibition celebrates the history of the icebreaker ship from the construction of the Sviatogor on the River Tyne, through its rebirth as the Krasin, its heroic participation in the Arctic Convoys of WWII, to its current incarnation as a museum ship on the River Neva in St Petersburg, Russia.
Armstrong's to the Arctic: The 100th Anniversary of the Icebreaker Krasin is a collaboration between Discovery Museum, the Museum of the World Ocean in St Petersburg, and the British Consulate General St Petersburg.
at Shipley Art Gallery
This exhibition has been created to complement ‘Surface Deep’, but with the focus on two-dimensional works on art. Paintings, drawings, prints, tapestries and embroideries will be shown in a rich, multi-layered display of pattern, surfaces, colour and narrative.
at South Shields Museum & Art Gallery
In 1978 Vince Rea embarked on a major project, to produce a photographic record of Jarrow and its people. Vince’s year-long endeavour resulted in some 5,000 negatives. This exhibition offers a selection of his work. His pictures put people and their environment before us with striking immediacy, and are also invaluable as a social record of the time.
Vince Rea (b. 1936) was the driving force behind the Bede Gallery, housed in a former nuclear bunker in Jarrow’s Springwell Park. As Director of the gallery, Vince staged an impressive array of exhibitions showcasing the best of British and international modern art. But Vince also had a passion for the social and industrial history of Jarrow, which led him to present a number of important historical exhibitions and, in the process, to build up a unique collection of archives and artefacts, many of which are now in the care of Tyne & Wear Archives & Museums. This exhibition is the first of a series highlighting key aspects from that collection.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Visit The Hub to see a selection of Tyne & Wear Archives & Museums’ costume and textiles collection. Created by volunteers, this exhibition highlights different techniques and trends in handmade textiles, from ancient decorations to modern designers.
For millennia people have decorated their clothes and household items by hand, creating personal and beautiful items. These techniques continue to be used to decorate textiles today.
at Laing Art Gallery
This exhibition of the Laing’s watercolour collection will take you on a journey through three centuries and increasingly distant parts of the world, starting from a scene of Newcastle.
The ever increasing popularity of watercolour combined with new travel routes defined where artists could visit. The artists, along with prevailing fashions in society and art defined how the British public saw the world. Featured artists include Edward Lear, JMW Turner, John Constable, David Roberts, JW Carmichael and John Singer Sargent.
at South Shields Museum & Art Gallery
This small display commemorates the centenary of the Battle of Jutland, a First World War naval battle fought by the British Royal Navy’s Grand Fleet against the Imperial German Navy’s High Seas Fleet, 31 May to 1 June 1916.
In particular, the display tells the tragic fate of HMS Queen Mary – built at Palmers, Jarrow – which was sunk during the battle, with all but twenty of her 1,286 man crew lost. Drawing upon the expertise of local First World War historian Peter Hoy, the display also commemorates the service and sacrifice of South Tyneside men in the Battle.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
185 men of South Tyneside were killed on the first day of the Battle of the Somme, on 1 July 1916. More were to perish as the bloody battle dragged on until 1 November that year.
This exhibition tells the story of one of the bloodiest military battles of history, with a particular emphasis on the local men who made the ultimate sacrifice.
Guest-curated by First World War historian Peter Hoy, who has toiled for years to compile a database containing over 7,000 of South Tyneside’s Great War participants, the exhibition will feature haunting photographs of many of the Somme’s local victims.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
A British Library exhibition with additional loans from the Victoria & Albert Museum especially for the Laing, Alice in Wonderland delves into the world of Lewis Carroll’s classic tale, Alice’s Adventures in Wonderland.
Explore the different ways generations of illustrators, artists, musicians, filmmakers and designers over the past 150 years have been inspired by the story of the girl who went ‘down the rabbit hole’.
The exhibition includes illustrations and drawings celebrating Alice in Wonderland by Mervyn Peake, Ralph Steadman, Leonard Weisgard, Arthur Rackham, Peter Blake and Salvador Dali.
Alice in Wonderland will be accompanied by a programme events for adults and for children throughout the summer. There are also family trails available, please ask a member of staff for details. Download the programme (PDF 690KB).
A British Library exhibition.
NB: This is a family-friendly exhibition and children of all ages are welcome, but the content is not aimed at very young children. For the under-fives we would recommend teaming up your visit with a Big Wednesday event during the school holidays or a visit to our under-fives area.
at Laing Art Gallery
Dozens of artists submitted proposals to an open call in spring 2016 to develop designs for a roaming pavilion (temporary architectural structure) inspired by the Hatton Gallery's collection.
This exhibition features the work of Catrin Huber, Toby Paterson, and duo Harriet Sutcliffe & Jack Mutton.
Visitors are invited to comment on the proposals and an independent panel of judges will decide which artist will go on to complete the pavilion which will tour around Newcastle and Gateshead in spring/summer 2017.
Showcase: Designs for a Touring Pavilion is part of the offsite programme which aims to maintain the profile of the Hatton Gallery whilst it is closed for a £3.8million refurbishment, which has been funded by the Heritage Lottery Fund.
Showcase: Designs for a Touring Pavilion has been supported by money raised through Arts Council England’s Catalyst Arts: capacity building and match funding scheme and the Heritage Lottery Fund.
Find out more about the artists here.
at Hatton Gallery
Dozens of artists submitted proposals to an open call in spring 2016 to develop designs for a roaming pavilion (temporary architectural structure) inspired by the Hatton Gallery's collection.
This exhibition features the work of Catrin Huber, Toby Paterson, and duo Harriet Sutcliffe & Jack Mutton.
Visitors are invited to comment on the proposals and an independent panel of judges will decide which artist will go on to complete the pavilion which will tour around Newcastle and Gateshead in spring/summer 2017.
Showcase: Designs for a Touring Pavilion is part of the offsite programme which aims to maintain the profile of the Hatton Gallery whilst it is closed for a £3.8million refurbishment, which has been funded by the Heritage Lottery Fund.
Showcase: Designs for a Touring Pavilion has been supported by money raised through Arts Council England’s Catalyst Arts: capacity building and match funding scheme and the Heritage Lottery Fund.
Find out more about the artists here.
at Discovery Museum
Join us for the official public launch of the Movement exhibition. There will be presentations, workshops, refreshments and music. All are welcome including children..
The Movement exhibition documents an important part of the region’s heritage and the BAM! Sistahood! Project’s development in digitally recording diverse women’s lives in the North East. It forms part of an archive created by women who are part of the BAM! Sistahood! project.
Using objects, printmaking, textiles, digital photography and film as a way to explore difference as well as cross cultural similarities, Movement gives an insight to the many diverse aspects of women’s heritage in the North East.
The exhibition documents the wide range of work that the BAM! Sistahood! Project participants have developed across the region from traditional textile folk art to the highly skilled execution of large-scale lino-prints, video and digital photography. The exhibition will also display a range of objects from Sierre Leone, Nigeria and Indonesia that have not yet been publically displayed and document the cross-cultural migration journeys of women who have been instrumental in political and social change across the region.
at Great North Museum: Hancock
We're hosting two exhibitions as part of the 2016 International Print Biennale. The Biennale is organised by Northern Print and takes place at venues across the North East from Friday 16 September to Sunday 30 October.
In the Galleria, Norwegian artists (and sisters) Annette and Caroline Kierulf are showing a series of woodcuts they have made individually but resulting from a collaborative project.
Using the scale and format of posters, these woodcuts use one of the oldest forms of printmaking to explore very current concerns around technology, economy, consumerism and the environment.
London-based Rebecca Jewell is an artist printmaker who specialises in working with museum collections (she recently undertook a residency at the British Museum working with the ethnographic collection). Her work displayed in the World Cultures Gallery explores her interest in both the natural world and human cultures and has been inspired by her artistic examination of natural history specimens and museum artefacts.
at Shipley Art Gallery
This exhibition explores the riches of the Shipley’s three-dimensional craft and design collection to showcase a wealth of pattern and decoration. Many techniques are included, both on the surface and creating a ‘surface’ in glass, ceramic, textile, metal and wood.
at Discovery Museum
This collaborative exhibition celebrates the history of the icebreaker ship from the construction of the Sviatogor on the River Tyne, through its rebirth as the Krasin, its heroic participation in the Arctic Convoys of WWII, to its current incarnation as a museum ship on the River Neva in St Petersburg, Russia.
Armstrong's to the Arctic: The 100th Anniversary of the Icebreaker Krasin is a collaboration between Discovery Museum, the Museum of the World Ocean in St Petersburg, and the British Consulate General St Petersburg.
at South Shields Museum & Art Gallery
An exhibition exploring the friendship and creative collaboration between printmaker Birgit Skiӧld (1923-1982) with South Shields born poet and writer James Kirkup (1918-2009).
The exhibition presents a small number of intaglio and embossed prints gifted to Northern Print by the Birgit Skiöld Memorial Trust and focuses on Skiöld’s interest in Japanese gardens.
All details on the South Shields Museum & Art Gallery website
at Shipley Art Gallery
This exhibition has been created to complement ‘Surface Deep’, but with the focus on two-dimensional works on art. Paintings, drawings, prints, tapestries and embroideries will be shown in a rich, multi-layered display of pattern, surfaces, colour and narrative.
at Laing Art Gallery
Rosie Morris has transformed one of the Laing’s original Edwardian galleries with an ambitious architectural installation, entitled Circles are Slices of Spheres. The title draws on the idea of the gallery as an intersection, a ‘slice’ of a greater whole.
A monumental painting will envelop the viewer in an expanse of colours and illusionistic shadows, creating a stage to reflect on our encounter with the gallery space itself. An accompanying sound commission by Sam Grant will accentuate the spatial acoustics and the gallery’s feeling of focus and separation, drawing on ideas of the sublime and hushed atmosphere associated with viewing art.
The installation houses a carefully selected object from the Laing collection, and is accompanied by an opening performance and subsequent script, all of which Morris uses as devices to further explore her continuing preoccupation with being in the ‘here-and-now’. In particular, the work addresses how we experience and relate to the world: from the way we interact with objects and the spaces in which we dwell, to the larger conceptual terrains of the Urban, the Landscape, and the Cosmic.
The exhibition will be accompanied by a programme of events questioning pre-existing ideas surrounding the role of galleries by proposing new uses of the space.
This exhibition is kindly supported by Arts Council England and Newcastle University's Institute for Creative Arts Practice.
at South Shields Museum & Art Gallery
In 1978 Vince Rea embarked on a major project, to produce a photographic record of Jarrow and its people. Vince’s year-long endeavour resulted in some 5,000 negatives. This exhibition offers a selection of his work. His pictures put people and their environment before us with striking immediacy, and are also invaluable as a social record of the time.
Vince Rea (b. 1936) was the driving force behind the Bede Gallery, housed in a former nuclear bunker in Jarrow’s Springwell Park. As Director of the gallery, Vince staged an impressive array of exhibitions showcasing the best of British and international modern art. But Vince also had a passion for the social and industrial history of Jarrow, which led him to present a number of important historical exhibitions and, in the process, to build up a unique collection of archives and artefacts, many of which are now in the care of Tyne & Wear Archives & Museums. This exhibition is the first of a series highlighting key aspects from that collection.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Visit The Hub to see a selection of Tyne & Wear Archives & Museums’ costume and textiles collection. Created by volunteers, this exhibition highlights different techniques and trends in handmade textiles, from ancient decorations to modern designers.
For millennia people have decorated their clothes and household items by hand, creating personal and beautiful items. These techniques continue to be used to decorate textiles today.
at South Shields Museum & Art Gallery
Marking the Jarrow Crusade’s 80th anniversary, this exhibition brings new light to a legendary event that captured the imagination of a nation. The march illustrated the plight of the people of Jarrow, whose shipyard had closed and where government, the banks and employers blocked plans for a new steelworks. As the local Member of Parliament Ellen Wilkinson remarked, Jarrow “provided an object lesson” of what the austerity of the 1930s could do to a town. Outraged at the neglect of the town, the council organised a 300 mile trek to London.
The exhibition will reveal details about the 200 marchers from Jarrow: their hardships, their lives, their town and their protest against injustice. It will incorporate archive photographs, artefacts and contemporary footage.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
See powerful works by 50 international artists including Frank Auerbach, David Bomberg, Marc Chagall, Chaïm Soutine and Alfred Wolmark, which address the universality of migration and resulting issues of identity and belonging.
Drawn from the collection of the Ben Uri Gallery, London, the works span more than a century. They range in style from traditionalism to modernism and encompassing examples of Impressionism, Expressionism, Vorticism and Social Realism, as well as embracing media from painting to contemporary photography, film and installation.
A Ben Uri Partner exhibition.
Blog: Read about Marc Chagall’s ‘Apocalypse in Lilac’ with reference to Holocaust Memorial Day
Read more detailed information about the exhibition.
at Discovery Museum
Over 7,000 men and women from the North East of England served in the Canadian, Australian, and New Zealand armies during the First World War.
This exhibition draws upon the research undertaken for the ‘Dominion Geordies’ project at Northumbria University. The project recruited volunteers from around the world to research the lives and wartime service of ‘Geordies’ in the Dominion armies (Australia, New Zealand, Canada, and Newfoundland) during the First World War. The ambition of the project is to understand why these men and women left the region before 1914, why they joined up, and why many of those who survived the war chose to make their lives in distant lands.
The exhibition concentrates on the stories of around a dozen men who, having travelled thousands of miles to the various Dominions to make new lives, enlisted and fought for their adopted countries.
at Discovery Museum
The Movement exhibition documents an important part of the region’s heritage and the BAM! Sistahood! project’s development in digitally recording diverse women’s lives in the North East. It forms part of an archive created by women who are part of the BAM! Sistahood! project.
Using objects, printmaking, textiles, digital photography and film as a way to explore difference as well as cross cultural similarities, Movement gives an insight to the many diverse aspects of women’s heritage in the North East.
The exhibition documents the wide range of work that the BAM! Sistahood! Project participants have developed across the region from traditional textile folk art to the highly skilled execution of large-scale lino-prints, video and digital photography. The exhibition will also display a range of objects from Sierre Leone, Nigeria and Indonesia that have not yet been publically displayed and document the cross-cultural migration journeys of women who have been instrumental in political and social change across the region.
at Laing Art Gallery
This exhibition of the Laing’s watercolour collection will take you on a journey through three centuries and increasingly distant parts of the world, starting from a scene of Newcastle.
The ever increasing popularity of watercolour combined with new travel routes defined where artists could visit. The artists, along with prevailing fashions in society and art defined how the British public saw the world. Featured artists include Edward Lear, JMW Turner, John Constable, David Roberts, JW Carmichael and John Singer Sargent.
at Shipley Art Gallery
This exhibition explores the riches of the Shipley’s three-dimensional craft and design collection to showcase a wealth of pattern and decoration. Many techniques are included, both on the surface and creating a ‘surface’ in glass, ceramic, textile, metal and wood.
at Discovery Museum
This collaborative exhibition celebrates the history of the icebreaker ship from the construction of the Sviatogor on the River Tyne, through its rebirth as the Krasin, its heroic participation in the Arctic Convoys of WWII, to its current incarnation as a museum ship on the River Neva in St Petersburg, Russia.
Armstrong's to the Arctic: The 100th Anniversary of the Icebreaker Krasin is a collaboration between Discovery Museum, the Museum of the World Ocean in St Petersburg, and the British Consulate General St Petersburg.
at Laing Art Gallery
Khyal: Music and Imagination is a multimedia exhibition that brings together visual artists and musicians to explore diverse visual responses to Indian classical music.
The exhibition features original artworks by Adinda van’t Klooster, Mahjabin Imam Majumdar, and Theresa Poulton, which can be viewed while listening to the music that inspired them. Works by professional artists are displayed alongside pieces by school children from the north east of England, who were invited to respond to the same music.
For visitors who wish to explore the music itself in more depth, a unique interactive app is presented here for the first time, developed by musicologists as part of the same project.
The project Khyal: Music and Imagination is based at Durham University, in collaboration with GemArts, and funded by the Arts and Humanities Research Council. Featured singers include Veena Sahasrabuddhe, Ranjani Ramachandran, Sudokshina Chatterjee, Surashree Ulhas Joshi and Atul Khandekar.
at Shipley Art Gallery
For the first time in 50 years, collections from Saltwell Towers in Saltwell Park are brought together for the public to enjoy. The fascinating display includes glassware and ceramics, taxidermy, bird eggs, insects, minerals, fossils and geology.
After the tour, chat to curator Michael McHugh over tea/coffee and cake.
at South Shields Museum & Art Gallery
An exhibition exploring the friendship and creative collaboration between printmaker Birgit Skiӧld (1923-1982) with South Shields born poet and writer James Kirkup (1918-2009).
The exhibition presents a small number of intaglio and embossed prints gifted to Northern Print by the Birgit Skiöld Memorial Trust and focuses on Skiöld’s interest in Japanese gardens.
All details on the South Shields Museum & Art Gallery website
at Shipley Art Gallery
This exhibition has been created to complement ‘Surface Deep’, but with the focus on two-dimensional works on art. Paintings, drawings, prints, tapestries and embroideries will be shown in a rich, multi-layered display of pattern, surfaces, colour and narrative.
at Laing Art Gallery
Rosie Morris has transformed one of the Laing’s original Edwardian galleries with an ambitious architectural installation, entitled Circles are Slices of Spheres. The title draws on the idea of the gallery as an intersection, a ‘slice’ of a greater whole.
A monumental painting will envelop the viewer in an expanse of colours and illusionistic shadows, creating a stage to reflect on our encounter with the gallery space itself. An accompanying sound commission by Sam Grant will accentuate the spatial acoustics and the gallery’s feeling of focus and separation, drawing on ideas of the sublime and hushed atmosphere associated with viewing art.
The installation houses a carefully selected object from the Laing collection, and is accompanied by an opening performance and subsequent script, all of which Morris uses as devices to further explore her continuing preoccupation with being in the ‘here-and-now’. In particular, the work addresses how we experience and relate to the world: from the way we interact with objects and the spaces in which we dwell, to the larger conceptual terrains of the Urban, the Landscape, and the Cosmic.
The exhibition will be accompanied by a programme of events questioning pre-existing ideas surrounding the role of galleries by proposing new uses of the space.
This exhibition is kindly supported by Arts Council England and Newcastle University's Institute for Creative Arts Practice.
at South Shields Museum & Art Gallery
In 1978 Vince Rea embarked on a major project, to produce a photographic record of Jarrow and its people. Vince’s year-long endeavour resulted in some 5,000 negatives. This exhibition offers a selection of his work. His pictures put people and their environment before us with striking immediacy, and are also invaluable as a social record of the time.
Vince Rea (b. 1936) was the driving force behind the Bede Gallery, housed in a former nuclear bunker in Jarrow’s Springwell Park. As Director of the gallery, Vince staged an impressive array of exhibitions showcasing the best of British and international modern art. But Vince also had a passion for the social and industrial history of Jarrow, which led him to present a number of important historical exhibitions and, in the process, to build up a unique collection of archives and artefacts, many of which are now in the care of Tyne & Wear Archives & Museums. This exhibition is the first of a series highlighting key aspects from that collection.
All details on the South Shields Museum & Art Gallery website
at Shipley Art Gallery
Gateshead Art Society's annual exhibition returns this year with a selection of artwork created by members of the Society over the past year.
Shortlisted by the members themselves and curated by the Shipley, this annual exhibition will be showcasing a collection of artwork in a variety of styles.
Saturday 10 December
Pop in to Gateshead Art Society’s exhibition to meet the artists and see them creating original artworks
at Discovery Museum
Visit The Hub to see a selection of Tyne & Wear Archives & Museums’ costume and textiles collection. Created by volunteers, this exhibition highlights different techniques and trends in handmade textiles, from ancient decorations to modern designers.
For millennia people have decorated their clothes and household items by hand, creating personal and beautiful items. These techniques continue to be used to decorate textiles today.
at Great North Museum: Hancock
In celebration of Northumberland’s magnificent meadows, come along and see an exhibition of poems and pictures by children and adults from around the North East.
Save our Magnificent Meadows is the UK’s largest partnership project transforming the fortunes of vanishing wildflower meadows, grasslands and wildlife. They target just under 6,000 hectares of wildflower meadows and grasslands in nine strategic landscapes across the UK.
It's about giving people all over the UK the chance to visit, enjoy and learn about our wildflower meadows and grasslands.
Find out more about their work online at www.magnificentmeadows.org.uk
at Laing Art Gallery
The work of Richard Hobson buzzes with the intensity and vibrancy of an artist completely absorbed in capturing the spirit of the North East. Towering cranes of Tyneside shipyards, industrial Northumbrian landscapes and excited Cullercoats day-trippers were all regular subjects. Hobson worked quickly and instinctively, outdoors in all seasons and weathers, giving his paintings and drawings a sense of gritty realism.
Hobson held his first solo exhibition at the Shipley Art Gallery in 1972, and exhibited regularly throughout his career. He has shown work at the Royal Academy, London, the Royal Scottish Society of Watercolour Painters, Edinburgh, and at numerous galleries throughout the North East. His work is held by Tyne & Wear Museums & Archives and in private collections nationally.
Gallagher & Turner and the Laing Art Gallery have worked together, in collaboration with the artist’s estate, to present this unique exhibition spanning two venues in Newcastle City Centre.
A number of works in this exhibition are for sale. If you are interested in making a purchase, please speak to a member of staff.
at South Shields Museum & Art Gallery
Marking the Jarrow Crusade’s 80th anniversary, this exhibition brings new light to a legendary event that captured the imagination of a nation. The march illustrated the plight of the people of Jarrow, whose shipyard had closed and where government, the banks and employers blocked plans for a new steelworks. As the local Member of Parliament Ellen Wilkinson remarked, Jarrow “provided an object lesson” of what the austerity of the 1930s could do to a town. Outraged at the neglect of the town, the council organised a 300 mile trek to London.
The exhibition will reveal details about the 200 marchers from Jarrow: their hardships, their lives, their town and their protest against injustice. It will incorporate archive photographs, artefacts and contemporary footage.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
See powerful works by 50 international artists including Frank Auerbach, David Bomberg, Marc Chagall, Chaïm Soutine and Alfred Wolmark, which address the universality of migration and resulting issues of identity and belonging.
Drawn from the collection of the Ben Uri Gallery, London, the works span more than a century. They range in style from traditionalism to modernism and encompassing examples of Impressionism, Expressionism, Vorticism and Social Realism, as well as embracing media from painting to contemporary photography, film and installation.
A Ben Uri Partner exhibition.
Blog: Read about Marc Chagall’s ‘Apocalypse in Lilac’ with reference to Holocaust Memorial Day
Read more detailed information about the exhibition.
at South Shields Museum & Art Gallery
This small display commemorates the tragedy which struck North and South Shields, plunging both towns into a world of grief on 31 December 1916. The morning of which 19 men and boys boarded the pilot cutter Protector but not one soul would return.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Over 7,000 men and women from the North East of England served in the Canadian, Australian, and New Zealand armies during the First World War.
This exhibition draws upon the research undertaken for the ‘Dominion Geordies’ project at Northumbria University. The project recruited volunteers from around the world to research the lives and wartime service of ‘Geordies’ in the Dominion armies (Australia, New Zealand, Canada, and Newfoundland) during the First World War. The ambition of the project is to understand why these men and women left the region before 1914, why they joined up, and why many of those who survived the war chose to make their lives in distant lands.
The exhibition concentrates on the stories of around a dozen men who, having travelled thousands of miles to the various Dominions to make new lives, enlisted and fought for their adopted countries.
at Discovery Museum
The Movement exhibition documents an important part of the region’s heritage and the BAM! Sistahood! project’s development in digitally recording diverse women’s lives in the North East. It forms part of an archive created by women who are part of the BAM! Sistahood! project.
Using objects, printmaking, textiles, digital photography and film as a way to explore difference as well as cross cultural similarities, Movement gives an insight to the many diverse aspects of women’s heritage in the North East.
The exhibition documents the wide range of work that the BAM! Sistahood! Project participants have developed across the region from traditional textile folk art to the highly skilled execution of large-scale lino-prints, video and digital photography. The exhibition will also display a range of objects from Sierre Leone, Nigeria and Indonesia that have not yet been publically displayed and document the cross-cultural migration journeys of women who have been instrumental in political and social change across the region.
at Discovery Museum
The story of our 19th century inventors and pioneers is all around us, but with so many experiments, ideas and notions jostling for position, history could have lurched off on a tangent at any moment and become very different.
What if Brunel had graced Sunderland with a vast suspension bridge, or Lovelace & Babbage had computerised the 1840s? What if steam-powered airships had really taken off?
From the northern engineers behind the age of steam to the New Victorians, Fabricating Histories turns history on its head and takes a closer look at the raggedy edges, broken ends, loops and knots, the alternative threads of history that might have been.
Five artists and designers – Dr Geof, Nick Simpson, Larysa Kucak, Phil Sayers and Charlotte Cory – visited the museum archives and have produced new work which reinterprets pieces from Tyne & Wear Archives & Museums collections. Dr Geof has redesigned Turbinia as if powered by the Lambton Worm, whilst Larysa Kucak has designed a corset based on a nineteenth-century parasol. Phil Sayers is looking at and rethinking Ada Lovelace as a woman in science, and Charlotte Cory has been reworking celebrated North East painter John Martin.
This exhibition celebrates the almost, might-have-been world, of Fabricating Histories!
This exhibition is a collaboration between Northumbria University, Tyne & Wear Archives & Museums and five artists, kindly supported by Arts Council England.
Share your thoughts using #fabricatinghistories
at Laing Art Gallery
This exhibition of the Laing’s watercolour collection will take you on a journey through three centuries and increasingly distant parts of the world, starting from a scene of Newcastle.
The ever increasing popularity of watercolour combined with new travel routes defined where artists could visit. The artists, along with prevailing fashions in society and art defined how the British public saw the world. Featured artists include Edward Lear, JMW Turner, John Constable, David Roberts, JW Carmichael and John Singer Sargent.
at South Shields Museum & Art Gallery
An exhibition exploring the friendship and creative collaboration between printmaker Birgit Skiӧld (1923-1982) with South Shields born poet and writer James Kirkup (1918-2009).
The exhibition presents a small number of intaglio and embossed prints gifted to Northern Print by the Birgit Skiöld Memorial Trust and focuses on Skiöld’s interest in Japanese gardens.
All details on the South Shields Museum & Art Gallery website
at Shipley Art Gallery
This exhibition has been created to complement ‘Surface Deep’, but with the focus on two-dimensional works on art. Paintings, drawings, prints, tapestries and embroideries will be shown in a rich, multi-layered display of pattern, surfaces, colour and narrative.
at Laing Art Gallery
Rosie Morris has transformed one of the Laing’s original Edwardian galleries with an ambitious architectural installation, entitled Circles are Slices of Spheres. The title draws on the idea of the gallery as an intersection, a ‘slice’ of a greater whole.
A monumental painting will envelop the viewer in an expanse of colours and illusionistic shadows, creating a stage to reflect on our encounter with the gallery space itself. An accompanying sound commission by Sam Grant will accentuate the spatial acoustics and the gallery’s feeling of focus and separation, drawing on ideas of the sublime and hushed atmosphere associated with viewing art.
The installation houses a carefully selected object from the Laing collection, and is accompanied by an opening performance and subsequent script, all of which Morris uses as devices to further explore her continuing preoccupation with being in the ‘here-and-now’. In particular, the work addresses how we experience and relate to the world: from the way we interact with objects and the spaces in which we dwell, to the larger conceptual terrains of the Urban, the Landscape, and the Cosmic.
The exhibition will be accompanied by a programme of events questioning pre-existing ideas surrounding the role of galleries by proposing new uses of the space.
This exhibition is kindly supported by Arts Council England and Newcastle University's Institute for Creative Arts Practice.
at South Shields Museum & Art Gallery
In 1978 Vince Rea embarked on a major project, to produce a photographic record of Jarrow and its people. Vince’s year-long endeavour resulted in some 5,000 negatives. This exhibition offers a selection of his work. His pictures put people and their environment before us with striking immediacy, and are also invaluable as a social record of the time.
Vince Rea (b. 1936) was the driving force behind the Bede Gallery, housed in a former nuclear bunker in Jarrow’s Springwell Park. As Director of the gallery, Vince staged an impressive array of exhibitions showcasing the best of British and international modern art. But Vince also had a passion for the social and industrial history of Jarrow, which led him to present a number of important historical exhibitions and, in the process, to build up a unique collection of archives and artefacts, many of which are now in the care of Tyne & Wear Archives & Museums. This exhibition is the first of a series highlighting key aspects from that collection.
All details on the South Shields Museum & Art Gallery website
at Shipley Art Gallery
Gateshead Art Society's annual exhibition returns this year with a selection of artwork created by members of the Society over the past year.
Shortlisted by the members themselves and curated by the Shipley, this annual exhibition will be showcasing a collection of artwork in a variety of styles.
Saturday 10 December
Pop in to Gateshead Art Society’s exhibition to meet the artists and see them creating original artworks
at Discovery Museum
Visit The Hub to see a selection of Tyne & Wear Archives & Museums’ costume and textiles collection. Created by volunteers, this exhibition highlights different techniques and trends in handmade textiles, from ancient decorations to modern designers.
For millennia people have decorated their clothes and household items by hand, creating personal and beautiful items. These techniques continue to be used to decorate textiles today.
at Great North Museum: Hancock
In celebration of Northumberland’s magnificent meadows, come along and see an exhibition of poems and pictures by children and adults from around the North East.
Save our Magnificent Meadows is the UK’s largest partnership project transforming the fortunes of vanishing wildflower meadows, grasslands and wildlife. They target just under 6,000 hectares of wildflower meadows and grasslands in nine strategic landscapes across the UK.
It's about giving people all over the UK the chance to visit, enjoy and learn about our wildflower meadows and grasslands.
Find out more about their work online at www.magnificentmeadows.org.uk
at Laing Art Gallery
The work of Richard Hobson buzzes with the intensity and vibrancy of an artist completely absorbed in capturing the spirit of the North East. Towering cranes of Tyneside shipyards, industrial Northumbrian landscapes and excited Cullercoats day-trippers were all regular subjects. Hobson worked quickly and instinctively, outdoors in all seasons and weathers, giving his paintings and drawings a sense of gritty realism.
Hobson held his first solo exhibition at the Shipley Art Gallery in 1972, and exhibited regularly throughout his career. He has shown work at the Royal Academy, London, the Royal Scottish Society of Watercolour Painters, Edinburgh, and at numerous galleries throughout the North East. His work is held by Tyne & Wear Museums & Archives and in private collections nationally.
Gallagher & Turner and the Laing Art Gallery have worked together, in collaboration with the artist’s estate, to present this unique exhibition spanning two venues in Newcastle City Centre.
A number of works in this exhibition are for sale. If you are interested in making a purchase, please speak to a member of staff.
at South Shields Museum & Art Gallery
Marking the Jarrow Crusade’s 80th anniversary, this exhibition brings new light to a legendary event that captured the imagination of a nation. The march illustrated the plight of the people of Jarrow, whose shipyard had closed and where government, the banks and employers blocked plans for a new steelworks. As the local Member of Parliament Ellen Wilkinson remarked, Jarrow “provided an object lesson” of what the austerity of the 1930s could do to a town. Outraged at the neglect of the town, the council organised a 300 mile trek to London.
The exhibition will reveal details about the 200 marchers from Jarrow: their hardships, their lives, their town and their protest against injustice. It will incorporate archive photographs, artefacts and contemporary footage.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
See powerful works by 50 international artists including Frank Auerbach, David Bomberg, Marc Chagall, Chaïm Soutine and Alfred Wolmark, which address the universality of migration and resulting issues of identity and belonging.
Drawn from the collection of the Ben Uri Gallery, London, the works span more than a century. They range in style from traditionalism to modernism and encompassing examples of Impressionism, Expressionism, Vorticism and Social Realism, as well as embracing media from painting to contemporary photography, film and installation.
A Ben Uri Partner exhibition.
Blog: Read about Marc Chagall’s ‘Apocalypse in Lilac’ with reference to Holocaust Memorial Day
Read more detailed information about the exhibition.
at South Shields Museum & Art Gallery
This small display commemorates the tragedy which struck North and South Shields, plunging both towns into a world of grief on 31 December 1916. The morning of which 19 men and boys boarded the pilot cutter Protector but not one soul would return.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Over 7,000 men and women from the North East of England served in the Canadian, Australian, and New Zealand armies during the First World War.
This exhibition draws upon the research undertaken for the ‘Dominion Geordies’ project at Northumbria University. The project recruited volunteers from around the world to research the lives and wartime service of ‘Geordies’ in the Dominion armies (Australia, New Zealand, Canada, and Newfoundland) during the First World War. The ambition of the project is to understand why these men and women left the region before 1914, why they joined up, and why many of those who survived the war chose to make their lives in distant lands.
The exhibition concentrates on the stories of around a dozen men who, having travelled thousands of miles to the various Dominions to make new lives, enlisted and fought for their adopted countries.
at Discovery Museum
The Movement exhibition documents an important part of the region’s heritage and the BAM! Sistahood! project’s development in digitally recording diverse women’s lives in the North East. It forms part of an archive created by women who are part of the BAM! Sistahood! project.
Using objects, printmaking, textiles, digital photography and film as a way to explore difference as well as cross cultural similarities, Movement gives an insight to the many diverse aspects of women’s heritage in the North East.
The exhibition documents the wide range of work that the BAM! Sistahood! Project participants have developed across the region from traditional textile folk art to the highly skilled execution of large-scale lino-prints, video and digital photography. The exhibition will also display a range of objects from Sierre Leone, Nigeria and Indonesia that have not yet been publically displayed and document the cross-cultural migration journeys of women who have been instrumental in political and social change across the region.
at Laing Art Gallery
Sun shines on snow in a kaleidoscope of colours in several of the pictures in this small display from the Laing collection.
A watercolour by Thomas Miles Richardson senior shows a country cottage through a blizzard, and JF Slater depicts a Northumberland view on a snowy night. A watercolour shows Newcastle in the grip of the Great Frost of 1784, with the Tyne frozen. Dorothy Carr created a striking picture of the frozen River Coquet in 1955. 19th-century Japanese artist Hiroshige also concentrated on design in his colour woodblock print of snow on Mount Hira.
You can read more about Newcastle in the Great Frost of 1784 in our blog.
at Discovery Museum
The story of our 19th century inventors and pioneers is all around us, but with so many experiments, ideas and notions jostling for position, history could have lurched off on a tangent at any moment and become very different.
What if Brunel had graced Sunderland with a vast suspension bridge, or Lovelace & Babbage had computerised the 1840s? What if steam-powered airships had really taken off?
From the northern engineers behind the age of steam to the New Victorians, Fabricating Histories turns history on its head and takes a closer look at the raggedy edges, broken ends, loops and knots, the alternative threads of history that might have been.
Five artists and designers – Dr Geof, Nick Simpson, Larysa Kucak, Phil Sayers and Charlotte Cory – visited the museum archives and have produced new work which reinterprets pieces from Tyne & Wear Archives & Museums collections. Dr Geof has redesigned Turbinia as if powered by the Lambton Worm, whilst Larysa Kucak has designed a corset based on a nineteenth-century parasol. Phil Sayers is looking at and rethinking Ada Lovelace as a woman in science, and Charlotte Cory has been reworking celebrated North East painter John Martin.
This exhibition celebrates the almost, might-have-been world, of Fabricating Histories!
This exhibition is a collaboration between Northumbria University, Tyne & Wear Archives & Museums and five artists, kindly supported by Arts Council England.
Share your thoughts using #fabricatinghistories
at Laing Art Gallery
This exhibition of the Laing’s watercolour collection will take you on a journey through three centuries and increasingly distant parts of the world, starting from a scene of Newcastle.
The ever increasing popularity of watercolour combined with new travel routes defined where artists could visit. The artists, along with prevailing fashions in society and art defined how the British public saw the world. Featured artists include Edward Lear, JMW Turner, John Constable, David Roberts, JW Carmichael and John Singer Sargent.
at Laing Art Gallery
Rosie Morris has transformed one of the Laing’s original Edwardian galleries with an ambitious architectural installation, entitled Circles are Slices of Spheres. The title draws on the idea of the gallery as an intersection, a ‘slice’ of a greater whole.
A monumental painting will envelop the viewer in an expanse of colours and illusionistic shadows, creating a stage to reflect on our encounter with the gallery space itself. An accompanying sound commission by Sam Grant will accentuate the spatial acoustics and the gallery’s feeling of focus and separation, drawing on ideas of the sublime and hushed atmosphere associated with viewing art.
The installation houses a carefully selected object from the Laing collection, and is accompanied by an opening performance and subsequent script, all of which Morris uses as devices to further explore her continuing preoccupation with being in the ‘here-and-now’. In particular, the work addresses how we experience and relate to the world: from the way we interact with objects and the spaces in which we dwell, to the larger conceptual terrains of the Urban, the Landscape, and the Cosmic.
The exhibition will be accompanied by a programme of events questioning pre-existing ideas surrounding the role of galleries by proposing new uses of the space.
This exhibition is kindly supported by Arts Council England and Newcastle University's Institute for Creative Arts Practice.
at South Shields Museum & Art Gallery
In 1978 Vince Rea embarked on a major project, to produce a photographic record of Jarrow and its people. Vince’s year-long endeavour resulted in some 5,000 negatives. This exhibition offers a selection of his work. His pictures put people and their environment before us with striking immediacy, and are also invaluable as a social record of the time.
Vince Rea (b. 1936) was the driving force behind the Bede Gallery, housed in a former nuclear bunker in Jarrow’s Springwell Park. As Director of the gallery, Vince staged an impressive array of exhibitions showcasing the best of British and international modern art. But Vince also had a passion for the social and industrial history of Jarrow, which led him to present a number of important historical exhibitions and, in the process, to build up a unique collection of archives and artefacts, many of which are now in the care of Tyne & Wear Archives & Museums. This exhibition is the first of a series highlighting key aspects from that collection.
All details on the South Shields Museum & Art Gallery website
at Shipley Art Gallery
Gateshead Art Society's annual exhibition returns this year with a selection of artwork created by members of the Society over the past year.
Shortlisted by the members themselves and curated by the Shipley, this annual exhibition will be showcasing a collection of artwork in a variety of styles.
Saturday 10 December
Pop in to Gateshead Art Society’s exhibition to meet the artists and see them creating original artworks
at Discovery Museum
Visit The Hub to see a selection of Tyne & Wear Archives & Museums’ costume and textiles collection. Created by volunteers, this exhibition highlights different techniques and trends in handmade textiles, from ancient decorations to modern designers.
For millennia people have decorated their clothes and household items by hand, creating personal and beautiful items. These techniques continue to be used to decorate textiles today.
at Great North Museum: Hancock
In celebration of Northumberland’s magnificent meadows, come along and see an exhibition of poems and pictures by children and adults from around the North East.
Save our Magnificent Meadows is the UK’s largest partnership project transforming the fortunes of vanishing wildflower meadows, grasslands and wildlife. They target just under 6,000 hectares of wildflower meadows and grasslands in nine strategic landscapes across the UK.
It's about giving people all over the UK the chance to visit, enjoy and learn about our wildflower meadows and grasslands.
Find out more about their work online at www.magnificentmeadows.org.uk
at Laing Art Gallery
The work of Richard Hobson buzzes with the intensity and vibrancy of an artist completely absorbed in capturing the spirit of the North East. Towering cranes of Tyneside shipyards, industrial Northumbrian landscapes and excited Cullercoats day-trippers were all regular subjects. Hobson worked quickly and instinctively, outdoors in all seasons and weathers, giving his paintings and drawings a sense of gritty realism.
Hobson held his first solo exhibition at the Shipley Art Gallery in 1972, and exhibited regularly throughout his career. He has shown work at the Royal Academy, London, the Royal Scottish Society of Watercolour Painters, Edinburgh, and at numerous galleries throughout the North East. His work is held by Tyne & Wear Museums & Archives and in private collections nationally.
Gallagher & Turner and the Laing Art Gallery have worked together, in collaboration with the artist’s estate, to present this unique exhibition spanning two venues in Newcastle City Centre.
A number of works in this exhibition are for sale. If you are interested in making a purchase, please speak to a member of staff.
at South Shields Museum & Art Gallery
Marking the Jarrow Crusade’s 80th anniversary, this exhibition brings new light to a legendary event that captured the imagination of a nation. The march illustrated the plight of the people of Jarrow, whose shipyard had closed and where government, the banks and employers blocked plans for a new steelworks. As the local Member of Parliament Ellen Wilkinson remarked, Jarrow “provided an object lesson” of what the austerity of the 1930s could do to a town. Outraged at the neglect of the town, the council organised a 300 mile trek to London.
The exhibition will reveal details about the 200 marchers from Jarrow: their hardships, their lives, their town and their protest against injustice. It will incorporate archive photographs, artefacts and contemporary footage.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
See powerful works by 50 international artists including Frank Auerbach, David Bomberg, Marc Chagall, Chaïm Soutine and Alfred Wolmark, which address the universality of migration and resulting issues of identity and belonging.
Drawn from the collection of the Ben Uri Gallery, London, the works span more than a century. They range in style from traditionalism to modernism and encompassing examples of Impressionism, Expressionism, Vorticism and Social Realism, as well as embracing media from painting to contemporary photography, film and installation.
A Ben Uri Partner exhibition.
Blog: Read about Marc Chagall’s ‘Apocalypse in Lilac’ with reference to Holocaust Memorial Day
Read more detailed information about the exhibition.
at South Shields Museum & Art Gallery
This small display commemorates the tragedy which struck North and South Shields, plunging both towns into a world of grief on 31 December 1916. The morning of which 19 men and boys boarded the pilot cutter Protector but not one soul would return.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Over 7,000 men and women from the North East of England served in the Canadian, Australian, and New Zealand armies during the First World War.
This exhibition draws upon the research undertaken for the ‘Dominion Geordies’ project at Northumbria University. The project recruited volunteers from around the world to research the lives and wartime service of ‘Geordies’ in the Dominion armies (Australia, New Zealand, Canada, and Newfoundland) during the First World War. The ambition of the project is to understand why these men and women left the region before 1914, why they joined up, and why many of those who survived the war chose to make their lives in distant lands.
The exhibition concentrates on the stories of around a dozen men who, having travelled thousands of miles to the various Dominions to make new lives, enlisted and fought for their adopted countries.
at Discovery Museum
The Movement exhibition documents an important part of the region’s heritage and the BAM! Sistahood! project’s development in digitally recording diverse women’s lives in the North East. It forms part of an archive created by women who are part of the BAM! Sistahood! project.
Using objects, printmaking, textiles, digital photography and film as a way to explore difference as well as cross cultural similarities, Movement gives an insight to the many diverse aspects of women’s heritage in the North East.
The exhibition documents the wide range of work that the BAM! Sistahood! Project participants have developed across the region from traditional textile folk art to the highly skilled execution of large-scale lino-prints, video and digital photography. The exhibition will also display a range of objects from Sierre Leone, Nigeria and Indonesia that have not yet been publically displayed and document the cross-cultural migration journeys of women who have been instrumental in political and social change across the region.
at Laing Art Gallery
Sun shines on snow in a kaleidoscope of colours in several of the pictures in this small display from the Laing collection.
A watercolour by Thomas Miles Richardson senior shows a country cottage through a blizzard, and JF Slater depicts a Northumberland view on a snowy night. A watercolour shows Newcastle in the grip of the Great Frost of 1784, with the Tyne frozen. Dorothy Carr created a striking picture of the frozen River Coquet in 1955. 19th-century Japanese artist Hiroshige also concentrated on design in his colour woodblock print of snow on Mount Hira.
You can read more about Newcastle in the Great Frost of 1784 in our blog.
at South Shields Museum & Art Gallery
South Tyneside Workers' Educational Association have selected one painting each from our art collection which they would like to hang on their wall at home.
The paintings depict the River Tyne, the sea, the town and local people and are interpreted in the WEA's own words.
A great opportunity to take a peek at some lesser seen pieces from the South Tyneside art collection.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
The story of our 19th century inventors and pioneers is all around us, but with so many experiments, ideas and notions jostling for position, history could have lurched off on a tangent at any moment and become very different.
What if Brunel had graced Sunderland with a vast suspension bridge, or Lovelace & Babbage had computerised the 1840s? What if steam-powered airships had really taken off?
From the northern engineers behind the age of steam to the New Victorians, Fabricating Histories turns history on its head and takes a closer look at the raggedy edges, broken ends, loops and knots, the alternative threads of history that might have been.
Five artists and designers – Dr Geof, Nick Simpson, Larysa Kucak, Phil Sayers and Charlotte Cory – visited the museum archives and have produced new work which reinterprets pieces from Tyne & Wear Archives & Museums collections. Dr Geof has redesigned Turbinia as if powered by the Lambton Worm, whilst Larysa Kucak has designed a corset based on a nineteenth-century parasol. Phil Sayers is looking at and rethinking Ada Lovelace as a woman in science, and Charlotte Cory has been reworking celebrated North East painter John Martin.
This exhibition celebrates the almost, might-have-been world, of Fabricating Histories!
This exhibition is a collaboration between Northumbria University, Tyne & Wear Archives & Museums and five artists, kindly supported by Arts Council England.
Share your thoughts using #fabricatinghistories
at Laing Art Gallery
Inspired by the remarkably innovative style of Sir Anthony van Dyck's last self-portrait, acquired for the nation in 2014, this exhibition pairs the painting with stunning works by major artists of the 20th and 21st century.
Like Van Dyck's self-portrait, the selected works offer the viewer direct eye-contact with a visionary artist, from David Bomberg, Francis Bacon and L.S. Lowry, to Sarah Lucas, Chris Ofili, and Jane & Louise Wilson. Composed of loans from the National Portrait Gallery and works from the Laing's own collection, alongside a contemporary artist's commission, the exhibition asks what it means to confront these great artists face-to-face, exploring themes of genius, creativity and the artist's role in society.
Van Dyck's self-portrait was acquired by the National Portrait Gallery following a major public appeal with the Art Fund and thanks to the generous support of the Heritage Lottery Fund and others.
Find out more about Van Dyck’s nationwide tour.
at Laing Art Gallery
This exhibition of the Laing’s watercolour collection will take you on a journey through three centuries and increasingly distant parts of the world, starting from a scene of Newcastle.
The ever increasing popularity of watercolour combined with new travel routes defined where artists could visit. The artists, along with prevailing fashions in society and art defined how the British public saw the world. Featured artists include Edward Lear, JMW Turner, John Constable, David Roberts, JW Carmichael and John Singer Sargent.
at Laing Art Gallery
The work of Richard Hobson buzzes with the intensity and vibrancy of an artist completely absorbed in capturing the spirit of the North East. Towering cranes of Tyneside shipyards, industrial Northumbrian landscapes and excited Cullercoats day-trippers were all regular subjects. Hobson worked quickly and instinctively, outdoors in all seasons and weathers, giving his paintings and drawings a sense of gritty realism.
Hobson held his first solo exhibition at the Shipley Art Gallery in 1972, and exhibited regularly throughout his career. He has shown work at the Royal Academy, London, the Royal Scottish Society of Watercolour Painters, Edinburgh, and at numerous galleries throughout the North East. His work is held by Tyne & Wear Museums & Archives and in private collections nationally.
Gallagher & Turner and the Laing Art Gallery have worked together, in collaboration with the artist’s estate, to present this unique exhibition spanning two venues in Newcastle City Centre.
A number of works in this exhibition are for sale. If you are interested in making a purchase, please speak to a member of staff.
at South Shields Museum & Art Gallery
Marking the Jarrow Crusade’s 80th anniversary, this exhibition brings new light to a legendary event that captured the imagination of a nation. The march illustrated the plight of the people of Jarrow, whose shipyard had closed and where government, the banks and employers blocked plans for a new steelworks. As the local Member of Parliament Ellen Wilkinson remarked, Jarrow “provided an object lesson” of what the austerity of the 1930s could do to a town. Outraged at the neglect of the town, the council organised a 300 mile trek to London.
The exhibition will reveal details about the 200 marchers from Jarrow: their hardships, their lives, their town and their protest against injustice. It will incorporate archive photographs, artefacts and contemporary footage.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
See powerful works by 50 international artists including Frank Auerbach, David Bomberg, Marc Chagall, Chaïm Soutine and Alfred Wolmark, which address the universality of migration and resulting issues of identity and belonging.
Drawn from the collection of the Ben Uri Gallery, London, the works span more than a century. They range in style from traditionalism to modernism and encompassing examples of Impressionism, Expressionism, Vorticism and Social Realism, as well as embracing media from painting to contemporary photography, film and installation.
A Ben Uri Partner exhibition.
Blog: Read about Marc Chagall’s ‘Apocalypse in Lilac’ with reference to Holocaust Memorial Day
Read more detailed information about the exhibition.
at South Shields Museum & Art Gallery
This small display commemorates the tragedy which struck North and South Shields, plunging both towns into a world of grief on 31 December 1916. The morning of which 19 men and boys boarded the pilot cutter Protector but not one soul would return.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Over 7,000 men and women from the North East of England served in the Canadian, Australian, and New Zealand armies during the First World War.
This exhibition draws upon the research undertaken for the ‘Dominion Geordies’ project at Northumbria University. The project recruited volunteers from around the world to research the lives and wartime service of ‘Geordies’ in the Dominion armies (Australia, New Zealand, Canada, and Newfoundland) during the First World War. The ambition of the project is to understand why these men and women left the region before 1914, why they joined up, and why many of those who survived the war chose to make their lives in distant lands.
The exhibition concentrates on the stories of around a dozen men who, having travelled thousands of miles to the various Dominions to make new lives, enlisted and fought for their adopted countries.
at Laing Art Gallery
Sun shines on snow in a kaleidoscope of colours in several of the pictures in this small display from the Laing collection.
A watercolour by Thomas Miles Richardson senior shows a country cottage through a blizzard, and JF Slater depicts a Northumberland view on a snowy night. A watercolour shows Newcastle in the grip of the Great Frost of 1784, with the Tyne frozen. Dorothy Carr created a striking picture of the frozen River Coquet in 1955. 19th-century Japanese artist Hiroshige also concentrated on design in his colour woodblock print of snow on Mount Hira.
You can read more about Newcastle in the Great Frost of 1784 in our blog.
at South Shields Museum & Art Gallery
South Tyneside Workers' Educational Association have selected one painting each from our art collection which they would like to hang on their wall at home.
The paintings depict the River Tyne, the sea, the town and local people and are interpreted in the WEA's own words.
A great opportunity to take a peek at some lesser seen pieces from the South Tyneside art collection.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
Why can’t I fly like a bird, or leap as far as a frog?
How does a snake move when it hasn’t got any feet?
The animal world is full of questions and bones can help us find the answers.
We're putting our enormous collection of animal skeletons on show for 2017’s must-see family-friendly exhibition.
From itty-bitty bats to whopping whales, bones are the hidden keys to how animals move, survive and evolve over time.
Join us on a journey through land, air and ocean and marvel at real bones, teeth and fossils from over 100 creatures.
Spot a salamander. Discover the dodo. Reveal the skeleton secrets of the animal world!
at Discovery Museum
The story of our 19th century inventors and pioneers is all around us, but with so many experiments, ideas and notions jostling for position, history could have lurched off on a tangent at any moment and become very different.
What if Brunel had graced Sunderland with a vast suspension bridge, or Lovelace & Babbage had computerised the 1840s? What if steam-powered airships had really taken off?
From the northern engineers behind the age of steam to the New Victorians, Fabricating Histories turns history on its head and takes a closer look at the raggedy edges, broken ends, loops and knots, the alternative threads of history that might have been.
Five artists and designers – Dr Geof, Nick Simpson, Larysa Kucak, Phil Sayers and Charlotte Cory – visited the museum archives and have produced new work which reinterprets pieces from Tyne & Wear Archives & Museums collections. Dr Geof has redesigned Turbinia as if powered by the Lambton Worm, whilst Larysa Kucak has designed a corset based on a nineteenth-century parasol. Phil Sayers is looking at and rethinking Ada Lovelace as a woman in science, and Charlotte Cory has been reworking celebrated North East painter John Martin.
This exhibition celebrates the almost, might-have-been world, of Fabricating Histories!
This exhibition is a collaboration between Northumbria University, Tyne & Wear Archives & Museums and five artists, kindly supported by Arts Council England.
Share your thoughts using #fabricatinghistories
at Laing Art Gallery
Inspired by the remarkably innovative style of Sir Anthony van Dyck's last self-portrait, acquired for the nation in 2014, this exhibition pairs the painting with stunning works by major artists of the 20th and 21st century.
Like Van Dyck's self-portrait, the selected works offer the viewer direct eye-contact with a visionary artist, from David Bomberg, Francis Bacon and L.S. Lowry, to Sarah Lucas, Chris Ofili, and Jane & Louise Wilson. Composed of loans from the National Portrait Gallery and works from the Laing's own collection, alongside a contemporary artist's commission, the exhibition asks what it means to confront these great artists face-to-face, exploring themes of genius, creativity and the artist's role in society.
Van Dyck's self-portrait was acquired by the National Portrait Gallery following a major public appeal with the Art Fund and thanks to the generous support of the Heritage Lottery Fund and others.
Find out more about Van Dyck’s nationwide tour.
at Laing Art Gallery
This exhibition of the Laing’s watercolour collection will take you on a journey through three centuries and increasingly distant parts of the world, starting from a scene of Newcastle.
The ever increasing popularity of watercolour combined with new travel routes defined where artists could visit. The artists, along with prevailing fashions in society and art defined how the British public saw the world. Featured artists include Edward Lear, JMW Turner, John Constable, David Roberts, JW Carmichael and John Singer Sargent.
at Shipley Art Gallery
To celebrate 100 years since the Gallery doors opened to the public to present the Shipley’s bequest collection, and 40 years since the first items were purchased to build the now nationally important contemporary craft collection, the Shipley Art Gallery presents a new showcase exhibition.
Companion Pieces brings together different parts of the collection based upon themes to show the range of techniques and ideas used to explore subjects.
Works are presented in relation to various themes including Adam and Eve, the Body Beautiful, Visions of Gateshead, the Japanese Connection.
at Discovery Museum
An exciting audio visual exhibition produced by people with profound and multiple learning disabilities from The Twisting Ducks Group. The exhibition will be shown in the Carpathia Room in the Discovery Museum and will be open between 11am and 3pm. It is suitable for audiences of all abilities this is the chance to come and interact with learning disabled produced art.
at Discovery Museum
The Movement exhibition documents an important part of the region’s heritage and the BAM! Sistahood! project’s development in digitally recording diverse women’s lives in the North East. It forms part of an archive created by women who are part of the BAM! Sistahood! project.
Using objects, printmaking, textiles, digital photography and film as a way to explore difference as well as cross cultural similarities, Movement gives an insight to the many diverse aspects of women’s heritage in the North East.
The exhibition documents the wide range of work that the BAM! Sistahood! Project participants have developed across the region from traditional textile folk art to the highly skilled execution of large-scale lino-prints, video and digital photography. The exhibition will also display a range of objects from Sierre Leone, Nigeria and Indonesia that have not yet been publically displayed and document the cross-cultural migration journeys of women who have been instrumental in political and social change across the region.
at Laing Art Gallery
Sun shines on snow in a kaleidoscope of colours in several of the pictures in this small display from the Laing collection.
A watercolour by Thomas Miles Richardson senior shows a country cottage through a blizzard, and JF Slater depicts a Northumberland view on a snowy night. A watercolour shows Newcastle in the grip of the Great Frost of 1784, with the Tyne frozen. Dorothy Carr created a striking picture of the frozen River Coquet in 1955. 19th-century Japanese artist Hiroshige also concentrated on design in his colour woodblock print of snow on Mount Hira.
You can read more about Newcastle in the Great Frost of 1784 in our blog.
at South Shields Museum & Art Gallery
South Tyneside Workers' Educational Association have selected one painting each from our art collection which they would like to hang on their wall at home.
The paintings depict the River Tyne, the sea, the town and local people and are interpreted in the WEA's own words.
A great opportunity to take a peek at some lesser seen pieces from the South Tyneside art collection.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
Why can’t I fly like a bird, or leap as far as a frog?
How does a snake move when it hasn’t got any feet?
The animal world is full of questions and bones can help us find the answers.
We're putting our enormous collection of animal skeletons on show for 2017’s must-see family-friendly exhibition.
From itty-bitty bats to whopping whales, bones are the hidden keys to how animals move, survive and evolve over time.
Join us on a journey through land, air and ocean and marvel at real bones, teeth and fossils from over 100 creatures.
Spot a salamander. Discover the dodo. Reveal the skeleton secrets of the animal world!
at Discovery Museum
The story of our 19th century inventors and pioneers is all around us, but with so many experiments, ideas and notions jostling for position, history could have lurched off on a tangent at any moment and become very different.
What if Brunel had graced Sunderland with a vast suspension bridge, or Lovelace & Babbage had computerised the 1840s? What if steam-powered airships had really taken off?
From the northern engineers behind the age of steam to the New Victorians, Fabricating Histories turns history on its head and takes a closer look at the raggedy edges, broken ends, loops and knots, the alternative threads of history that might have been.
Five artists and designers – Dr Geof, Nick Simpson, Larysa Kucak, Phil Sayers and Charlotte Cory – visited the museum archives and have produced new work which reinterprets pieces from Tyne & Wear Archives & Museums collections. Dr Geof has redesigned Turbinia as if powered by the Lambton Worm, whilst Larysa Kucak has designed a corset based on a nineteenth-century parasol. Phil Sayers is looking at and rethinking Ada Lovelace as a woman in science, and Charlotte Cory has been reworking celebrated North East painter John Martin.
This exhibition celebrates the almost, might-have-been world, of Fabricating Histories!
This exhibition is a collaboration between Northumbria University, Tyne & Wear Archives & Museums and five artists, kindly supported by Arts Council England.
Share your thoughts using #fabricatinghistories
at South Shields Museum & Art Gallery
Boldon Book has been called the ‘Domesday Book of the North’. It was the first survey of settlements north of the River Tees, an area that was omitted from the Domesday study. It was created in 1183 as a survey of the Bishop of Durham’s lands in Durham and Northumberland.
On display is the latest of the four surviving medieval manuscripts of the Book, written in the late 15th or early 16th century on loan from The Bodleian Library.
2016 marked the bicentenary of the first modern publication of the text of the medieval Boldon Book in 1816. This publication by the prominent antiquarian Sir Henry Ellis began to bring the Boldon Book into the public domain. To commemorate, two hundred years later, South Shields Museum & Art Gallery has worked with three community groups and two schools from the borough to capture their responses to some of the themes raised by the Boldon Book, marking a moment in time just as the Boldon Book does.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
Inspired by the remarkably innovative style of Sir Anthony van Dyck's last self-portrait, acquired for the nation in 2014, this exhibition pairs the painting with stunning works by major artists of the 20th and 21st century.
Like Van Dyck's self-portrait, the selected works offer the viewer direct eye-contact with a visionary artist, from David Bomberg, Francis Bacon and L.S. Lowry, to Sarah Lucas, Chris Ofili, and Jane & Louise Wilson. Composed of loans from the National Portrait Gallery and works from the Laing's own collection, alongside a contemporary artist's commission, the exhibition asks what it means to confront these great artists face-to-face, exploring themes of genius, creativity and the artist's role in society.
Van Dyck's self-portrait was acquired by the National Portrait Gallery following a major public appeal with the Art Fund and thanks to the generous support of the Heritage Lottery Fund and others.
Find out more about Van Dyck’s nationwide tour.
at Laing Art Gallery
This exhibition from House of Illustration gives a unique insight into the origins of some of Quentin Blake’s most characteristic and popular creations, from his illustrations for Roald Dahl’s classic Children’s books to The Boy in the Dress by David Walliams. Quentin Blake: Inside Stories demonstrates Blake’s use of a wide range of different techniques and media including inks, watercolours and pastels to create his distinctive and unforgettable illustrations.
First roughs, storyboards and finished artworks demonstrate how Blake's ideas evolve, often in close collaboration with the authors. The exhibition also features his illustrations for books by John Yeoman, Russell Hoban and Michael Rosen. Quentin Blake: Inside Stories brings together more than 100 pieces of original art.
Please let us know what you thought of our Quentin Blake exhibition by taking a short visitor survey. You will be entered into a free prize draw to win a £50 Amazon voucher. The winner will be chosen at random on 27 July 2017.
at Laing Art Gallery
This exhibition of the Laing’s watercolour collection will take you on a journey through three centuries and increasingly distant parts of the world, starting from a scene of Newcastle.
The ever increasing popularity of watercolour combined with new travel routes defined where artists could visit. The artists, along with prevailing fashions in society and art defined how the British public saw the world. Featured artists include Edward Lear, JMW Turner, John Constable, David Roberts, JW Carmichael and John Singer Sargent.
at Shipley Art Gallery
To celebrate 100 years since the Gallery doors opened to the public to present the Shipley’s bequest collection, and 40 years since the first items were purchased to build the now nationally important contemporary craft collection, the Shipley Art Gallery presents a new showcase exhibition.
Companion Pieces brings together different parts of the collection based upon themes to show the range of techniques and ideas used to explore subjects.
Works are presented in relation to various themes including Adam and Eve, the Body Beautiful, Visions of Gateshead, the Japanese Connection.
at Shipley Art Gallery
Join us for a talk about the Shipley Art Gallery’s history and collections as well as a tour of the collection highlights.
Subjects include the building itself, Joseph Shipley and his collection, the Tintoretto, the design and craft collection and Henry Rothschild and his ceramics gift.
Talks and tours are delivered by John Thompson, former Director of Tyne & Wear Arcives & Museums. Previously, John was curator at Whitworth and City Art Gallery, Manchester and Director of Arts and Museums, Bradford.
Afterwards there will be the chance to look around the current exhibitions at your leisure.
The tour lasts approximately one hour. Lightweight, folding stools are available for anyone who would rather not stand.
at South Shields Museum & Art Gallery
South Tyneside Workers' Educational Association have selected one painting each from our art collection which they would like to hang on their wall at home.
The paintings depict the River Tyne, the sea, the town and local people and are interpreted in the WEA's own words.
A great opportunity to take a peek at some lesser seen pieces from the South Tyneside art collection.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
Why can’t I fly like a bird, or leap as far as a frog?
How does a snake move when it hasn’t got any feet?
The animal world is full of questions and bones can help us find the answers.
We're putting our enormous collection of animal skeletons on show for 2017’s must-see family-friendly exhibition.
From itty-bitty bats to whopping whales, bones are the hidden keys to how animals move, survive and evolve over time.
Join us on a journey through land, air and ocean and marvel at real bones, teeth and fossils from over 100 creatures.
Spot a salamander. Discover the dodo. Reveal the skeleton secrets of the animal world!
at Discovery Museum
The story of our 19th century inventors and pioneers is all around us, but with so many experiments, ideas and notions jostling for position, history could have lurched off on a tangent at any moment and become very different.
What if Brunel had graced Sunderland with a vast suspension bridge, or Lovelace & Babbage had computerised the 1840s? What if steam-powered airships had really taken off?
From the northern engineers behind the age of steam to the New Victorians, Fabricating Histories turns history on its head and takes a closer look at the raggedy edges, broken ends, loops and knots, the alternative threads of history that might have been.
Five artists and designers – Dr Geof, Nick Simpson, Larysa Kucak, Phil Sayers and Charlotte Cory – visited the museum archives and have produced new work which reinterprets pieces from Tyne & Wear Archives & Museums collections. Dr Geof has redesigned Turbinia as if powered by the Lambton Worm, whilst Larysa Kucak has designed a corset based on a nineteenth-century parasol. Phil Sayers is looking at and rethinking Ada Lovelace as a woman in science, and Charlotte Cory has been reworking celebrated North East painter John Martin.
This exhibition celebrates the almost, might-have-been world, of Fabricating Histories!
This exhibition is a collaboration between Northumbria University, Tyne & Wear Archives & Museums and five artists, kindly supported by Arts Council England.
Share your thoughts using #fabricatinghistories
at South Shields Museum & Art Gallery
Boldon Book has been called the ‘Domesday Book of the North’. It was the first survey of settlements north of the River Tees, an area that was omitted from the Domesday study. It was created in 1183 as a survey of the Bishop of Durham’s lands in Durham and Northumberland.
On display is the latest of the four surviving medieval manuscripts of the Book, written in the late 15th or early 16th century on loan from The Bodleian Library.
2016 marked the bicentenary of the first modern publication of the text of the medieval Boldon Book in 1816. This publication by the prominent antiquarian Sir Henry Ellis began to bring the Boldon Book into the public domain. To commemorate, two hundred years later, South Shields Museum & Art Gallery has worked with three community groups and two schools from the borough to capture their responses to some of the themes raised by the Boldon Book, marking a moment in time just as the Boldon Book does.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
Inspired by the remarkably innovative style of Sir Anthony van Dyck's last self-portrait, acquired for the nation in 2014, this exhibition pairs the painting with stunning works by major artists of the 20th and 21st century.
Like Van Dyck's self-portrait, the selected works offer the viewer direct eye-contact with a visionary artist, from David Bomberg, Francis Bacon and L.S. Lowry, to Sarah Lucas, Chris Ofili, and Jane & Louise Wilson. Composed of loans from the National Portrait Gallery and works from the Laing's own collection, alongside a contemporary artist's commission, the exhibition asks what it means to confront these great artists face-to-face, exploring themes of genius, creativity and the artist's role in society.
Van Dyck's self-portrait was acquired by the National Portrait Gallery following a major public appeal with the Art Fund and thanks to the generous support of the Heritage Lottery Fund and others.
Find out more about Van Dyck’s nationwide tour.
at South Shields Museum & Art Gallery
An interesting selection of postcards collected and curated by art historian and postcard aficionado Dr Gail-Nina Anderson. Gail-Nina’s postcards are grouped for display in wonderfully disparate themes – from the unexpected and curious, to the downright bonkers.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
A display of artworks created by refugees and asylum seekers who have taken part in the Hatton Gallery Home and Belonging’ project.
The work has been created by participants are from Afghanistan, Iraq ,Pakistan, Kurdistan, Iran, Eritrea, Congo, Yemen, Sri Lanka and Syria, and includes film, photography, textiles and personal objects that tell stories of people’s experiences.
The project has been inspired by Kurt Schwitters’ Merz Barn Wall, a 20th century artwork housed at the Hatton Gallery. Schwitters fled his home country of Germany during WW2, eventually seeking refuge in the UK. He settled in Ambleside, Cumbria, where in the face of great adversity he continued to create art.
This exhibition tells the continuing story of migration in a challenging world and the importance of history, art and creativity in documenting and sharing the experiences of people living in the North East today.
at Laing Art Gallery
This exhibition from House of Illustration gives a unique insight into the origins of some of Quentin Blake’s most characteristic and popular creations, from his illustrations for Roald Dahl’s classic Children’s books to The Boy in the Dress by David Walliams. Quentin Blake: Inside Stories demonstrates Blake’s use of a wide range of different techniques and media including inks, watercolours and pastels to create his distinctive and unforgettable illustrations.
First roughs, storyboards and finished artworks demonstrate how Blake's ideas evolve, often in close collaboration with the authors. The exhibition also features his illustrations for books by John Yeoman, Russell Hoban and Michael Rosen. Quentin Blake: Inside Stories brings together more than 100 pieces of original art.
Please let us know what you thought of our Quentin Blake exhibition by taking a short visitor survey. You will be entered into a free prize draw to win a £50 Amazon voucher. The winner will be chosen at random on 27 July 2017.
at Hatton Gallery
The Hatton Gallery presents an offsite commission for a touring pavilion, a major new art installation and programme of events.
Glasgow-based artist Toby Paterson has designed a temporary architectural structure that takes inspiration from the Hatton's history, collection and archive, touring Newcastle and Gateshead from April - August 2017.
Paterson’s design for the Hatton Pavilion consists of a vertical steel frame emerging from several concrete blocks that double up as seating areas. A slatted roof encloses the structure, and three abstract aluminium planes create walls that carve up and give the pavilion its volume.
Paterson uses the principles of display that Pasmore and Hamilton explored in seminal works presented in the Hatton Gallery, such as An Exhibit (1957) and Man Machine and Motion (1955).
The walls of the pavilion display a series of archival posters promoting historic Hatton Gallery exhibitions dating back to the 1950s, alongside a series of posters designed by Toby Paterson.
A programme of special events will allow visitors to explore the architecture of the space in different ways and discover more about the Hatton Gallery.
Read more about the Hatton Pavilion
This commission has been supported by money raised through Art’s Council England’s Catalyst Arts: capacity building and match funding scheme
at Arbeia, South Shields Roman Fort
Taking place from Saturday 8 April to Sunday 10 September 2017, Hadrian’s Cavalry explores the role and daily life of the Roman army’s cavalry forces in a unique wall-wide exhibition that stretches the full 150 miles of the Hadrian’s Wall World Heritage Site area – from Maryport in the west to South Shields in the east.
Arbeia Roman Fort
Uncovering cavalry – what archaeology tells us about Roman cavalry
Hadrian’s Cavalry is funded primarily through Arts Council England’s Museum Resilience Fund and managed by a partnership of heritage organisations from across Hadrian’s Wall.
To find out about exhibitions and events at other venues, please visit the Hadrian's Cavalry website.
at Segedunum Roman Fort
Taking place from Saturday 8 April to Sunday 10 September 2017, Hadrian’s Cavalry explores the role and daily life of the Roman army’s cavalry forces in a unique wall-wide exhibition that stretches the full 150 miles of the Hadrian’s Wall World Heritage Site area – from Maryport in the west to South Shields in the east.
Segedunum Roman Fort
Rome’s elite troops – building Hadrian’s cavalry
Some Roman cavalrymen were recruited from tribes elsewhere in the Empire famous for their horse skills, but all the new recruits – and their horses – needed to be trained to fight as an effective army unit. The exhibition includes weapons and armour that would have been used on a daily basis and those used for the spectacular public displays the cavalry put on to show off their skills. The cavalry saw themselves as an elite, and they liked to look the part.
Hadrian’s Cavalry is funded primarily through Arts Council England’s Museum Resilience Fund and managed by a partnership of heritage organisations from across Hadrian’s Wall.
To find out about exhibitions and events at other venues, please visit the Hadrian's Cavalry website.
at South Shields Museum & Art Gallery
2017 marks 130 years since Lowry’s birth. In the later years of his life he spent much of his time in the North East, particularly in Sunderland and South Shields. Here the sea became a prominent theme in his work.
He also became increasingly interested in creating humorous images and caricatures. This exhibition presents some examples of his pictures from this period, including ‘Four People’, on loan from a private collector, which presents an intriguing scene set in Marine Park, South Shields.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
A display of artworks created by refugees and asylum seekers who have taken part in the Hatton Gallery Home and Belonging’ project.
The work has been created by participants are from Afghanistan, Iraq ,Pakistan, Kurdistan, Iran, Eritrea, Congo, Yemen, Sri Lanka and Syria, and includes film, photography, textiles and personal objects that tell stories of people’s experiences.
The project has been inspired by Kurt Schwitters’ Merz Barn Wall, a 20th century artwork housed at the Hatton Gallery. Schwitters fled his home country of Germany during WW2, eventually seeking refuge in the UK. He settled in Ambleside, Cumbria, where in the face of great adversity he continued to create art.
This exhibition tells the continuing story of migration in a challenging world and the importance of history, art and creativity in documenting and sharing the experiences of people living in the North East today.
at Laing Art Gallery
This exhibition of the Laing’s watercolour collection will take you on a journey through three centuries and increasingly distant parts of the world, starting from a scene of Newcastle.
The ever increasing popularity of watercolour combined with new travel routes defined where artists could visit. The artists, along with prevailing fashions in society and art defined how the British public saw the world. Featured artists include Edward Lear, JMW Turner, John Constable, David Roberts, JW Carmichael and John Singer Sargent.
at Shipley Art Gallery
To celebrate 100 years since the Gallery doors opened to the public to present the Shipley’s bequest collection, and 40 years since the first items were purchased to build the now nationally important contemporary craft collection, the Shipley Art Gallery presents a new showcase exhibition.
Companion Pieces brings together different parts of the collection based upon themes to show the range of techniques and ideas used to explore subjects.
Works are presented in relation to various themes including Adam and Eve, the Body Beautiful, Visions of Gateshead, the Japanese Connection.
at South Shields Museum & Art Gallery
South Tyneside Workers' Educational Association have selected one painting each from our art collection which they would like to hang on their wall at home.
The paintings depict the River Tyne, the sea, the town and local people and are interpreted in the WEA's own words.
A great opportunity to take a peek at some lesser seen pieces from the South Tyneside art collection.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
Why can’t I fly like a bird, or leap as far as a frog?
How does a snake move when it hasn’t got any feet?
The animal world is full of questions and bones can help us find the answers.
We're putting our enormous collection of animal skeletons on show for 2017’s must-see family-friendly exhibition.
From itty-bitty bats to whopping whales, bones are the hidden keys to how animals move, survive and evolve over time.
Join us on a journey through land, air and ocean and marvel at real bones, teeth and fossils from over 100 creatures.
Spot a salamander. Discover the dodo. Reveal the skeleton secrets of the animal world!
at Discovery Museum
The story of our 19th century inventors and pioneers is all around us, but with so many experiments, ideas and notions jostling for position, history could have lurched off on a tangent at any moment and become very different.
What if Brunel had graced Sunderland with a vast suspension bridge, or Lovelace & Babbage had computerised the 1840s? What if steam-powered airships had really taken off?
From the northern engineers behind the age of steam to the New Victorians, Fabricating Histories turns history on its head and takes a closer look at the raggedy edges, broken ends, loops and knots, the alternative threads of history that might have been.
Five artists and designers – Dr Geof, Nick Simpson, Larysa Kucak, Phil Sayers and Charlotte Cory – visited the museum archives and have produced new work which reinterprets pieces from Tyne & Wear Archives & Museums collections. Dr Geof has redesigned Turbinia as if powered by the Lambton Worm, whilst Larysa Kucak has designed a corset based on a nineteenth-century parasol. Phil Sayers is looking at and rethinking Ada Lovelace as a woman in science, and Charlotte Cory has been reworking celebrated North East painter John Martin.
This exhibition celebrates the almost, might-have-been world, of Fabricating Histories!
This exhibition is a collaboration between Northumbria University, Tyne & Wear Archives & Museums and five artists, kindly supported by Arts Council England.
Share your thoughts using #fabricatinghistories
at South Shields Museum & Art Gallery
Boldon Book has been called the ‘Domesday Book of the North’. It was the first survey of settlements north of the River Tees, an area that was omitted from the Domesday study. It was created in 1183 as a survey of the Bishop of Durham’s lands in Durham and Northumberland.
On display is the latest of the four surviving medieval manuscripts of the Book, written in the late 15th or early 16th century on loan from The Bodleian Library.
2016 marked the bicentenary of the first modern publication of the text of the medieval Boldon Book in 1816. This publication by the prominent antiquarian Sir Henry Ellis began to bring the Boldon Book into the public domain. To commemorate, two hundred years later, South Shields Museum & Art Gallery has worked with three community groups and two schools from the borough to capture their responses to some of the themes raised by the Boldon Book, marking a moment in time just as the Boldon Book does.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
Inspired by the remarkably innovative style of Sir Anthony van Dyck's last self-portrait, acquired for the nation in 2014, this exhibition pairs the painting with stunning works by major artists of the 20th and 21st century.
Like Van Dyck's self-portrait, the selected works offer the viewer direct eye-contact with a visionary artist, from David Bomberg, Francis Bacon and L.S. Lowry, to Sarah Lucas, Chris Ofili, and Jane & Louise Wilson. Composed of loans from the National Portrait Gallery and works from the Laing's own collection, alongside a contemporary artist's commission, the exhibition asks what it means to confront these great artists face-to-face, exploring themes of genius, creativity and the artist's role in society.
Van Dyck's self-portrait was acquired by the National Portrait Gallery following a major public appeal with the Art Fund and thanks to the generous support of the Heritage Lottery Fund and others.
Find out more about Van Dyck’s nationwide tour.
at South Shields Museum & Art Gallery
An interesting selection of postcards collected and curated by art historian and postcard aficionado Dr Gail-Nina Anderson. Gail-Nina’s postcards are grouped for display in wonderfully disparate themes – from the unexpected and curious, to the downright bonkers.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
A display of artworks created by refugees and asylum seekers who have taken part in the Hatton Gallery Home and Belonging’ project.
The work has been created by participants are from Afghanistan, Iraq ,Pakistan, Kurdistan, Iran, Eritrea, Congo, Yemen, Sri Lanka and Syria, and includes film, photography, textiles and personal objects that tell stories of people’s experiences.
The project has been inspired by Kurt Schwitters’ Merz Barn Wall, a 20th century artwork housed at the Hatton Gallery. Schwitters fled his home country of Germany during WW2, eventually seeking refuge in the UK. He settled in Ambleside, Cumbria, where in the face of great adversity he continued to create art.
This exhibition tells the continuing story of migration in a challenging world and the importance of history, art and creativity in documenting and sharing the experiences of people living in the North East today.
at Discovery Museum
This exhibition is part of a larger project on older women in society and celebrates their diversity, vitality and energy, providing an important corrective to the routine stereotypes of older women which we see paraded in popular media. Each of the women who feature have a fascinating story to tell and you can find and listen to those stories here.
The project has been led by Newcastle University.
at Laing Art Gallery
This exhibition from House of Illustration gives a unique insight into the origins of some of Quentin Blake’s most characteristic and popular creations, from his illustrations for Roald Dahl’s classic Children’s books to The Boy in the Dress by David Walliams. Quentin Blake: Inside Stories demonstrates Blake’s use of a wide range of different techniques and media including inks, watercolours and pastels to create his distinctive and unforgettable illustrations.
First roughs, storyboards and finished artworks demonstrate how Blake's ideas evolve, often in close collaboration with the authors. The exhibition also features his illustrations for books by John Yeoman, Russell Hoban and Michael Rosen. Quentin Blake: Inside Stories brings together more than 100 pieces of original art.
Please let us know what you thought of our Quentin Blake exhibition by taking a short visitor survey. You will be entered into a free prize draw to win a £50 Amazon voucher. The winner will be chosen at random on 27 July 2017.
at Hatton Gallery
The Hatton Gallery presents an offsite commission for a touring pavilion, a major new art installation and programme of events.
Glasgow-based artist Toby Paterson has designed a temporary architectural structure that takes inspiration from the Hatton's history, collection and archive, touring Newcastle and Gateshead from April - August 2017.
Paterson’s design for the Hatton Pavilion consists of a vertical steel frame emerging from several concrete blocks that double up as seating areas. A slatted roof encloses the structure, and three abstract aluminium planes create walls that carve up and give the pavilion its volume.
Paterson uses the principles of display that Pasmore and Hamilton explored in seminal works presented in the Hatton Gallery, such as An Exhibit (1957) and Man Machine and Motion (1955).
The walls of the pavilion display a series of archival posters promoting historic Hatton Gallery exhibitions dating back to the 1950s, alongside a series of posters designed by Toby Paterson.
A programme of special events will allow visitors to explore the architecture of the space in different ways and discover more about the Hatton Gallery.
Read more about the Hatton Pavilion
This commission has been supported by money raised through Art’s Council England’s Catalyst Arts: capacity building and match funding scheme
at Arbeia, South Shields Roman Fort
Taking place from Saturday 8 April to Sunday 10 September 2017, Hadrian’s Cavalry explores the role and daily life of the Roman army’s cavalry forces in a unique wall-wide exhibition that stretches the full 150 miles of the Hadrian’s Wall World Heritage Site area – from Maryport in the west to South Shields in the east.
Arbeia Roman Fort
Uncovering cavalry – what archaeology tells us about Roman cavalry
Hadrian’s Cavalry is funded primarily through Arts Council England’s Museum Resilience Fund and managed by a partnership of heritage organisations from across Hadrian’s Wall.
To find out about exhibitions and events at other venues, please visit the Hadrian's Cavalry website.
at Segedunum Roman Fort
Taking place from Saturday 8 April to Sunday 10 September 2017, Hadrian’s Cavalry explores the role and daily life of the Roman army’s cavalry forces in a unique wall-wide exhibition that stretches the full 150 miles of the Hadrian’s Wall World Heritage Site area – from Maryport in the west to South Shields in the east.
Segedunum Roman Fort
Rome’s elite troops – building Hadrian’s cavalry
Some Roman cavalrymen were recruited from tribes elsewhere in the Empire famous for their horse skills, but all the new recruits – and their horses – needed to be trained to fight as an effective army unit. The exhibition includes weapons and armour that would have been used on a daily basis and those used for the spectacular public displays the cavalry put on to show off their skills. The cavalry saw themselves as an elite, and they liked to look the part.
Hadrian’s Cavalry is funded primarily through Arts Council England’s Museum Resilience Fund and managed by a partnership of heritage organisations from across Hadrian’s Wall.
To find out about exhibitions and events at other venues, please visit the Hadrian's Cavalry website.
at South Shields Museum & Art Gallery
2017 marks 130 years since Lowry’s birth. In the later years of his life he spent much of his time in the North East, particularly in Sunderland and South Shields. Here the sea became a prominent theme in his work.
He also became increasingly interested in creating humorous images and caricatures. This exhibition presents some examples of his pictures from this period, including ‘Four People’, on loan from a private collector, which presents an intriguing scene set in Marine Park, South Shields.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
A display of artworks created by refugees and asylum seekers who have taken part in the Hatton Gallery Home and Belonging’ project.
The work has been created by participants are from Afghanistan, Iraq ,Pakistan, Kurdistan, Iran, Eritrea, Congo, Yemen, Sri Lanka and Syria, and includes film, photography, textiles and personal objects that tell stories of people’s experiences.
The project has been inspired by Kurt Schwitters’ Merz Barn Wall, a 20th century artwork housed at the Hatton Gallery. Schwitters fled his home country of Germany during WW2, eventually seeking refuge in the UK. He settled in Ambleside, Cumbria, where in the face of great adversity he continued to create art.
This exhibition tells the continuing story of migration in a challenging world and the importance of history, art and creativity in documenting and sharing the experiences of people living in the North East today.
at Laing Art Gallery
This exhibition of the Laing’s watercolour collection will take you on a journey through three centuries and increasingly distant parts of the world, starting from a scene of Newcastle.
The ever increasing popularity of watercolour combined with new travel routes defined where artists could visit. The artists, along with prevailing fashions in society and art defined how the British public saw the world. Featured artists include Edward Lear, JMW Turner, John Constable, David Roberts, JW Carmichael and John Singer Sargent.
at Shipley Art Gallery
To celebrate 100 years since the Gallery doors opened to the public to present the Shipley’s bequest collection, and 40 years since the first items were purchased to build the now nationally important contemporary craft collection, the Shipley Art Gallery presents a new showcase exhibition.
Companion Pieces brings together different parts of the collection based upon themes to show the range of techniques and ideas used to explore subjects.
Works are presented in relation to various themes including Adam and Eve, the Body Beautiful, Visions of Gateshead, the Japanese Connection.
at South Shields Museum & Art Gallery
Boldon Book has been called the ‘Domesday Book of the North’. It was the first survey of settlements north of the River Tees, an area that was omitted from the Domesday study. It was created in 1183 as a survey of the Bishop of Durham’s lands in Durham and Northumberland.
On display is the latest of the four surviving medieval manuscripts of the Book, written in the late 15th or early 16th century on loan from The Bodleian Library.
2016 marked the bicentenary of the first modern publication of the text of the medieval Boldon Book in 1816. This publication by the prominent antiquarian Sir Henry Ellis began to bring the Boldon Book into the public domain. To commemorate, two hundred years later, South Shields Museum & Art Gallery has worked with three community groups and two schools from the borough to capture their responses to some of the themes raised by the Boldon Book, marking a moment in time just as the Boldon Book does.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Join us on Saturday 3 June for a day of activities and events on a fairground theme to celebrate the launch of our new exhibition, All the Fun of the Fair: 135 years of the Hoppings.
There will be children’s fairground rides on the Plaza outside the museum (there will be a charge for the rides), Carousel Crafts and free balloons and stickers for children. All the Fun of the Fair charts the history of Newcastle’s much-loved Hoppings fair, first held on the Town Moor in 1882.
Play with our unique collection of 50 vintage coin-operated amusement machines, perfect your pinball skills, and even find out your fortune. As well as the hands-on vintage amusement machines the exhibition will explore the history and development of The Hoppings in a colourful, fun setting.
at Laing Art Gallery
Inspired by the remarkably innovative style of Sir Anthony van Dyck's last self-portrait, acquired for the nation in 2014, this exhibition pairs the painting with stunning works by major artists of the 20th and 21st century.
Like Van Dyck's self-portrait, the selected works offer the viewer direct eye-contact with a visionary artist, from David Bomberg, Francis Bacon and L.S. Lowry, to Sarah Lucas, Chris Ofili, and Jane & Louise Wilson. Composed of loans from the National Portrait Gallery and works from the Laing's own collection, alongside a contemporary artist's commission, the exhibition asks what it means to confront these great artists face-to-face, exploring themes of genius, creativity and the artist's role in society.
Van Dyck's self-portrait was acquired by the National Portrait Gallery following a major public appeal with the Art Fund and thanks to the generous support of the Heritage Lottery Fund and others.
Find out more about Van Dyck’s nationwide tour.
at Great North Museum: Hancock
The Newcastle University Fine Art BA Degree Show brings together the work of over fifty young artists at the culmination of four-years' study on the BA in Fine Art. The exhibition displays a diverse set of practices and media including painting, new media, film, video, sculpture, photography, print, sound, performance and installation.
Each artist has spent valued time exploring different avenues of artistic expression, arriving at this final exhibition with the ability to investigate and reflect upon their subject matter with skill and intent, producing resolute pieces of work.
For many exhibiting artists this show marks their entry into the professional art world and will provide an exciting glimpse into their future careers.
Newcastle University’s Fine Art BA Hons Degree Show exists across two venues this year, spanning the Newcastle University Fine Art Department and the Great North Museum: Hancock. The show then travels to London's Hoxton Arches.
at South Shields Museum & Art Gallery
Be the first to see Little Landmarks.
To celebrate the launch of our new summer exhibition Little Landmarks the first 50 children to visit will get a free mini brick cupcake.
With mini figure mask making and mini brick collage making in the learning room.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
To coincide with Armed Forces Day (24 June 2017) and Refugee Week (19 – 25 June 2017), Discovery Museum is hosting a number of events on Saturday 24 June that both explore and challenge these two apparently contrasting themes and tell the stories of how people respond to war, poverty and disaster.
Refugee Week takes place every year across the world in June. In the UK, Refugee Week is a nationwide programme of arts, cultural and educational events that celebrate the contribution of refugees to the UK, and encourages a better understanding between communities. The 2017 Refugee Week focus is Different Pasts, Shared Future and will take place 19 – 25 June.
Discovery Museum’s ‘If You Lived Here…’ is a programme of events, exhibitions and activities based around the installation of a United Nations High Commission for Refugees shelter on Challenger Plaza, in front of the museum. Exploring the global issue of displacement, survival and shelter in the 21st century, visitors are asked to consider: 'What does it mean to be displaced? How would you feel if you were forced to leave your home, your family and the country you live in because of something out of your control - war, poverty, famine or disaster? How would you survive?'
The programme also features a Fix-It Café, temporary exhibitions, food tasting and film screenings.
The UK’s Armed Forces have a global humanitarian role in addition to protecting the United Kingdom and its overseas territories, including peacekeeping duties and humanitarian aid. Visitors will have the opportunity to find out more by visiting the 201 (Northern) Field Hospital and see equipment used in emergency situations. Army personnel will be on hand to talk about their deployment to Sierra Leone to help in the Ebola crisis.
Saturday’s programme features a Florence Nightingale-era nurse, who will be demonstrating first aid and medical procedures used in the 1850s, including leeches. There will also be an opportunity to examine army medical equipment from the museum’s object handling collections, dating from WWI through to the present day.
at Discovery Museum
65.3 Million people around the world have been forced to leave their home because of war, famine, poverty and environmental disaster. This is the largest global displacement of people since World War II and nearly 11 million are under the age of 18*. The right to housing, safety and shelter is a basic human right under the Universal Declaration of Human Rights 1948.**
If You Lived Here… is a 3 day programme of events, exhibitions and activities at Discovery Museum that explores the global issue of displacement, survival and shelter in the 21st century.
What does it mean to be displaced? How would you feel if you were forced to leave your home, your family and the country you live in because of something out of your control - war, poverty, famine or disaster? How would you survive?
The programme includes the installation of a UNHCR Shelter and basic core relief kit on Challenger Plaza, a Fix-It cafe, temporary exhibitions, food tasting and film screenings.
Join the Discussion
#IfYouLivedHere
*UNHCR (United Nations High Commission for Refugees) figures 2015
**Article 25 Universal Declaration of Human Rights 1948
With thanks for in-kind support to IKEA and the UN Refugee Agency (UNHCR)
at South Shields Museum & Art Gallery
An interesting selection of postcards collected and curated by art historian and postcard aficionado Dr Gail-Nina Anderson. Gail-Nina’s postcards are grouped for display in wonderfully disparate themes – from the unexpected and curious, to the downright bonkers.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
A display of artworks created by refugees and asylum seekers who have taken part in the Hatton Gallery Home and Belonging’ project.
The work has been created by participants are from Afghanistan, Iraq ,Pakistan, Kurdistan, Iran, Eritrea, Congo, Yemen, Sri Lanka and Syria, and includes film, photography, textiles and personal objects that tell stories of people’s experiences.
The project has been inspired by Kurt Schwitters’ Merz Barn Wall, a 20th century artwork housed at the Hatton Gallery. Schwitters fled his home country of Germany during WW2, eventually seeking refuge in the UK. He settled in Ambleside, Cumbria, where in the face of great adversity he continued to create art.
This exhibition tells the continuing story of migration in a challenging world and the importance of history, art and creativity in documenting and sharing the experiences of people living in the North East today.
at Discovery Museum
This exhibition is part of a larger project on older women in society and celebrates their diversity, vitality and energy, providing an important corrective to the routine stereotypes of older women which we see paraded in popular media. Each of the women who feature have a fascinating story to tell and you can find and listen to those stories here.
The project has been led by Newcastle University.
at Laing Art Gallery
This exhibition from House of Illustration gives a unique insight into the origins of some of Quentin Blake’s most characteristic and popular creations, from his illustrations for Roald Dahl’s classic Children’s books to The Boy in the Dress by David Walliams. Quentin Blake: Inside Stories demonstrates Blake’s use of a wide range of different techniques and media including inks, watercolours and pastels to create his distinctive and unforgettable illustrations.
First roughs, storyboards and finished artworks demonstrate how Blake's ideas evolve, often in close collaboration with the authors. The exhibition also features his illustrations for books by John Yeoman, Russell Hoban and Michael Rosen. Quentin Blake: Inside Stories brings together more than 100 pieces of original art.
Please let us know what you thought of our Quentin Blake exhibition by taking a short visitor survey. You will be entered into a free prize draw to win a £50 Amazon voucher. The winner will be chosen at random on 27 July 2017.
at Laing Art Gallery
This exhibition from the Laing collection includes paintings, drawings, craft and decorative art with the themes of circus, fairground, the seaside and countryside. The objects will form a fun backdrop for a programme of playing, dancing, making and creating events for children of all ages throughout the summer.
Saturday 8 July
Join ZooLab for a jumpsquiffling animal handling session, inspired by the characters of Roald Dahl and Quentin Blake. Best suited to children aged 2-7 years. Find out more
Saturday 5 August
Meet Peter, the boy who never grew up, in an enchanting 90 minute interactive performance. Your little ones will use their imagination to fly through faraway lands, helping Peter and his friends to catch his mischievous shadow. Best suited to children aged 2-7 years. Find out more
Saturday 19 August
Learn some impressive circus tricks and have a lot of fun in this 45 minute workshop with Marty from Circurama. Best suited to children aged 5-10 years. Find out more
at Hatton Gallery
The Hatton Gallery presents an offsite commission for a touring pavilion, a major new art installation and programme of events.
Glasgow-based artist Toby Paterson has designed a temporary architectural structure that takes inspiration from the Hatton's history, collection and archive, touring Newcastle and Gateshead from April - August 2017.
Paterson’s design for the Hatton Pavilion consists of a vertical steel frame emerging from several concrete blocks that double up as seating areas. A slatted roof encloses the structure, and three abstract aluminium planes create walls that carve up and give the pavilion its volume.
Paterson uses the principles of display that Pasmore and Hamilton explored in seminal works presented in the Hatton Gallery, such as An Exhibit (1957) and Man Machine and Motion (1955).
The walls of the pavilion display a series of archival posters promoting historic Hatton Gallery exhibitions dating back to the 1950s, alongside a series of posters designed by Toby Paterson.
A programme of special events will allow visitors to explore the architecture of the space in different ways and discover more about the Hatton Gallery.
Read more about the Hatton Pavilion
This commission has been supported by money raised through Art’s Council England’s Catalyst Arts: capacity building and match funding scheme
at Laing Art Gallery
The Hatton Gallery presents an offsite commission for a touring pavilion, a major new art installation and programme of events.
Glasgow-based artist Toby Paterson has designed a temporary architectural structure that takes inspiration from the Hatton's history, collection and archive, touring Newcastle and Gateshead from April - August 2017.
Paterson’s design for the Hatton Pavilion consists of a vertical steel frame emerging from several concrete blocks that double up as seating areas. A slatted roof encloses the structure, and three abstract aluminium planes create walls that carve up and give the pavilion its volume.
Paterson uses the principles of display that Pasmore and Hamilton explored in seminal works presented in the Hatton Gallery, such as An Exhibit (1957) and Man Machine and Motion (1955).
The walls of the pavilion display a series of archival posters promoting historic Hatton Gallery exhibitions dating back to the 1950s, alongside a series of posters designed by Toby Paterson.
A programme of special events will allow visitors to explore the architecture of the space in different ways and discover more about the Hatton Gallery.
Read more about the Hatton Pavilion
This commission has been supported by money raised through Art’s Council England’s Catalyst Arts: capacity building and match funding scheme
at Arbeia, South Shields Roman Fort
Taking place from Saturday 8 April to Sunday 10 September 2017, Hadrian’s Cavalry explores the role and daily life of the Roman army’s cavalry forces in a unique wall-wide exhibition that stretches the full 150 miles of the Hadrian’s Wall World Heritage Site area – from Maryport in the west to South Shields in the east.
Arbeia Roman Fort
Uncovering cavalry – what archaeology tells us about Roman cavalry
Hadrian’s Cavalry is funded primarily through Arts Council England’s Museum Resilience Fund and managed by a partnership of heritage organisations from across Hadrian’s Wall.
To find out about exhibitions and events at other venues, please visit the Hadrian's Cavalry website.
at Segedunum Roman Fort
Taking place from Saturday 8 April to Sunday 10 September 2017, Hadrian’s Cavalry explores the role and daily life of the Roman army’s cavalry forces in a unique wall-wide exhibition that stretches the full 150 miles of the Hadrian’s Wall World Heritage Site area – from Maryport in the west to South Shields in the east.
Segedunum Roman Fort
Rome’s elite troops – building Hadrian’s cavalry
Some Roman cavalrymen were recruited from tribes elsewhere in the Empire famous for their horse skills, but all the new recruits – and their horses – needed to be trained to fight as an effective army unit. The exhibition includes weapons and armour that would have been used on a daily basis and those used for the spectacular public displays the cavalry put on to show off their skills. The cavalry saw themselves as an elite, and they liked to look the part.
Hadrian’s Cavalry is funded primarily through Arts Council England’s Museum Resilience Fund and managed by a partnership of heritage organisations from across Hadrian’s Wall.
To find out about exhibitions and events at other venues, please visit the Hadrian's Cavalry website.
at South Shields Museum & Art Gallery
2017 marks 130 years since Lowry’s birth. In the later years of his life he spent much of his time in the North East, particularly in Sunderland and South Shields. Here the sea became a prominent theme in his work.
He also became increasingly interested in creating humorous images and caricatures. This exhibition presents some examples of his pictures from this period, including ‘Four People’, on loan from a private collector, which presents an intriguing scene set in Marine Park, South Shields.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
A display of artworks created by refugees and asylum seekers who have taken part in the Hatton Gallery Home and Belonging’ project.
The work has been created by participants are from Afghanistan, Iraq ,Pakistan, Kurdistan, Iran, Eritrea, Congo, Yemen, Sri Lanka and Syria, and includes film, photography, textiles and personal objects that tell stories of people’s experiences.
The project has been inspired by Kurt Schwitters’ Merz Barn Wall, a 20th century artwork housed at the Hatton Gallery. Schwitters fled his home country of Germany during WW2, eventually seeking refuge in the UK. He settled in Ambleside, Cumbria, where in the face of great adversity he continued to create art.
This exhibition tells the continuing story of migration in a challenging world and the importance of history, art and creativity in documenting and sharing the experiences of people living in the North East today.
at South Shields Museum & Art Gallery
See eleven familiar South Shields landmarks, from the old to the very new, rebuilt in miniature with LEGO®.
See if you can spot local characters among the LEGO® Minifigures too. You'll be able to get creative in the exhibition space with lots of LEGO® available to build with.
Includes photograph of the featured buildings from South Tyneside Photographic Society, South Tyneside Council and South Tyneside Digital Group.
The South Shields Volunteer Life Brigade Watch House joins other familiar buildings like the Herd Groyne LightHouse, the Old Town Hall and more.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
This exhibition of the Laing’s watercolour collection will take you on a journey through three centuries and increasingly distant parts of the world, starting from a scene of Newcastle.
The ever increasing popularity of watercolour combined with new travel routes defined where artists could visit. The artists, along with prevailing fashions in society and art defined how the British public saw the world. Featured artists include Edward Lear, JMW Turner, John Constable, David Roberts, JW Carmichael and John Singer Sargent.
at Discovery Museum
All the Fun of the Fair charts the history of Newcastle’s much-loved Hoppings fair, first held on the Town Moor in 1882.
Play with our unique collection of 50 vintage coin-operated amusement machines, perfect your pinball skills, and even find out your fortune.
As well as the hands-on vintage amusement machines the exhibition will explore the history and development of The Hoppings in a colourful, fun setting.
Photograph: The Hoppings, 2008. Image courtesy of Nick Lambert.
at Shipley Art Gallery
To celebrate 100 years since the Gallery doors opened to the public to present the Shipley’s bequest collection, and 40 years since the first items were purchased to build the now nationally important contemporary craft collection, the Shipley Art Gallery presents a new showcase exhibition.
Companion Pieces brings together different parts of the collection based upon themes to show the range of techniques and ideas used to explore subjects.
Works are presented in relation to various themes including Adam and Eve, the Body Beautiful, Visions of Gateshead, the Japanese Connection.
at South Shields Museum & Art Gallery
An interesting selection of postcards collected and curated by art historian and postcard aficionado Dr Gail-Nina Anderson. Gail-Nina’s postcards are grouped for display in wonderfully disparate themes – from the unexpected and curious, to the downright bonkers.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
A display of artworks created by refugees and asylum seekers who have taken part in the Hatton Gallery Home and Belonging’ project.
The work has been created by participants are from Afghanistan, Iraq ,Pakistan, Kurdistan, Iran, Eritrea, Congo, Yemen, Sri Lanka and Syria, and includes film, photography, textiles and personal objects that tell stories of people’s experiences.
The project has been inspired by Kurt Schwitters’ Merz Barn Wall, a 20th century artwork housed at the Hatton Gallery. Schwitters fled his home country of Germany during WW2, eventually seeking refuge in the UK. He settled in Ambleside, Cumbria, where in the face of great adversity he continued to create art.
This exhibition tells the continuing story of migration in a challenging world and the importance of history, art and creativity in documenting and sharing the experiences of people living in the North East today.
at Discovery Museum
This exhibition is part of a larger project on older women in society and celebrates their diversity, vitality and energy, providing an important corrective to the routine stereotypes of older women which we see paraded in popular media. Each of the women who feature have a fascinating story to tell and you can find and listen to those stories here.
The project has been led by Newcastle University.
at Laing Art Gallery
This exhibition from House of Illustration gives a unique insight into the origins of some of Quentin Blake’s most characteristic and popular creations, from his illustrations for Roald Dahl’s classic Children’s books to The Boy in the Dress by David Walliams. Quentin Blake: Inside Stories demonstrates Blake’s use of a wide range of different techniques and media including inks, watercolours and pastels to create his distinctive and unforgettable illustrations.
First roughs, storyboards and finished artworks demonstrate how Blake's ideas evolve, often in close collaboration with the authors. The exhibition also features his illustrations for books by John Yeoman, Russell Hoban and Michael Rosen. Quentin Blake: Inside Stories brings together more than 100 pieces of original art.
Please let us know what you thought of our Quentin Blake exhibition by taking a short visitor survey. You will be entered into a free prize draw to win a £50 Amazon voucher. The winner will be chosen at random on 27 July 2017.
at Shipley Art Gallery
Join us for a talk about the Shipley Art Gallery’s history and collections as well as a tour of the collection highlights.
Subjects include the building itself, Joseph Shipley and his collection, the Tintoretto, the design and craft collection and Henry Rothschild and his ceramics gift.
Talks and tours are delivered by John Thompson, former Director of Tyne & Wear Arcives & Museums. Previously, John was curator at Whitworth and City Art Gallery, Manchester and Director of Arts and Museums, Bradford.
Afterwards there will be the chance to look around the current exhibitions at your leisure.
The tour lasts approximately one hour. Lightweight, folding stools are available for anyone who would rather not stand.
at Hatton Gallery
Friends of the Hatton Gallery presents recent works by members, on display in the Long Gallery, Newcastle University Fine Art Department.
If you are interested in joining the Friends of the Hatton Gallery please click here to find out more and download an application form.
Image: Bob Young. Simonside
at Stephenson Steam Railway
Have you ever wondered what it would be like to be an archaeologist?
Join us for hands-on activities and find out more about the Willington Waggonway, the best preserved and most complete section of early wooden railway to have been excavated anywhere in the world.
Have a go at a mini dig or join in with craft activities. Talk to an archaeologist, visit our temporary exhibition and find out how we rescued and preserved part of the North East’s unique railway heritage.
at Stephenson Steam Railway
We're delighted to be welcoming Chris Vine, author of the charming 'Peter's Railway' books, back to the museum for the day. 'Peter's Railway' is an intriguing story about Peter and his Grandpa building and operating a miniature steam railway on a farm.
As well as reading excerpts from his work, Chris will be signing books and answering any questions you may have. Books are available for purchase on the day.
We're also pleased to have on display the award-winning Museum of Transport model railway. You'll be astounded by the detail of this 1.76 scale model which depicts a modern transport museum situated in the former docks of an English town.
at Laing Art Gallery
This exhibition from the Laing collection includes paintings, drawings, craft and decorative art with the themes of circus, fairground, the seaside and countryside. The objects will form a fun backdrop for a programme of playing, dancing, making and creating events for children of all ages throughout the summer.
Saturday 8 July
Join ZooLab for a jumpsquiffling animal handling session, inspired by the characters of Roald Dahl and Quentin Blake. Best suited to children aged 2-7 years. Find out more
Saturday 5 August
Meet Peter, the boy who never grew up, in an enchanting 90 minute interactive performance. Your little ones will use their imagination to fly through faraway lands, helping Peter and his friends to catch his mischievous shadow. Best suited to children aged 2-7 years. Find out more
Saturday 19 August
Learn some impressive circus tricks and have a lot of fun in this 45 minute workshop with Marty from Circurama. Best suited to children aged 5-10 years. Find out more
at Laing Art Gallery
We have teamed up with The NewBridge Project to create an interdisciplinary exhibition inspired by the legacy of abstract art.
The exhibition will bring together newly commissioned work by NewBridge artists Jamie Cook, Adam Goodwin, James Pickering and Paul Trickett, alongside highlights from the Laing Art Gallery’s modern and contemporary painting collection.
Collection works featured in the exhibition will chart the gradual shift from representation to abstraction, arguably one of the most influential artistic developments of the twentieth century. More recent works illustrate how, to this day, abstraction is used to various degrees, from relatively minor formal alterations in otherwise realistic works, to completely abstract compositions in which the painting bears no resemblance to the real world. Highlight works include paintings by Francis Bacon, David Bomberg, Patrick Heron, Chris Ofili, Prunella Clough, Ben Nicholson, Mark Gertler and Frank Auerbach. The exhibition was inspired by a recent collection display at the gallery entitled Echoes of Abstraction, which was well-loved by visitors.
Contemporary artists Cook, Goodwin, Pickering and Trickett join forces as The Occasion Collective to experiment with notions of reality and the natural and artificial worlds, bringing together art and technology. In response to the Laing’s collection works and the theme of abstraction’s long legacy they will make a new interactive installation of sound, image, object and digital experience entitled The Bottomless Pit of Outros. This will be completed by a virtual reality rendering of the Laing’s grand Edwardian gallery suites, in which works from the collection can be reimagined in an ever-changing virtual display.
The partnership between the Laing Art Gallery and The NewBridge Project has been devised with the dual aim of supporting emerging artists from the region, as well as creating a new platform for The NewBridge Project at a time of both flux and renewed ambition as they relocate to new premises at Carliol House, New Market Street. The exhibition will be accompanied by events as part of Practice Makes Practice, an artist’s development programme initiated by The NewBridge Project and run by artists for artists.
This project is part of the Laing Art Gallery’s contemporary commissioning programme, and has been made possible with the generous support of the Newcastle University Institute for Creative Arts Practice.
at Great North Museum: Hancock
For the first time, the UK’s most significant collections of material relating to the Roman god Mithras are united in one place.
The Great North Museum: Hancock holds one of the most extensive collections of Mithraic material in the UK with items from at least three different temples on Hadrian's Wall. It also holds a unique carving depicting the birth of Mithras from the cosmic egg.
Additional loans from the Museum of London, including exquisite marble heads of Mithras, Serapis and Minerva, complete this rare and important display.
The synergy between the worship of Mithras in Londinium – the premier city of Roman Britain – and on Hadrian’s Wall is as important as it is compelling.
at Hatton Gallery
The Hatton Gallery presents an offsite commission for a touring pavilion, a major new art installation and programme of events.
Glasgow-based artist Toby Paterson has designed a temporary architectural structure that takes inspiration from the Hatton's history, collection and archive, touring Newcastle and Gateshead from April - August 2017.
Paterson’s design for the Hatton Pavilion consists of a vertical steel frame emerging from several concrete blocks that double up as seating areas. A slatted roof encloses the structure, and three abstract aluminium planes create walls that carve up and give the pavilion its volume.
Paterson uses the principles of display that Pasmore and Hamilton explored in seminal works presented in the Hatton Gallery, such as An Exhibit (1957) and Man Machine and Motion (1955).
The walls of the pavilion display a series of archival posters promoting historic Hatton Gallery exhibitions dating back to the 1950s, alongside a series of posters designed by Toby Paterson.
A programme of special events will allow visitors to explore the architecture of the space in different ways and discover more about the Hatton Gallery.
Read more about the Hatton Pavilion
This commission has been supported by money raised through Art’s Council England’s Catalyst Arts: capacity building and match funding scheme
at Laing Art Gallery
The Hatton Gallery presents an offsite commission for a touring pavilion, a major new art installation and programme of events.
Glasgow-based artist Toby Paterson has designed a temporary architectural structure that takes inspiration from the Hatton's history, collection and archive, touring Newcastle and Gateshead from April - August 2017.
Paterson’s design for the Hatton Pavilion consists of a vertical steel frame emerging from several concrete blocks that double up as seating areas. A slatted roof encloses the structure, and three abstract aluminium planes create walls that carve up and give the pavilion its volume.
Paterson uses the principles of display that Pasmore and Hamilton explored in seminal works presented in the Hatton Gallery, such as An Exhibit (1957) and Man Machine and Motion (1955).
The walls of the pavilion display a series of archival posters promoting historic Hatton Gallery exhibitions dating back to the 1950s, alongside a series of posters designed by Toby Paterson.
A programme of special events will allow visitors to explore the architecture of the space in different ways and discover more about the Hatton Gallery.
Read more about the Hatton Pavilion
This commission has been supported by money raised through Art’s Council England’s Catalyst Arts: capacity building and match funding scheme
at Great North Museum: Hancock
Over 1,600 photographs of North East wildlife were entered into this prestigious regional competition.
The exhibition in the museum’s Galleria showcases some of the amazing wildlife images that were judged as winners and runners-up, plus a digital slideshow of the other contenders.
Will you agree with the judges' decision?
In partnership with the Natural History Society of Northumbria, Alan Hewitt Photography and the Wildlife Trusts of Durham, Tees Valley and Northumberland.
at Arbeia, South Shields Roman Fort
Taking place from Saturday 8 April to Sunday 10 September 2017, Hadrian’s Cavalry explores the role and daily life of the Roman army’s cavalry forces in a unique wall-wide exhibition that stretches the full 150 miles of the Hadrian’s Wall World Heritage Site area – from Maryport in the west to South Shields in the east.
Arbeia Roman Fort
Uncovering cavalry – what archaeology tells us about Roman cavalry
Hadrian’s Cavalry is funded primarily through Arts Council England’s Museum Resilience Fund and managed by a partnership of heritage organisations from across Hadrian’s Wall.
To find out about exhibitions and events at other venues, please visit the Hadrian's Cavalry website.
at Segedunum Roman Fort
Taking place from Saturday 8 April to Sunday 10 September 2017, Hadrian’s Cavalry explores the role and daily life of the Roman army’s cavalry forces in a unique wall-wide exhibition that stretches the full 150 miles of the Hadrian’s Wall World Heritage Site area – from Maryport in the west to South Shields in the east.
Segedunum Roman Fort
Rome’s elite troops – building Hadrian’s cavalry
Some Roman cavalrymen were recruited from tribes elsewhere in the Empire famous for their horse skills, but all the new recruits – and their horses – needed to be trained to fight as an effective army unit. The exhibition includes weapons and armour that would have been used on a daily basis and those used for the spectacular public displays the cavalry put on to show off their skills. The cavalry saw themselves as an elite, and they liked to look the part.
Hadrian’s Cavalry is funded primarily through Arts Council England’s Museum Resilience Fund and managed by a partnership of heritage organisations from across Hadrian’s Wall.
To find out about exhibitions and events at other venues, please visit the Hadrian's Cavalry website.
at South Shields Museum & Art Gallery
2017 marks 130 years since Lowry’s birth. In the later years of his life he spent much of his time in the North East, particularly in Sunderland and South Shields. Here the sea became a prominent theme in his work.
He also became increasingly interested in creating humorous images and caricatures. This exhibition presents some examples of his pictures from this period, including ‘Four People’, on loan from a private collector, which presents an intriguing scene set in Marine Park, South Shields.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
A display of artworks created by refugees and asylum seekers who have taken part in the Hatton Gallery Home and Belonging’ project.
The work has been created by participants are from Afghanistan, Iraq ,Pakistan, Kurdistan, Iran, Eritrea, Congo, Yemen, Sri Lanka and Syria, and includes film, photography, textiles and personal objects that tell stories of people’s experiences.
The project has been inspired by Kurt Schwitters’ Merz Barn Wall, a 20th century artwork housed at the Hatton Gallery. Schwitters fled his home country of Germany during WW2, eventually seeking refuge in the UK. He settled in Ambleside, Cumbria, where in the face of great adversity he continued to create art.
This exhibition tells the continuing story of migration in a challenging world and the importance of history, art and creativity in documenting and sharing the experiences of people living in the North East today.
at South Shields Museum & Art Gallery
See eleven familiar South Shields landmarks, from the old to the very new, rebuilt in miniature with LEGO®.
See if you can spot local characters among the LEGO® Minifigures too. You'll be able to get creative in the exhibition space with lots of LEGO® available to build with.
Includes photograph of the featured buildings from South Tyneside Photographic Society, South Tyneside Council and South Tyneside Digital Group.
The South Shields Volunteer Life Brigade Watch House joins other familiar buildings like the Herd Groyne LightHouse, the Old Town Hall and more.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
A display celebrating 40 years since World Heavyweight Boxing Champion Muhammad Ali visited South Shields, featuring images and objects from his visit.
The display also marks The Queen and Prince Philip’s visit to South Tyneside the same month during the Silver Jubilee celebration tour.
On 2 November we took a life size image of Ali around South Shields retracing the route he took.
We used his quotes as prompts to ask people questions about life - South Shields, their dreams, masculinity and identity. You can hear what the people of South Shields said here.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
This exhibition of the Laing’s watercolour collection will take you on a journey through three centuries and increasingly distant parts of the world, starting from a scene of Newcastle.
The ever increasing popularity of watercolour combined with new travel routes defined where artists could visit. The artists, along with prevailing fashions in society and art defined how the British public saw the world. Featured artists include Edward Lear, JMW Turner, John Constable, David Roberts, JW Carmichael and John Singer Sargent.
at Discovery Museum
All the Fun of the Fair charts the history of Newcastle’s much-loved Hoppings fair, first held on the Town Moor in 1882.
Play with our unique collection of 50 vintage coin-operated amusement machines, perfect your pinball skills, and even find out your fortune.
As well as the hands-on vintage amusement machines the exhibition will explore the history and development of The Hoppings in a colourful, fun setting.
Photograph: The Hoppings, 2008. Image courtesy of Nick Lambert.
at Shipley Art Gallery
To celebrate 100 years since the Gallery doors opened to the public to present the Shipley’s bequest collection, and 40 years since the first items were purchased to build the now nationally important contemporary craft collection, the Shipley Art Gallery presents a new showcase exhibition.
Companion Pieces brings together different parts of the collection based upon themes to show the range of techniques and ideas used to explore subjects.
Works are presented in relation to various themes including Adam and Eve, the Body Beautiful, Visions of Gateshead, the Japanese Connection.
at Laing Art Gallery
This exhibition from the Laing collection includes paintings, drawings, craft and decorative art with the themes of circus, fairground, the seaside and countryside. The objects will form a fun backdrop for a programme of playing, dancing, making and creating events for children of all ages throughout the summer.
Saturday 8 July
Join ZooLab for a jumpsquiffling animal handling session, inspired by the characters of Roald Dahl and Quentin Blake. Best suited to children aged 2-7 years. Find out more
Saturday 5 August
Meet Peter, the boy who never grew up, in an enchanting 90 minute interactive performance. Your little ones will use their imagination to fly through faraway lands, helping Peter and his friends to catch his mischievous shadow. Best suited to children aged 2-7 years. Find out more
Saturday 19 August
Learn some impressive circus tricks and have a lot of fun in this 45 minute workshop with Marty from Circurama. Best suited to children aged 5-10 years. Find out more
at Laing Art Gallery
We have teamed up with The NewBridge Project to create an interdisciplinary exhibition inspired by the legacy of abstract art.
The exhibition will bring together newly commissioned work by NewBridge artists Jamie Cook, Adam Goodwin, James Pickering and Paul Trickett, alongside highlights from the Laing Art Gallery’s modern and contemporary painting collection.
Collection works featured in the exhibition will chart the gradual shift from representation to abstraction, arguably one of the most influential artistic developments of the twentieth century. More recent works illustrate how, to this day, abstraction is used to various degrees, from relatively minor formal alterations in otherwise realistic works, to completely abstract compositions in which the painting bears no resemblance to the real world. Highlight works include paintings by Francis Bacon, David Bomberg, Patrick Heron, Chris Ofili, Prunella Clough, Ben Nicholson, Mark Gertler and Frank Auerbach. The exhibition was inspired by a recent collection display at the gallery entitled Echoes of Abstraction, which was well-loved by visitors.
Contemporary artists Cook, Goodwin, Pickering and Trickett join forces as The Occasion Collective to experiment with notions of reality and the natural and artificial worlds, bringing together art and technology. In response to the Laing’s collection works and the theme of abstraction’s long legacy they will make a new interactive installation of sound, image, object and digital experience entitled The Bottomless Pit of Outros. This will be completed by a virtual reality rendering of the Laing’s grand Edwardian gallery suites, in which works from the collection can be reimagined in an ever-changing virtual display.
The partnership between the Laing Art Gallery and The NewBridge Project has been devised with the dual aim of supporting emerging artists from the region, as well as creating a new platform for The NewBridge Project at a time of both flux and renewed ambition as they relocate to new premises at Carliol House, New Market Street. The exhibition will be accompanied by events as part of Practice Makes Practice, an artist’s development programme initiated by The NewBridge Project and run by artists for artists.
This project is part of the Laing Art Gallery’s contemporary commissioning programme, and has been made possible with the generous support of the Newcastle University Institute for Creative Arts Practice.
at Great North Museum: Hancock
For the first time, the UK’s most significant collections of material relating to the Roman god Mithras are united in one place.
The Great North Museum: Hancock holds one of the most extensive collections of Mithraic material in the UK with items from at least three different temples on Hadrian's Wall. It also holds a unique carving depicting the birth of Mithras from the cosmic egg.
Additional loans from the Museum of London, including exquisite marble heads of Mithras, Serapis and Minerva, complete this rare and important display.
The synergy between the worship of Mithras in Londinium – the premier city of Roman Britain – and on Hadrian’s Wall is as important as it is compelling.
at Hatton Gallery
The Hatton Gallery presents an offsite commission for a touring pavilion, a major new art installation and programme of events.
Glasgow-based artist Toby Paterson has designed a temporary architectural structure that takes inspiration from the Hatton's history, collection and archive, touring Newcastle and Gateshead from April - August 2017.
Paterson’s design for the Hatton Pavilion consists of a vertical steel frame emerging from several concrete blocks that double up as seating areas. A slatted roof encloses the structure, and three abstract aluminium planes create walls that carve up and give the pavilion its volume.
Paterson uses the principles of display that Pasmore and Hamilton explored in seminal works presented in the Hatton Gallery, such as An Exhibit (1957) and Man Machine and Motion (1955).
The walls of the pavilion display a series of archival posters promoting historic Hatton Gallery exhibitions dating back to the 1950s, alongside a series of posters designed by Toby Paterson.
A programme of special events will allow visitors to explore the architecture of the space in different ways and discover more about the Hatton Gallery.
Read more about the Hatton Pavilion
This commission has been supported by money raised through Art’s Council England’s Catalyst Arts: capacity building and match funding scheme
at Laing Art Gallery
The Hatton Gallery presents an offsite commission for a touring pavilion, a major new art installation and programme of events.
Glasgow-based artist Toby Paterson has designed a temporary architectural structure that takes inspiration from the Hatton's history, collection and archive, touring Newcastle and Gateshead from April - August 2017.
Paterson’s design for the Hatton Pavilion consists of a vertical steel frame emerging from several concrete blocks that double up as seating areas. A slatted roof encloses the structure, and three abstract aluminium planes create walls that carve up and give the pavilion its volume.
Paterson uses the principles of display that Pasmore and Hamilton explored in seminal works presented in the Hatton Gallery, such as An Exhibit (1957) and Man Machine and Motion (1955).
The walls of the pavilion display a series of archival posters promoting historic Hatton Gallery exhibitions dating back to the 1950s, alongside a series of posters designed by Toby Paterson.
A programme of special events will allow visitors to explore the architecture of the space in different ways and discover more about the Hatton Gallery.
Read more about the Hatton Pavilion
This commission has been supported by money raised through Art’s Council England’s Catalyst Arts: capacity building and match funding scheme
at Great North Museum: Hancock
Over 1,600 photographs of North East wildlife were entered into this prestigious regional competition.
The exhibition in the museum’s Galleria showcases some of the amazing wildlife images that were judged as winners and runners-up, plus a digital slideshow of the other contenders.
Will you agree with the judges' decision?
In partnership with the Natural History Society of Northumbria, Alan Hewitt Photography and the Wildlife Trusts of Durham, Tees Valley and Northumberland.
at Arbeia, South Shields Roman Fort
Taking place from Saturday 8 April to Sunday 10 September 2017, Hadrian’s Cavalry explores the role and daily life of the Roman army’s cavalry forces in a unique wall-wide exhibition that stretches the full 150 miles of the Hadrian’s Wall World Heritage Site area – from Maryport in the west to South Shields in the east.
Arbeia Roman Fort
Uncovering cavalry – what archaeology tells us about Roman cavalry
Hadrian’s Cavalry is funded primarily through Arts Council England’s Museum Resilience Fund and managed by a partnership of heritage organisations from across Hadrian’s Wall.
To find out about exhibitions and events at other venues, please visit the Hadrian's Cavalry website.
at Segedunum Roman Fort
Taking place from Saturday 8 April to Sunday 10 September 2017, Hadrian’s Cavalry explores the role and daily life of the Roman army’s cavalry forces in a unique wall-wide exhibition that stretches the full 150 miles of the Hadrian’s Wall World Heritage Site area – from Maryport in the west to South Shields in the east.
Segedunum Roman Fort
Rome’s elite troops – building Hadrian’s cavalry
Some Roman cavalrymen were recruited from tribes elsewhere in the Empire famous for their horse skills, but all the new recruits – and their horses – needed to be trained to fight as an effective army unit. The exhibition includes weapons and armour that would have been used on a daily basis and those used for the spectacular public displays the cavalry put on to show off their skills. The cavalry saw themselves as an elite, and they liked to look the part.
Hadrian’s Cavalry is funded primarily through Arts Council England’s Museum Resilience Fund and managed by a partnership of heritage organisations from across Hadrian’s Wall.
To find out about exhibitions and events at other venues, please visit the Hadrian's Cavalry website.
at South Shields Museum & Art Gallery
2017 marks 130 years since Lowry’s birth. In the later years of his life he spent much of his time in the North East, particularly in Sunderland and South Shields. Here the sea became a prominent theme in his work.
He also became increasingly interested in creating humorous images and caricatures. This exhibition presents some examples of his pictures from this period, including ‘Four People’, on loan from a private collector, which presents an intriguing scene set in Marine Park, South Shields.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
A display of artworks created by refugees and asylum seekers who have taken part in the Hatton Gallery Home and Belonging’ project.
The work has been created by participants are from Afghanistan, Iraq ,Pakistan, Kurdistan, Iran, Eritrea, Congo, Yemen, Sri Lanka and Syria, and includes film, photography, textiles and personal objects that tell stories of people’s experiences.
The project has been inspired by Kurt Schwitters’ Merz Barn Wall, a 20th century artwork housed at the Hatton Gallery. Schwitters fled his home country of Germany during WW2, eventually seeking refuge in the UK. He settled in Ambleside, Cumbria, where in the face of great adversity he continued to create art.
This exhibition tells the continuing story of migration in a challenging world and the importance of history, art and creativity in documenting and sharing the experiences of people living in the North East today.
at South Shields Museum & Art Gallery
See eleven familiar South Shields landmarks, from the old to the very new, rebuilt in miniature with LEGO®.
See if you can spot local characters among the LEGO® Minifigures too. You'll be able to get creative in the exhibition space with lots of LEGO® available to build with.
Includes photograph of the featured buildings from South Tyneside Photographic Society, South Tyneside Council and South Tyneside Digital Group.
The South Shields Volunteer Life Brigade Watch House joins other familiar buildings like the Herd Groyne LightHouse, the Old Town Hall and more.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
A display celebrating 40 years since World Heavyweight Boxing Champion Muhammad Ali visited South Shields, featuring images and objects from his visit.
The display also marks The Queen and Prince Philip’s visit to South Tyneside the same month during the Silver Jubilee celebration tour.
On 2 November we took a life size image of Ali around South Shields retracing the route he took.
We used his quotes as prompts to ask people questions about life - South Shields, their dreams, masculinity and identity. You can hear what the people of South Shields said here.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
This exhibition of the Laing’s watercolour collection will take you on a journey through three centuries and increasingly distant parts of the world, starting from a scene of Newcastle.
The ever increasing popularity of watercolour combined with new travel routes defined where artists could visit. The artists, along with prevailing fashions in society and art defined how the British public saw the world. Featured artists include Edward Lear, JMW Turner, John Constable, David Roberts, JW Carmichael and John Singer Sargent.
at Discovery Museum
All the Fun of the Fair charts the history of Newcastle’s much-loved Hoppings fair, first held on the Town Moor in 1882.
Play with our unique collection of 50 vintage coin-operated amusement machines, perfect your pinball skills, and even find out your fortune.
As well as the hands-on vintage amusement machines the exhibition will explore the history and development of The Hoppings in a colourful, fun setting.
Photograph: The Hoppings, 2008. Image courtesy of Nick Lambert.
at Shipley Art Gallery
To celebrate 100 years since the Gallery doors opened to the public to present the Shipley’s bequest collection, and 40 years since the first items were purchased to build the now nationally important contemporary craft collection, the Shipley Art Gallery presents a new showcase exhibition.
Companion Pieces brings together different parts of the collection based upon themes to show the range of techniques and ideas used to explore subjects.
Works are presented in relation to various themes including Adam and Eve, the Body Beautiful, Visions of Gateshead, the Japanese Connection.
at Great North Museum: Hancock
Over 1,600 photographs of North East wildlife were entered into this prestigious regional competition.
The exhibition in the museum’s Galleria showcases some of the amazing wildlife images that were judged as winners and runners-up, plus a digital slideshow of the other contenders.
Will you agree with the judges' decision?
In partnership with the Natural History Society of Northumbria, Alan Hewitt Photography and the Wildlife Trusts of Durham, Tees Valley and Northumberland.
at Arbeia, South Shields Roman Fort
Taking place from Saturday 8 April to Sunday 10 September 2017, Hadrian’s Cavalry explores the role and daily life of the Roman army’s cavalry forces in a unique wall-wide exhibition that stretches the full 150 miles of the Hadrian’s Wall World Heritage Site area – from Maryport in the west to South Shields in the east.
Arbeia Roman Fort
Uncovering cavalry – what archaeology tells us about Roman cavalry
Hadrian’s Cavalry is funded primarily through Arts Council England’s Museum Resilience Fund and managed by a partnership of heritage organisations from across Hadrian’s Wall.
To find out about exhibitions and events at other venues, please visit the Hadrian's Cavalry website.
at Segedunum Roman Fort
Taking place from Saturday 8 April to Sunday 10 September 2017, Hadrian’s Cavalry explores the role and daily life of the Roman army’s cavalry forces in a unique wall-wide exhibition that stretches the full 150 miles of the Hadrian’s Wall World Heritage Site area – from Maryport in the west to South Shields in the east.
Segedunum Roman Fort
Rome’s elite troops – building Hadrian’s cavalry
Some Roman cavalrymen were recruited from tribes elsewhere in the Empire famous for their horse skills, but all the new recruits – and their horses – needed to be trained to fight as an effective army unit. The exhibition includes weapons and armour that would have been used on a daily basis and those used for the spectacular public displays the cavalry put on to show off their skills. The cavalry saw themselves as an elite, and they liked to look the part.
Hadrian’s Cavalry is funded primarily through Arts Council England’s Museum Resilience Fund and managed by a partnership of heritage organisations from across Hadrian’s Wall.
To find out about exhibitions and events at other venues, please visit the Hadrian's Cavalry website.
at South Shields Museum & Art Gallery
2017 marks 130 years since Lowry’s birth. In the later years of his life he spent much of his time in the North East, particularly in Sunderland and South Shields. Here the sea became a prominent theme in his work.
He also became increasingly interested in creating humorous images and caricatures. This exhibition presents some examples of his pictures from this period, including ‘Four People’, on loan from a private collector, which presents an intriguing scene set in Marine Park, South Shields.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
A display of artworks created by refugees and asylum seekers who have taken part in the Hatton Gallery Home and Belonging’ project.
The work has been created by participants are from Afghanistan, Iraq ,Pakistan, Kurdistan, Iran, Eritrea, Congo, Yemen, Sri Lanka and Syria, and includes film, photography, textiles and personal objects that tell stories of people’s experiences.
The project has been inspired by Kurt Schwitters’ Merz Barn Wall, a 20th century artwork housed at the Hatton Gallery. Schwitters fled his home country of Germany during WW2, eventually seeking refuge in the UK. He settled in Ambleside, Cumbria, where in the face of great adversity he continued to create art.
This exhibition tells the continuing story of migration in a challenging world and the importance of history, art and creativity in documenting and sharing the experiences of people living in the North East today.
at South Shields Museum & Art Gallery
See eleven familiar South Shields landmarks, from the old to the very new, rebuilt in miniature with LEGO®.
See if you can spot local characters among the LEGO® Minifigures too. You'll be able to get creative in the exhibition space with lots of LEGO® available to build with.
Includes photograph of the featured buildings from South Tyneside Photographic Society, South Tyneside Council and South Tyneside Digital Group.
The South Shields Volunteer Life Brigade Watch House joins other familiar buildings like the Herd Groyne LightHouse, the Old Town Hall and more.
All details on the South Shields Museum & Art Gallery website
at Segedunum Roman Fort
Neither the United States’ ‘late’ entry into the First World War nor its vital contribution to the defeat of the Central Powers are widely understood in the UK.
This display explores these themes by focusing on the connection of America’s fighting forces with one region of England: the North East.
Hundreds of ‘GI Geordies’ (former natives of North East England) were among the American Expeditionary Force that came to Europe in 1917–18, Tyneside dockyards repaired and maintained US Navy ships operating in the Eastern Atlantic and North Atlantic, and in 1918 a US Aero Squadron was based in Newcastle.
at South Shields Museum & Art Gallery
A display celebrating 40 years since World Heavyweight Boxing Champion Muhammad Ali visited South Shields, featuring images and objects from his visit.
The display also marks The Queen and Prince Philip’s visit to South Tyneside the same month during the Silver Jubilee celebration tour.
On 2 November we took a life size image of Ali around South Shields retracing the route he took.
We used his quotes as prompts to ask people questions about life - South Shields, their dreams, masculinity and identity. You can hear what the people of South Shields said here.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
This exhibition of the Laing’s watercolour collection will take you on a journey through three centuries and increasingly distant parts of the world, starting from a scene of Newcastle.
The ever increasing popularity of watercolour combined with new travel routes defined where artists could visit. The artists, along with prevailing fashions in society and art defined how the British public saw the world. Featured artists include Edward Lear, JMW Turner, John Constable, David Roberts, JW Carmichael and John Singer Sargent.
at Laing Art Gallery
With four and five star reviews including Guardian, The Times, Londonist and Time Out London, this exhibition of work by Paul Nash comes to the Laing Art Gallery from Tate Britain, London.
Paul Nash (1889 –1946) was one of the most distinctive British artists of the 20th century and was a key figure in British Surrealism. His art forged an important new connection between surreal and mystical ideas and the English landscape. This significant exhibition spans Nash’s lifework, from his earliest drawings and the iconic war paintings to his powerfully emotional final landscapes.
Nash had a strong attachment to Britain’s countryside and coast, and was fascinated by its ancient history. Landscape painting was a major feature of his art, evolving from dreamlike scenes to intense encounters with particular places and explorations of ideas from Cubism, Abstraction and Surrealism. These qualities also shaped Nash’s paintings of interiors as well as the prints he made as book illustrations. His shattered landscapes are some of the most striking pictures of the First and Second World Wars.
The exhibition includes a fascinating array of photographs and surreal objects, assembled as sources of inspiration by Nash and artist Eileen Agar, with whom he collaborated in the 1930s. Nash was a founding member of the British modernist group Unit One in 1933, and participated in the International Surrealist Exhibition of 1936. Pictures by Nash from this key moment in British modernism are on display alongside sculpture and paintings by fellow Unit One artists, including Barbara Hepworth, Henry Moore and Edward Wadsworth.
The exhibition concludes with the evocative landscape paintings that Nash produced in the last decade of his life. In these important pictures, the sun and moon are symbolic presences, and vibrant colour conveys Nash’s emotional response to the landscape.
The exhibition is organised by Tate Britain in association with the Laing Art Gallery and the Sainsbury Centre for Visual Arts.
Read our blog on Paul Nash’s First World War experiences and paintings. See our next blog on Paul Nash,a Romantic Surrealist.
at South Shields Museum & Art Gallery
A rare glimpse of a South Tyneside art lover’s personal collection, amassed over 40 years from dealers, auctions and shops all over the world.
Depicting scenes of South Shields and the wider North East over the years, see paintings of Marsden Rock, the Rivers Tyne and Wear, South Shields market place and more.
Also featuring Durham Pit Lad Going Home by local favourite Ralph Hedley.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
All the Fun of the Fair charts the history of Newcastle’s much-loved Hoppings fair, first held on the Town Moor in 1882.
Play with our unique collection of 50 vintage coin-operated amusement machines, perfect your pinball skills, and even find out your fortune.
As well as the hands-on vintage amusement machines the exhibition will explore the history and development of The Hoppings in a colourful, fun setting.
Photograph: The Hoppings, 2008. Image courtesy of Nick Lambert.
at Shipley Art Gallery
To celebrate 100 years since the Gallery doors opened to the public to present the Shipley’s bequest collection, and 40 years since the first items were purchased to build the now nationally important contemporary craft collection, the Shipley Art Gallery presents a new showcase exhibition.
Companion Pieces brings together different parts of the collection based upon themes to show the range of techniques and ideas used to explore subjects.
Works are presented in relation to various themes including Adam and Eve, the Body Beautiful, Visions of Gateshead, the Japanese Connection.
at Discovery Museum
To mark the anniversary of the Battle of Balaclava (25 October 1854), experience Crimean War medicine with Florence Nightingale and modern facilities in a real army field hospital with the Royal Army Medical Corps, indoor assault course, plus crafts and object handling.
at Shipley Art Gallery
MY PART OF YOUR HOME runs from 13-25 October and is an exhibition using the Saltwell Museum Collection at the Shipley Art Gallery, on its centenary year.
The collection holds many objects ‘made in Gateshead’ – and this new exhibition creates a conversation between them and artworks which were also ‘made in Gateshead’.
Giles Bailey & CIRCA Projects will introduce artwork interventions ‘made in Gateshead’ into the exhibition.
Inspired by the diverse and exploratory character of the gallery’s curation, which holds objects as diverse as coal produced in the ground and Primula cheese produced in a factory in Gateshead: ‘My Part of Your Home’ introduces art into the collection and shows the relationships it has with the collection’s objects.
This exhibition is part of Tusk Festival
at South Shields Museum & Art Gallery
See eleven familiar South Shields landmarks, from the old to the very new, rebuilt in miniature with LEGO®.
See if you can spot local characters among the LEGO® Minifigures too. You'll be able to get creative in the exhibition space with lots of LEGO® available to build with.
Includes photograph of the featured buildings from South Tyneside Photographic Society, South Tyneside Council and South Tyneside Digital Group.
The South Shields Volunteer Life Brigade Watch House joins other familiar buildings like the Herd Groyne LightHouse, the Old Town Hall and more.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Visit this October half term for military-inspired activities and events inspired by our new exhibition, Charge! The Story of England’s Northern Cavalry, which opens on Saturday 21 October.
There will be lots to see and do all week, including:
Saturday 21 October - launch day
11am - 3pm
Celebrate the opening of Charge! with activities, including object handling, craft sessions and light armoured vehicles on the Plaza.
Tuesday 24 (sold out) & Thursday 26 October
Radio building
10am – 12pm
£6 per workshop, booking essential Book now
Join Sound Artist Ben Freeth to build your own crystal radio transmitter from scratch.
Wednesday 25 October – Balaclava Day
To mark the anniversary of the Battle of Balaclava (25 October 1854), experience Crimean War medicine with Florence Nightingale and modern facilities in a real army field hospital with the Royal Army Medical Corps, an indoor assault course, plus crafts and object handling.
Film, talk & tour: Battle of Balaclava
Film: The Charge of The Light Brigade
12 – 2.30pm
£3, booking essential
Sit back and enjoy a special screening of the 1968 classic film, based on the British light cavalry's ill-fated role in this famous charge.
Talk & Tour
3 – 4pm
£4, booking essential
Find out more about the British light cavalry’s charge against Russian forces during the Crimean War. This talk is followed by a guided tour of the new Charge! gallery.
Multi-buy offer: Book for the film, talk & tour for only £6.
at Segedunum Roman Fort
Neither the United States’ ‘late’ entry into the First World War nor its vital contribution to the defeat of the Central Powers are widely understood in the UK.
This display explores these themes by focusing on the connection of America’s fighting forces with one region of England: the North East.
Hundreds of ‘GI Geordies’ (former natives of North East England) were among the American Expeditionary Force that came to Europe in 1917–18, Tyneside dockyards repaired and maintained US Navy ships operating in the Eastern Atlantic and North Atlantic, and in 1918 a US Aero Squadron was based in Newcastle.
at Great North Museum: Hancock
Great North Museum: Hancock presents FREEDOM, a new work by Newcastle University’s scholar-filmmakers Ian McDonald and Geetha Jayaraman.
FREEDOM is a conceptual four screen installation that celebrates the political energy of Martin Luther King Jr and underscores the ‘fierce urgency of now’.
Directed by Ian and produced by Geetha, FREEDOM takes the visit of Dr Martin Luther King to Newcastle University (in 1967 to receive an honorary doctorate) as the setting for an exciting visual collocation of the visit alongside and against archive material and contemporary visuals.
A response to his acceptance speech, FREEDOM deliberates on the three interlinked evils of capitalism that he spoke about: racism, poverty and war. Archival footage is combined with an immersive soundscape to weave portrayals of protests and activism in the UK and USA today into Dr King's speech.
FREEDOM moves from the streets of New York to voices in Memphis, marches in London, Enoch Powell’s visit to Newcastle and more.
Ultimately, FREEDOM prompts the viewer to ask questions about freedom: What is freedom? What is the relationship between freedom and activism? How do we achieve freedom today?
Part of Freedom City 2017 - a city wide programme across Newcastle marking the 50th anniversary of Dr Martin Luther King Jr. receiving an honorary degree from Newcastle University.
Freedom City 2017 is a partnership between Newcastle University, Northern Roots and NewcastleGateshead Initiative.
at Great North Museum: Hancock
This exhibition depicts elements of race relations and the civil rights struggle in Pittsburgh, USA, by combining the spoken recollections of black Pittsburghers (recorded by the Remembering Africanamerican Pittsburgh oral history project at Carnegie Mellon University’s Center for Africanamerican Urban Studies and the Economy) with historic photos from the world-class Charles "Teenie" Harris Archive held by the Carnegie Museum of Art.
By using Pittsburgh as a case-study, this exhibition embodies one of the central messages of Dr Martin Luther King’s speech: that racism looms over our world and yet the thirst for freedom and dignity remains unquenchable.
The exhibition will run in parallel with the "Teenie Harris Photographs: In Their Own Voice" exhibition at the Carnegie Museum of Art, Pittsburgh which takes place from 29 July 2017 – 28 February 2018.
Image: Charles "Teenie" Harris. American, 1908–1998. Children listening to man playing a small piano in front of Terrace Village housing project, Hill District, ca. 1956 © Carnegie Museum of Art, Charles "Teenie" Harris Archive.
Part of Freedom City 2017 - a city wide programme across Newcastle marking the 50th anniversary of Dr Martin Luther King Jr. receiving an honorary degree from Newcastle University.
Freedom City 2017 is a partnership between Newcastle University, Northern Roots and NewcastleGateshead Initiative.
at South Shields Museum & Art Gallery
A display celebrating 40 years since World Heavyweight Boxing Champion Muhammad Ali visited South Shields, featuring images and objects from his visit.
The display also marks The Queen and Prince Philip’s visit to South Tyneside the same month during the Silver Jubilee celebration tour.
On 2 November we took a life size image of Ali around South Shields retracing the route he took.
We used his quotes as prompts to ask people questions about life - South Shields, their dreams, masculinity and identity. You can hear what the people of South Shields said here.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
This new display focuses on Newcastle University archaeologist Tatiana Ivleva's research on Roman glass bangles in Britain.
Tatiana is particularly interested in the popularity of glass bangles in Northern Britain, on both sides of Hadrian's Wall.
A small number of fascinating artefacts are on show in the display which is taking place in our new temporary exhibition space, formerly the Mithraeum.
We are aiming to show at least three different mini-exhibitions in this space each year.
at Laing Art Gallery
This exhibition of the Laing’s watercolour collection will take you on a journey through three centuries and increasingly distant parts of the world, starting from a scene of Newcastle.
The ever increasing popularity of watercolour combined with new travel routes defined where artists could visit. The artists, along with prevailing fashions in society and art defined how the British public saw the world. Featured artists include Edward Lear, JMW Turner, John Constable, David Roberts, JW Carmichael and John Singer Sargent.
at Laing Art Gallery
With four and five star reviews including Guardian, The Times, Londonist and Time Out London, this exhibition of work by Paul Nash comes to the Laing Art Gallery from Tate Britain, London.
Paul Nash (1889 –1946) was one of the most distinctive British artists of the 20th century and was a key figure in British Surrealism. His art forged an important new connection between surreal and mystical ideas and the English landscape. This significant exhibition spans Nash’s lifework, from his earliest drawings and the iconic war paintings to his powerfully emotional final landscapes.
Nash had a strong attachment to Britain’s countryside and coast, and was fascinated by its ancient history. Landscape painting was a major feature of his art, evolving from dreamlike scenes to intense encounters with particular places and explorations of ideas from Cubism, Abstraction and Surrealism. These qualities also shaped Nash’s paintings of interiors as well as the prints he made as book illustrations. His shattered landscapes are some of the most striking pictures of the First and Second World Wars.
The exhibition includes a fascinating array of photographs and surreal objects, assembled as sources of inspiration by Nash and artist Eileen Agar, with whom he collaborated in the 1930s. Nash was a founding member of the British modernist group Unit One in 1933, and participated in the International Surrealist Exhibition of 1936. Pictures by Nash from this key moment in British modernism are on display alongside sculpture and paintings by fellow Unit One artists, including Barbara Hepworth, Henry Moore and Edward Wadsworth.
The exhibition concludes with the evocative landscape paintings that Nash produced in the last decade of his life. In these important pictures, the sun and moon are symbolic presences, and vibrant colour conveys Nash’s emotional response to the landscape.
The exhibition is organised by Tate Britain in association with the Laing Art Gallery and the Sainsbury Centre for Visual Arts.
Read our blog on Paul Nash’s First World War experiences and paintings. See our next blog on Paul Nash,a Romantic Surrealist.
at Hatton Gallery
The Hatton Gallery at Newcastle University re-opens on 7 October 2017 following a 20-month, £3.8million redevelopment funded by the Heritage Lottery Fund, with a ground-breaking exhibition that will firmly – and correctly - position Newcastle as the birthplace of Pop Art.
The Hatton has played a unique role in the development of British Art, with its history intimately entwined with some of the most influential artists of the 20th century. The exhibition Pioneers of Pop revolves around the numerous artists and writers, activities, projects and ideas which had at their centre artist Richard Hamilton, during his time teaching at Newcastle University (1953-1966).
Pioneers of Pop includes around 100 works by some of the leading British artists associated with both Pop and abstract art - Eduardo Paolozzi, David Hockney, Richard Smith, Ian Stephenson, R.B Kitaj, Joe Tilson and, of course, Hamilton himself.
The exhibition will include works created in a wide range of media, including paintings, prints, collages, magazines and photographs – from lenders across the UK, such as Tate, V&A, Scottish National Gallery of Modern Art, Abbot Hall, Pallant House, and Arts Council England.
at South Shields Museum & Art Gallery
A rare glimpse of a South Tyneside art lover’s personal collection, amassed over 40 years from dealers, auctions and shops all over the world.
Depicting scenes of South Shields and the wider North East over the years, see paintings of Marsden Rock, the Rivers Tyne and Wear, South Shields market place and more.
Also featuring Durham Pit Lad Going Home by local favourite Ralph Hedley.
All details on the South Shields Museum & Art Gallery website
at Shipley Art Gallery
The Shipley Art Gallery is celebrating its centenary this year. One hundred years ago during November 1917, the doors opened to the public for the very first time.
This small display tells the story of how Gateshead’s art gallery came about and why.
Come and discover life within the North East at the turn of the twentieth century. Find out what Gateshead was like during the First World War, and understand the circumstances which led to the Shipley’s wartime creation.
at Discovery Museum
All the Fun of the Fair charts the history of Newcastle’s much-loved Hoppings fair, first held on the Town Moor in 1882.
Play with our unique collection of 50 vintage coin-operated amusement machines, perfect your pinball skills, and even find out your fortune.
As well as the hands-on vintage amusement machines the exhibition will explore the history and development of The Hoppings in a colourful, fun setting.
Photograph: The Hoppings, 2008. Image courtesy of Nick Lambert.
at Shipley Art Gallery
To celebrate 100 years since the Gallery doors opened to the public to present the Shipley’s bequest collection, and 40 years since the first items were purchased to build the now nationally important contemporary craft collection, the Shipley Art Gallery presents a new showcase exhibition.
Companion Pieces brings together different parts of the collection based upon themes to show the range of techniques and ideas used to explore subjects.
Works are presented in relation to various themes including Adam and Eve, the Body Beautiful, Visions of Gateshead, the Japanese Connection.
at Hatton Gallery
Kurt Schwitters: Collage & Assemblage focuses on Schwitters’ pioneering career long use of collage, a significant development in 20th century art practice.
Fascinating dialogues exist between these works and those of the Independent Group and early pop artists on display in Pioneers of Pop and Schwitters' Merz Barn Wall, permanently displayed in the Hatton Gallery.
Rarely seen together, this exhibition will feature Schwitters’ classic ‘Merz’ collages from the Tate, British Museum, V&A, Armitt Museum, Abbot Hall Art Gallery, Scottish National Gallery of Modern Art as well as private collections.
Image: Kurt Schwitters (1887-1948) Mz. 299 für V.J. Kuron [Mz. 299 for V.J. Kuron], 1921 Drawing, collage on paper, 18 x 14.5 cm Collection: National Galleries of Scotland, bequeathed by Gabrielle Keiller 1995 © DACS 2016. Photo: Antonia Reeve
at Shipley Art Gallery
Join Philip Deans, Doctoral Research student at Newcastle University for a talk on the how the Shipley came to be built during WWI.
See a small display on the history of the gallery, researched and curated in collaboration with Philip Deans as part of his placement at the Shipley Art Gallery.
at Segedunum Roman Fort
Neither the United States’ ‘late’ entry into the First World War nor its vital contribution to the defeat of the Central Powers are widely understood in the UK.
This display explores these themes by focusing on the connection of America’s fighting forces with one region of England: the North East.
Hundreds of ‘GI Geordies’ (former natives of North East England) were among the American Expeditionary Force that came to Europe in 1917–18, Tyneside dockyards repaired and maintained US Navy ships operating in the Eastern Atlantic and North Atlantic, and in 1918 a US Aero Squadron was based in Newcastle.
at Shipley Art Gallery
Join us for a talk about the Shipley Art Gallery’s history and collections as well as a tour of the collection highlights.
Subjects include the building itself, Joseph Shipley and his collection, the Tintoretto, the design and craft collection and Henry Rothschild and his ceramics gift.
Talks and tours are delivered by John Thompson, former Director of Tyne & Wear Arcives & Museums. Previously, John was curator at Whitworth and City Art Gallery, Manchester and Director of Arts and Museums, Bradford.
Afterwards there will be the chance to look around the current exhibitions at your leisure.
The tour lasts approximately one hour. Lightweight, folding stools are available for anyone who would rather not stand.
at Great North Museum: Hancock
Great North Museum: Hancock presents FREEDOM, a new work by Newcastle University’s scholar-filmmakers Ian McDonald and Geetha Jayaraman.
FREEDOM is a conceptual four screen installation that celebrates the political energy of Martin Luther King Jr and underscores the ‘fierce urgency of now’.
Directed by Ian and produced by Geetha, FREEDOM takes the visit of Dr Martin Luther King to Newcastle University (in 1967 to receive an honorary doctorate) as the setting for an exciting visual collocation of the visit alongside and against archive material and contemporary visuals.
A response to his acceptance speech, FREEDOM deliberates on the three interlinked evils of capitalism that he spoke about: racism, poverty and war. Archival footage is combined with an immersive soundscape to weave portrayals of protests and activism in the UK and USA today into Dr King's speech.
FREEDOM moves from the streets of New York to voices in Memphis, marches in London, Enoch Powell’s visit to Newcastle and more.
Ultimately, FREEDOM prompts the viewer to ask questions about freedom: What is freedom? What is the relationship between freedom and activism? How do we achieve freedom today?
Part of Freedom City 2017 - a city wide programme across Newcastle marking the 50th anniversary of Dr Martin Luther King Jr. receiving an honorary degree from Newcastle University.
Freedom City 2017 is a partnership between Newcastle University, Northern Roots and NewcastleGateshead Initiative.
at Great North Museum: Hancock
This exhibition depicts elements of race relations and the civil rights struggle in Pittsburgh, USA, by combining the spoken recollections of black Pittsburghers (recorded by the Remembering Africanamerican Pittsburgh oral history project at Carnegie Mellon University’s Center for Africanamerican Urban Studies and the Economy) with historic photos from the world-class Charles "Teenie" Harris Archive held by the Carnegie Museum of Art.
By using Pittsburgh as a case-study, this exhibition embodies one of the central messages of Dr Martin Luther King’s speech: that racism looms over our world and yet the thirst for freedom and dignity remains unquenchable.
The exhibition will run in parallel with the "Teenie Harris Photographs: In Their Own Voice" exhibition at the Carnegie Museum of Art, Pittsburgh which takes place from 29 July 2017 – 28 February 2018.
Image: Charles "Teenie" Harris. American, 1908–1998. Children listening to man playing a small piano in front of Terrace Village housing project, Hill District, ca. 1956 © Carnegie Museum of Art, Charles "Teenie" Harris Archive.
Part of Freedom City 2017 - a city wide programme across Newcastle marking the 50th anniversary of Dr Martin Luther King Jr. receiving an honorary degree from Newcastle University.
Freedom City 2017 is a partnership between Newcastle University, Northern Roots and NewcastleGateshead Initiative.
at South Shields Museum & Art Gallery
A display celebrating 40 years since World Heavyweight Boxing Champion Muhammad Ali visited South Shields, featuring images and objects from his visit.
The display also marks The Queen and Prince Philip’s visit to South Tyneside the same month during the Silver Jubilee celebration tour.
On 2 November we took a life size image of Ali around South Shields retracing the route he took.
We used his quotes as prompts to ask people questions about life - South Shields, their dreams, masculinity and identity. You can hear what the people of South Shields said here.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
This new display focuses on Newcastle University archaeologist Tatiana Ivleva's research on Roman glass bangles in Britain.
Tatiana is particularly interested in the popularity of glass bangles in Northern Britain, on both sides of Hadrian's Wall.
A small number of fascinating artefacts are on show in the display which is taking place in our new temporary exhibition space, formerly the Mithraeum.
We are aiming to show at least three different mini-exhibitions in this space each year.
at Laing Art Gallery
This exhibition of the Laing’s watercolour collection will take you on a journey through three centuries and increasingly distant parts of the world, starting from a scene of Newcastle.
The ever increasing popularity of watercolour combined with new travel routes defined where artists could visit. The artists, along with prevailing fashions in society and art defined how the British public saw the world. Featured artists include Edward Lear, JMW Turner, John Constable, David Roberts, JW Carmichael and John Singer Sargent.
at Shipley Art Gallery
Gateshead Art Society's annual selling exhibition returns this year with a selection of artwork created by members of the Society over the past year.
Shortlisted by the members themselves and curated by the Shipley, this annual exhibition will be presented on easels and will change on a weekly basis.
Saturday 2 December, 10am - 1pm
Meet the artists behind the Gateshead Art Society exhibition
at Laing Art Gallery
With four and five star reviews including Guardian, The Times, Londonist and Time Out London, this exhibition of work by Paul Nash comes to the Laing Art Gallery from Tate Britain, London.
Paul Nash (1889 –1946) was one of the most distinctive British artists of the 20th century and was a key figure in British Surrealism. His art forged an important new connection between surreal and mystical ideas and the English landscape. This significant exhibition spans Nash’s lifework, from his earliest drawings and the iconic war paintings to his powerfully emotional final landscapes.
Nash had a strong attachment to Britain’s countryside and coast, and was fascinated by its ancient history. Landscape painting was a major feature of his art, evolving from dreamlike scenes to intense encounters with particular places and explorations of ideas from Cubism, Abstraction and Surrealism. These qualities also shaped Nash’s paintings of interiors as well as the prints he made as book illustrations. His shattered landscapes are some of the most striking pictures of the First and Second World Wars.
The exhibition includes a fascinating array of photographs and surreal objects, assembled as sources of inspiration by Nash and artist Eileen Agar, with whom he collaborated in the 1930s. Nash was a founding member of the British modernist group Unit One in 1933, and participated in the International Surrealist Exhibition of 1936. Pictures by Nash from this key moment in British modernism are on display alongside sculpture and paintings by fellow Unit One artists, including Barbara Hepworth, Henry Moore and Edward Wadsworth.
The exhibition concludes with the evocative landscape paintings that Nash produced in the last decade of his life. In these important pictures, the sun and moon are symbolic presences, and vibrant colour conveys Nash’s emotional response to the landscape.
The exhibition is organised by Tate Britain in association with the Laing Art Gallery and the Sainsbury Centre for Visual Arts.
Read our blog on Paul Nash’s First World War experiences and paintings. See our next blog on Paul Nash,a Romantic Surrealist.
at Hatton Gallery
The Hatton Gallery at Newcastle University re-opens on 7 October 2017 following a 20-month, £3.8million redevelopment funded by the Heritage Lottery Fund, with a ground-breaking exhibition that will firmly – and correctly - position Newcastle as the birthplace of Pop Art.
The Hatton has played a unique role in the development of British Art, with its history intimately entwined with some of the most influential artists of the 20th century. The exhibition Pioneers of Pop revolves around the numerous artists and writers, activities, projects and ideas which had at their centre artist Richard Hamilton, during his time teaching at Newcastle University (1953-1966).
Pioneers of Pop includes around 100 works by some of the leading British artists associated with both Pop and abstract art - Eduardo Paolozzi, David Hockney, Richard Smith, Ian Stephenson, R.B Kitaj, Joe Tilson and, of course, Hamilton himself.
The exhibition will include works created in a wide range of media, including paintings, prints, collages, magazines and photographs – from lenders across the UK, such as Tate, V&A, Scottish National Gallery of Modern Art, Abbot Hall, Pallant House, and Arts Council England.
at Shipley Art Gallery
A quilt created by over 100 participants from across Gateshead and the North East is on display at the Shipley Art Gallery.
The Shipley Art Gallery was built and opened during the First World War on 29 November 1917. To celebrate the Shipley’s Centenary, a quilting project took place throughout 2017 led by textile artist Louise Underwood. Over 100 participants from across Gateshead and the North East (including people who had never sewn in their life!) participated in the project to create individual squares for a new quilt.
The North East has a long-held tradition of quilting, which is reflected in a selection of North Country quilts which form part of the craft collection at the Shipley Art Gallery.
The Shipley has facilitated a local quilting group since 1986, and members meet regularly to share skills, socialize and create.
Visitors can see the final quilt on display in the Designs for Life Gallery at the Shipley.
at South Shields Museum & Art Gallery
A rare glimpse of a South Tyneside art lover’s personal collection, amassed over 40 years from dealers, auctions and shops all over the world.
Depicting scenes of South Shields and the wider North East over the years, see paintings of Marsden Rock, the Rivers Tyne and Wear, South Shields market place and more.
Also featuring Durham Pit Lad Going Home by local favourite Ralph Hedley.
All details on the South Shields Museum & Art Gallery website
at Shipley Art Gallery
The Shipley Art Gallery is celebrating its centenary this year. One hundred years ago during November 1917, the doors opened to the public for the very first time.
This small display tells the story of how Gateshead’s art gallery came about and why.
Come and discover life within the North East at the turn of the twentieth century. Find out what Gateshead was like during the First World War, and understand the circumstances which led to the Shipley’s wartime creation.
at Discovery Museum
All the Fun of the Fair charts the history of Newcastle’s much-loved Hoppings fair, first held on the Town Moor in 1882.
Play with our unique collection of 50 vintage coin-operated amusement machines, perfect your pinball skills, and even find out your fortune.
As well as the hands-on vintage amusement machines the exhibition will explore the history and development of The Hoppings in a colourful, fun setting.
Photograph: The Hoppings, 2008. Image courtesy of Nick Lambert.
at Shipley Art Gallery
To celebrate 100 years since the Gallery doors opened to the public to present the Shipley’s bequest collection, and 40 years since the first items were purchased to build the now nationally important contemporary craft collection, the Shipley Art Gallery presents a new showcase exhibition.
Companion Pieces brings together different parts of the collection based upon themes to show the range of techniques and ideas used to explore subjects.
Works are presented in relation to various themes including Adam and Eve, the Body Beautiful, Visions of Gateshead, the Japanese Connection.
at South Shields Museum & Art Gallery
Come face to face with the skeletons of animals from sea, land and air and marvel at real bones, teeth and fossils.
Showcasing almost a hundred different animal bones, this exhibition features complete animal skeletons from a cat, fox and pangolin to fossil fish, the pelvis of a now–extinct Dodo and the skulls of predators like lions and the jaws of sharks.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
Kurt Schwitters: Collage & Assemblage focuses on Schwitters’ pioneering career long use of collage, a significant development in 20th century art practice.
Fascinating dialogues exist between these works and those of the Independent Group and early pop artists on display in Pioneers of Pop and Schwitters' Merz Barn Wall, permanently displayed in the Hatton Gallery.
Rarely seen together, this exhibition will feature Schwitters’ classic ‘Merz’ collages from the Tate, British Museum, V&A, Armitt Museum, Abbot Hall Art Gallery, Scottish National Gallery of Modern Art as well as private collections.
Image: Kurt Schwitters (1887-1948) Mz. 299 für V.J. Kuron [Mz. 299 for V.J. Kuron], 1921 Drawing, collage on paper, 18 x 14.5 cm Collection: National Galleries of Scotland, bequeathed by Gabrielle Keiller 1995 © DACS 2016. Photo: Antonia Reeve
at Great North Museum: Hancock
Great North Museum: Hancock presents FREEDOM, a new work by Newcastle University’s scholar-filmmakers Ian McDonald and Geetha Jayaraman.
FREEDOM is a conceptual four screen installation that celebrates the political energy of Martin Luther King Jr and underscores the ‘fierce urgency of now’.
Directed by Ian and produced by Geetha, FREEDOM takes the visit of Dr Martin Luther King to Newcastle University (in 1967 to receive an honorary doctorate) as the setting for an exciting visual collocation of the visit alongside and against archive material and contemporary visuals.
A response to his acceptance speech, FREEDOM deliberates on the three interlinked evils of capitalism that he spoke about: racism, poverty and war. Archival footage is combined with an immersive soundscape to weave portrayals of protests and activism in the UK and USA today into Dr King's speech.
FREEDOM moves from the streets of New York to voices in Memphis, marches in London, Enoch Powell’s visit to Newcastle and more.
Ultimately, FREEDOM prompts the viewer to ask questions about freedom: What is freedom? What is the relationship between freedom and activism? How do we achieve freedom today?
Part of Freedom City 2017 - a city wide programme across Newcastle marking the 50th anniversary of Dr Martin Luther King Jr. receiving an honorary degree from Newcastle University.
Freedom City 2017 is a partnership between Newcastle University, Northern Roots and NewcastleGateshead Initiative.
at Great North Museum: Hancock
This exhibition depicts elements of race relations and the civil rights struggle in Pittsburgh, USA, by combining the spoken recollections of black Pittsburghers (recorded by the Remembering Africanamerican Pittsburgh oral history project at Carnegie Mellon University’s Center for Africanamerican Urban Studies and the Economy) with historic photos from the world-class Charles "Teenie" Harris Archive held by the Carnegie Museum of Art.
By using Pittsburgh as a case-study, this exhibition embodies one of the central messages of Dr Martin Luther King’s speech: that racism looms over our world and yet the thirst for freedom and dignity remains unquenchable.
The exhibition will run in parallel with the "Teenie Harris Photographs: In Their Own Voice" exhibition at the Carnegie Museum of Art, Pittsburgh which takes place from 29 July 2017 – 28 February 2018.
Image: Charles "Teenie" Harris. American, 1908–1998. Children listening to man playing a small piano in front of Terrace Village housing project, Hill District, ca. 1956 © Carnegie Museum of Art, Charles "Teenie" Harris Archive.
Part of Freedom City 2017 - a city wide programme across Newcastle marking the 50th anniversary of Dr Martin Luther King Jr. receiving an honorary degree from Newcastle University.
Freedom City 2017 is a partnership between Newcastle University, Northern Roots and NewcastleGateshead Initiative.
at South Shields Museum & Art Gallery
A display celebrating 40 years since World Heavyweight Boxing Champion Muhammad Ali visited South Shields, featuring images and objects from his visit.
The display also marks The Queen and Prince Philip’s visit to South Tyneside the same month during the Silver Jubilee celebration tour.
On 2 November we took a life size image of Ali around South Shields retracing the route he took.
We used his quotes as prompts to ask people questions about life - South Shields, their dreams, masculinity and identity. You can hear what the people of South Shields said here.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
This new display focuses on Newcastle University archaeologist Tatiana Ivleva's research on Roman glass bangles in Britain.
Tatiana is particularly interested in the popularity of glass bangles in Northern Britain, on both sides of Hadrian's Wall.
A small number of fascinating artefacts are on show in the display which is taking place in our new temporary exhibition space, formerly the Mithraeum.
We are aiming to show at least three different mini-exhibitions in this space each year.
at Laing Art Gallery
This exhibition of the Laing’s watercolour collection will take you on a journey through three centuries and increasingly distant parts of the world, starting from a scene of Newcastle.
The ever increasing popularity of watercolour combined with new travel routes defined where artists could visit. The artists, along with prevailing fashions in society and art defined how the British public saw the world. Featured artists include Edward Lear, JMW Turner, John Constable, David Roberts, JW Carmichael and John Singer Sargent.
at Shipley Art Gallery
Gateshead Art Society's annual selling exhibition returns this year with a selection of artwork created by members of the Society over the past year.
Shortlisted by the members themselves and curated by the Shipley, this annual exhibition will be presented on easels and will change on a weekly basis.
Saturday 2 December, 10am - 1pm
Meet the artists behind the Gateshead Art Society exhibition
at Laing Art Gallery
With four and five star reviews including Guardian, The Times, Londonist and Time Out London, this exhibition of work by Paul Nash comes to the Laing Art Gallery from Tate Britain, London.
Paul Nash (1889 –1946) was one of the most distinctive British artists of the 20th century and was a key figure in British Surrealism. His art forged an important new connection between surreal and mystical ideas and the English landscape. This significant exhibition spans Nash’s lifework, from his earliest drawings and the iconic war paintings to his powerfully emotional final landscapes.
Nash had a strong attachment to Britain’s countryside and coast, and was fascinated by its ancient history. Landscape painting was a major feature of his art, evolving from dreamlike scenes to intense encounters with particular places and explorations of ideas from Cubism, Abstraction and Surrealism. These qualities also shaped Nash’s paintings of interiors as well as the prints he made as book illustrations. His shattered landscapes are some of the most striking pictures of the First and Second World Wars.
The exhibition includes a fascinating array of photographs and surreal objects, assembled as sources of inspiration by Nash and artist Eileen Agar, with whom he collaborated in the 1930s. Nash was a founding member of the British modernist group Unit One in 1933, and participated in the International Surrealist Exhibition of 1936. Pictures by Nash from this key moment in British modernism are on display alongside sculpture and paintings by fellow Unit One artists, including Barbara Hepworth, Henry Moore and Edward Wadsworth.
The exhibition concludes with the evocative landscape paintings that Nash produced in the last decade of his life. In these important pictures, the sun and moon are symbolic presences, and vibrant colour conveys Nash’s emotional response to the landscape.
The exhibition is organised by Tate Britain in association with the Laing Art Gallery and the Sainsbury Centre for Visual Arts.
Read our blog on Paul Nash’s First World War experiences and paintings. See our next blog on Paul Nash,a Romantic Surrealist.
at Hatton Gallery
The Hatton Gallery at Newcastle University re-opens on 7 October 2017 following a 20-month, £3.8million redevelopment funded by the Heritage Lottery Fund, with a ground-breaking exhibition that will firmly – and correctly - position Newcastle as the birthplace of Pop Art.
The Hatton has played a unique role in the development of British Art, with its history intimately entwined with some of the most influential artists of the 20th century. The exhibition Pioneers of Pop revolves around the numerous artists and writers, activities, projects and ideas which had at their centre artist Richard Hamilton, during his time teaching at Newcastle University (1953-1966).
Pioneers of Pop includes around 100 works by some of the leading British artists associated with both Pop and abstract art - Eduardo Paolozzi, David Hockney, Richard Smith, Ian Stephenson, R.B Kitaj, Joe Tilson and, of course, Hamilton himself.
The exhibition will include works created in a wide range of media, including paintings, prints, collages, magazines and photographs – from lenders across the UK, such as Tate, V&A, Scottish National Gallery of Modern Art, Abbot Hall, Pallant House, and Arts Council England.
at Shipley Art Gallery
A quilt created by over 100 participants from across Gateshead and the North East is on display at the Shipley Art Gallery.
The Shipley Art Gallery was built and opened during the First World War on 29 November 1917. To celebrate the Shipley’s Centenary, a quilting project took place throughout 2017 led by textile artist Louise Underwood. Over 100 participants from across Gateshead and the North East (including people who had never sewn in their life!) participated in the project to create individual squares for a new quilt.
The North East has a long-held tradition of quilting, which is reflected in a selection of North Country quilts which form part of the craft collection at the Shipley Art Gallery.
The Shipley has facilitated a local quilting group since 1986, and members meet regularly to share skills, socialize and create.
Visitors can see the final quilt on display in the Designs for Life Gallery at the Shipley.
at South Shields Museum & Art Gallery
A rare glimpse of a South Tyneside art lover’s personal collection, amassed over 40 years from dealers, auctions and shops all over the world.
Depicting scenes of South Shields and the wider North East over the years, see paintings of Marsden Rock, the Rivers Tyne and Wear, South Shields market place and more.
Also featuring Durham Pit Lad Going Home by local favourite Ralph Hedley.
All details on the South Shields Museum & Art Gallery website
at Shipley Art Gallery
The Shipley Art Gallery is celebrating its centenary this year. One hundred years ago during November 1917, the doors opened to the public for the very first time.
This small display tells the story of how Gateshead’s art gallery came about and why.
Come and discover life within the North East at the turn of the twentieth century. Find out what Gateshead was like during the First World War, and understand the circumstances which led to the Shipley’s wartime creation.
at Discovery Museum
All the Fun of the Fair charts the history of Newcastle’s much-loved Hoppings fair, first held on the Town Moor in 1882.
Play with our unique collection of 50 vintage coin-operated amusement machines, perfect your pinball skills, and even find out your fortune.
As well as the hands-on vintage amusement machines the exhibition will explore the history and development of The Hoppings in a colourful, fun setting.
Photograph: The Hoppings, 2008. Image courtesy of Nick Lambert.
at Shipley Art Gallery
To celebrate 100 years since the Gallery doors opened to the public to present the Shipley’s bequest collection, and 40 years since the first items were purchased to build the now nationally important contemporary craft collection, the Shipley Art Gallery presents a new showcase exhibition.
Companion Pieces brings together different parts of the collection based upon themes to show the range of techniques and ideas used to explore subjects.
Works are presented in relation to various themes including Adam and Eve, the Body Beautiful, Visions of Gateshead, the Japanese Connection.
at South Shields Museum & Art Gallery
Come face to face with the skeletons of animals from sea, land and air and marvel at real bones, teeth and fossils.
Showcasing almost a hundred different animal bones, this exhibition features complete animal skeletons from a cat, fox and pangolin to fossil fish, the pelvis of a now–extinct Dodo and the skulls of predators like lions and the jaws of sharks.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
Kurt Schwitters: Collage & Assemblage focuses on Schwitters’ pioneering career long use of collage, a significant development in 20th century art practice.
Fascinating dialogues exist between these works and those of the Independent Group and early pop artists on display in Pioneers of Pop and Schwitters' Merz Barn Wall, permanently displayed in the Hatton Gallery.
Rarely seen together, this exhibition will feature Schwitters’ classic ‘Merz’ collages from the Tate, British Museum, V&A, Armitt Museum, Abbot Hall Art Gallery, Scottish National Gallery of Modern Art as well as private collections.
Image: Kurt Schwitters (1887-1948) Mz. 299 für V.J. Kuron [Mz. 299 for V.J. Kuron], 1921 Drawing, collage on paper, 18 x 14.5 cm Collection: National Galleries of Scotland, bequeathed by Gabrielle Keiller 1995 © DACS 2016. Photo: Antonia Reeve
at Great North Museum: Hancock
This new display focuses on Newcastle University archaeologist Tatiana Ivleva's research on Roman glass bangles in Britain.
Tatiana is particularly interested in the popularity of glass bangles in Northern Britain, on both sides of Hadrian's Wall.
A small number of fascinating artefacts are on show in the display which is taking place in our new temporary exhibition space, formerly the Mithraeum.
We are aiming to show at least three different mini-exhibitions in this space each year.
at Laing Art Gallery
This exhibition of the Laing’s watercolour collection will take you on a journey through three centuries and increasingly distant parts of the world, starting from a scene of Newcastle.
The ever increasing popularity of watercolour combined with new travel routes defined where artists could visit. The artists, along with prevailing fashions in society and art defined how the British public saw the world. Featured artists include Edward Lear, JMW Turner, John Constable, David Roberts, JW Carmichael and John Singer Sargent.
at Shipley Art Gallery
Gateshead Art Society's annual selling exhibition returns this year with a selection of artwork created by members of the Society over the past year.
Shortlisted by the members themselves and curated by the Shipley, this annual exhibition will be presented on easels and will change on a weekly basis.
Saturday 2 December, 10am - 1pm
Meet the artists behind the Gateshead Art Society exhibition
at Laing Art Gallery
With four and five star reviews including Guardian, The Times, Londonist and Time Out London, this exhibition of work by Paul Nash comes to the Laing Art Gallery from Tate Britain, London.
Paul Nash (1889 –1946) was one of the most distinctive British artists of the 20th century and was a key figure in British Surrealism. His art forged an important new connection between surreal and mystical ideas and the English landscape. This significant exhibition spans Nash’s lifework, from his earliest drawings and the iconic war paintings to his powerfully emotional final landscapes.
Nash had a strong attachment to Britain’s countryside and coast, and was fascinated by its ancient history. Landscape painting was a major feature of his art, evolving from dreamlike scenes to intense encounters with particular places and explorations of ideas from Cubism, Abstraction and Surrealism. These qualities also shaped Nash’s paintings of interiors as well as the prints he made as book illustrations. His shattered landscapes are some of the most striking pictures of the First and Second World Wars.
The exhibition includes a fascinating array of photographs and surreal objects, assembled as sources of inspiration by Nash and artist Eileen Agar, with whom he collaborated in the 1930s. Nash was a founding member of the British modernist group Unit One in 1933, and participated in the International Surrealist Exhibition of 1936. Pictures by Nash from this key moment in British modernism are on display alongside sculpture and paintings by fellow Unit One artists, including Barbara Hepworth, Henry Moore and Edward Wadsworth.
The exhibition concludes with the evocative landscape paintings that Nash produced in the last decade of his life. In these important pictures, the sun and moon are symbolic presences, and vibrant colour conveys Nash’s emotional response to the landscape.
The exhibition is organised by Tate Britain in association with the Laing Art Gallery and the Sainsbury Centre for Visual Arts.
Read our blog on Paul Nash’s First World War experiences and paintings. See our next blog on Paul Nash,a Romantic Surrealist.
at Hatton Gallery
The Hatton Gallery at Newcastle University re-opens on 7 October 2017 following a 20-month, £3.8million redevelopment funded by the Heritage Lottery Fund, with a ground-breaking exhibition that will firmly – and correctly - position Newcastle as the birthplace of Pop Art.
The Hatton has played a unique role in the development of British Art, with its history intimately entwined with some of the most influential artists of the 20th century. The exhibition Pioneers of Pop revolves around the numerous artists and writers, activities, projects and ideas which had at their centre artist Richard Hamilton, during his time teaching at Newcastle University (1953-1966).
Pioneers of Pop includes around 100 works by some of the leading British artists associated with both Pop and abstract art - Eduardo Paolozzi, David Hockney, Richard Smith, Ian Stephenson, R.B Kitaj, Joe Tilson and, of course, Hamilton himself.
The exhibition will include works created in a wide range of media, including paintings, prints, collages, magazines and photographs – from lenders across the UK, such as Tate, V&A, Scottish National Gallery of Modern Art, Abbot Hall, Pallant House, and Arts Council England.
at Great North Museum: Hancock
The Long View exhibition begins with seven remarkably ordinary trees and reflects on what it’s like to visit them, again and again, in all seasons and all weathers, and to walk between them in one seven-day-long journey.
A two-year project carried out by photographer Rob Fraser and writer Harriet Fraser, The Long View depicts seven trees in Cumbria through colour images, black-and-white hand printed photographs, poetry and land art.
The work highlights seven individual trees as representatives of trees across the country, and offers an invitation to pause and step, briefly, into tree time.
The exhibition comes to Great North Museum: Hancock after last year’s summer showing in Grizedale Forest and during its time in Newcastle will introduce seven of the city’s trees.
For further information, please visit The Long View website.
at Shipley Art Gallery
A quilt created by over 100 participants from across Gateshead and the North East is on display at the Shipley Art Gallery.
The Shipley Art Gallery was built and opened during the First World War on 29 November 1917. To celebrate the Shipley’s Centenary, a quilting project took place throughout 2017 led by textile artist Louise Underwood. Over 100 participants from across Gateshead and the North East (including people who had never sewn in their life!) participated in the project to create individual squares for a new quilt.
The North East has a long-held tradition of quilting, which is reflected in a selection of North Country quilts which form part of the craft collection at the Shipley Art Gallery.
The Shipley has facilitated a local quilting group since 1986, and members meet regularly to share skills, socialize and create.
Visitors can see the final quilt on display in the Designs for Life Gallery at the Shipley.
at South Shields Museum & Art Gallery
A rare glimpse of a South Tyneside art lover’s personal collection, amassed over 40 years from dealers, auctions and shops all over the world.
Depicting scenes of South Shields and the wider North East over the years, see paintings of Marsden Rock, the Rivers Tyne and Wear, South Shields market place and more.
Also featuring Durham Pit Lad Going Home by local favourite Ralph Hedley.
All details on the South Shields Museum & Art Gallery website
at Shipley Art Gallery
The Shipley Art Gallery is celebrating its centenary this year. One hundred years ago during November 1917, the doors opened to the public for the very first time.
This small display tells the story of how Gateshead’s art gallery came about and why.
Come and discover life within the North East at the turn of the twentieth century. Find out what Gateshead was like during the First World War, and understand the circumstances which led to the Shipley’s wartime creation.
at Discovery Museum
All the Fun of the Fair charts the history of Newcastle’s much-loved Hoppings fair, first held on the Town Moor in 1882.
Play with our unique collection of 50 vintage coin-operated amusement machines, perfect your pinball skills, and even find out your fortune.
As well as the hands-on vintage amusement machines the exhibition will explore the history and development of The Hoppings in a colourful, fun setting.
Photograph: The Hoppings, 2008. Image courtesy of Nick Lambert.
at Shipley Art Gallery
To celebrate 100 years since the Gallery doors opened to the public to present the Shipley’s bequest collection, and 40 years since the first items were purchased to build the now nationally important contemporary craft collection, the Shipley Art Gallery presents a new showcase exhibition.
Companion Pieces brings together different parts of the collection based upon themes to show the range of techniques and ideas used to explore subjects.
Works are presented in relation to various themes including Adam and Eve, the Body Beautiful, Visions of Gateshead, the Japanese Connection.
at South Shields Museum & Art Gallery
Come face to face with the skeletons of animals from sea, land and air and marvel at real bones, teeth and fossils.
Showcasing almost a hundred different animal bones, this exhibition features complete animal skeletons from a cat, fox and pangolin to fossil fish, the pelvis of a now–extinct Dodo and the skulls of predators like lions and the jaws of sharks.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
Kurt Schwitters: Collage & Assemblage focuses on Schwitters’ pioneering career long use of collage, a significant development in 20th century art practice.
Fascinating dialogues exist between these works and those of the Independent Group and early pop artists on display in Pioneers of Pop and Schwitters' Merz Barn Wall, permanently displayed in the Hatton Gallery.
Rarely seen together, this exhibition will feature Schwitters’ classic ‘Merz’ collages from the Tate, British Museum, V&A, Armitt Museum, Abbot Hall Art Gallery, Scottish National Gallery of Modern Art as well as private collections.
Image: Kurt Schwitters (1887-1948) Mz. 299 für V.J. Kuron [Mz. 299 for V.J. Kuron], 1921 Drawing, collage on paper, 18 x 14.5 cm Collection: National Galleries of Scotland, bequeathed by Gabrielle Keiller 1995 © DACS 2016. Photo: Antonia Reeve
at Discovery Museum
Explore North East inventions on our Big 5 inventors trail, featuring Charles Parsons, William Armstrong, Joseph Swan and George and Robert Stephenson (50p).
Create a mini turbine inspired by the engine used in Parson’s iconic ship, Turbinia.
Find out more about Swan’s lightbulb and make your own simple squeeze torch to take home (£1.50).
at Discovery Museum
During half term join this free guided tour of Charge! The Story of England's Northern Cavalry gallery.
This tour will highlight the story of The Light Dragoons and their antecedent regiments, from their formation in the eighteenth century to the present day.
We'll be sharing interesting stories including the real-life soldiers behind some of the historic artefacts on display.
Display highlights include a flag captured from the Battle of Waterloo (1815), a shako (helmet) worn at the Charge of the Light Brigade (1854) and a suitcase used for carrying maps at the D-Day landings (1944).
The Charge! gallery has been made possible thanks to money raised by National Lottery players through the Heritage Lottery Fund (HLF) who provided a grant of £422,600 towards the redevelopment and an associated programme of activities and events.
at Great North Museum: Hancock
The Long View exhibition begins with seven remarkably ordinary trees and reflects on what it’s like to visit them, again and again, in all seasons and all weathers, and to walk between them in one seven-day-long journey.
A two-year project carried out by photographer Rob Fraser and writer Harriet Fraser, The Long View depicts seven trees in Cumbria through colour images, black-and-white hand printed photographs, poetry and land art.
The work highlights seven individual trees as representatives of trees across the country, and offers an invitation to pause and step, briefly, into tree time.
The exhibition comes to Great North Museum: Hancock after last year’s summer showing in Grizedale Forest and during its time in Newcastle will introduce seven of the city’s trees.
For further information, please visit The Long View website.
at Shipley Art Gallery
A quilt created by over 100 participants from across Gateshead and the North East is on display at the Shipley Art Gallery.
The Shipley Art Gallery was built and opened during the First World War on 29 November 1917. To celebrate the Shipley’s Centenary, a quilting project took place throughout 2017 led by textile artist Louise Underwood. Over 100 participants from across Gateshead and the North East (including people who had never sewn in their life!) participated in the project to create individual squares for a new quilt.
The North East has a long-held tradition of quilting, which is reflected in a selection of North Country quilts which form part of the craft collection at the Shipley Art Gallery.
The Shipley has facilitated a local quilting group since 1986, and members meet regularly to share skills, socialize and create.
Visitors can see the final quilt on display in the Designs for Life Gallery at the Shipley.
at South Shields Museum & Art Gallery
A rare glimpse of a South Tyneside art lover’s personal collection, amassed over 40 years from dealers, auctions and shops all over the world.
Depicting scenes of South Shields and the wider North East over the years, see paintings of Marsden Rock, the Rivers Tyne and Wear, South Shields market place and more.
Also featuring Durham Pit Lad Going Home by local favourite Ralph Hedley.
All details on the South Shields Museum & Art Gallery website
at Shipley Art Gallery
The Shipley Art Gallery is celebrating its centenary this year. One hundred years ago during November 1917, the doors opened to the public for the very first time.
This small display tells the story of how Gateshead’s art gallery came about and why.
Come and discover life within the North East at the turn of the twentieth century. Find out what Gateshead was like during the First World War, and understand the circumstances which led to the Shipley’s wartime creation.
at Discovery Museum
All the Fun of the Fair charts the history of Newcastle’s much-loved Hoppings fair, first held on the Town Moor in 1882.
Play with our unique collection of 50 vintage coin-operated amusement machines, perfect your pinball skills, and even find out your fortune.
As well as the hands-on vintage amusement machines the exhibition will explore the history and development of The Hoppings in a colourful, fun setting.
Photograph: The Hoppings, 2008. Image courtesy of Nick Lambert.
at Discovery Museum
On 6 February 1918 women gained the right to vote* but only if they were over 30, owned property or had a university degree. This meant that around 60% of the female population were excluded from voting. Men and women did not gain the same voting rights until 1928.
*Representation of the People Act 1928
This small display aims to encourage visitors to join the discussion regarding the centenary of some women being given the right to vote, whilst also asking what challenges women still face today.
A woman’s place in society should be equal to a man’s.
Do you think women are treated equally? Why?
If not what can be done to change this?
Join the conversation.
#Vote100 #womanknowyourplace
*GOV UK, 2018
*WISE, 2017
*Equality and Human Rights Commission, 2016
*Plan International UK, 2017
*CPS, 2016
*Office for National Statistics, 2016
*CSEW, 2017
The Woman, Know Your Place display is part of the Tyneside Women’s Collective (TWC), a 2 year programme led by Tyne & Wear Archives & Museums (TWAM). TWAM will work with a diverse range of Tyneside women and girls to identify and explore contemporary social issues which relate to women and gender equality, using the museum and gallery collections as a stimulus.
The participants will work with TWAM to identify and discuss issues which are important to Tyneside women and girls now, 100 years after the Representation of the People act allowed some women to vote for the first time.
The Tyneside Women’s Collective programme is funded by the Esmée Fairbairn Collections Fund.
at Shipley Art Gallery
To celebrate 100 years since the Gallery doors opened to the public to present the Shipley’s bequest collection, and 40 years since the first items were purchased to build the now nationally important contemporary craft collection, the Shipley Art Gallery presents a new showcase exhibition.
Companion Pieces brings together different parts of the collection based upon themes to show the range of techniques and ideas used to explore subjects.
Works are presented in relation to various themes including Adam and Eve, the Body Beautiful, Visions of Gateshead, the Japanese Connection.
at South Shields Museum & Art Gallery
Come face to face with the skeletons of animals from sea, land and air and marvel at real bones, teeth and fossils.
Showcasing almost a hundred different animal bones, this exhibition features complete animal skeletons from a cat, fox and pangolin to fossil fish, the pelvis of a now–extinct Dodo and the skulls of predators like lions and the jaws of sharks.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
Kurt Schwitters: Collage & Assemblage focuses on Schwitters’ pioneering career long use of collage, a significant development in 20th century art practice.
Fascinating dialogues exist between these works and those of the Independent Group and early pop artists on display in Pioneers of Pop and Schwitters' Merz Barn Wall, permanently displayed in the Hatton Gallery.
Rarely seen together, this exhibition will feature Schwitters’ classic ‘Merz’ collages from the Tate, British Museum, V&A, Armitt Museum, Abbot Hall Art Gallery, Scottish National Gallery of Modern Art as well as private collections.
Image: Kurt Schwitters (1887-1948) Mz. 299 für V.J. Kuron [Mz. 299 for V.J. Kuron], 1921 Drawing, collage on paper, 18 x 14.5 cm Collection: National Galleries of Scotland, bequeathed by Gabrielle Keiller 1995 © DACS 2016. Photo: Antonia Reeve
at Hatton Gallery
A new commission by Newcastle-based artist Kate Liston marks the first in a series of annual site-specific projects responding to the unique architecture and remarkable history of the Hatton Gallery, as well as its pivotal role in international innovations in exhibition design and installation art.
Feel After the New See will transform the most historic gallery space within the Hatton into an immersive installation, which will become the setting for a new film work taking shape throughout the exhibition.
The installation is inspired by the work of German artist Ella Bergmann-Michel whose work was exhibited in Newcastle in the 1960s and 70s, and who later donated a collage to the Hatton Gallery.
The film which, will be developed during the exhibition, features footage of Newcastle shot by the artist, reflecting the city’s past and future, combined with footage of miniature versions of the artist’s larger installation, and other references to Ella Bergmann-Michel’s own drawings, collages and film work.
Film for EBM will be added to the videos already in the installation in the last week of the exhibition. This film, produced for the end of Feel After the New See, combines the actions of athletes moving in a gym with footage that captures flows of movement around the exhibition space that the film is shown within.
Film for EBM has been developed throughout the exhibition and has been informed by a research visit to the Ella Bergmann Michel archive at The Sprengel Museum, Hannover, a Live Action Role Play devised and delivered by curator Sarah Jury with consultation from Hamish MacPherson, and Rotation Process, a film screening and performance event that explored choreographic efforts and the sense that one's actions might be scripted by one's environment.
at Hatton Gallery
The Hatton is showcasing the evolving processes of Harriet Sutcliffe and Melanie Stephenson’s PhD research, focusing on Newcastle University’s Fine Art Department in the 1950s and 1960s. They have drawn inspiration from the Hatton Gallery archives and the experiences of staff and students.
Sutcliffe’s practice-led research investigates the radical pedagogy of the Basic Course developed by Richard Hamilton and Victor Pasmore. Her research explores the relationship and translation of two-dimensional and three-dimensional material, her practice is informed by discoveries made within the archival material and through the Basic Course content.
Stephenson is studying archival and first-person accounts to understand the rationale and impact of the Hatton Gallery collection formed under Professors Lawrence Gowing and Kenneth Rowntree.
For three months the Hatton will provide the physical and conceptual framework for the developing processes of their research, informed and inspired by spoken and documentary evidence and the material culture of the archive.
Their research is funded through an Arts and Humanities Research Council (AHRC) Collaborative Doctoral Award between Newcastle University and Tyne and Wear Archives and Museums (TWAM) as part of the project ‘Art Education and Culture in the North East, 1930s to 1970s’.
This project has been supported by the Newcastle University Institute for Creative Arts Practice.
at Laing Art Gallery
Despite scandalous critical neglect within his own lifetime, David Bomberg (1890 – 1957) is nowadays recognized as one of the 20th century’s leading British artists. This major reassessment of his life and career is the first full Bomberg exhibition for more than a decade, and marks the 60th anniversary of the artist’s death.
The exhibition examines all the major phases of Bomberg’s career, including his audacious early contribution to pre-war British modernism, his unhappy role as a commissioned war artist in both world wars, his masterly landscapes in Jerusalem and Spain in the 1920s and 30s, his penetrating self-portraiture and portraiture of friends and family and his astonishing mature achievements as a landscape painter.
The exhibition is curated by the Ben Uri Gallery and Museum in association with Pallant House Gallery, and comprises more than 60 works. Supported in Newcastle by the Friends of the Laing Art Gallery.
Bomberg: The Curator's Introduction
‘Bomberg’ curators Rachel Dickson and Sarah MacDougall give an introduction to the British artist David Bomberg, revered as one of the greatest British artists of the 20th century. Watch video
at Laing Art Gallery
Sean Scully is renowned globally as the master of Post-Minimalist Abstraction and it was in 1968 when Scully started at Newcastle University that the breakthroughs in his work occurred, laying the foundation for the rest of his career.
Presenting paintings and drawings from 1968-1974, this exhibition demonstrates the remarkable early confidence of Scully’s work and the genesis of his continued fascination with stripes, and the spaces in between.
Now in his seventies, Scully has been twice shortlisted for the Turner Prize and his work is in the collection of virtually every major museum around the world.
Sean Scully: 1970 is presented across the Hatton Gallery and the Laing Art Gallery.
Image: Sean Scully with Diagonal Light, 1972. Image courtesy the artist © Sean Scully
at Hatton Gallery
Sean Scully is renowned globally as the master of Post-Minimalist Abstraction and it was in 1968 when Scully started at Newcastle University that the breakthroughs in his work occurred, laying the foundation for the rest of his career.
Presenting paintings and drawings from 1968-1974, this exhibition demonstrates the remarkable early confidence of Scully’s work and the genesis of his continued fascination with stripes, and the spaces in between.
Now in his seventies, Scully has been twice shortlisted for the Turner Prize and his work is in the collection of virtually every major museum around the world.
Sean Scully: 1970 is presented across the Hatton Gallery and the Laing Art Gallery.
at South Shields Museum & Art Gallery
This exhibition features works by the artist Ethel Walker RA on loan from the Royal Academy of Arts collection as part of the Royal Academy of Arts 250th anniversary celebrations.
An exhibition highlight is a portrait of Dame Flora Robson, feted actor of stage and screen, born in South Shields.
Also includes artworks on loan from the Laing Art Gallery.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Discovery Museum has received a message from the year 2152. Our future friends have forgotten how to have fun and need your help. Together, let's build a giant futuristic fun fair for them at the museum.
Help us to design a rollercoaster that takes you into space, decorate a dodgem car that can fly or create a candy floss stall where the sweet treats taste of whatever you imagine.
Unfolding Theatre and Designer, Molly Barrett will help you turn your wildest ideas into a fun fair that takes over Discovery Museum.
Combine this creative, fun session with your last chance to see the popular related exhibition, All the Fun of the Fair, closing Sunday 4 March.
This event is part of PLAY+INVENT, Discovery Museum's family programme for budding inventors, designers and makers!
at Great North Museum: Hancock
The Long View exhibition begins with seven remarkably ordinary trees and reflects on what it’s like to visit them, again and again, in all seasons and all weathers, and to walk between them in one seven-day-long journey.
A two-year project carried out by photographer Rob Fraser and writer Harriet Fraser, The Long View depicts seven trees in Cumbria through colour images, black-and-white hand printed photographs, poetry and land art.
The work highlights seven individual trees as representatives of trees across the country, and offers an invitation to pause and step, briefly, into tree time.
The exhibition comes to Great North Museum: Hancock after last year’s summer showing in Grizedale Forest and during its time in Newcastle will introduce seven of the city’s trees.
For further information, please visit The Long View website.
at Shipley Art Gallery
A quilt created by over 100 participants from across Gateshead and the North East is on display at the Shipley Art Gallery.
The Shipley Art Gallery was built and opened during the First World War on 29 November 1917. To celebrate the Shipley’s Centenary, a quilting project took place throughout 2017 led by textile artist Louise Underwood. Over 100 participants from across Gateshead and the North East (including people who had never sewn in their life!) participated in the project to create individual squares for a new quilt.
The North East has a long-held tradition of quilting, which is reflected in a selection of North Country quilts which form part of the craft collection at the Shipley Art Gallery.
The Shipley has facilitated a local quilting group since 1986, and members meet regularly to share skills, socialize and create.
Visitors can see the final quilt on display in the Designs for Life Gallery at the Shipley.
at South Shields Museum & Art Gallery
A rare glimpse of a South Tyneside art lover’s personal collection, amassed over 40 years from dealers, auctions and shops all over the world.
Depicting scenes of South Shields and the wider North East over the years, see paintings of Marsden Rock, the Rivers Tyne and Wear, South Shields market place and more.
Also featuring Durham Pit Lad Going Home by local favourite Ralph Hedley.
All details on the South Shields Museum & Art Gallery website
at Shipley Art Gallery
The Shipley Art Gallery is celebrating its centenary this year. One hundred years ago during November 1917, the doors opened to the public for the very first time.
This small display tells the story of how Gateshead’s art gallery came about and why.
Come and discover life within the North East at the turn of the twentieth century. Find out what Gateshead was like during the First World War, and understand the circumstances which led to the Shipley’s wartime creation.
at Discovery Museum
All the Fun of the Fair charts the history of Newcastle’s much-loved Hoppings fair, first held on the Town Moor in 1882.
Play with our unique collection of 50 vintage coin-operated amusement machines, perfect your pinball skills, and even find out your fortune.
As well as the hands-on vintage amusement machines the exhibition will explore the history and development of The Hoppings in a colourful, fun setting.
Photograph: The Hoppings, 2008. Image courtesy of Nick Lambert.
at Discovery Museum
Follow the clues and eggs-plore our galleries and interactive displays to hunt for the hidden eggs. Each egg contains a letter. Collect all the letters, solve the trail puzzle and be entered into our prize draw to win a sweetie hamper.
Closing date for entries is Sunday 15 April. One winner will be chosen at random and announced on Monday 16 April.
at Discovery Museum
On 6 February 1918 women gained the right to vote* but only if they were over 30, owned property or had a university degree. This meant that around 60% of the female population were excluded from voting. Men and women did not gain the same voting rights until 1928.
*Representation of the People Act 1928
This small display aims to encourage visitors to join the discussion regarding the centenary of some women being given the right to vote, whilst also asking what challenges women still face today.
A woman’s place in society should be equal to a man’s.
Do you think women are treated equally? Why?
If not what can be done to change this?
Join the conversation.
#Vote100 #womanknowyourplace
*GOV UK, 2018
*WISE, 2017
*Equality and Human Rights Commission, 2016
*Plan International UK, 2017
*CPS, 2016
*Office for National Statistics, 2016
*CSEW, 2017
The Woman, Know Your Place display is part of the Tyneside Women’s Collective (TWC), a 2 year programme led by Tyne & Wear Archives & Museums (TWAM). TWAM will work with a diverse range of Tyneside women and girls to identify and explore contemporary social issues which relate to women and gender equality, using the museum and gallery collections as a stimulus.
The participants will work with TWAM to identify and discuss issues which are important to Tyneside women and girls now, 100 years after the Representation of the People act allowed some women to vote for the first time.
The Tyneside Women’s Collective programme is funded by the Esmée Fairbairn Collections Fund.
at Shipley Art Gallery
To celebrate 100 years since the Gallery doors opened to the public to present the Shipley’s bequest collection, and 40 years since the first items were purchased to build the now nationally important contemporary craft collection, the Shipley Art Gallery presents a new showcase exhibition.
Companion Pieces brings together different parts of the collection based upon themes to show the range of techniques and ideas used to explore subjects.
Works are presented in relation to various themes including Adam and Eve, the Body Beautiful, Visions of Gateshead, the Japanese Connection.
at South Shields Museum & Art Gallery
Come face to face with the skeletons of animals from sea, land and air and marvel at real bones, teeth and fossils.
Showcasing almost a hundred different animal bones, this exhibition features complete animal skeletons from a cat, fox and pangolin to fossil fish, the pelvis of a now–extinct Dodo and the skulls of predators like lions and the jaws of sharks.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
The Heart of the Matter is an exhibition that brings together art and medicine to reflect on the human heart. The heart can symbolise romantic love and the centre of human emotion, but it is also the engine room of our body and an intricate piece of machinery.
Through artworks inspired by patients with heart conditions, their families and clinicians, the exhibition invites you to discover the extraordinary nature and complexity of this organ.
The Heart of The Matter began with a collaboration between artist Sofie Layton and bioengineer Giovanni Biglino. In 2017, they brought together patients with heart conditions at Great Ormond Street Hospital for Children in London, the Bristol Heart Institute and the Adult Congenital & Paediatric Heart Unit of Newcastle's Freeman Hospital to look at the heart emotionally and metaphorically in workshops with scientists, artists, students, and nurses.
Conversations and stories from these workshops in turn inspired artworks that offer insight into the heart’s beauty, fragility and resilience, using scientific and artistic methods. Medical 3D printing and topographical maps describe cardiovascular anatomy; digital animation responds to medical imaging; and other abstracted stories are given form in printed textiles, sound installations and sculpture.
The Heart of The Matter was conceived by artist Sofie Layton and bioengineer Giovanni Biglino, and developed with health psychologist Jo Wray. The work is produced by Susie Hall (GOSH Arts), Nicky Petto and Anna Ledgard in association with Artsadmin, and is supported by the Wellcome Trust, the Blavatnik Family Foundation, Above&Beyond, Great Ormond Street Hospital Children’s Charity and using public funding by the National Lottery through Arts Council England. With thanks to RapidformRCA and 3D Life Print.
Find out more online: www.insidetheheart.org
#heartofthematter
at Hatton Gallery
Kurt Schwitters: Collage & Assemblage focuses on Schwitters’ pioneering career long use of collage, a significant development in 20th century art practice.
Fascinating dialogues exist between these works and those of the Independent Group and early pop artists on display in Pioneers of Pop and Schwitters' Merz Barn Wall, permanently displayed in the Hatton Gallery.
Rarely seen together, this exhibition will feature Schwitters’ classic ‘Merz’ collages from the Tate, British Museum, V&A, Armitt Museum, Abbot Hall Art Gallery, Scottish National Gallery of Modern Art as well as private collections.
Image: Kurt Schwitters (1887-1948) Mz. 299 für V.J. Kuron [Mz. 299 for V.J. Kuron], 1921 Drawing, collage on paper, 18 x 14.5 cm Collection: National Galleries of Scotland, bequeathed by Gabrielle Keiller 1995 © DACS 2016. Photo: Antonia Reeve
at Hatton Gallery
A new commission by Newcastle-based artist Kate Liston marks the first in a series of annual site-specific projects responding to the unique architecture and remarkable history of the Hatton Gallery, as well as its pivotal role in international innovations in exhibition design and installation art.
Feel After the New See will transform the most historic gallery space within the Hatton into an immersive installation, which will become the setting for a new film work taking shape throughout the exhibition.
The installation is inspired by the work of German artist Ella Bergmann-Michel whose work was exhibited in Newcastle in the 1960s and 70s, and who later donated a collage to the Hatton Gallery.
The film which, will be developed during the exhibition, features footage of Newcastle shot by the artist, reflecting the city’s past and future, combined with footage of miniature versions of the artist’s larger installation, and other references to Ella Bergmann-Michel’s own drawings, collages and film work.
Film for EBM will be added to the videos already in the installation in the last week of the exhibition. This film, produced for the end of Feel After the New See, combines the actions of athletes moving in a gym with footage that captures flows of movement around the exhibition space that the film is shown within.
Film for EBM has been developed throughout the exhibition and has been informed by a research visit to the Ella Bergmann Michel archive at The Sprengel Museum, Hannover, a Live Action Role Play devised and delivered by curator Sarah Jury with consultation from Hamish MacPherson, and Rotation Process, a film screening and performance event that explored choreographic efforts and the sense that one's actions might be scripted by one's environment.
at Hatton Gallery
The Hatton is showcasing the evolving processes of Harriet Sutcliffe and Melanie Stephenson’s PhD research, focusing on Newcastle University’s Fine Art Department in the 1950s and 1960s. They have drawn inspiration from the Hatton Gallery archives and the experiences of staff and students.
Sutcliffe’s practice-led research investigates the radical pedagogy of the Basic Course developed by Richard Hamilton and Victor Pasmore. Her research explores the relationship and translation of two-dimensional and three-dimensional material, her practice is informed by discoveries made within the archival material and through the Basic Course content.
Stephenson is studying archival and first-person accounts to understand the rationale and impact of the Hatton Gallery collection formed under Professors Lawrence Gowing and Kenneth Rowntree.
For three months the Hatton will provide the physical and conceptual framework for the developing processes of their research, informed and inspired by spoken and documentary evidence and the material culture of the archive.
Their research is funded through an Arts and Humanities Research Council (AHRC) Collaborative Doctoral Award between Newcastle University and Tyne and Wear Archives and Museums (TWAM) as part of the project ‘Art Education and Culture in the North East, 1930s to 1970s’.
This project has been supported by the Newcastle University Institute for Creative Arts Practice.
at Laing Art Gallery
Despite scandalous critical neglect within his own lifetime, David Bomberg (1890 – 1957) is nowadays recognized as one of the 20th century’s leading British artists. This major reassessment of his life and career is the first full Bomberg exhibition for more than a decade, and marks the 60th anniversary of the artist’s death.
The exhibition examines all the major phases of Bomberg’s career, including his audacious early contribution to pre-war British modernism, his unhappy role as a commissioned war artist in both world wars, his masterly landscapes in Jerusalem and Spain in the 1920s and 30s, his penetrating self-portraiture and portraiture of friends and family and his astonishing mature achievements as a landscape painter.
The exhibition is curated by the Ben Uri Gallery and Museum in association with Pallant House Gallery, and comprises more than 60 works. Supported in Newcastle by the Friends of the Laing Art Gallery.
Bomberg: The Curator's Introduction
‘Bomberg’ curators Rachel Dickson and Sarah MacDougall give an introduction to the British artist David Bomberg, revered as one of the greatest British artists of the 20th century. Watch video
at Laing Art Gallery
Sean Scully is renowned globally as the master of Post-Minimalist Abstraction and it was in 1968 when Scully started at Newcastle University that the breakthroughs in his work occurred, laying the foundation for the rest of his career.
Presenting paintings and drawings from 1968-1974, this exhibition demonstrates the remarkable early confidence of Scully’s work and the genesis of his continued fascination with stripes, and the spaces in between.
Now in his seventies, Scully has been twice shortlisted for the Turner Prize and his work is in the collection of virtually every major museum around the world.
Sean Scully: 1970 is presented across the Hatton Gallery and the Laing Art Gallery.
Image: Sean Scully with Diagonal Light, 1972. Image courtesy the artist © Sean Scully
at Hatton Gallery
Sean Scully is renowned globally as the master of Post-Minimalist Abstraction and it was in 1968 when Scully started at Newcastle University that the breakthroughs in his work occurred, laying the foundation for the rest of his career.
Presenting paintings and drawings from 1968-1974, this exhibition demonstrates the remarkable early confidence of Scully’s work and the genesis of his continued fascination with stripes, and the spaces in between.
Now in his seventies, Scully has been twice shortlisted for the Turner Prize and his work is in the collection of virtually every major museum around the world.
Sean Scully: 1970 is presented across the Hatton Gallery and the Laing Art Gallery.
at South Shields Museum & Art Gallery
This exhibition features works by the artist Ethel Walker RA on loan from the Royal Academy of Arts collection as part of the Royal Academy of Arts 250th anniversary celebrations.
An exhibition highlight is a portrait of Dame Flora Robson, feted actor of stage and screen, born in South Shields.
Also includes artworks on loan from the Laing Art Gallery.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
All the Fun of the Fair charts the history of Newcastle’s much-loved Hoppings fair, first held on the Town Moor in 1882.
Play with our unique collection of 50 vintage coin-operated amusement machines, perfect your pinball skills, and even find out your fortune.
As well as the hands-on vintage amusement machines the exhibition will explore the history and development of The Hoppings in a colourful, fun setting.
Photograph: The Hoppings, 2008. Image courtesy of Nick Lambert.
at Discovery Museum
Follow the clues and eggs-plore our galleries and interactive displays to hunt for the hidden eggs. Each egg contains a letter. Collect all the letters, solve the trail puzzle and be entered into our prize draw to win a sweetie hamper.
Closing date for entries is Sunday 15 April. One winner will be chosen at random and announced on Monday 16 April.
at Discovery Museum
On 6 February 1918 women gained the right to vote* but only if they were over 30, owned property or had a university degree. This meant that around 60% of the female population were excluded from voting. Men and women did not gain the same voting rights until 1928.
*Representation of the People Act 1928
This small display aims to encourage visitors to join the discussion regarding the centenary of some women being given the right to vote, whilst also asking what challenges women still face today.
A woman’s place in society should be equal to a man’s.
Do you think women are treated equally? Why?
If not what can be done to change this?
Join the conversation.
#Vote100 #womanknowyourplace
*GOV UK, 2018
*WISE, 2017
*Equality and Human Rights Commission, 2016
*Plan International UK, 2017
*CPS, 2016
*Office for National Statistics, 2016
*CSEW, 2017
The Woman, Know Your Place display is part of the Tyneside Women’s Collective (TWC), a 2 year programme led by Tyne & Wear Archives & Museums (TWAM). TWAM will work with a diverse range of Tyneside women and girls to identify and explore contemporary social issues which relate to women and gender equality, using the museum and gallery collections as a stimulus.
The participants will work with TWAM to identify and discuss issues which are important to Tyneside women and girls now, 100 years after the Representation of the People act allowed some women to vote for the first time.
The Tyneside Women’s Collective programme is funded by the Esmée Fairbairn Collections Fund.
at Shipley Art Gallery
To celebrate 100 years since the Gallery doors opened to the public to present the Shipley’s bequest collection, and 40 years since the first items were purchased to build the now nationally important contemporary craft collection, the Shipley Art Gallery presents a new showcase exhibition.
Companion Pieces brings together different parts of the collection based upon themes to show the range of techniques and ideas used to explore subjects.
Works are presented in relation to various themes including Adam and Eve, the Body Beautiful, Visions of Gateshead, the Japanese Connection.
at South Shields Museum & Art Gallery
Come face to face with the skeletons of animals from sea, land and air and marvel at real bones, teeth and fossils.
Showcasing almost a hundred different animal bones, this exhibition features complete animal skeletons from a cat, fox and pangolin to fossil fish, the pelvis of a now–extinct Dodo and the skulls of predators like lions and the jaws of sharks.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
The Heart of the Matter is an exhibition that brings together art and medicine to reflect on the human heart. The heart can symbolise romantic love and the centre of human emotion, but it is also the engine room of our body and an intricate piece of machinery.
Through artworks inspired by patients with heart conditions, their families and clinicians, the exhibition invites you to discover the extraordinary nature and complexity of this organ.
The Heart of The Matter began with a collaboration between artist Sofie Layton and bioengineer Giovanni Biglino. In 2017, they brought together patients with heart conditions at Great Ormond Street Hospital for Children in London, the Bristol Heart Institute and the Adult Congenital & Paediatric Heart Unit of Newcastle's Freeman Hospital to look at the heart emotionally and metaphorically in workshops with scientists, artists, students, and nurses.
Conversations and stories from these workshops in turn inspired artworks that offer insight into the heart’s beauty, fragility and resilience, using scientific and artistic methods. Medical 3D printing and topographical maps describe cardiovascular anatomy; digital animation responds to medical imaging; and other abstracted stories are given form in printed textiles, sound installations and sculpture.
The Heart of The Matter was conceived by artist Sofie Layton and bioengineer Giovanni Biglino, and developed with health psychologist Jo Wray. The work is produced by Susie Hall (GOSH Arts), Nicky Petto and Anna Ledgard in association with Artsadmin, and is supported by the Wellcome Trust, the Blavatnik Family Foundation, Above&Beyond, Great Ormond Street Hospital Children’s Charity and using public funding by the National Lottery through Arts Council England. With thanks to RapidformRCA and 3D Life Print.
Find out more online: www.insidetheheart.org
#heartofthematter
at Hatton Gallery
Kurt Schwitters: Collage & Assemblage focuses on Schwitters’ pioneering career long use of collage, a significant development in 20th century art practice.
Fascinating dialogues exist between these works and those of the Independent Group and early pop artists on display in Pioneers of Pop and Schwitters' Merz Barn Wall, permanently displayed in the Hatton Gallery.
Rarely seen together, this exhibition will feature Schwitters’ classic ‘Merz’ collages from the Tate, British Museum, V&A, Armitt Museum, Abbot Hall Art Gallery, Scottish National Gallery of Modern Art as well as private collections.
Image: Kurt Schwitters (1887-1948) Mz. 299 für V.J. Kuron [Mz. 299 for V.J. Kuron], 1921 Drawing, collage on paper, 18 x 14.5 cm Collection: National Galleries of Scotland, bequeathed by Gabrielle Keiller 1995 © DACS 2016. Photo: Antonia Reeve
at Hatton Gallery
A new commission by Newcastle-based artist Kate Liston marks the first in a series of annual site-specific projects responding to the unique architecture and remarkable history of the Hatton Gallery, as well as its pivotal role in international innovations in exhibition design and installation art.
Feel After the New See will transform the most historic gallery space within the Hatton into an immersive installation, which will become the setting for a new film work taking shape throughout the exhibition.
The installation is inspired by the work of German artist Ella Bergmann-Michel whose work was exhibited in Newcastle in the 1960s and 70s, and who later donated a collage to the Hatton Gallery.
The film which, will be developed during the exhibition, features footage of Newcastle shot by the artist, reflecting the city’s past and future, combined with footage of miniature versions of the artist’s larger installation, and other references to Ella Bergmann-Michel’s own drawings, collages and film work.
Film for EBM will be added to the videos already in the installation in the last week of the exhibition. This film, produced for the end of Feel After the New See, combines the actions of athletes moving in a gym with footage that captures flows of movement around the exhibition space that the film is shown within.
Film for EBM has been developed throughout the exhibition and has been informed by a research visit to the Ella Bergmann Michel archive at The Sprengel Museum, Hannover, a Live Action Role Play devised and delivered by curator Sarah Jury with consultation from Hamish MacPherson, and Rotation Process, a film screening and performance event that explored choreographic efforts and the sense that one's actions might be scripted by one's environment.
at Hatton Gallery
The Hatton is showcasing the evolving processes of Harriet Sutcliffe and Melanie Stephenson’s PhD research, focusing on Newcastle University’s Fine Art Department in the 1950s and 1960s. They have drawn inspiration from the Hatton Gallery archives and the experiences of staff and students.
Sutcliffe’s practice-led research investigates the radical pedagogy of the Basic Course developed by Richard Hamilton and Victor Pasmore. Her research explores the relationship and translation of two-dimensional and three-dimensional material, her practice is informed by discoveries made within the archival material and through the Basic Course content.
Stephenson is studying archival and first-person accounts to understand the rationale and impact of the Hatton Gallery collection formed under Professors Lawrence Gowing and Kenneth Rowntree.
For three months the Hatton will provide the physical and conceptual framework for the developing processes of their research, informed and inspired by spoken and documentary evidence and the material culture of the archive.
Their research is funded through an Arts and Humanities Research Council (AHRC) Collaborative Doctoral Award between Newcastle University and Tyne and Wear Archives and Museums (TWAM) as part of the project ‘Art Education and Culture in the North East, 1930s to 1970s’.
This project has been supported by the Newcastle University Institute for Creative Arts Practice.
at Laing Art Gallery
Despite scandalous critical neglect within his own lifetime, David Bomberg (1890 – 1957) is nowadays recognized as one of the 20th century’s leading British artists. This major reassessment of his life and career is the first full Bomberg exhibition for more than a decade, and marks the 60th anniversary of the artist’s death.
The exhibition examines all the major phases of Bomberg’s career, including his audacious early contribution to pre-war British modernism, his unhappy role as a commissioned war artist in both world wars, his masterly landscapes in Jerusalem and Spain in the 1920s and 30s, his penetrating self-portraiture and portraiture of friends and family and his astonishing mature achievements as a landscape painter.
The exhibition is curated by the Ben Uri Gallery and Museum in association with Pallant House Gallery, and comprises more than 60 works. Supported in Newcastle by the Friends of the Laing Art Gallery.
Bomberg: The Curator's Introduction
‘Bomberg’ curators Rachel Dickson and Sarah MacDougall give an introduction to the British artist David Bomberg, revered as one of the greatest British artists of the 20th century. Watch video
at Laing Art Gallery
Sean Scully is renowned globally as the master of Post-Minimalist Abstraction and it was in 1968 when Scully started at Newcastle University that the breakthroughs in his work occurred, laying the foundation for the rest of his career.
Presenting paintings and drawings from 1968-1974, this exhibition demonstrates the remarkable early confidence of Scully’s work and the genesis of his continued fascination with stripes, and the spaces in between.
Now in his seventies, Scully has been twice shortlisted for the Turner Prize and his work is in the collection of virtually every major museum around the world.
Sean Scully: 1970 is presented across the Hatton Gallery and the Laing Art Gallery.
Image: Sean Scully with Diagonal Light, 1972. Image courtesy the artist © Sean Scully
at Hatton Gallery
Sean Scully is renowned globally as the master of Post-Minimalist Abstraction and it was in 1968 when Scully started at Newcastle University that the breakthroughs in his work occurred, laying the foundation for the rest of his career.
Presenting paintings and drawings from 1968-1974, this exhibition demonstrates the remarkable early confidence of Scully’s work and the genesis of his continued fascination with stripes, and the spaces in between.
Now in his seventies, Scully has been twice shortlisted for the Turner Prize and his work is in the collection of virtually every major museum around the world.
Sean Scully: 1970 is presented across the Hatton Gallery and the Laing Art Gallery.
at South Shields Museum & Art Gallery
This exhibition features works by the artist Ethel Walker RA on loan from the Royal Academy of Arts collection as part of the Royal Academy of Arts 250th anniversary celebrations.
An exhibition highlight is a portrait of Dame Flora Robson, feted actor of stage and screen, born in South Shields.
Also includes artworks on loan from the Laing Art Gallery.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
The Heart of the Matter is an exhibition that brings together art and medicine to reflect on the human heart. The heart can symbolise romantic love and the centre of human emotion, but it is also the engine room of our body and an intricate piece of machinery.
Through artworks inspired by patients with heart conditions, their families and clinicians, the exhibition invites you to discover the extraordinary nature and complexity of this organ.
The Heart of The Matter began with a collaboration between artist Sofie Layton and bioengineer Giovanni Biglino. In 2017, they brought together patients with heart conditions at Great Ormond Street Hospital for Children in London, the Bristol Heart Institute and the Adult Congenital & Paediatric Heart Unit of Newcastle's Freeman Hospital to look at the heart emotionally and metaphorically in workshops with scientists, artists, students, and nurses.
Conversations and stories from these workshops in turn inspired artworks that offer insight into the heart’s beauty, fragility and resilience, using scientific and artistic methods. Medical 3D printing and topographical maps describe cardiovascular anatomy; digital animation responds to medical imaging; and other abstracted stories are given form in printed textiles, sound installations and sculpture.
The Heart of The Matter was conceived by artist Sofie Layton and bioengineer Giovanni Biglino, and developed with health psychologist Jo Wray. The work is produced by Susie Hall (GOSH Arts), Nicky Petto and Anna Ledgard in association with Artsadmin, and is supported by the Wellcome Trust, the Blavatnik Family Foundation, Above&Beyond, Great Ormond Street Hospital Children’s Charity and using public funding by the National Lottery through Arts Council England. With thanks to RapidformRCA and 3D Life Print.
Find out more online: www.insidetheheart.org
#heartofthematter
at Hatton Gallery
Kurt Schwitters: Collage & Assemblage focuses on Schwitters’ pioneering career long use of collage, a significant development in 20th century art practice.
Fascinating dialogues exist between these works and those of the Independent Group and early pop artists on display in Pioneers of Pop and Schwitters' Merz Barn Wall, permanently displayed in the Hatton Gallery.
Rarely seen together, this exhibition will feature Schwitters’ classic ‘Merz’ collages from the Tate, British Museum, V&A, Armitt Museum, Abbot Hall Art Gallery, Scottish National Gallery of Modern Art as well as private collections.
Image: Kurt Schwitters (1887-1948) Mz. 299 für V.J. Kuron [Mz. 299 for V.J. Kuron], 1921 Drawing, collage on paper, 18 x 14.5 cm Collection: National Galleries of Scotland, bequeathed by Gabrielle Keiller 1995 © DACS 2016. Photo: Antonia Reeve
at Hatton Gallery
A new commission by Newcastle-based artist Kate Liston marks the first in a series of annual site-specific projects responding to the unique architecture and remarkable history of the Hatton Gallery, as well as its pivotal role in international innovations in exhibition design and installation art.
Feel After the New See will transform the most historic gallery space within the Hatton into an immersive installation, which will become the setting for a new film work taking shape throughout the exhibition.
The installation is inspired by the work of German artist Ella Bergmann-Michel whose work was exhibited in Newcastle in the 1960s and 70s, and who later donated a collage to the Hatton Gallery.
The film which, will be developed during the exhibition, features footage of Newcastle shot by the artist, reflecting the city’s past and future, combined with footage of miniature versions of the artist’s larger installation, and other references to Ella Bergmann-Michel’s own drawings, collages and film work.
Film for EBM will be added to the videos already in the installation in the last week of the exhibition. This film, produced for the end of Feel After the New See, combines the actions of athletes moving in a gym with footage that captures flows of movement around the exhibition space that the film is shown within.
Film for EBM has been developed throughout the exhibition and has been informed by a research visit to the Ella Bergmann Michel archive at The Sprengel Museum, Hannover, a Live Action Role Play devised and delivered by curator Sarah Jury with consultation from Hamish MacPherson, and Rotation Process, a film screening and performance event that explored choreographic efforts and the sense that one's actions might be scripted by one's environment.
at Hatton Gallery
The Hatton is showcasing the evolving processes of Harriet Sutcliffe and Melanie Stephenson’s PhD research, focusing on Newcastle University’s Fine Art Department in the 1950s and 1960s. They have drawn inspiration from the Hatton Gallery archives and the experiences of staff and students.
Sutcliffe’s practice-led research investigates the radical pedagogy of the Basic Course developed by Richard Hamilton and Victor Pasmore. Her research explores the relationship and translation of two-dimensional and three-dimensional material, her practice is informed by discoveries made within the archival material and through the Basic Course content.
Stephenson is studying archival and first-person accounts to understand the rationale and impact of the Hatton Gallery collection formed under Professors Lawrence Gowing and Kenneth Rowntree.
For three months the Hatton will provide the physical and conceptual framework for the developing processes of their research, informed and inspired by spoken and documentary evidence and the material culture of the archive.
Their research is funded through an Arts and Humanities Research Council (AHRC) Collaborative Doctoral Award between Newcastle University and Tyne and Wear Archives and Museums (TWAM) as part of the project ‘Art Education and Culture in the North East, 1930s to 1970s’.
This project has been supported by the Newcastle University Institute for Creative Arts Practice.
at Laing Art Gallery
Despite scandalous critical neglect within his own lifetime, David Bomberg (1890 – 1957) is nowadays recognized as one of the 20th century’s leading British artists. This major reassessment of his life and career is the first full Bomberg exhibition for more than a decade, and marks the 60th anniversary of the artist’s death.
The exhibition examines all the major phases of Bomberg’s career, including his audacious early contribution to pre-war British modernism, his unhappy role as a commissioned war artist in both world wars, his masterly landscapes in Jerusalem and Spain in the 1920s and 30s, his penetrating self-portraiture and portraiture of friends and family and his astonishing mature achievements as a landscape painter.
The exhibition is curated by the Ben Uri Gallery and Museum in association with Pallant House Gallery, and comprises more than 60 works. Supported in Newcastle by the Friends of the Laing Art Gallery.
Bomberg: The Curator's Introduction
‘Bomberg’ curators Rachel Dickson and Sarah MacDougall give an introduction to the British artist David Bomberg, revered as one of the greatest British artists of the 20th century. Watch video
at Laing Art Gallery
Sean Scully is renowned globally as the master of Post-Minimalist Abstraction and it was in 1968 when Scully started at Newcastle University that the breakthroughs in his work occurred, laying the foundation for the rest of his career.
Presenting paintings and drawings from 1968-1974, this exhibition demonstrates the remarkable early confidence of Scully’s work and the genesis of his continued fascination with stripes, and the spaces in between.
Now in his seventies, Scully has been twice shortlisted for the Turner Prize and his work is in the collection of virtually every major museum around the world.
Sean Scully: 1970 is presented across the Hatton Gallery and the Laing Art Gallery.
Image: Sean Scully with Diagonal Light, 1972. Image courtesy the artist © Sean Scully
at Hatton Gallery
Sean Scully is renowned globally as the master of Post-Minimalist Abstraction and it was in 1968 when Scully started at Newcastle University that the breakthroughs in his work occurred, laying the foundation for the rest of his career.
Presenting paintings and drawings from 1968-1974, this exhibition demonstrates the remarkable early confidence of Scully’s work and the genesis of his continued fascination with stripes, and the spaces in between.
Now in his seventies, Scully has been twice shortlisted for the Turner Prize and his work is in the collection of virtually every major museum around the world.
Sean Scully: 1970 is presented across the Hatton Gallery and the Laing Art Gallery.
at Shipley Art Gallery
Dry Run, the annual exhibition of University of Sunderland 2nd year BA Glass and Ceramics students is celebrating its 19th year. The Glass and Ceramics Department at the University of Sunderland has a very special position among schools teaching glass in the UK and Europe.
Introducing the works of 16 emerging U.K. and foreign artists for the first time, this exhibition will showcase exceptional student talent based on the use of glass and ceramics as a material in service of original artistic expression and a high standard of craft execution.
The Glass and Ceramics Department at the University of Sunderland is the largest department in the UK with an extraordinarily high level of equipment, including one of the largest kilns in the world for casting glass. Many of the graduates associated with glass and ceramic studies are now significant artists, designers and tutors in Europe, Australia, the United States and elsewhere, having gained a reputation in their subject at national and international level.
at Shipley Art Gallery
The Shipley Art Gallery presents a Crafts Council touring exhibition by 2003 Turner Prize winner, Grayson Perry.
Presenting a pair of Perry’s large-scale and striking tapestries, The Essex House Tapestries: the life of Julie Cope (2015) were made for ‘A House for Essex,’ designed by Grayson Perry and FAT Architecture, and well known through the Channel 4 programme ‘Grayson Perry’s Dream House.’
The touring exhibition will consist of a diptych of the two tapestries, which tells the story of Julie Cope - a fictitious Essex ‘everywoman’, who was inspired by the people Perry grew up among. Julie's story is presented through Perry's recognisably vibrant and detail-orientated style. These artworks represent, in Perry’s words, ‘the trials, tribulations, celebrations and mistakes of an average life.’
Image: In Its Familiarity, Golden, Grayson Perry, 2015. Crafts Council Collection: 2016.19. Purchase supported by Art Fund (with a contribution from The Wolfson Foundation), Maylis and James Grand, Victoria Miro and other private donors. Courtesy the Artist, Paragon Press, and Victoria Miro, London. © Grayson Perry
at Laing Art Gallery
The 18th and 19th century gallery will be transformed by the exhibition 'Fantasy Landscapes, Portraits and Beasts', curated by artist Glenn Brown, bringing together a new collection by this artist alongside paintings found in the 19th century gallery. Pre-Raphaelite Qualities is an exhibition of some of the other works normally found in this gallery.
Pre-Raphaelite Qualities
This display of pictures from the Laing’s collection is focussed around Laus Veneris by Sir Edward Burne-Jones, who was the most important painter of the second wave of Pre-Raphaelite art. Also on show are pictures by Pre-Raphaelite followers such as Arthur Hughes and the Newcastle artists H H Emmerson and Charles Napier Hemy. Alongside these, Daniel Maclise’s large painting of King Alfred in a Danish encampment reveals links between Pre-Raphaelite style and mainstream Victorian art.
Pre-Raphaelite art featured bright colour and sharp detail all over the picture. The artists began their paintings with a layer of white, which shone through the colours, making them even brighter. The Pre-Raphaelite Brotherhood, founded in 1848, aimed to achieve the ‘truthfulness’ of art before the time of Raphael and Italian Renaissance.
(Isabella and the Pot of Basil, by premier Pre-Raphaelite artist William Holman Hunt, is on display from June 16th in an adjoining gallery showing new works by international artist Glenn Brown with pictures from the collection selected by the artist).
at South Shields Museum & Art Gallery
Part of the ‘Inspired By’ programme associated with the Great Exhibition of the North, this exhibition celebrates South Tyneside’s contribution to art, design and innovation through 10 objects.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
A display detailing the incredible life of Anne Seymour (d. 2016).
Anne was a well known South Shields resident who became a doctor in the 1950s and spent time as a missionary in Nigeria (Biafra) during civil war in 1969.
Known for her tireless charity work, Anne Seymour received an MBE for her work with refugees.
Part of the museum's Women 100, a programme over 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
Marking 50 years since the closure of Whitburn Colliery and 25 years for Westoe Colliery this exhibition celebrates the mining heritage of South Tyneside.
Featuring paintings by Bob Olley and exploring the impact on the lives of the coal communities from accidents and family life to the physical legacy of the coal industry in the South Tyneside area.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
This exhibition features works by the artist Ethel Walker RA on loan from the Royal Academy of Arts collection as part of the Royal Academy of Arts 250th anniversary celebrations.
An exhibition highlight is a portrait of Dame Flora Robson, feted actor of stage and screen, born in South Shields.
Also includes artworks on loan from the Laing Art Gallery.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
The Newcastle University BA Fine Art Degree Show brings together the work of 64 students, 14 of whom will be exhibited at the Hatton Gallery.
Covering a wide range of artistic practice, the show will include painting, sculpture, print, performance, text and installation.
Other work will be shown within the Fine Art Department at Newcastle University.
at South Shields Museum & Art Gallery
This year, Learning Disability Week will be all about health. Drop in and see the fantastic art work and poetry on display, created by primary and secondary students from Bamburgh School.
Inspired by our current exhibition King Coal: The life and legacy of South Tyneside’s coal mining communities, showing on the first floor.
All details on the South Shields Museum & Art Gallery website
at Shipley Art Gallery
The Shipley Art Gallery presents a Crafts Council touring exhibition by 2003 Turner Prize winner, Grayson Perry.
Presenting a pair of Perry’s large-scale and striking tapestries, The Essex House Tapestries: the life of Julie Cope (2015) were made for ‘A House for Essex,’ designed by Grayson Perry and FAT Architecture, and well known through the Channel 4 programme ‘Grayson Perry’s Dream House.’
The touring exhibition will consist of a diptych of the two tapestries, which tells the story of Julie Cope - a fictitious Essex ‘everywoman’, who was inspired by the people Perry grew up among. Julie's story is presented through Perry's recognisably vibrant and detail-orientated style. These artworks represent, in Perry’s words, ‘the trials, tribulations, celebrations and mistakes of an average life.’
Image: In Its Familiarity, Golden, Grayson Perry, 2015. Crafts Council Collection: 2016.19. Purchase supported by Art Fund (with a contribution from The Wolfson Foundation), Maylis and James Grand, Victoria Miro and other private donors. Courtesy the Artist, Paragon Press, and Victoria Miro, London. © Grayson Perry
at Hatton Gallery
Louisa Hodgson taught at Kings College, now Newcastle University, from 1931 into the 1960s. Specialising in perspective and technical methods, Hodgson was respected for her precise depictions of architectural space.
A New Perspective unites the extensive collection of Hodgson’s drawings held by the Hatton Gallery and the Laing Art Gallery. Many of these works will be on display for the first time.
Alongside Hodgson’s drawings, the exhibition will include modern and contemporary works from the Hatton collection that are influenced by the rules of perspective.
You can read Exhibition Officer, Becky Gee's blog about North East born artist Louisa Hodgson here. She has recently been researching Hodgson, with this exhibition a culmination of this research.
at Hatton Gallery
This exhibition will explore machinery and mythology as two of the key themes which endure in the work of sculptor Michael Lyons, who studied at Newcastle University in the late 1960s and has gone on to gain international recognition, undertaking large-scale public sculpture commissions as far afield as Mexico and China.
From an early interest in steel works through to more recent sculptures exploring symbolic figures and organic forms, the selection will offer an insight into the poetic imagination that underlies Lyons’ practice to this day.
Watch Michael Lyons discuss with us about his exhibition, career background and his link to Newcastle University here.
at Hatton Gallery
This exhibition seeks to celebrate the life and work of German émigré artist Fred Uhlman (1901-1985) whilst reflecting on universal themes such as identity and migration within the context of one of the most turbulent periods in European and world history.
It includes paintings and drawings dating from 1928 to 1971 such as early impressions of life in Paris, drawings executed whilst in internment on the Isle of Man during the Second World War and the later Welsh landscapes for which he became well known as well as previously unseen archive material.
A number of items from Uhlman’s 72 piece collection of African sculpture are included in this exhibition, in addition to a larger selection on permanent display at the Hatton.
at Laing Art Gallery
The 18th and 19th century gallery will be transformed by the exhibition 'Fantasy Landscapes, Portraits and Beasts', curated by artist Glenn Brown, bringing together a new collection by this artist alongside paintings found in the 19th century gallery. Pre-Raphaelite Qualities is an exhibition of some of the other works normally found in this gallery.
Pre-Raphaelite Qualities
This display of pictures from the Laing’s collection is focussed around Laus Veneris by Sir Edward Burne-Jones, who was the most important painter of the second wave of Pre-Raphaelite art. Also on show are pictures by Pre-Raphaelite followers such as Arthur Hughes and the Newcastle artists H H Emmerson and Charles Napier Hemy. Alongside these, Daniel Maclise’s large painting of King Alfred in a Danish encampment reveals links between Pre-Raphaelite style and mainstream Victorian art.
Pre-Raphaelite art featured bright colour and sharp detail all over the picture. The artists began their paintings with a layer of white, which shone through the colours, making them even brighter. The Pre-Raphaelite Brotherhood, founded in 1848, aimed to achieve the ‘truthfulness’ of art before the time of Raphael and Italian Renaissance.
(Isabella and the Pot of Basil, by premier Pre-Raphaelite artist William Holman Hunt, is on display from June 16th in an adjoining gallery showing new works by international artist Glenn Brown with pictures from the collection selected by the artist).
at Great North Museum: Hancock
At the Great North Museum, a portal to another world has opened.
Get your game on and prepare for an adventure. Discover the heart and soul of the revolutionary North and learn how its inventors, scientists and artists shaped the world we live in today - and how you can change the future.
Which Way North is a free, family-friendly exhibition featuring over 200 fascinating items on loan from the UK's leading museums, galleries and private collections. You'll see:
Are you ready to go? Embark on a journey of Northern endeavour and discovery.
See the virtual exhibition A History of the North in 100 Objects
at Discovery Museum
Robert Stephenson's 0-2-2 locomotive Rocket & Exhibition
Robert Stephenson’s iconic steam locomotive Rocket returns to Tyneside, on loan to Discovery Museum from the Science Museum Group, as part of Great Exhibition of the North, 22 June - 9 September.
This summer get up-close to one of Britain’s (if not the world’s) most famous feats of engineering, that was made right here in Newcastle. Manufactured in 1829 at the Robert Stephenson & Co. locomotive works, now the site of the Stephenson Quarter behind Central Station, this is the first time that Rocket has returned to its birth-place since it was presented to the nation 156 years ago.
Find out how this historic engine’s ground-breaking design heralded the birth of passenger railways and celebrate the North’s world-famous industrial heritage and innovative spirit.
The accompanying exhibition will share more detail around the origins of the railway, Rocket’s rise to fame and legacy, and stimulate ideas around the direction transport may take in the future. Object highlights will include a judge’s notebook from the Rainhill Trials (October 1829) and preserved remains of a section of North Tyneside’s Willington Waggonway, the earliest standard gauge waggonway yet discovered, dating from the late 1700s.
We’ll also make links to another transportation world-first, Charles Parsons’ steam turbine powered ship, Turbinia. Built in 1894, measuring 32 metres long, she changed the face of maritime history and at one time was the fastest ship in the world. This is a unique opportunity to see these two internationally renowned innovations side-by-side in our central hall as you enter the museum.
It’s Rocket Science has been made possible thanks to the Science Museum Group and money raised by National Lottery players through the Heritage Lottery Fund (HLF).
George Stephenson
Railway engineering was in Robert Stephenson’s blood, as the son of Wylam born engineer George Stephenson who is considered the ‘Father of Railways’.
His contribution to rail engineering will be honoured at Stephenson Railway Museum, North Shields, as part of The Great Exhibition’s ‘Inspired by’ programme.
Visit this summer to marvel at 'Killingworth Billy', now determined to be the world's third oldest locomotive and the world's oldest surviving standard gauge (4 ft 8½ in) steam locomotive.
Presented as part of:
Great Exhibition of the North
22 June - 9 September
Hosted in NewcastleGateshead, on behalf of Northern England, Great Exhibition of the North will be the biggest event in England this year. It is free to attend and will tell the inspiring story of the North of England and how its innovators, businesses, artists and designers have shaped our present and are inspiring our future. Visitors will begin their journey at one of three iconic venues – Great North Museum, BALTIC Centre for Contemporary Art or Sage Gateshead – before joining three trails through world-class venues and public spaces. #GetNorth2018
During The Great Exhibition, Discovery Museum is part of the Get North Innovation Trail. Designed with families and accessibility in mind; winding through inspiring urban landscapes, stunning historic architecture and the best of popular Northern Culture.
Great Exhibition of the North receives funding from a variety of sources including public and private sector.
at Stephenson Steam Railway
Robert Stephenson’s iconic steam locomotive Rocket comes home to Newcastle, on loan to Discovery Museum, Newcastle from the Science Museum Group as part of Great Exhibition of the North,
until 9 September 2018.
Find out how this historic engine’s ground-breaking design heralded the birth of passenger railways and celebrate the region’s world-famous industrial heritage.
Follow us on Facebook & Twitter to get all the latest news.
Great Exhibition of the North
22 June - 9 September 2018
Summer 2018 will see the biggest cultural event in England take place in Newcastle and Gateshead. Explore cutting-edge tech, amazing exhibitions and mind-blowing performances designed to entertain the whole family and fire the imagination! This once-in-a-lifetime event is free and family friendly.
at Discovery Museum
Travel back to 1829 via virtual reality to experience the sight and sound of the early steam age as Stephenson’s Rocket is digitally brought back to life.
Join us for a fully immersive and memorable experience by Northern tech masters hedgehog lab.
Get ready to step on board!
Presented as part of:
Great Exhibition of the North 22 June - 9 September
Hosted in NewcastleGateshead, on behalf of Northern England, Great Exhibition of the North will be the biggest event in England this year. It is free to attend and will tell the inspiring story of the North of England and how its innovators, businesses, artists and designers have shaped our present and are inspiring our future. Visitors will begin their journey at one of three iconic venues – Great North Museum, BALTIC Centre for Contemporary Art or Sage Gateshead – before joining three trails through world-class venues and public spaces. #GetNorth2018
During The Great Exhibition, Discovery Museum is part of the Get North Innovation Trail. Designed with families and accessibility in mind; winding through inspiring urban landscapes, stunning historic architecture and the best of popular Northern Culture.
Great Exhibition of the North receives funding from a variety of sources including public and private sector.
at Discovery Museum
This celebratory exhibition traces the involvement of the North in The Great Exhibition of 1851, the development of the Commission’s London estate and the work carried out by current 1851 sponsored researchers in universities and companies across the North of England.
The Royal Commission for the Exhibition of 1851 was set up to run The Great Exhibition, which they did with huge success, attracting six million people in the six months that it was open. It was the first international exhibition of manufactured products and was enormously influential on the development of many aspects of society including art and design education, international trade and relations, and even tourism.
The Exhibition made a profit of £186,000 which the Commission used to purchase an estate in South Kensington, London. This has since developed into a cultural and educational centre of world renown.
Since 1891 the Commission has supported research in STEM related subjects by offering awards to post graduate and post-doctoral researchers in the fields of science, engineering and design.
Presented as part of:
Great Exhibition of the North 22 June - 9 September
Hosted in NewcastleGateshead, on behalf of Northern England, Great Exhibition of the North will be the biggest event in England this year. It is free to attend and will tell the inspiring story of the North of England and how its innovators, businesses, artists and designers have shaped our present and are inspiring our future. Visitors will begin their journey at one of three iconic venues – Great North Museum, BALTIC Centre for Contemporary Art or Sage Gateshead – before joining three trails through world-class venues and public spaces. #GetNorth2018
During The Great Exhibition, Discovery Museum is part of the Get North Innovation Trail. Designed with families and accessibility in mind; winding through inspiring urban landscapes, stunning historic architecture and the best of popular Northern Culture.
Great Exhibition of the North receives funding from a variety of sources including public and private sector.
at Discovery Museum
Get a taster of what it’s like to drive LNER's Azuma train through simulator technology and discover the different jobs/roles on the East Coast line with LNER’s VR (virtual reality) experience.
Presented as part of:
Great Exhibition of the North 22 June - 9 September
Hosted in NewcastleGateshead, on behalf of Northern England, Great Exhibition of the North will be the biggest event in England this year. It is free to attend and will tell the inspiring story of the North of England and how its innovators, businesses, artists and designers have shaped our present and are inspiring our future. Visitors will begin their journey at one of three iconic venues – Great North Museum, BALTIC Centre for Contemporary Art or Sage Gateshead – before joining three trails through world-class venues and public spaces. #GetNorth2018
During The Great Exhibition, Discovery Museum is part of the Get North Innovation Trail. Designed with families and accessibility in mind; winding through inspiring urban landscapes, stunning historic architecture and the best of popular Northern Culture.
Great Exhibition of the North receives funding from a variety of sources including public and private sector.
at South Shields Museum & Art Gallery
Part of the ‘Inspired By’ programme associated with the Great Exhibition of the North, this exhibition celebrates South Tyneside’s contribution to art, design and innovation through 10 objects.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
A display detailing the incredible life of Anne Seymour (d. 2016).
Anne was a well known South Shields resident who became a doctor in the 1950s and spent time as a missionary in Nigeria (Biafra) during civil war in 1969.
Known for her tireless charity work, Anne Seymour received an MBE for her work with refugees.
Part of the museum's Women 100, a programme over 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
Marking 50 years since the closure of Whitburn Colliery and 25 years for Westoe Colliery this exhibition celebrates the mining heritage of South Tyneside.
Featuring paintings by Bob Olley and exploring the impact on the lives of the coal communities from accidents and family life to the physical legacy of the coal industry in the South Tyneside area.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
We need your feedback!
If you have recently visited The Enchanted Garden exhibition, we would love to hear your thoughts. Please spare a couple of minutes to fill out our survey - you could win a £50 Laing shop voucher too! Thank you.
From the Pre-Raphaelites and French Impressionists to the Bloomsbury Group and 20th century abstraction, artists have taken inspiration directly from the gardens around them. These secret, enveloping and sometimes mysterious spaces are seen through windows, in panoramas and often repeated in different lights and seasons. The Enchanted Garden will feature artists including Claude Monet, Edward Burne-Jones, Dante Gabriel Rossetti, Beatrix Potter, Pierre Bonnard, Lucien Pissarro, William Morris, Patrick Heron, Francis Bacon, Stanley Spencer, Vanessa Bell, and Duncan Grant.
The Enchanted Garden will bring the Laing’s painting ‘The Dustman or The Lovers’ by Stanley Spencer into the context of major works by British and French artists from across the UK and beyond which explore the garden as a ‘stage’ for the extraordinary, the magical, the atmospheric and the nostalgic.
This exhibition is curated by the Laing Art Gallery, with generous support from the John Ellerman Foundation. Also supported by the Friends of the Laing Art Gallery, the Finnis Scott Foundation and the Golsoncott Foundation.
at Laing Art Gallery
In 2017, the Laing Art Gallery was the first recipient of the Contemporary Art Society’s ‘Great Works’ scheme. A spectacular work by Glenn Brown was gifted to the collection, and this exhibition will continue to build on the Laing's relationship with the artist.
Glenn Brown was born in nearby Hexham and is one of the most renowned British artists working today. Known for the use of art historical references in his paintings, Brown appropriates images changing their shape, form, colour, and dimension, traversing artistic time zones from the Renaissance, Baroque and Rococo through to Impressionism, Expressionism and Surrealism and referencing artists such as Jean Louis Fragonard, Salvador Dalí and John Martin - who was also born in the north east.
This exhibition will feature new works created by Brown, shown alongside his own arrangement of pictures and sculptures selected from the Laing collection with a small number of loans from private lenders and the Hatton Gallery, Newcastle University. Supported by the Friends of the Laing Art Gallery.
The artwork In the end we all succumb to the pull of the molten core by Glenn Brown was kindly donated to the collection as part of the Contemporary Art Society’s Great Works scheme, with the support of the artist and the Sfumato Foundation.
A note to visitors:
After artist Glenn Brown’s display of the Laing collection closes on 21 October, it will be replaced by two collection displays on the first floor. From 3 November, Dressed to Impress, portraits from the collection, opens. Another big new display will open on 17 November, featuring favourite pictures by artists such as William Holman Hunt and John Martin. We apologise that these paintings will be off display for a few weeks in the interim. This is due to the demands of the installation of new exhibitions. Please note also that Burne-Jones’ Laus Veneris will be away from the Laing after the Pre-Raphaelite Qualities display closes on 2 September, as it is part of Tate’s prestigious Edward Burne-Jones exhibition at Tate Britain. During the changeover period for the Gallery collections displays, there is still the opportunity to see many important pictures, sculptures and decorative arts in Northern Spirit on the ground floor, including art by John Martin, Ralph Hedley, and Victor Pasmore. If you are hoping to see a particular work of art, please contact the gallery to check if it is on display.
at South Shields Museum & Art Gallery
This exhibition features works by the artist Ethel Walker RA on loan from the Royal Academy of Arts collection as part of the Royal Academy of Arts 250th anniversary celebrations.
An exhibition highlight is a portrait of Dame Flora Robson, feted actor of stage and screen, born in South Shields.
Also includes artworks on loan from the Laing Art Gallery.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
A display commemorating one of Tyneside's most beloved women.
Dame Catherine Cookson is remembered 21 years after her death.
Part of the museum's Women 100, a programme started in 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at Shipley Art Gallery
Come and hear Bulgarian photographer Rossena Petcova talk about her first solo exhibition, Feeling-at-Home Places on display in The Shipley's Lounge until July 23rd, 2018.
This free but ticketed event on 7 July will be hosted by Tyneside writer Elaine Cusack, who helped Rossena stage the exhibition and also features in one of the photographs.
Feeling-at-Home Places is a celebration of North Eastern familial relationships as well as the region's unique urban/natural landscape.
Rossena says:
“I spent almost two years (2015/16) living between Bulgaria and the North East areas of the UK, Newcastle upon Tyne and the nearby coast. I started experimenting with the self image and the landscape around me, as well as I had the opportunity to photograph local people in their homes or intimate places considered like home and to reflect on the idea of home while being away from real home.
I am very happy I have the chance to show my work exactly in the area where the photographs were taken and to invite all the visitors to contemplate with me.”
at South Shields Museum & Art Gallery
A display exploring the heritage and social impact of community parades and marches, from village carnivals to miners’ galas, that used to be held across the South Tyneside and Durham region.
Brought to the museum by Creative Seed and supported by the Heritage Lottery Fund.
All details on the South Shields Museum & Art Gallery website
at Shipley Art Gallery
The Shipley Art Gallery presents a Crafts Council touring exhibition by 2003 Turner Prize winner, Grayson Perry.
Presenting a pair of Perry’s large-scale and striking tapestries, The Essex House Tapestries: the life of Julie Cope (2015) were made for ‘A House for Essex,’ designed by Grayson Perry and FAT Architecture, and well known through the Channel 4 programme ‘Grayson Perry’s Dream House.’
The touring exhibition will consist of a diptych of the two tapestries, which tells the story of Julie Cope - a fictitious Essex ‘everywoman’, who was inspired by the people Perry grew up among. Julie's story is presented through Perry's recognisably vibrant and detail-orientated style. These artworks represent, in Perry’s words, ‘the trials, tribulations, celebrations and mistakes of an average life.’
Image: In Its Familiarity, Golden, Grayson Perry, 2015. Crafts Council Collection: 2016.19. Purchase supported by Art Fund (with a contribution from The Wolfson Foundation), Maylis and James Grand, Victoria Miro and other private donors. Courtesy the Artist, Paragon Press, and Victoria Miro, London. © Grayson Perry
at Hatton Gallery
Louisa Hodgson taught at Kings College, now Newcastle University, from 1931 into the 1960s. Specialising in perspective and technical methods, Hodgson was respected for her precise depictions of architectural space.
A New Perspective unites the extensive collection of Hodgson’s drawings held by the Hatton Gallery and the Laing Art Gallery. Many of these works will be on display for the first time.
Alongside Hodgson’s drawings, the exhibition will include modern and contemporary works from the Hatton collection that are influenced by the rules of perspective.
You can read Exhibition Officer, Becky Gee's blog about North East born artist Louisa Hodgson here. She has recently been researching Hodgson, with this exhibition a culmination of this research.
at Hatton Gallery
This exhibition will explore machinery and mythology as two of the key themes which endure in the work of sculptor Michael Lyons, who studied at Newcastle University in the late 1960s and has gone on to gain international recognition, undertaking large-scale public sculpture commissions as far afield as Mexico and China.
From an early interest in steel works through to more recent sculptures exploring symbolic figures and organic forms, the selection will offer an insight into the poetic imagination that underlies Lyons’ practice to this day.
Watch Michael Lyons discuss with us about his exhibition, career background and his link to Newcastle University here.
at Hatton Gallery
This exhibition seeks to celebrate the life and work of German émigré artist Fred Uhlman (1901-1985) whilst reflecting on universal themes such as identity and migration within the context of one of the most turbulent periods in European and world history.
It includes paintings and drawings dating from 1928 to 1971 such as early impressions of life in Paris, drawings executed whilst in internment on the Isle of Man during the Second World War and the later Welsh landscapes for which he became well known as well as previously unseen archive material.
A number of items from Uhlman’s 72 piece collection of African sculpture are included in this exhibition, in addition to a larger selection on permanent display at the Hatton.
at Laing Art Gallery
The 18th and 19th century gallery will be transformed by the exhibition 'Fantasy Landscapes, Portraits and Beasts', curated by artist Glenn Brown, bringing together a new collection by this artist alongside paintings found in the 19th century gallery. Pre-Raphaelite Qualities is an exhibition of some of the other works normally found in this gallery.
Pre-Raphaelite Qualities
This display of pictures from the Laing’s collection is focussed around Laus Veneris by Sir Edward Burne-Jones, who was the most important painter of the second wave of Pre-Raphaelite art. Also on show are pictures by Pre-Raphaelite followers such as Arthur Hughes and the Newcastle artists H H Emmerson and Charles Napier Hemy. Alongside these, Daniel Maclise’s large painting of King Alfred in a Danish encampment reveals links between Pre-Raphaelite style and mainstream Victorian art.
Pre-Raphaelite art featured bright colour and sharp detail all over the picture. The artists began their paintings with a layer of white, which shone through the colours, making them even brighter. The Pre-Raphaelite Brotherhood, founded in 1848, aimed to achieve the ‘truthfulness’ of art before the time of Raphael and Italian Renaissance.
(Isabella and the Pot of Basil, by premier Pre-Raphaelite artist William Holman Hunt, is on display from June 16th in an adjoining gallery showing new works by international artist Glenn Brown with pictures from the collection selected by the artist).
at Great North Museum: Hancock
At the Great North Museum, a portal to another world has opened.
Get your game on and prepare for an adventure. Discover the heart and soul of the revolutionary North and learn how its inventors, scientists and artists shaped the world we live in today - and how you can change the future.
Which Way North is a free, family-friendly exhibition featuring over 200 fascinating items on loan from the UK's leading museums, galleries and private collections. You'll see:
Are you ready to go? Embark on a journey of Northern endeavour and discovery.
See the virtual exhibition A History of the North in 100 Objects
at Discovery Museum
Robert Stephenson's 0-2-2 locomotive Rocket & Exhibition
Robert Stephenson’s iconic steam locomotive Rocket returns to Tyneside, on loan to Discovery Museum from the Science Museum Group, as part of Great Exhibition of the North, 22 June - 9 September.
This summer get up-close to one of Britain’s (if not the world’s) most famous feats of engineering, that was made right here in Newcastle. Manufactured in 1829 at the Robert Stephenson & Co. locomotive works, now the site of the Stephenson Quarter behind Central Station, this is the first time that Rocket has returned to its birth-place since it was presented to the nation 156 years ago.
Find out how this historic engine’s ground-breaking design heralded the birth of passenger railways and celebrate the North’s world-famous industrial heritage and innovative spirit.
The accompanying exhibition will share more detail around the origins of the railway, Rocket’s rise to fame and legacy, and stimulate ideas around the direction transport may take in the future. Object highlights will include a judge’s notebook from the Rainhill Trials (October 1829) and preserved remains of a section of North Tyneside’s Willington Waggonway, the earliest standard gauge waggonway yet discovered, dating from the late 1700s.
We’ll also make links to another transportation world-first, Charles Parsons’ steam turbine powered ship, Turbinia. Built in 1894, measuring 32 metres long, she changed the face of maritime history and at one time was the fastest ship in the world. This is a unique opportunity to see these two internationally renowned innovations side-by-side in our central hall as you enter the museum.
It’s Rocket Science has been made possible thanks to the Science Museum Group and money raised by National Lottery players through the Heritage Lottery Fund (HLF).
George Stephenson
Railway engineering was in Robert Stephenson’s blood, as the son of Wylam born engineer George Stephenson who is considered the ‘Father of Railways’.
His contribution to rail engineering will be honoured at Stephenson Railway Museum, North Shields, as part of The Great Exhibition’s ‘Inspired by’ programme.
Visit this summer to marvel at 'Killingworth Billy', now determined to be the world's third oldest locomotive and the world's oldest surviving standard gauge (4 ft 8½ in) steam locomotive.
Presented as part of:
Great Exhibition of the North
22 June - 9 September
Hosted in NewcastleGateshead, on behalf of Northern England, Great Exhibition of the North will be the biggest event in England this year. It is free to attend and will tell the inspiring story of the North of England and how its innovators, businesses, artists and designers have shaped our present and are inspiring our future. Visitors will begin their journey at one of three iconic venues – Great North Museum, BALTIC Centre for Contemporary Art or Sage Gateshead – before joining three trails through world-class venues and public spaces. #GetNorth2018
During The Great Exhibition, Discovery Museum is part of the Get North Innovation Trail. Designed with families and accessibility in mind; winding through inspiring urban landscapes, stunning historic architecture and the best of popular Northern Culture.
Great Exhibition of the North receives funding from a variety of sources including public and private sector.
at Stephenson Steam Railway
Robert Stephenson’s iconic steam locomotive Rocket comes home to Newcastle, on loan to Discovery Museum, Newcastle from the Science Museum Group as part of Great Exhibition of the North,
until 9 September 2018.
Find out how this historic engine’s ground-breaking design heralded the birth of passenger railways and celebrate the region’s world-famous industrial heritage.
Follow us on Facebook & Twitter to get all the latest news.
Great Exhibition of the North
22 June - 9 September 2018
Summer 2018 will see the biggest cultural event in England take place in Newcastle and Gateshead. Explore cutting-edge tech, amazing exhibitions and mind-blowing performances designed to entertain the whole family and fire the imagination! This once-in-a-lifetime event is free and family friendly.
at Discovery Museum
Travel back to 1829 via virtual reality to experience the sight and sound of the early steam age as Stephenson’s Rocket is digitally brought back to life.
Join us for a fully immersive and memorable experience by Northern tech masters hedgehog lab.
Get ready to step on board!
Presented as part of:
Great Exhibition of the North 22 June - 9 September
Hosted in NewcastleGateshead, on behalf of Northern England, Great Exhibition of the North will be the biggest event in England this year. It is free to attend and will tell the inspiring story of the North of England and how its innovators, businesses, artists and designers have shaped our present and are inspiring our future. Visitors will begin their journey at one of three iconic venues – Great North Museum, BALTIC Centre for Contemporary Art or Sage Gateshead – before joining three trails through world-class venues and public spaces. #GetNorth2018
During The Great Exhibition, Discovery Museum is part of the Get North Innovation Trail. Designed with families and accessibility in mind; winding through inspiring urban landscapes, stunning historic architecture and the best of popular Northern Culture.
Great Exhibition of the North receives funding from a variety of sources including public and private sector.
at Discovery Museum
This celebratory exhibition traces the involvement of the North in The Great Exhibition of 1851, the development of the Commission’s London estate and the work carried out by current 1851 sponsored researchers in universities and companies across the North of England.
The Royal Commission for the Exhibition of 1851 was set up to run The Great Exhibition, which they did with huge success, attracting six million people in the six months that it was open. It was the first international exhibition of manufactured products and was enormously influential on the development of many aspects of society including art and design education, international trade and relations, and even tourism.
The Exhibition made a profit of £186,000 which the Commission used to purchase an estate in South Kensington, London. This has since developed into a cultural and educational centre of world renown.
Since 1891 the Commission has supported research in STEM related subjects by offering awards to post graduate and post-doctoral researchers in the fields of science, engineering and design.
Presented as part of:
Great Exhibition of the North 22 June - 9 September
Hosted in NewcastleGateshead, on behalf of Northern England, Great Exhibition of the North will be the biggest event in England this year. It is free to attend and will tell the inspiring story of the North of England and how its innovators, businesses, artists and designers have shaped our present and are inspiring our future. Visitors will begin their journey at one of three iconic venues – Great North Museum, BALTIC Centre for Contemporary Art or Sage Gateshead – before joining three trails through world-class venues and public spaces. #GetNorth2018
During The Great Exhibition, Discovery Museum is part of the Get North Innovation Trail. Designed with families and accessibility in mind; winding through inspiring urban landscapes, stunning historic architecture and the best of popular Northern Culture.
Great Exhibition of the North receives funding from a variety of sources including public and private sector.
at Discovery Museum
Get a taster of what it’s like to drive LNER's Azuma train through simulator technology and discover the different jobs/roles on the East Coast line with LNER’s VR (virtual reality) experience.
Presented as part of:
Great Exhibition of the North 22 June - 9 September
Hosted in NewcastleGateshead, on behalf of Northern England, Great Exhibition of the North will be the biggest event in England this year. It is free to attend and will tell the inspiring story of the North of England and how its innovators, businesses, artists and designers have shaped our present and are inspiring our future. Visitors will begin their journey at one of three iconic venues – Great North Museum, BALTIC Centre for Contemporary Art or Sage Gateshead – before joining three trails through world-class venues and public spaces. #GetNorth2018
During The Great Exhibition, Discovery Museum is part of the Get North Innovation Trail. Designed with families and accessibility in mind; winding through inspiring urban landscapes, stunning historic architecture and the best of popular Northern Culture.
Great Exhibition of the North receives funding from a variety of sources including public and private sector.
at South Shields Museum & Art Gallery
Part of the ‘Inspired By’ programme associated with the Great Exhibition of the North, this exhibition celebrates South Tyneside’s contribution to art, design and innovation through 10 objects.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
A display detailing the incredible life of Anne Seymour (d. 2016).
Anne was a well known South Shields resident who became a doctor in the 1950s and spent time as a missionary in Nigeria (Biafra) during civil war in 1969.
Known for her tireless charity work, Anne Seymour received an MBE for her work with refugees.
Part of the museum's Women 100, a programme over 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
Marking 50 years since the closure of Whitburn Colliery and 25 years for Westoe Colliery this exhibition celebrates the mining heritage of South Tyneside.
Featuring paintings by Bob Olley and exploring the impact on the lives of the coal communities from accidents and family life to the physical legacy of the coal industry in the South Tyneside area.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
We need your feedback!
If you have recently visited The Enchanted Garden exhibition, we would love to hear your thoughts. Please spare a couple of minutes to fill out our survey - you could win a £50 Laing shop voucher too! Thank you.
From the Pre-Raphaelites and French Impressionists to the Bloomsbury Group and 20th century abstraction, artists have taken inspiration directly from the gardens around them. These secret, enveloping and sometimes mysterious spaces are seen through windows, in panoramas and often repeated in different lights and seasons. The Enchanted Garden will feature artists including Claude Monet, Edward Burne-Jones, Dante Gabriel Rossetti, Beatrix Potter, Pierre Bonnard, Lucien Pissarro, William Morris, Patrick Heron, Francis Bacon, Stanley Spencer, Vanessa Bell, and Duncan Grant.
The Enchanted Garden will bring the Laing’s painting ‘The Dustman or The Lovers’ by Stanley Spencer into the context of major works by British and French artists from across the UK and beyond which explore the garden as a ‘stage’ for the extraordinary, the magical, the atmospheric and the nostalgic.
This exhibition is curated by the Laing Art Gallery, with generous support from the John Ellerman Foundation. Also supported by the Friends of the Laing Art Gallery, the Finnis Scott Foundation and the Golsoncott Foundation.
at Laing Art Gallery
In 2017, the Laing Art Gallery was the first recipient of the Contemporary Art Society’s ‘Great Works’ scheme. A spectacular work by Glenn Brown was gifted to the collection, and this exhibition will continue to build on the Laing's relationship with the artist.
Glenn Brown was born in nearby Hexham and is one of the most renowned British artists working today. Known for the use of art historical references in his paintings, Brown appropriates images changing their shape, form, colour, and dimension, traversing artistic time zones from the Renaissance, Baroque and Rococo through to Impressionism, Expressionism and Surrealism and referencing artists such as Jean Louis Fragonard, Salvador Dalí and John Martin - who was also born in the north east.
This exhibition will feature new works created by Brown, shown alongside his own arrangement of pictures and sculptures selected from the Laing collection with a small number of loans from private lenders and the Hatton Gallery, Newcastle University. Supported by the Friends of the Laing Art Gallery.
The artwork In the end we all succumb to the pull of the molten core by Glenn Brown was kindly donated to the collection as part of the Contemporary Art Society’s Great Works scheme, with the support of the artist and the Sfumato Foundation.
A note to visitors:
After artist Glenn Brown’s display of the Laing collection closes on 21 October, it will be replaced by two collection displays on the first floor. From 3 November, Dressed to Impress, portraits from the collection, opens. Another big new display will open on 17 November, featuring favourite pictures by artists such as William Holman Hunt and John Martin. We apologise that these paintings will be off display for a few weeks in the interim. This is due to the demands of the installation of new exhibitions. Please note also that Burne-Jones’ Laus Veneris will be away from the Laing after the Pre-Raphaelite Qualities display closes on 2 September, as it is part of Tate’s prestigious Edward Burne-Jones exhibition at Tate Britain. During the changeover period for the Gallery collections displays, there is still the opportunity to see many important pictures, sculptures and decorative arts in Northern Spirit on the ground floor, including art by John Martin, Ralph Hedley, and Victor Pasmore. If you are hoping to see a particular work of art, please contact the gallery to check if it is on display.
at South Shields Museum & Art Gallery
This exhibition features works by the artist Ethel Walker RA on loan from the Royal Academy of Arts collection as part of the Royal Academy of Arts 250th anniversary celebrations.
An exhibition highlight is a portrait of Dame Flora Robson, feted actor of stage and screen, born in South Shields.
Also includes artworks on loan from the Laing Art Gallery.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
A display commemorating one of Tyneside's most beloved women.
Dame Catherine Cookson is remembered 21 years after her death.
Part of the museum's Women 100, a programme started in 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
Louisa Hodgson taught at Kings College, now Newcastle University, from 1931 into the 1960s. Specialising in perspective and technical methods, Hodgson was respected for her precise depictions of architectural space.
A New Perspective unites the extensive collection of Hodgson’s drawings held by the Hatton Gallery and the Laing Art Gallery. Many of these works will be on display for the first time.
Alongside Hodgson’s drawings, the exhibition will include modern and contemporary works from the Hatton collection that are influenced by the rules of perspective.
You can read Exhibition Officer, Becky Gee's blog about North East born artist Louisa Hodgson here. She has recently been researching Hodgson, with this exhibition a culmination of this research.
at Hatton Gallery
This exhibition will explore machinery and mythology as two of the key themes which endure in the work of sculptor Michael Lyons, who studied at Newcastle University in the late 1960s and has gone on to gain international recognition, undertaking large-scale public sculpture commissions as far afield as Mexico and China.
From an early interest in steel works through to more recent sculptures exploring symbolic figures and organic forms, the selection will offer an insight into the poetic imagination that underlies Lyons’ practice to this day.
Watch Michael Lyons discuss with us about his exhibition, career background and his link to Newcastle University here.
at Hatton Gallery
This exhibition seeks to celebrate the life and work of German émigré artist Fred Uhlman (1901-1985) whilst reflecting on universal themes such as identity and migration within the context of one of the most turbulent periods in European and world history.
It includes paintings and drawings dating from 1928 to 1971 such as early impressions of life in Paris, drawings executed whilst in internment on the Isle of Man during the Second World War and the later Welsh landscapes for which he became well known as well as previously unseen archive material.
A number of items from Uhlman’s 72 piece collection of African sculpture are included in this exhibition, in addition to a larger selection on permanent display at the Hatton.
at Discovery Museum
We're hosting several relaxed early openings for engine and rail enthusiasts.
This is a great opportunity to explore It’s Rocket Science an hour before we open to the general public, providing a quieter experience.
Robert Stephenson's 0-2-2 locomotive Rocket & Exhibition
Robert Stephenson’s iconic steam locomotive Rocket returns to Tyneside, on loan to Discovery Museum from the Science Museum Group, as part of Great Exhibition of the North, 22 June - 9 September.
This summer get up-close to one of Britain’s (if not the world’s) most famous feats of engineering, that was made right here in Newcastle. Manufactured in 1829 at the Robert Stephenson & Co. locomotive works, now the site of the Stephenson Quarter behind Central Station, this is the first time that Rocket has returned to its birth-place since it was presented to the nation 156 years ago.
Find out how this historic engine’s ground-breaking design heralded the birth of passenger railways and celebrate the North’s world-famous industrial heritage and innovative spirit.
The accompanying exhibition will share more detail around the origins of the railway, Rocket’s rise to fame and legacy, and stimulate ideas around the direction transport may take in the future. Object highlights will include a judge’s notebook from the Rainhill Trials (October 1829) and preserved remains of a section of North Tyneside’s Willington Waggonway, the earliest standard gauge waggonway yet discovered, dating from the late 1700s.
We’ll also make links to another transportation world-first, Charles Parsons’ steam turbine powered ship, Turbinia. Built in 1894, measuring 32 metres long, she changed the face of maritime history and at one time was the fastest ship in the world. This is a unique opportunity to see these two internationally renowned innovations side-by-side in our central hall as you enter the museum.
It’s Rocket Science has been made possible thanks to the Science Museum Group and money raised by National Lottery players through the Heritage Lottery Fund (HLF).
George Stephenson
Railway engineering was in Robert Stephenson’s blood, as the son of Wylam born engineer George Stephenson who is considered the ‘Father of Railways’.
His contribution to rail engineering will be honoured at Stephenson Railway Museum, North Shields, as part of The Great Exhibition’s ‘Inspired by’ programme.
Visit this summer to marvel at 'Killingworth Billy', now determined to be the world's third oldest locomotive and the world's oldest surviving standard gauge (4 ft 8½ in) steam locomotive.
Presented as part of:
Great Exhibition of the North 22 June - 9 September
Hosted in NewcastleGateshead, on behalf of Northern England, Great Exhibition of the North will be the biggest event in England this year. It is free to attend and will tell the inspiring story of the North of England and how its innovators, businesses, artists and designers have shaped our present and are inspiring our future. Visitors will begin their journey at one of three iconic venues – Great North Museum, BALTIC Centre for Contemporary Art or Sage Gateshead – before joining three trails through world-class venues and public spaces. #GetNorth2018
During The Great Exhibition, Discovery Museum is part of the Get North Innovation Trail. Designed with families and accessibility in mind; winding through inspiring urban landscapes, stunning historic architecture and the best of popular Northern Culture.
Great Exhibition of the North receives funding from a variety of sources including public and private sector.
at Discovery Museum
Come and find out about army life from the Crimean War (1853-56) up to present day. Make a hat and sword from the past, explore the science and technology of battle and get put through your paces during army training.
Don’t forget to explore our gallery, Charge! which tells the story of England’s northern cavalry over the last 300 years.
Soldier Drills will take place outside on the plaza. Please arrive 5 minutes before:
at Discovery Museum
Three bespoke tours have been created for different communities who may need particular assistance to access and enjoy our Great Exhibition of the North displays, which include It's Rocket Science.
at Laing Art Gallery
The 18th and 19th century gallery will be transformed by the exhibition 'Fantasy Landscapes, Portraits and Beasts', curated by artist Glenn Brown, bringing together a new collection by this artist alongside paintings found in the 19th century gallery. Pre-Raphaelite Qualities is an exhibition of some of the other works normally found in this gallery.
Pre-Raphaelite Qualities
This display of pictures from the Laing’s collection is focussed around Laus Veneris by Sir Edward Burne-Jones, who was the most important painter of the second wave of Pre-Raphaelite art. Also on show are pictures by Pre-Raphaelite followers such as Arthur Hughes and the Newcastle artists H H Emmerson and Charles Napier Hemy. Alongside these, Daniel Maclise’s large painting of King Alfred in a Danish encampment reveals links between Pre-Raphaelite style and mainstream Victorian art.
Pre-Raphaelite art featured bright colour and sharp detail all over the picture. The artists began their paintings with a layer of white, which shone through the colours, making them even brighter. The Pre-Raphaelite Brotherhood, founded in 1848, aimed to achieve the ‘truthfulness’ of art before the time of Raphael and Italian Renaissance.
(Isabella and the Pot of Basil, by premier Pre-Raphaelite artist William Holman Hunt, is on display from June 16th in an adjoining gallery showing new works by international artist Glenn Brown with pictures from the collection selected by the artist).
at Hatton Gallery
Newcastle University Master of Fine Art Degree Show 2018 will see postgraduate students present a dynamic range of work, including painting, sculpture, video and light installations, photography, print and sound.
The artists exhibiting are Alice Adams, Shaney Barton, Eleanor Curry, Elizabeth Green, Peter Hamner, Abigail Aguilar Holguin, Paul Jex, Hania Klepacka, Carole McCourt, Jenny Mc Namara, Sara Jane Palmer, Rebecca Reed, Gill Shreeve and Yan Yin.
Work on display throughout the University and in the newly renovated Hatton Gallery explores a range of themes and ideas including social politics, our connection and relationship with the natural world, investigating the everyday and commonplace, human consciousness and perceptions along with light, space and time.
at Great North Museum: Hancock
At the Great North Museum, a portal to another world has opened.
Get your game on and prepare for an adventure. Discover the heart and soul of the revolutionary North and learn how its inventors, scientists and artists shaped the world we live in today - and how you can change the future.
Which Way North is a free, family-friendly exhibition featuring over 200 fascinating items on loan from the UK's leading museums, galleries and private collections. You'll see:
Are you ready to go? Embark on a journey of Northern endeavour and discovery.
See the virtual exhibition A History of the North in 100 Objects
at Discovery Museum
Robert Stephenson's 0-2-2 locomotive Rocket & Exhibition
Robert Stephenson’s iconic steam locomotive Rocket returns to Tyneside, on loan to Discovery Museum from the Science Museum Group, as part of Great Exhibition of the North, 22 June - 9 September.
This summer get up-close to one of Britain’s (if not the world’s) most famous feats of engineering, that was made right here in Newcastle. Manufactured in 1829 at the Robert Stephenson & Co. locomotive works, now the site of the Stephenson Quarter behind Central Station, this is the first time that Rocket has returned to its birth-place since it was presented to the nation 156 years ago.
Find out how this historic engine’s ground-breaking design heralded the birth of passenger railways and celebrate the North’s world-famous industrial heritage and innovative spirit.
The accompanying exhibition will share more detail around the origins of the railway, Rocket’s rise to fame and legacy, and stimulate ideas around the direction transport may take in the future. Object highlights will include a judge’s notebook from the Rainhill Trials (October 1829) and preserved remains of a section of North Tyneside’s Willington Waggonway, the earliest standard gauge waggonway yet discovered, dating from the late 1700s.
We’ll also make links to another transportation world-first, Charles Parsons’ steam turbine powered ship, Turbinia. Built in 1894, measuring 32 metres long, she changed the face of maritime history and at one time was the fastest ship in the world. This is a unique opportunity to see these two internationally renowned innovations side-by-side in our central hall as you enter the museum.
It’s Rocket Science has been made possible thanks to the Science Museum Group and money raised by National Lottery players through the Heritage Lottery Fund (HLF).
George Stephenson
Railway engineering was in Robert Stephenson’s blood, as the son of Wylam born engineer George Stephenson who is considered the ‘Father of Railways’.
His contribution to rail engineering will be honoured at Stephenson Railway Museum, North Shields, as part of The Great Exhibition’s ‘Inspired by’ programme.
Visit this summer to marvel at 'Killingworth Billy', now determined to be the world's third oldest locomotive and the world's oldest surviving standard gauge (4 ft 8½ in) steam locomotive.
Presented as part of:
Great Exhibition of the North
22 June - 9 September
Hosted in NewcastleGateshead, on behalf of Northern England, Great Exhibition of the North will be the biggest event in England this year. It is free to attend and will tell the inspiring story of the North of England and how its innovators, businesses, artists and designers have shaped our present and are inspiring our future. Visitors will begin their journey at one of three iconic venues – Great North Museum, BALTIC Centre for Contemporary Art or Sage Gateshead – before joining three trails through world-class venues and public spaces. #GetNorth2018
During The Great Exhibition, Discovery Museum is part of the Get North Innovation Trail. Designed with families and accessibility in mind; winding through inspiring urban landscapes, stunning historic architecture and the best of popular Northern Culture.
Great Exhibition of the North receives funding from a variety of sources including public and private sector.
at Stephenson Steam Railway
Robert Stephenson’s iconic steam locomotive Rocket comes home to Newcastle, on loan to Discovery Museum, Newcastle from the Science Museum Group as part of Great Exhibition of the North,
until 9 September 2018.
Find out how this historic engine’s ground-breaking design heralded the birth of passenger railways and celebrate the region’s world-famous industrial heritage.
Follow us on Facebook & Twitter to get all the latest news.
Great Exhibition of the North
22 June - 9 September 2018
Summer 2018 will see the biggest cultural event in England take place in Newcastle and Gateshead. Explore cutting-edge tech, amazing exhibitions and mind-blowing performances designed to entertain the whole family and fire the imagination! This once-in-a-lifetime event is free and family friendly.
at Discovery Museum
Travel back to 1829 via virtual reality to experience the sight and sound of the early steam age as Stephenson’s Rocket is digitally brought back to life.
Join us for a fully immersive and memorable experience by Northern tech masters hedgehog lab.
Get ready to step on board!
Presented as part of:
Great Exhibition of the North 22 June - 9 September
Hosted in NewcastleGateshead, on behalf of Northern England, Great Exhibition of the North will be the biggest event in England this year. It is free to attend and will tell the inspiring story of the North of England and how its innovators, businesses, artists and designers have shaped our present and are inspiring our future. Visitors will begin their journey at one of three iconic venues – Great North Museum, BALTIC Centre for Contemporary Art or Sage Gateshead – before joining three trails through world-class venues and public spaces. #GetNorth2018
During The Great Exhibition, Discovery Museum is part of the Get North Innovation Trail. Designed with families and accessibility in mind; winding through inspiring urban landscapes, stunning historic architecture and the best of popular Northern Culture.
Great Exhibition of the North receives funding from a variety of sources including public and private sector.
at Discovery Museum
This celebratory exhibition traces the involvement of the North in The Great Exhibition of 1851, the development of the Commission’s London estate and the work carried out by current 1851 sponsored researchers in universities and companies across the North of England.
The Royal Commission for the Exhibition of 1851 was set up to run The Great Exhibition, which they did with huge success, attracting six million people in the six months that it was open. It was the first international exhibition of manufactured products and was enormously influential on the development of many aspects of society including art and design education, international trade and relations, and even tourism.
The Exhibition made a profit of £186,000 which the Commission used to purchase an estate in South Kensington, London. This has since developed into a cultural and educational centre of world renown.
Since 1891 the Commission has supported research in STEM related subjects by offering awards to post graduate and post-doctoral researchers in the fields of science, engineering and design.
Presented as part of:
Great Exhibition of the North 22 June - 9 September
Hosted in NewcastleGateshead, on behalf of Northern England, Great Exhibition of the North will be the biggest event in England this year. It is free to attend and will tell the inspiring story of the North of England and how its innovators, businesses, artists and designers have shaped our present and are inspiring our future. Visitors will begin their journey at one of three iconic venues – Great North Museum, BALTIC Centre for Contemporary Art or Sage Gateshead – before joining three trails through world-class venues and public spaces. #GetNorth2018
During The Great Exhibition, Discovery Museum is part of the Get North Innovation Trail. Designed with families and accessibility in mind; winding through inspiring urban landscapes, stunning historic architecture and the best of popular Northern Culture.
Great Exhibition of the North receives funding from a variety of sources including public and private sector.
at Discovery Museum
Get a taster of what it’s like to drive LNER's Azuma train through simulator technology and discover the different jobs/roles on the East Coast line with LNER’s VR (virtual reality) experience.
Presented as part of:
Great Exhibition of the North 22 June - 9 September
Hosted in NewcastleGateshead, on behalf of Northern England, Great Exhibition of the North will be the biggest event in England this year. It is free to attend and will tell the inspiring story of the North of England and how its innovators, businesses, artists and designers have shaped our present and are inspiring our future. Visitors will begin their journey at one of three iconic venues – Great North Museum, BALTIC Centre for Contemporary Art or Sage Gateshead – before joining three trails through world-class venues and public spaces. #GetNorth2018
During The Great Exhibition, Discovery Museum is part of the Get North Innovation Trail. Designed with families and accessibility in mind; winding through inspiring urban landscapes, stunning historic architecture and the best of popular Northern Culture.
Great Exhibition of the North receives funding from a variety of sources including public and private sector.
at South Shields Museum & Art Gallery
Part of the ‘Inspired By’ programme associated with the Great Exhibition of the North, this exhibition celebrates South Tyneside’s contribution to art, design and innovation through 10 objects.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
A display detailing the incredible life of Anne Seymour (d. 2016).
Anne was a well known South Shields resident who became a doctor in the 1950s and spent time as a missionary in Nigeria (Biafra) during civil war in 1969.
Known for her tireless charity work, Anne Seymour received an MBE for her work with refugees.
Part of the museum's Women 100, a programme over 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
Marking 50 years since the closure of Whitburn Colliery and 25 years for Westoe Colliery this exhibition celebrates the mining heritage of South Tyneside.
Featuring paintings by Bob Olley and exploring the impact on the lives of the coal communities from accidents and family life to the physical legacy of the coal industry in the South Tyneside area.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
We need your feedback!
If you have recently visited The Enchanted Garden exhibition, we would love to hear your thoughts. Please spare a couple of minutes to fill out our survey - you could win a £50 Laing shop voucher too! Thank you.
From the Pre-Raphaelites and French Impressionists to the Bloomsbury Group and 20th century abstraction, artists have taken inspiration directly from the gardens around them. These secret, enveloping and sometimes mysterious spaces are seen through windows, in panoramas and often repeated in different lights and seasons. The Enchanted Garden will feature artists including Claude Monet, Edward Burne-Jones, Dante Gabriel Rossetti, Beatrix Potter, Pierre Bonnard, Lucien Pissarro, William Morris, Patrick Heron, Francis Bacon, Stanley Spencer, Vanessa Bell, and Duncan Grant.
The Enchanted Garden will bring the Laing’s painting ‘The Dustman or The Lovers’ by Stanley Spencer into the context of major works by British and French artists from across the UK and beyond which explore the garden as a ‘stage’ for the extraordinary, the magical, the atmospheric and the nostalgic.
This exhibition is curated by the Laing Art Gallery, with generous support from the John Ellerman Foundation. Also supported by the Friends of the Laing Art Gallery, the Finnis Scott Foundation and the Golsoncott Foundation.
at Laing Art Gallery
In 2017, the Laing Art Gallery was the first recipient of the Contemporary Art Society’s ‘Great Works’ scheme. A spectacular work by Glenn Brown was gifted to the collection, and this exhibition will continue to build on the Laing's relationship with the artist.
Glenn Brown was born in nearby Hexham and is one of the most renowned British artists working today. Known for the use of art historical references in his paintings, Brown appropriates images changing their shape, form, colour, and dimension, traversing artistic time zones from the Renaissance, Baroque and Rococo through to Impressionism, Expressionism and Surrealism and referencing artists such as Jean Louis Fragonard, Salvador Dalí and John Martin - who was also born in the north east.
This exhibition will feature new works created by Brown, shown alongside his own arrangement of pictures and sculptures selected from the Laing collection with a small number of loans from private lenders and the Hatton Gallery, Newcastle University. Supported by the Friends of the Laing Art Gallery.
The artwork In the end we all succumb to the pull of the molten core by Glenn Brown was kindly donated to the collection as part of the Contemporary Art Society’s Great Works scheme, with the support of the artist and the Sfumato Foundation.
A note to visitors:
After artist Glenn Brown’s display of the Laing collection closes on 21 October, it will be replaced by two collection displays on the first floor. From 3 November, Dressed to Impress, portraits from the collection, opens. Another big new display will open on 17 November, featuring favourite pictures by artists such as William Holman Hunt and John Martin. We apologise that these paintings will be off display for a few weeks in the interim. This is due to the demands of the installation of new exhibitions. Please note also that Burne-Jones’ Laus Veneris will be away from the Laing after the Pre-Raphaelite Qualities display closes on 2 September, as it is part of Tate’s prestigious Edward Burne-Jones exhibition at Tate Britain. During the changeover period for the Gallery collections displays, there is still the opportunity to see many important pictures, sculptures and decorative arts in Northern Spirit on the ground floor, including art by John Martin, Ralph Hedley, and Victor Pasmore. If you are hoping to see a particular work of art, please contact the gallery to check if it is on display.
at South Shields Museum & Art Gallery
This exhibition features works by the artist Ethel Walker RA on loan from the Royal Academy of Arts collection as part of the Royal Academy of Arts 250th anniversary celebrations.
An exhibition highlight is a portrait of Dame Flora Robson, feted actor of stage and screen, born in South Shields.
Also includes artworks on loan from the Laing Art Gallery.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
A display commemorating one of Tyneside's most beloved women.
Dame Catherine Cookson is remembered 21 years after her death.
Part of the museum's Women 100, a programme started in 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
The 18th and 19th century gallery will be transformed by the exhibition 'Fantasy Landscapes, Portraits and Beasts', curated by artist Glenn Brown, bringing together a new collection by this artist alongside paintings found in the 19th century gallery. Pre-Raphaelite Qualities is an exhibition of some of the other works normally found in this gallery.
Pre-Raphaelite Qualities
This display of pictures from the Laing’s collection is focussed around Laus Veneris by Sir Edward Burne-Jones, who was the most important painter of the second wave of Pre-Raphaelite art. Also on show are pictures by Pre-Raphaelite followers such as Arthur Hughes and the Newcastle artists H H Emmerson and Charles Napier Hemy. Alongside these, Daniel Maclise’s large painting of King Alfred in a Danish encampment reveals links between Pre-Raphaelite style and mainstream Victorian art.
Pre-Raphaelite art featured bright colour and sharp detail all over the picture. The artists began their paintings with a layer of white, which shone through the colours, making them even brighter. The Pre-Raphaelite Brotherhood, founded in 1848, aimed to achieve the ‘truthfulness’ of art before the time of Raphael and Italian Renaissance.
(Isabella and the Pot of Basil, by premier Pre-Raphaelite artist William Holman Hunt, is on display from June 16th in an adjoining gallery showing new works by international artist Glenn Brown with pictures from the collection selected by the artist).
at Discovery Museum
Three bespoke tours have been created for different communities who may need particular assistance to access and enjoy our Great Exhibition of the North displays, which include It's Rocket Science.
at Hatton Gallery
Newcastle University Master of Fine Art Degree Show 2018 will see postgraduate students present a dynamic range of work, including painting, sculpture, video and light installations, photography, print and sound.
The artists exhibiting are Alice Adams, Shaney Barton, Eleanor Curry, Elizabeth Green, Peter Hamner, Abigail Aguilar Holguin, Paul Jex, Hania Klepacka, Carole McCourt, Jenny Mc Namara, Sara Jane Palmer, Rebecca Reed, Gill Shreeve and Yan Yin.
Work on display throughout the University and in the newly renovated Hatton Gallery explores a range of themes and ideas including social politics, our connection and relationship with the natural world, investigating the everyday and commonplace, human consciousness and perceptions along with light, space and time.
at Great North Museum: Hancock
At the Great North Museum, a portal to another world has opened.
Get your game on and prepare for an adventure. Discover the heart and soul of the revolutionary North and learn how its inventors, scientists and artists shaped the world we live in today - and how you can change the future.
Which Way North is a free, family-friendly exhibition featuring over 200 fascinating items on loan from the UK's leading museums, galleries and private collections. You'll see:
Are you ready to go? Embark on a journey of Northern endeavour and discovery.
See the virtual exhibition A History of the North in 100 Objects
at Discovery Museum
Robert Stephenson's 0-2-2 locomotive Rocket & Exhibition
Robert Stephenson’s iconic steam locomotive Rocket returns to Tyneside, on loan to Discovery Museum from the Science Museum Group, as part of Great Exhibition of the North, 22 June - 9 September.
This summer get up-close to one of Britain’s (if not the world’s) most famous feats of engineering, that was made right here in Newcastle. Manufactured in 1829 at the Robert Stephenson & Co. locomotive works, now the site of the Stephenson Quarter behind Central Station, this is the first time that Rocket has returned to its birth-place since it was presented to the nation 156 years ago.
Find out how this historic engine’s ground-breaking design heralded the birth of passenger railways and celebrate the North’s world-famous industrial heritage and innovative spirit.
The accompanying exhibition will share more detail around the origins of the railway, Rocket’s rise to fame and legacy, and stimulate ideas around the direction transport may take in the future. Object highlights will include a judge’s notebook from the Rainhill Trials (October 1829) and preserved remains of a section of North Tyneside’s Willington Waggonway, the earliest standard gauge waggonway yet discovered, dating from the late 1700s.
We’ll also make links to another transportation world-first, Charles Parsons’ steam turbine powered ship, Turbinia. Built in 1894, measuring 32 metres long, she changed the face of maritime history and at one time was the fastest ship in the world. This is a unique opportunity to see these two internationally renowned innovations side-by-side in our central hall as you enter the museum.
It’s Rocket Science has been made possible thanks to the Science Museum Group and money raised by National Lottery players through the Heritage Lottery Fund (HLF).
George Stephenson
Railway engineering was in Robert Stephenson’s blood, as the son of Wylam born engineer George Stephenson who is considered the ‘Father of Railways’.
His contribution to rail engineering will be honoured at Stephenson Railway Museum, North Shields, as part of The Great Exhibition’s ‘Inspired by’ programme.
Visit this summer to marvel at 'Killingworth Billy', now determined to be the world's third oldest locomotive and the world's oldest surviving standard gauge (4 ft 8½ in) steam locomotive.
Presented as part of:
Great Exhibition of the North
22 June - 9 September
Hosted in NewcastleGateshead, on behalf of Northern England, Great Exhibition of the North will be the biggest event in England this year. It is free to attend and will tell the inspiring story of the North of England and how its innovators, businesses, artists and designers have shaped our present and are inspiring our future. Visitors will begin their journey at one of three iconic venues – Great North Museum, BALTIC Centre for Contemporary Art or Sage Gateshead – before joining three trails through world-class venues and public spaces. #GetNorth2018
During The Great Exhibition, Discovery Museum is part of the Get North Innovation Trail. Designed with families and accessibility in mind; winding through inspiring urban landscapes, stunning historic architecture and the best of popular Northern Culture.
Great Exhibition of the North receives funding from a variety of sources including public and private sector.
at Stephenson Steam Railway
Robert Stephenson’s iconic steam locomotive Rocket comes home to Newcastle, on loan to Discovery Museum, Newcastle from the Science Museum Group as part of Great Exhibition of the North,
until 9 September 2018.
Find out how this historic engine’s ground-breaking design heralded the birth of passenger railways and celebrate the region’s world-famous industrial heritage.
Follow us on Facebook & Twitter to get all the latest news.
Great Exhibition of the North
22 June - 9 September 2018
Summer 2018 will see the biggest cultural event in England take place in Newcastle and Gateshead. Explore cutting-edge tech, amazing exhibitions and mind-blowing performances designed to entertain the whole family and fire the imagination! This once-in-a-lifetime event is free and family friendly.
at Discovery Museum
Travel back to 1829 via virtual reality to experience the sight and sound of the early steam age as Stephenson’s Rocket is digitally brought back to life.
Join us for a fully immersive and memorable experience by Northern tech masters hedgehog lab.
Get ready to step on board!
Presented as part of:
Great Exhibition of the North 22 June - 9 September
Hosted in NewcastleGateshead, on behalf of Northern England, Great Exhibition of the North will be the biggest event in England this year. It is free to attend and will tell the inspiring story of the North of England and how its innovators, businesses, artists and designers have shaped our present and are inspiring our future. Visitors will begin their journey at one of three iconic venues – Great North Museum, BALTIC Centre for Contemporary Art or Sage Gateshead – before joining three trails through world-class venues and public spaces. #GetNorth2018
During The Great Exhibition, Discovery Museum is part of the Get North Innovation Trail. Designed with families and accessibility in mind; winding through inspiring urban landscapes, stunning historic architecture and the best of popular Northern Culture.
Great Exhibition of the North receives funding from a variety of sources including public and private sector.
at Discovery Museum
This celebratory exhibition traces the involvement of the North in The Great Exhibition of 1851, the development of the Commission’s London estate and the work carried out by current 1851 sponsored researchers in universities and companies across the North of England.
The Royal Commission for the Exhibition of 1851 was set up to run The Great Exhibition, which they did with huge success, attracting six million people in the six months that it was open. It was the first international exhibition of manufactured products and was enormously influential on the development of many aspects of society including art and design education, international trade and relations, and even tourism.
The Exhibition made a profit of £186,000 which the Commission used to purchase an estate in South Kensington, London. This has since developed into a cultural and educational centre of world renown.
Since 1891 the Commission has supported research in STEM related subjects by offering awards to post graduate and post-doctoral researchers in the fields of science, engineering and design.
Presented as part of:
Great Exhibition of the North 22 June - 9 September
Hosted in NewcastleGateshead, on behalf of Northern England, Great Exhibition of the North will be the biggest event in England this year. It is free to attend and will tell the inspiring story of the North of England and how its innovators, businesses, artists and designers have shaped our present and are inspiring our future. Visitors will begin their journey at one of three iconic venues – Great North Museum, BALTIC Centre for Contemporary Art or Sage Gateshead – before joining three trails through world-class venues and public spaces. #GetNorth2018
During The Great Exhibition, Discovery Museum is part of the Get North Innovation Trail. Designed with families and accessibility in mind; winding through inspiring urban landscapes, stunning historic architecture and the best of popular Northern Culture.
Great Exhibition of the North receives funding from a variety of sources including public and private sector.
at Discovery Museum
Get a taster of what it’s like to drive LNER's Azuma train through simulator technology and discover the different jobs/roles on the East Coast line with LNER’s VR (virtual reality) experience.
Presented as part of:
Great Exhibition of the North 22 June - 9 September
Hosted in NewcastleGateshead, on behalf of Northern England, Great Exhibition of the North will be the biggest event in England this year. It is free to attend and will tell the inspiring story of the North of England and how its innovators, businesses, artists and designers have shaped our present and are inspiring our future. Visitors will begin their journey at one of three iconic venues – Great North Museum, BALTIC Centre for Contemporary Art or Sage Gateshead – before joining three trails through world-class venues and public spaces. #GetNorth2018
During The Great Exhibition, Discovery Museum is part of the Get North Innovation Trail. Designed with families and accessibility in mind; winding through inspiring urban landscapes, stunning historic architecture and the best of popular Northern Culture.
Great Exhibition of the North receives funding from a variety of sources including public and private sector.
at South Shields Museum & Art Gallery
Part of the ‘Inspired By’ programme associated with the Great Exhibition of the North, this exhibition celebrates South Tyneside’s contribution to art, design and innovation through 10 objects.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
A display detailing the incredible life of Anne Seymour (d. 2016).
Anne was a well known South Shields resident who became a doctor in the 1950s and spent time as a missionary in Nigeria (Biafra) during civil war in 1969.
Known for her tireless charity work, Anne Seymour received an MBE for her work with refugees.
Part of the museum's Women 100, a programme over 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
Marking 50 years since the closure of Whitburn Colliery and 25 years for Westoe Colliery this exhibition celebrates the mining heritage of South Tyneside.
Featuring paintings by Bob Olley and exploring the impact on the lives of the coal communities from accidents and family life to the physical legacy of the coal industry in the South Tyneside area.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
We need your feedback!
If you have recently visited The Enchanted Garden exhibition, we would love to hear your thoughts. Please spare a couple of minutes to fill out our survey - you could win a £50 Laing shop voucher too! Thank you.
From the Pre-Raphaelites and French Impressionists to the Bloomsbury Group and 20th century abstraction, artists have taken inspiration directly from the gardens around them. These secret, enveloping and sometimes mysterious spaces are seen through windows, in panoramas and often repeated in different lights and seasons. The Enchanted Garden will feature artists including Claude Monet, Edward Burne-Jones, Dante Gabriel Rossetti, Beatrix Potter, Pierre Bonnard, Lucien Pissarro, William Morris, Patrick Heron, Francis Bacon, Stanley Spencer, Vanessa Bell, and Duncan Grant.
The Enchanted Garden will bring the Laing’s painting ‘The Dustman or The Lovers’ by Stanley Spencer into the context of major works by British and French artists from across the UK and beyond which explore the garden as a ‘stage’ for the extraordinary, the magical, the atmospheric and the nostalgic.
This exhibition is curated by the Laing Art Gallery, with generous support from the John Ellerman Foundation. Also supported by the Friends of the Laing Art Gallery, the Finnis Scott Foundation and the Golsoncott Foundation.
at Laing Art Gallery
In 2017, the Laing Art Gallery was the first recipient of the Contemporary Art Society’s ‘Great Works’ scheme. A spectacular work by Glenn Brown was gifted to the collection, and this exhibition will continue to build on the Laing's relationship with the artist.
Glenn Brown was born in nearby Hexham and is one of the most renowned British artists working today. Known for the use of art historical references in his paintings, Brown appropriates images changing their shape, form, colour, and dimension, traversing artistic time zones from the Renaissance, Baroque and Rococo through to Impressionism, Expressionism and Surrealism and referencing artists such as Jean Louis Fragonard, Salvador Dalí and John Martin - who was also born in the north east.
This exhibition will feature new works created by Brown, shown alongside his own arrangement of pictures and sculptures selected from the Laing collection with a small number of loans from private lenders and the Hatton Gallery, Newcastle University. Supported by the Friends of the Laing Art Gallery.
The artwork In the end we all succumb to the pull of the molten core by Glenn Brown was kindly donated to the collection as part of the Contemporary Art Society’s Great Works scheme, with the support of the artist and the Sfumato Foundation.
A note to visitors:
After artist Glenn Brown’s display of the Laing collection closes on 21 October, it will be replaced by two collection displays on the first floor. From 3 November, Dressed to Impress, portraits from the collection, opens. Another big new display will open on 17 November, featuring favourite pictures by artists such as William Holman Hunt and John Martin. We apologise that these paintings will be off display for a few weeks in the interim. This is due to the demands of the installation of new exhibitions. Please note also that Burne-Jones’ Laus Veneris will be away from the Laing after the Pre-Raphaelite Qualities display closes on 2 September, as it is part of Tate’s prestigious Edward Burne-Jones exhibition at Tate Britain. During the changeover period for the Gallery collections displays, there is still the opportunity to see many important pictures, sculptures and decorative arts in Northern Spirit on the ground floor, including art by John Martin, Ralph Hedley, and Victor Pasmore. If you are hoping to see a particular work of art, please contact the gallery to check if it is on display.
at Hatton Gallery
Exploding Collage explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats. It is comprised of presentations by three contemporary artists – Nadia Hebson, Linder, and Ursula Mayer - whose work examines, celebrates or reinstates such avant-garde figures.
Nadia Hebson presents a new commission made especially for Exploding Collage, which explores the idea of clothing as an instinctive form of collage. At the heart of Hebson’s installation are two paintings by the English Surrealist, Marion Adnams, whose work she navigates through a purposefully subjective, implicitly feminist lens.
Internationally renowned artist Linder – who last year won the one of the largest art prizes in the UK – will show three new works alongside elements from two interdisciplinary, experimental and deeply collaborative bodies of work inspired by Surrealist artist Ithell Colquhoun, and Modernist sculptor Barbara Hepworth.
Ursula Mayer – 2014 winner of the prestigious Jarman Award – will show her film Lunch in Fur, structured around a fictional meeting between Surrealist Meret Oppenheim, performer Josephine Baker, and photographer Dora Maar, reopening questions of the recognition and disappearance of artistic legacies.
Listen to the Hey Art, What's Good? podcast and hear what they thought of Exploding Collage. Listen here.
About the Exploding Collage Season
Exploding Collage is a season of exhibitions at the Hatton Gallery inspired by the idea that Kurt Schwitters’ Merz Barn Wall – on permanent display in the Hatton Gallery – is a work of genre exploding collage practice, applying Schwitters’ collage technique on an architectural scale.
Each exhibition in the Exploding Collage season explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. The exhibitions include, Exploding Collage, Gathering, and The Loud and the Soft Speakers.
Read Aesthetica Magazine's interview with Exploding Collage Curator, Madeleine Kennedy.
About the Merz Barn Wall
The Merz Barn Wall is a fragment of an unfinished artwork created by German artist Kurt Schwitters in a Lake District barn between 1947 and the artist’s death in 1948. Made up of plaster, paint and found objects, the work is emblematic of Schwitters’ interdisciplinary ‘Merz’ practice, which applied the principle of collage to all areas of life, re-contextualising discarded material to create new meanings and forms, whether in poetry, music, sculpture or space.
The Merz Barn Wall is the largest surviving fragment of the four Merzbauten (Merz Buildings) Schwitters began work on. The first Merzbau, made in his apartment in Hanover, Germany, was destroyed by allied bombing in 1943. Parts of his second Merzbau, begun in his holiday home in Hjertøyain, Norway, still survive. His third Merzbau near Oslo was destroyed by fire in 1951.
About the curatorial approach
The Merzbauten’s history of erasure and rebuilding informs the curatorial approach of Exploding Collage, which recognises the heightened risk of radically different artistic practice becoming lost due to the difficulty of preserving and exhibiting it.
Alongside this recognition is an awareness of the dual erasure that often effects the work of pioneering female artists, many of whom have historically been overlooked or actively undermined due to their gender. For instance, many of Schwitters’ female contemporaries were excluded from exhibitions, omitted from fellow artists’ written accounts, not collected by museums, and had their contributions belittled by art historians.
The result is a history of twentieth century avant-garde practice which appears to be dominated by men, even though women’s work was some of the most radical.
Although progress is being made in art history, exhibitions and museums are especially susceptible to perpetuating these historical ‘blindspots’, as it is often impossible to exhibit work by these artists due to gaps in public collections. As such, Exploding Collage seeks to circumnavigate the exhibition’s traditional reliance on historical artworks and objects, instead operating through contemporary artists’ work which carries within it the influence of such avant-garde artists, and testifies to their continued relevance and valued legacy, which can persist independently of the objects themselves.
at Shipley Art Gallery
“As soon as I found out that an illustrator’s job was to tell stories through pictures, I wanted to be one.”
Ceramics have been used since the earliest human civilisations to record stories and cultural beliefs for coming generations. The most well-known examples come from the ancient Greeks, who developed a distinctive artistic style to show military achievements, mythical stories, and religious scenes on vases and jugs.
Internationally acclaimed book illustrator Laura Carlin explores this link between ceramics and narrative by taking her illustration from paper to pottery. Using familiar forms such as figurines, plates and tiles, she shows that ceramics can, like books, be a powerful storytelling medium.
“My work with ceramics is self-taught. Yet there is freedom in not knowing the rules and, more importantly, it helps keep me looking and learning. This feeds back into my job as an illustrator. I am forced to look again and question my way of working.”
Laura Carlin has won numerous awards for her work, including the V&A Illustration Award and the Biennial of Illustrations Bratislava Award in 2015. She illustrates a weekly column in the Financial Times and regularly contributes to Condé Nast Traveller, The New York Times, The Guardian and The New Statesman. Carlin’s illustrated books are published by Phaidon, Walker Books and The Folio Society.
With thanks to Jo Cartwright.
Laura Carlin: Ceramics is a touring exhibition from House of Illustration.
at Hatton Gallery
The final artist intervention takes place on Saturday 16 February - find out more.
Take a look at what interventions have been at Gathering so far...
To accompany Exploding Collage, collaborators Julia Heslop & Ed Wainwright present Gathering, an architectural intervention which is designed to host the work of other artists, as in Kurt Schwitters’ Hannover Merz Bau, which concealed niches dedicated to his artistic heroes. Likewise, Gathering is comprised of an interconnected sequence of ‘grottoes’ assembled from found and given material, each of which will be dedicated to an artist whose work deserves to be reconsidered in relation to collage as an expanded, immersive or time-based practice.
Gathering will host a programme of interventions which will unfold throughout the course of the exhibition. Every fortnight, an invited artist or researcher will dedicate another ‘grotto’ to the work of an avant-garde figure who they consider to have expanded collage towards new potential forms, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. Please keep an eye on the Hatton Gallery website and social media channels for updates and more details as these happen.
Currently exhibiting as part of Gathering is Anka Schmid's video work Sophie Dances Anyway.
Other interventions so far have included:
Sonia Allorri, Ruth Hemus, Vaia Paziana
About the artists
Heslop & Wainwright work across the boundaries of art and architecture, recognising the scope of the artist to act as a critical spatial practitioner, in this case questioning who is afforded and who is denied space in histories of collage.
About the Exploding Collage Season
Exploding Collage was a season of exhibitions at the Hatton Gallery inspired by the idea that Kurt Schwitters’ Merz Barn Wall – on permanent display in the Hatton Gallery – is a work of genre exploding collage practice, applying Schwitters’ collage technique on an architectural scale.
Each exhibition in the Exploding Collage season explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. The exhibitions included, Exploding Collage, Gathering, and The Loud and the Soft Speakers.
About the Merz Barn Wall
The Merz Barn Wall is a fragment of an unfinished artwork created by German artist Kurt Schwitters in a Lake District barn between 1947 and the artist’s death in 1948. Made up of plaster, paint and found objects, the work is emblematic of Schwitters’ interdisciplinary ‘Merz’ practice, which applied the principle of collage to all areas of life, re-contextualising discarded material to create new meanings and forms, whether in poetry, music, sculpture or space.
The Merz Barn Wall is the largest surviving fragment of the four Merzbauten (Merz Buildings) Schwitters began work on. The first Merzbau, made in his apartment in Hanover, Germany, was destroyed by allied bombing in 1943. Parts of his second Merzbau, begun in his holiday home in Hjertøyain, Norway, still survive. His third Merzbau near Oslo was destroyed by fire in 1951.
About the curatorial approach
The Merzbauten’s history of erasure and rebuilding informs the curatorial approach of Exploding Collage, which recognises the heightened risk of radically different artistic practice becoming lost due to the difficulty of preserving and exhibiting it.
Alongside this recognition is an awareness of the dual erasure that often effects the work of pioneering female artists, many of whom have historically been overlooked or actively undermined due to their gender. For instance, many of Schwitters’ female contemporaries were excluded from exhibitions, omitted from fellow artists’ written accounts, not collected by museums, and had their contributions belittled by art historians.
The result is a history of twentieth century avant-garde practice which appears to be dominated by men, even though women’s work was some of the most radical.
Although progress is being made in art history, exhibitions and museums are especially susceptible to perpetuating these historical ‘blindspots’, as it is often impossible to exhibit work by these artists due to gaps in public collections. As such, Exploding Collage seeks to circumnavigate the exhibition’s traditional reliance on historical artworks and objects, instead operating through contemporary artists’ work which carries within it the influence of such avant-garde artists, and testifies to their continued relevance and valued legacy, which can persist independently of the objects themselves.
at South Shields Museum & Art Gallery
This exhibition features works by the artist Ethel Walker RA on loan from the Royal Academy of Arts collection as part of the Royal Academy of Arts 250th anniversary celebrations.
An exhibition highlight is a portrait of Dame Flora Robson, feted actor of stage and screen, born in South Shields.
Also includes artworks on loan from the Laing Art Gallery.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
Programmed to coincide with Exploding Collage (which exhibited at Hatton Gallery September 2018 - January 2019) artist Heather Ross presents The Loud and the Soft Speakers, a contemporary iteration of a performance work - The Silence Poem or Leise - by the avant-garde German artist, Kurt Schwitters.
Taking the form of an immersive two channel video, Ross’ work examines The Silence Poem as a work of creation and destruction, which Schwitters repeated across multiple sites, incorporating newfound material and environmental influences to generate something new each time. Notably, Schwitters performed and developed The Silence Poem in English whilst interned in the Hutchinson Camp on the Isle of Man during World War II.
The Loud and the Soft Speakers – filmed on the same site and featuring musician and performance artist Florian Kaplick – employs performance as an exploratory tool for the visualisation of some of the historical and environmental influences which contributed to Schwitters experience of internment, and subsequently the development of The Silence Poem.
The Loud and the Soft Speakers is the outcome of Ross’ practice-based research excavating the varied meanings of The Pointless Collage (also known as Untitled (with porcelain shard)), which Schwitters made a year before he commenced work on the Merz Barn.
This exhibition is part of the Schwitters Legacy programme at the Hatton, an annual series of exhibitions that each examine a different facet of Schwitters’ influence on modern and contemporary art and culture.
Read our interview with Heather Ross.
About the Exploding Collage Season
Exploding Collage is a season of exhibitions at the Hatton Gallery inspired by the idea that Kurt Schwitters’ Merz Barn Wall – on permanent display in the Hatton Gallery – is a work of genre exploding collage practice, applying Schwitters’ collage technique on an architectural scale.
Each exhibition in the Exploding Collage season explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. The exhibitions include, Exploding Collage, Gathering, and The Loud and the Soft Speakers.
About the Merz Barn Wall
The Merz Barn Wall is a fragment of an unfinished artwork created by German artist Kurt Schwitters in a Lake District barn between 1947 and the artist’s death in 1948. Made up of plaster, paint and found objects, the work is emblematic of Schwitters’ interdisciplinary ‘Merz’ practice, which applied the principle of collage to all areas of life, re-contextualising discarded material to create new meanings and forms, whether in poetry, music, sculpture or space.
The Merz Barn Wall is the largest surviving fragment of the four Merzbauten (Merz Buildings) Schwitters began work on. The first Merzbau, made in his apartment in Hanover, Germany, was destroyed by allied bombing in 1943. Parts of his second Merzbau, begun in his holiday home in Hjertøyain, Norway, still survive. His third Merzbau near Oslo was destroyed by fire in 1951.
About the curatorial approach
The Merzbauten’s history of erasure and rebuilding informs the curatorial approach of Exploding Collage, which recognises the heightened risk of radically different artistic practice becoming lost due to the difficulty of preserving and exhibiting it.
Alongside this recognition is an awareness of the dual erasure that often effects the work of pioneering female artists, many of whom have historically been overlooked or actively undermined due to their gender. For instance, many of Schwitters’ female contemporaries were excluded from exhibitions, omitted from fellow artists’ written accounts, not collected by museums, and had their contributions belittled by art historians.
The result is a history of twentieth century avant-garde practice which appears to be dominated by men, even though women’s work was some of the most radical.
Although progress is being made in art history, exhibitions and museums are especially susceptible to perpetuating these historical ‘blindspots’, as it is often impossible to exhibit work by these artists due to gaps in public collections. As such, Exploding Collage seeks to circumnavigate the exhibition’s traditional reliance on historical artworks and objects, instead operating through contemporary artists’ work which carries within it the influence of such avant-garde artists, and testifies to their continued relevance and valued legacy, which can persist independently of the objects themselves.
at South Shields Museum & Art Gallery
A display commemorating one of Tyneside's most beloved women.
Dame Catherine Cookson is remembered 21 years after her death.
Part of the museum's Women 100, a programme started in 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
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From the Pre-Raphaelites and French Impressionists to the Bloomsbury Group and 20th century abstraction, artists have taken inspiration directly from the gardens around them. These secret, enveloping and sometimes mysterious spaces are seen through windows, in panoramas and often repeated in different lights and seasons. The Enchanted Garden will feature artists including Claude Monet, Edward Burne-Jones, Dante Gabriel Rossetti, Beatrix Potter, Pierre Bonnard, Lucien Pissarro, William Morris, Patrick Heron, Francis Bacon, Stanley Spencer, Vanessa Bell, and Duncan Grant.
The Enchanted Garden will bring the Laing’s painting ‘The Dustman or The Lovers’ by Stanley Spencer into the context of major works by British and French artists from across the UK and beyond which explore the garden as a ‘stage’ for the extraordinary, the magical, the atmospheric and the nostalgic.
This exhibition is curated by the Laing Art Gallery, with generous support from the John Ellerman Foundation. Also supported by the Friends of the Laing Art Gallery, the Finnis Scott Foundation and the Golsoncott Foundation.
at Laing Art Gallery
In 2017, the Laing Art Gallery was the first recipient of the Contemporary Art Society’s ‘Great Works’ scheme. A spectacular work by Glenn Brown was gifted to the collection, and this exhibition will continue to build on the Laing's relationship with the artist.
Glenn Brown was born in nearby Hexham and is one of the most renowned British artists working today. Known for the use of art historical references in his paintings, Brown appropriates images changing their shape, form, colour, and dimension, traversing artistic time zones from the Renaissance, Baroque and Rococo through to Impressionism, Expressionism and Surrealism and referencing artists such as Jean Louis Fragonard, Salvador Dalí and John Martin - who was also born in the north east.
This exhibition will feature new works created by Brown, shown alongside his own arrangement of pictures and sculptures selected from the Laing collection with a small number of loans from private lenders and the Hatton Gallery, Newcastle University. Supported by the Friends of the Laing Art Gallery.
The artwork In the end we all succumb to the pull of the molten core by Glenn Brown was kindly donated to the collection as part of the Contemporary Art Society’s Great Works scheme, with the support of the artist and the Sfumato Foundation.
A note to visitors:
After artist Glenn Brown’s display of the Laing collection closes on 21 October, it will be replaced by two collection displays on the first floor. From 3 November, Dressed to Impress, portraits from the collection, opens. Another big new display will open on 17 November, featuring favourite pictures by artists such as William Holman Hunt and John Martin. We apologise that these paintings will be off display for a few weeks in the interim. This is due to the demands of the installation of new exhibitions. Please note also that Burne-Jones’ Laus Veneris will be away from the Laing after the Pre-Raphaelite Qualities display closes on 2 September, as it is part of Tate’s prestigious Edward Burne-Jones exhibition at Tate Britain. During the changeover period for the Gallery collections displays, there is still the opportunity to see many important pictures, sculptures and decorative arts in Northern Spirit on the ground floor, including art by John Martin, Ralph Hedley, and Victor Pasmore. If you are hoping to see a particular work of art, please contact the gallery to check if it is on display.
at Discovery Museum
Join us for this thrill-packed family day filled with live performances, circus skills, animal stars, candyfloss and more, to celebrate new exhibition Circus! Show of Shows.
Watch performances that will dazzle and amaze, then have-a-go yourself with circus training from Let's Circus.
Meet Marley the mini circus pony on the plaza between 12–2pm for hoof print autographs and photo opportunities.
Joke around with friendly funny-man, Billy Purvis who'll be clowning around with visitors.
Enjoy circus-themed craft activities happening around the museum - drop in and get making.
We'll be giving away free candyfloss to the first 100 children through the doors and it will be available to buy throughout the day. Candyfloss must be eaten outside the museum.
at Great North Museum: Hancock
The current debate about gender and sexual harassment in politics, sport and media offers a depressing picture of 'toxic masculinity'.
To explore a more meaningful and respectful understanding of what it means to be a man, 150 North Tyneside school children have worked together with researchers from Newcastle University and the national children’s charity Barnardo’s to create a display of artworks.
Using children’s toys for inspiration, it was clear that these 9 and 10 year-olds had defined ideas about gender and behaviour. Girls could play with soldiers and cars but boys playing with dolls or dressing in pink caused much hilarity.
Playing with toys created a safe space where the children could talk together about what it means to be a man. They questioned assumptions about manhood, challenging gender stereotypes and expanding masculine identities.
Many children chose to work in groups for the creation of their artworks, and some chose to work alone. All have provided insightful descriptions of their work and the message they are trying to convey.
The artworks on display are the result of the children’s discussions, thoughts and reflections. The children’s words remain unedited so that they are heard in their own voice.
With thanks to: Professor Anoop Nayak and Dr Carl Thompson (School of Geography, Politics and Sociology at Newcastle University); Tracy Bell (Barnardo’s); Oliver Swindler; and Year 5 children and staff of Benton Dene Primary School, Burradon Community Primary School and Denbigh Community Primary School.
at Hatton Gallery
Exploding Collage explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats. It is comprised of presentations by three contemporary artists – Nadia Hebson, Linder, and Ursula Mayer - whose work examines, celebrates or reinstates such avant-garde figures.
Nadia Hebson presents a new commission made especially for Exploding Collage, which explores the idea of clothing as an instinctive form of collage. At the heart of Hebson’s installation are two paintings by the English Surrealist, Marion Adnams, whose work she navigates through a purposefully subjective, implicitly feminist lens.
Internationally renowned artist Linder – who last year won the one of the largest art prizes in the UK – will show three new works alongside elements from two interdisciplinary, experimental and deeply collaborative bodies of work inspired by Surrealist artist Ithell Colquhoun, and Modernist sculptor Barbara Hepworth.
Ursula Mayer – 2014 winner of the prestigious Jarman Award – will show her film Lunch in Fur, structured around a fictional meeting between Surrealist Meret Oppenheim, performer Josephine Baker, and photographer Dora Maar, reopening questions of the recognition and disappearance of artistic legacies.
Listen to the Hey Art, What's Good? podcast and hear what they thought of Exploding Collage. Listen here.
About the Exploding Collage Season
Exploding Collage is a season of exhibitions at the Hatton Gallery inspired by the idea that Kurt Schwitters’ Merz Barn Wall – on permanent display in the Hatton Gallery – is a work of genre exploding collage practice, applying Schwitters’ collage technique on an architectural scale.
Each exhibition in the Exploding Collage season explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. The exhibitions include, Exploding Collage, Gathering, and The Loud and the Soft Speakers.
Read Aesthetica Magazine's interview with Exploding Collage Curator, Madeleine Kennedy.
About the Merz Barn Wall
The Merz Barn Wall is a fragment of an unfinished artwork created by German artist Kurt Schwitters in a Lake District barn between 1947 and the artist’s death in 1948. Made up of plaster, paint and found objects, the work is emblematic of Schwitters’ interdisciplinary ‘Merz’ practice, which applied the principle of collage to all areas of life, re-contextualising discarded material to create new meanings and forms, whether in poetry, music, sculpture or space.
The Merz Barn Wall is the largest surviving fragment of the four Merzbauten (Merz Buildings) Schwitters began work on. The first Merzbau, made in his apartment in Hanover, Germany, was destroyed by allied bombing in 1943. Parts of his second Merzbau, begun in his holiday home in Hjertøyain, Norway, still survive. His third Merzbau near Oslo was destroyed by fire in 1951.
About the curatorial approach
The Merzbauten’s history of erasure and rebuilding informs the curatorial approach of Exploding Collage, which recognises the heightened risk of radically different artistic practice becoming lost due to the difficulty of preserving and exhibiting it.
Alongside this recognition is an awareness of the dual erasure that often effects the work of pioneering female artists, many of whom have historically been overlooked or actively undermined due to their gender. For instance, many of Schwitters’ female contemporaries were excluded from exhibitions, omitted from fellow artists’ written accounts, not collected by museums, and had their contributions belittled by art historians.
The result is a history of twentieth century avant-garde practice which appears to be dominated by men, even though women’s work was some of the most radical.
Although progress is being made in art history, exhibitions and museums are especially susceptible to perpetuating these historical ‘blindspots’, as it is often impossible to exhibit work by these artists due to gaps in public collections. As such, Exploding Collage seeks to circumnavigate the exhibition’s traditional reliance on historical artworks and objects, instead operating through contemporary artists’ work which carries within it the influence of such avant-garde artists, and testifies to their continued relevance and valued legacy, which can persist independently of the objects themselves.
at Shipley Art Gallery
“As soon as I found out that an illustrator’s job was to tell stories through pictures, I wanted to be one.”
Ceramics have been used since the earliest human civilisations to record stories and cultural beliefs for coming generations. The most well-known examples come from the ancient Greeks, who developed a distinctive artistic style to show military achievements, mythical stories, and religious scenes on vases and jugs.
Internationally acclaimed book illustrator Laura Carlin explores this link between ceramics and narrative by taking her illustration from paper to pottery. Using familiar forms such as figurines, plates and tiles, she shows that ceramics can, like books, be a powerful storytelling medium.
“My work with ceramics is self-taught. Yet there is freedom in not knowing the rules and, more importantly, it helps keep me looking and learning. This feeds back into my job as an illustrator. I am forced to look again and question my way of working.”
Laura Carlin has won numerous awards for her work, including the V&A Illustration Award and the Biennial of Illustrations Bratislava Award in 2015. She illustrates a weekly column in the Financial Times and regularly contributes to Condé Nast Traveller, The New York Times, The Guardian and The New Statesman. Carlin’s illustrated books are published by Phaidon, Walker Books and The Folio Society.
With thanks to Jo Cartwright.
Laura Carlin: Ceramics is a touring exhibition from House of Illustration.
at South Shields Museum & Art Gallery
A collection of paintings by Albert Ernest Black. Black was born in North Shields in 1882, he loved sketching and devoted the last 30 years of his life, until his death in 1963, to his art. South Shields was a popular subject of his work.
The art in this exhibition has been selected by members of the WEA history group.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
The final artist intervention takes place on Saturday 16 February - find out more.
Take a look at what interventions have been at Gathering so far...
To accompany Exploding Collage, collaborators Julia Heslop & Ed Wainwright present Gathering, an architectural intervention which is designed to host the work of other artists, as in Kurt Schwitters’ Hannover Merz Bau, which concealed niches dedicated to his artistic heroes. Likewise, Gathering is comprised of an interconnected sequence of ‘grottoes’ assembled from found and given material, each of which will be dedicated to an artist whose work deserves to be reconsidered in relation to collage as an expanded, immersive or time-based practice.
Gathering will host a programme of interventions which will unfold throughout the course of the exhibition. Every fortnight, an invited artist or researcher will dedicate another ‘grotto’ to the work of an avant-garde figure who they consider to have expanded collage towards new potential forms, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. Please keep an eye on the Hatton Gallery website and social media channels for updates and more details as these happen.
Currently exhibiting as part of Gathering is Anka Schmid's video work Sophie Dances Anyway.
Other interventions so far have included:
Sonia Allorri, Ruth Hemus, Vaia Paziana
About the artists
Heslop & Wainwright work across the boundaries of art and architecture, recognising the scope of the artist to act as a critical spatial practitioner, in this case questioning who is afforded and who is denied space in histories of collage.
About the Exploding Collage Season
Exploding Collage was a season of exhibitions at the Hatton Gallery inspired by the idea that Kurt Schwitters’ Merz Barn Wall – on permanent display in the Hatton Gallery – is a work of genre exploding collage practice, applying Schwitters’ collage technique on an architectural scale.
Each exhibition in the Exploding Collage season explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. The exhibitions included, Exploding Collage, Gathering, and The Loud and the Soft Speakers.
About the Merz Barn Wall
The Merz Barn Wall is a fragment of an unfinished artwork created by German artist Kurt Schwitters in a Lake District barn between 1947 and the artist’s death in 1948. Made up of plaster, paint and found objects, the work is emblematic of Schwitters’ interdisciplinary ‘Merz’ practice, which applied the principle of collage to all areas of life, re-contextualising discarded material to create new meanings and forms, whether in poetry, music, sculpture or space.
The Merz Barn Wall is the largest surviving fragment of the four Merzbauten (Merz Buildings) Schwitters began work on. The first Merzbau, made in his apartment in Hanover, Germany, was destroyed by allied bombing in 1943. Parts of his second Merzbau, begun in his holiday home in Hjertøyain, Norway, still survive. His third Merzbau near Oslo was destroyed by fire in 1951.
About the curatorial approach
The Merzbauten’s history of erasure and rebuilding informs the curatorial approach of Exploding Collage, which recognises the heightened risk of radically different artistic practice becoming lost due to the difficulty of preserving and exhibiting it.
Alongside this recognition is an awareness of the dual erasure that often effects the work of pioneering female artists, many of whom have historically been overlooked or actively undermined due to their gender. For instance, many of Schwitters’ female contemporaries were excluded from exhibitions, omitted from fellow artists’ written accounts, not collected by museums, and had their contributions belittled by art historians.
The result is a history of twentieth century avant-garde practice which appears to be dominated by men, even though women’s work was some of the most radical.
Although progress is being made in art history, exhibitions and museums are especially susceptible to perpetuating these historical ‘blindspots’, as it is often impossible to exhibit work by these artists due to gaps in public collections. As such, Exploding Collage seeks to circumnavigate the exhibition’s traditional reliance on historical artworks and objects, instead operating through contemporary artists’ work which carries within it the influence of such avant-garde artists, and testifies to their continued relevance and valued legacy, which can persist independently of the objects themselves.
at Hatton Gallery
Included in Gathering are a series of prints from the Hatton Gallery Archive, belonging to the late printmaker Gwyneth Alban Davis and generated by Heather Ross's 2017 collaborative project The Caravan Press: Making visible the Archive of Gwyneth Alban Davis. Previously Heather discussed these prints in conjunction with The Loud and the Soft Speakers - each explore different aspects of Kurt Schwitters' experience of being in exile in Britain (1940-48).
Both Gathering and The Loud and the Soft Speakers are currently installed in the Hatton Gallery as part of the Exploding Collage season and relate to Heather's current practice-based PhD project which seeks to provide new sensorial insights into Kurt Schwitters' Merz Barn Wall (also situated within the Hatton Gallery).
at Laing Art Gallery
As featured in
⭐️ The Times
⭐️ The Guardian (pick of the week!)
⭐️ i Newspaper
Facebook discount:
20% discount on admissions throughout February (Wednesdays & Thursdays only). Click here to claim.
Please note due to the explicit nature of this exhibition those aged 16 years and below must be accompanied by an adult.
This exhibition of unclothed portraits from the National Portrait Gallery Collection invites questions about identity and gender, the real and ideal. It includes portraits of exposed sitters from Nell Gwyn to Naomi Campbell, Gilbert & George to John Lennon and Yoko Ono. Featured artists include Duncan Grant, Vanessa Bell, Sam Taylor-Johnson, David Hockney, Annie Leibovitz, Linda McCartney, Tracy Emin, David Bailey, Mario Testino and Dorothy Wilding. This exhibition is a partnership jointly curated between the National Portrait Gallery and the Laing Art Gallery.
Exposure has more than one meaning. It can describe harmful or welcome experiences: the revelation of a shameful secret or the achievement of longed-for publicity for a person or cause. It can refer to acute vulnerability or complete self-assurance. The various meanings of ‘exposed’ can be found in the portraits in this exhibition.
A distinction is often made between the naked and the nude. Nakedness is associated with authenticity – ‘the naked truth’. In contrast, the nude belongs to a tradition of idealised figures that extends back to ancient Greece and was central to artistic training from the Renaissance to the late nineteenth century.
The exhibition is divided into two parts; Bodies of Desire focuses on the vital role of gender and sexuality in portraiture and how it exhibits elements associated with the nude such as an interest in the eroticised or idealised body. In close juxtaposition, Reclaiming the Body addresses postmodern and feminist theory and ways in which it has brought about a reappraisal of the naked body in art.
All of the images in Exposed are naked portraits rather than depictions of the nude. This is due to their focus on particular individuals. There are numerous reasons for artists to create naked portraits and for sitters to pose for them. Freed from the social and cultural markers of clothing, naked portraits enable artists to explore various expressive and formal questions. The portraits in this display show that naked portraits can be flattering or honest, seductive or shocking, vulnerable or liberating.
This exhibition is accompanied by a display of portraits from the Laing Art Gallery and Hatton Gallery in gallery C. This display is part of the offer for Exposed and is included in the ticket price.
Highlights include key works by leading artists such as Sir Joshua Reynolds, Allan Ramsay, William Orpen, George Clausen and Chris Ofili, Thomas Lawrence, Augustus John, Sir John Lavery, Beryl Fowler and Christina Robertson.
Image: Mick Jagger; Jerry Hall by Norman Parkinson, July 81 © Norman Parkinson / Iconic Images (detail)
at South Shields Museum & Art Gallery
This exhibition features works by the artist Ethel Walker RA on loan from the Royal Academy of Arts collection as part of the Royal Academy of Arts 250th anniversary celebrations.
An exhibition highlight is a portrait of Dame Flora Robson, feted actor of stage and screen, born in South Shields.
Also includes artworks on loan from the Laing Art Gallery.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
Programmed to coincide with Exploding Collage (which exhibited at Hatton Gallery September 2018 - January 2019) artist Heather Ross presents The Loud and the Soft Speakers, a contemporary iteration of a performance work - The Silence Poem or Leise - by the avant-garde German artist, Kurt Schwitters.
Taking the form of an immersive two channel video, Ross’ work examines The Silence Poem as a work of creation and destruction, which Schwitters repeated across multiple sites, incorporating newfound material and environmental influences to generate something new each time. Notably, Schwitters performed and developed The Silence Poem in English whilst interned in the Hutchinson Camp on the Isle of Man during World War II.
The Loud and the Soft Speakers – filmed on the same site and featuring musician and performance artist Florian Kaplick – employs performance as an exploratory tool for the visualisation of some of the historical and environmental influences which contributed to Schwitters experience of internment, and subsequently the development of The Silence Poem.
The Loud and the Soft Speakers is the outcome of Ross’ practice-based research excavating the varied meanings of The Pointless Collage (also known as Untitled (with porcelain shard)), which Schwitters made a year before he commenced work on the Merz Barn.
This exhibition is part of the Schwitters Legacy programme at the Hatton, an annual series of exhibitions that each examine a different facet of Schwitters’ influence on modern and contemporary art and culture.
Read our interview with Heather Ross.
About the Exploding Collage Season
Exploding Collage is a season of exhibitions at the Hatton Gallery inspired by the idea that Kurt Schwitters’ Merz Barn Wall – on permanent display in the Hatton Gallery – is a work of genre exploding collage practice, applying Schwitters’ collage technique on an architectural scale.
Each exhibition in the Exploding Collage season explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. The exhibitions include, Exploding Collage, Gathering, and The Loud and the Soft Speakers.
About the Merz Barn Wall
The Merz Barn Wall is a fragment of an unfinished artwork created by German artist Kurt Schwitters in a Lake District barn between 1947 and the artist’s death in 1948. Made up of plaster, paint and found objects, the work is emblematic of Schwitters’ interdisciplinary ‘Merz’ practice, which applied the principle of collage to all areas of life, re-contextualising discarded material to create new meanings and forms, whether in poetry, music, sculpture or space.
The Merz Barn Wall is the largest surviving fragment of the four Merzbauten (Merz Buildings) Schwitters began work on. The first Merzbau, made in his apartment in Hanover, Germany, was destroyed by allied bombing in 1943. Parts of his second Merzbau, begun in his holiday home in Hjertøyain, Norway, still survive. His third Merzbau near Oslo was destroyed by fire in 1951.
About the curatorial approach
The Merzbauten’s history of erasure and rebuilding informs the curatorial approach of Exploding Collage, which recognises the heightened risk of radically different artistic practice becoming lost due to the difficulty of preserving and exhibiting it.
Alongside this recognition is an awareness of the dual erasure that often effects the work of pioneering female artists, many of whom have historically been overlooked or actively undermined due to their gender. For instance, many of Schwitters’ female contemporaries were excluded from exhibitions, omitted from fellow artists’ written accounts, not collected by museums, and had their contributions belittled by art historians.
The result is a history of twentieth century avant-garde practice which appears to be dominated by men, even though women’s work was some of the most radical.
Although progress is being made in art history, exhibitions and museums are especially susceptible to perpetuating these historical ‘blindspots’, as it is often impossible to exhibit work by these artists due to gaps in public collections. As such, Exploding Collage seeks to circumnavigate the exhibition’s traditional reliance on historical artworks and objects, instead operating through contemporary artists’ work which carries within it the influence of such avant-garde artists, and testifies to their continued relevance and valued legacy, which can persist independently of the objects themselves.
at Segedunum Roman Fort
To mark 100 years since the end of WW1 this exhibition explores the enormous impact the war had on society and individuals. North Tyneside had played its part in the victory, not just through the troops fighting on the front lines but by the dedication of the men and women who supported the war effort in shipyards and armaments factories.
The years following the war would not be easy.
at Discovery Museum
Delve into the drama of the big top and explore the incredible stories behind the spectacle.
With wondrous surprises for all ages, including school holiday activities inspired by the exhibition.
Gallery highlights include the fabulous Arthur Fenwick Collection of circus art and memorabilia, a collection of national importance spanning the 1770s up to the 1950s.
We will also shine the spotlight on the fascinating life and career of Tyneside’s nineteenth century clown and entertainer extraordinaire Billy Purvis, as well as exploring the history and development of clowns in the circus ring.
The story will be brought right up-to-date with the inclusion of the Family La Bonche Collection providing an intimate and colourful look at contemporary Newcastle and North East circus communities and the contribution they make to the changing face of circus in our own times.
This exhibition shares the highs and lows of the history of circus, of which animal acts were one aspect when they first appeared from the mid-19th century. The exhibition addresses both sides of the argument, a debate that incidentally has been going on since the end of the 19th century. The Performing Animals Defence League was in fact founded in 1914 in response to the treatment of animal acts in circuses and in music halls.
Circus! Show of Shows, is a series of major exhibitions celebrating 250 years of circus in Great Britain. Exhibitions at Discovery Museum, Sheffield’s Weston Park Museum and Time and Tide Museum of Great Yarmouth Life are co-curated by The University of Sheffield’s Professor Vanessa Toulmin, one of the UK’s preeminent circus experts.
Circus! Show of Shows is made possible thanks to National Lottery players through the Heritage Lottery Fund (HLF).
Circus 250 is a UK-wide celebration marking the anniversary of this most pervasive, popular, born-in-Britain art form. Circus 250 will see museums, filmmakers, designers, theatres, orchestras, schools, libraries and circuses will all join in – circus is everywhere and for everyone.
at South Shields Museum & Art Gallery
To mark 100 years since the end of WW1 this exhibition explores the profound and lasting effect the war had on South Tyneside, changing life for ordinary people in ways that could hardly have been imagined before the war.
This exhibition explores the end of the First World War and the years that followed, the social change that took place and how individual people in South Tyneside were affected.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
A display commemorating one of Tyneside's most beloved women.
Dame Catherine Cookson is remembered 21 years after her death.
Part of the museum's Women 100, a programme started in 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Make a dove, craft a poppy, or have you got the stomach to try trench cake?
There will also be free activities and objects exploring what it was like to be a soldier many years ago.
Don’t forget to explore our gallery, Charge! which tells the story of England’s northern cavalry over the last 300 years.
Image: NH in the trenches on the extreme right of 7th Div Front near Rouges Bancs February 1915
at Great North Museum: Hancock
The current debate about gender and sexual harassment in politics, sport and media offers a depressing picture of 'toxic masculinity'.
To explore a more meaningful and respectful understanding of what it means to be a man, 150 North Tyneside school children have worked together with researchers from Newcastle University and the national children’s charity Barnardo’s to create a display of artworks.
Using children’s toys for inspiration, it was clear that these 9 and 10 year-olds had defined ideas about gender and behaviour. Girls could play with soldiers and cars but boys playing with dolls or dressing in pink caused much hilarity.
Playing with toys created a safe space where the children could talk together about what it means to be a man. They questioned assumptions about manhood, challenging gender stereotypes and expanding masculine identities.
Many children chose to work in groups for the creation of their artworks, and some chose to work alone. All have provided insightful descriptions of their work and the message they are trying to convey.
The artworks on display are the result of the children’s discussions, thoughts and reflections. The children’s words remain unedited so that they are heard in their own voice.
With thanks to: Professor Anoop Nayak and Dr Carl Thompson (School of Geography, Politics and Sociology at Newcastle University); Tracy Bell (Barnardo’s); Oliver Swindler; and Year 5 children and staff of Benton Dene Primary School, Burradon Community Primary School and Denbigh Community Primary School.
at Hatton Gallery
Exploding Collage explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats. It is comprised of presentations by three contemporary artists – Nadia Hebson, Linder, and Ursula Mayer - whose work examines, celebrates or reinstates such avant-garde figures.
Nadia Hebson presents a new commission made especially for Exploding Collage, which explores the idea of clothing as an instinctive form of collage. At the heart of Hebson’s installation are two paintings by the English Surrealist, Marion Adnams, whose work she navigates through a purposefully subjective, implicitly feminist lens.
Internationally renowned artist Linder – who last year won the one of the largest art prizes in the UK – will show three new works alongside elements from two interdisciplinary, experimental and deeply collaborative bodies of work inspired by Surrealist artist Ithell Colquhoun, and Modernist sculptor Barbara Hepworth.
Ursula Mayer – 2014 winner of the prestigious Jarman Award – will show her film Lunch in Fur, structured around a fictional meeting between Surrealist Meret Oppenheim, performer Josephine Baker, and photographer Dora Maar, reopening questions of the recognition and disappearance of artistic legacies.
Listen to the Hey Art, What's Good? podcast and hear what they thought of Exploding Collage. Listen here.
About the Exploding Collage Season
Exploding Collage is a season of exhibitions at the Hatton Gallery inspired by the idea that Kurt Schwitters’ Merz Barn Wall – on permanent display in the Hatton Gallery – is a work of genre exploding collage practice, applying Schwitters’ collage technique on an architectural scale.
Each exhibition in the Exploding Collage season explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. The exhibitions include, Exploding Collage, Gathering, and The Loud and the Soft Speakers.
Read Aesthetica Magazine's interview with Exploding Collage Curator, Madeleine Kennedy.
About the Merz Barn Wall
The Merz Barn Wall is a fragment of an unfinished artwork created by German artist Kurt Schwitters in a Lake District barn between 1947 and the artist’s death in 1948. Made up of plaster, paint and found objects, the work is emblematic of Schwitters’ interdisciplinary ‘Merz’ practice, which applied the principle of collage to all areas of life, re-contextualising discarded material to create new meanings and forms, whether in poetry, music, sculpture or space.
The Merz Barn Wall is the largest surviving fragment of the four Merzbauten (Merz Buildings) Schwitters began work on. The first Merzbau, made in his apartment in Hanover, Germany, was destroyed by allied bombing in 1943. Parts of his second Merzbau, begun in his holiday home in Hjertøyain, Norway, still survive. His third Merzbau near Oslo was destroyed by fire in 1951.
About the curatorial approach
The Merzbauten’s history of erasure and rebuilding informs the curatorial approach of Exploding Collage, which recognises the heightened risk of radically different artistic practice becoming lost due to the difficulty of preserving and exhibiting it.
Alongside this recognition is an awareness of the dual erasure that often effects the work of pioneering female artists, many of whom have historically been overlooked or actively undermined due to their gender. For instance, many of Schwitters’ female contemporaries were excluded from exhibitions, omitted from fellow artists’ written accounts, not collected by museums, and had their contributions belittled by art historians.
The result is a history of twentieth century avant-garde practice which appears to be dominated by men, even though women’s work was some of the most radical.
Although progress is being made in art history, exhibitions and museums are especially susceptible to perpetuating these historical ‘blindspots’, as it is often impossible to exhibit work by these artists due to gaps in public collections. As such, Exploding Collage seeks to circumnavigate the exhibition’s traditional reliance on historical artworks and objects, instead operating through contemporary artists’ work which carries within it the influence of such avant-garde artists, and testifies to their continued relevance and valued legacy, which can persist independently of the objects themselves.
at Shipley Art Gallery
“As soon as I found out that an illustrator’s job was to tell stories through pictures, I wanted to be one.”
Ceramics have been used since the earliest human civilisations to record stories and cultural beliefs for coming generations. The most well-known examples come from the ancient Greeks, who developed a distinctive artistic style to show military achievements, mythical stories, and religious scenes on vases and jugs.
Internationally acclaimed book illustrator Laura Carlin explores this link between ceramics and narrative by taking her illustration from paper to pottery. Using familiar forms such as figurines, plates and tiles, she shows that ceramics can, like books, be a powerful storytelling medium.
“My work with ceramics is self-taught. Yet there is freedom in not knowing the rules and, more importantly, it helps keep me looking and learning. This feeds back into my job as an illustrator. I am forced to look again and question my way of working.”
Laura Carlin has won numerous awards for her work, including the V&A Illustration Award and the Biennial of Illustrations Bratislava Award in 2015. She illustrates a weekly column in the Financial Times and regularly contributes to Condé Nast Traveller, The New York Times, The Guardian and The New Statesman. Carlin’s illustrated books are published by Phaidon, Walker Books and The Folio Society.
With thanks to Jo Cartwright.
Laura Carlin: Ceramics is a touring exhibition from House of Illustration.
at Discovery Museum
On display within Charge! The Story of England's Northern Cavalry
The 11th November 2018 marks the 100th anniversary of the signing of the Armistice and the end of the First World War.
This exhibition looks at the last 100 days of the war for the Northumberland Hussars and the regiments that later formed The Light Dragoons.
Using a mixture of graphics, quotes, images and objects it also explores the introduction of Armistice Day as an annual commemoration, the importance of remembrance today and the introduction of the Royal British Legion and the Poppy Appeal.
The exhibition features interviews with serving soldiers and veterans who explain the importance of Remembrance to them.
The exhibition will run until the end of January.
at South Shields Museum & Art Gallery
A collection of paintings by Albert Ernest Black. Black was born in North Shields in 1882, he loved sketching and devoted the last 30 years of his life, until his death in 1963, to his art. South Shields was a popular subject of his work.
The art in this exhibition has been selected by members of the WEA history group.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
The final artist intervention takes place on Saturday 16 February - find out more.
Take a look at what interventions have been at Gathering so far...
To accompany Exploding Collage, collaborators Julia Heslop & Ed Wainwright present Gathering, an architectural intervention which is designed to host the work of other artists, as in Kurt Schwitters’ Hannover Merz Bau, which concealed niches dedicated to his artistic heroes. Likewise, Gathering is comprised of an interconnected sequence of ‘grottoes’ assembled from found and given material, each of which will be dedicated to an artist whose work deserves to be reconsidered in relation to collage as an expanded, immersive or time-based practice.
Gathering will host a programme of interventions which will unfold throughout the course of the exhibition. Every fortnight, an invited artist or researcher will dedicate another ‘grotto’ to the work of an avant-garde figure who they consider to have expanded collage towards new potential forms, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. Please keep an eye on the Hatton Gallery website and social media channels for updates and more details as these happen.
Currently exhibiting as part of Gathering is Anka Schmid's video work Sophie Dances Anyway.
Other interventions so far have included:
Sonia Allorri, Ruth Hemus, Vaia Paziana
About the artists
Heslop & Wainwright work across the boundaries of art and architecture, recognising the scope of the artist to act as a critical spatial practitioner, in this case questioning who is afforded and who is denied space in histories of collage.
About the Exploding Collage Season
Exploding Collage was a season of exhibitions at the Hatton Gallery inspired by the idea that Kurt Schwitters’ Merz Barn Wall – on permanent display in the Hatton Gallery – is a work of genre exploding collage practice, applying Schwitters’ collage technique on an architectural scale.
Each exhibition in the Exploding Collage season explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. The exhibitions included, Exploding Collage, Gathering, and The Loud and the Soft Speakers.
About the Merz Barn Wall
The Merz Barn Wall is a fragment of an unfinished artwork created by German artist Kurt Schwitters in a Lake District barn between 1947 and the artist’s death in 1948. Made up of plaster, paint and found objects, the work is emblematic of Schwitters’ interdisciplinary ‘Merz’ practice, which applied the principle of collage to all areas of life, re-contextualising discarded material to create new meanings and forms, whether in poetry, music, sculpture or space.
The Merz Barn Wall is the largest surviving fragment of the four Merzbauten (Merz Buildings) Schwitters began work on. The first Merzbau, made in his apartment in Hanover, Germany, was destroyed by allied bombing in 1943. Parts of his second Merzbau, begun in his holiday home in Hjertøyain, Norway, still survive. His third Merzbau near Oslo was destroyed by fire in 1951.
About the curatorial approach
The Merzbauten’s history of erasure and rebuilding informs the curatorial approach of Exploding Collage, which recognises the heightened risk of radically different artistic practice becoming lost due to the difficulty of preserving and exhibiting it.
Alongside this recognition is an awareness of the dual erasure that often effects the work of pioneering female artists, many of whom have historically been overlooked or actively undermined due to their gender. For instance, many of Schwitters’ female contemporaries were excluded from exhibitions, omitted from fellow artists’ written accounts, not collected by museums, and had their contributions belittled by art historians.
The result is a history of twentieth century avant-garde practice which appears to be dominated by men, even though women’s work was some of the most radical.
Although progress is being made in art history, exhibitions and museums are especially susceptible to perpetuating these historical ‘blindspots’, as it is often impossible to exhibit work by these artists due to gaps in public collections. As such, Exploding Collage seeks to circumnavigate the exhibition’s traditional reliance on historical artworks and objects, instead operating through contemporary artists’ work which carries within it the influence of such avant-garde artists, and testifies to their continued relevance and valued legacy, which can persist independently of the objects themselves.
at Hatton Gallery
Included in Gathering are a series of prints from the Hatton Gallery Archive, belonging to the late printmaker Gwyneth Alban Davis and generated by Heather Ross's 2017 collaborative project The Caravan Press: Making visible the Archive of Gwyneth Alban Davis. Previously Heather discussed these prints in conjunction with The Loud and the Soft Speakers - each explore different aspects of Kurt Schwitters' experience of being in exile in Britain (1940-48).
Both Gathering and The Loud and the Soft Speakers are currently installed in the Hatton Gallery as part of the Exploding Collage season and relate to Heather's current practice-based PhD project which seeks to provide new sensorial insights into Kurt Schwitters' Merz Barn Wall (also situated within the Hatton Gallery).
at Hatton Gallery
Film director, screenwriter and video artist, Anka Schmid has provided this intervention in Gathering. Schmid's video work Sophie Dances Anyway is dedicated to Sophie Taeuber (1889-1943).
"Sophie Taeuber created an extraordinary varied oeuvre. Since dance has accompanied me in my own work for years, my main focus was on her dance work. To this day there is something mysterious about her Dada dances. My research revealed that only one photo exists of her performances, only a few descriptions of contemporary witnesses and no personal texts by Taeuber herself. I began to imagine her dances. The attempt to realise the circumstances under which Taueber danced to capture her spirit seemed more appealing to me than knowing the exact choreography. In her performances, the artist reacted "live" to the actions of other Dada activists and created a fleeting work out of this common creative spirit - a dance destined for the moment alone.
"This spirit also flows into my video installation. I initiated a collaboration with the young dancer Nina Vallon, the Kazakh singer Saadet Türköz and the costume designer Dorothee Schmid to create a dialogue with Sophie Taeuber and her marionettes through a common imagination. The film clips of our interaction are shown as a synchronized two-channel video in the grotto. This evokes a kind of live performance that involves the viewers.
"Sophie Taeuber's willingness to take risks made a lasting impression on me as she risked her employment at the School of Applied Arts with these avant-garde dance performances. She was threatened with dismissal if she were to continue to play an active role with the Dadaists. But Taeuber kept dancing behind a mask (hence the title of my video work: Sophie Dances Anyway). Art is risk, the mask is a means of resistance."
Anka Schmid, August 2014
Concept, idea, camera: Anka Schmid
Dance: Nina Vallon,
Vocals: Saadet Türköz
Costumes: Dorothee Schmid
at Laing Art Gallery
As featured in
⭐️ The Times
⭐️ The Guardian (pick of the week!)
⭐️ i Newspaper
Facebook discount:
20% discount on admissions throughout February (Wednesdays & Thursdays only). Click here to claim.
Please note due to the explicit nature of this exhibition those aged 16 years and below must be accompanied by an adult.
This exhibition of unclothed portraits from the National Portrait Gallery Collection invites questions about identity and gender, the real and ideal. It includes portraits of exposed sitters from Nell Gwyn to Naomi Campbell, Gilbert & George to John Lennon and Yoko Ono. Featured artists include Duncan Grant, Vanessa Bell, Sam Taylor-Johnson, David Hockney, Annie Leibovitz, Linda McCartney, Tracy Emin, David Bailey, Mario Testino and Dorothy Wilding. This exhibition is a partnership jointly curated between the National Portrait Gallery and the Laing Art Gallery.
Exposure has more than one meaning. It can describe harmful or welcome experiences: the revelation of a shameful secret or the achievement of longed-for publicity for a person or cause. It can refer to acute vulnerability or complete self-assurance. The various meanings of ‘exposed’ can be found in the portraits in this exhibition.
A distinction is often made between the naked and the nude. Nakedness is associated with authenticity – ‘the naked truth’. In contrast, the nude belongs to a tradition of idealised figures that extends back to ancient Greece and was central to artistic training from the Renaissance to the late nineteenth century.
The exhibition is divided into two parts; Bodies of Desire focuses on the vital role of gender and sexuality in portraiture and how it exhibits elements associated with the nude such as an interest in the eroticised or idealised body. In close juxtaposition, Reclaiming the Body addresses postmodern and feminist theory and ways in which it has brought about a reappraisal of the naked body in art.
All of the images in Exposed are naked portraits rather than depictions of the nude. This is due to their focus on particular individuals. There are numerous reasons for artists to create naked portraits and for sitters to pose for them. Freed from the social and cultural markers of clothing, naked portraits enable artists to explore various expressive and formal questions. The portraits in this display show that naked portraits can be flattering or honest, seductive or shocking, vulnerable or liberating.
This exhibition is accompanied by a display of portraits from the Laing Art Gallery and Hatton Gallery in gallery C. This display is part of the offer for Exposed and is included in the ticket price.
Highlights include key works by leading artists such as Sir Joshua Reynolds, Allan Ramsay, William Orpen, George Clausen and Chris Ofili, Thomas Lawrence, Augustus John, Sir John Lavery, Beryl Fowler and Christina Robertson.
Image: Mick Jagger; Jerry Hall by Norman Parkinson, July 81 © Norman Parkinson / Iconic Images (detail)
at South Shields Museum & Art Gallery
This exhibition features works by the artist Ethel Walker RA on loan from the Royal Academy of Arts collection as part of the Royal Academy of Arts 250th anniversary celebrations.
An exhibition highlight is a portrait of Dame Flora Robson, feted actor of stage and screen, born in South Shields.
Also includes artworks on loan from the Laing Art Gallery.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
Programmed to coincide with Exploding Collage (which exhibited at Hatton Gallery September 2018 - January 2019) artist Heather Ross presents The Loud and the Soft Speakers, a contemporary iteration of a performance work - The Silence Poem or Leise - by the avant-garde German artist, Kurt Schwitters.
Taking the form of an immersive two channel video, Ross’ work examines The Silence Poem as a work of creation and destruction, which Schwitters repeated across multiple sites, incorporating newfound material and environmental influences to generate something new each time. Notably, Schwitters performed and developed The Silence Poem in English whilst interned in the Hutchinson Camp on the Isle of Man during World War II.
The Loud and the Soft Speakers – filmed on the same site and featuring musician and performance artist Florian Kaplick – employs performance as an exploratory tool for the visualisation of some of the historical and environmental influences which contributed to Schwitters experience of internment, and subsequently the development of The Silence Poem.
The Loud and the Soft Speakers is the outcome of Ross’ practice-based research excavating the varied meanings of The Pointless Collage (also known as Untitled (with porcelain shard)), which Schwitters made a year before he commenced work on the Merz Barn.
This exhibition is part of the Schwitters Legacy programme at the Hatton, an annual series of exhibitions that each examine a different facet of Schwitters’ influence on modern and contemporary art and culture.
Read our interview with Heather Ross.
About the Exploding Collage Season
Exploding Collage is a season of exhibitions at the Hatton Gallery inspired by the idea that Kurt Schwitters’ Merz Barn Wall – on permanent display in the Hatton Gallery – is a work of genre exploding collage practice, applying Schwitters’ collage technique on an architectural scale.
Each exhibition in the Exploding Collage season explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. The exhibitions include, Exploding Collage, Gathering, and The Loud and the Soft Speakers.
About the Merz Barn Wall
The Merz Barn Wall is a fragment of an unfinished artwork created by German artist Kurt Schwitters in a Lake District barn between 1947 and the artist’s death in 1948. Made up of plaster, paint and found objects, the work is emblematic of Schwitters’ interdisciplinary ‘Merz’ practice, which applied the principle of collage to all areas of life, re-contextualising discarded material to create new meanings and forms, whether in poetry, music, sculpture or space.
The Merz Barn Wall is the largest surviving fragment of the four Merzbauten (Merz Buildings) Schwitters began work on. The first Merzbau, made in his apartment in Hanover, Germany, was destroyed by allied bombing in 1943. Parts of his second Merzbau, begun in his holiday home in Hjertøyain, Norway, still survive. His third Merzbau near Oslo was destroyed by fire in 1951.
About the curatorial approach
The Merzbauten’s history of erasure and rebuilding informs the curatorial approach of Exploding Collage, which recognises the heightened risk of radically different artistic practice becoming lost due to the difficulty of preserving and exhibiting it.
Alongside this recognition is an awareness of the dual erasure that often effects the work of pioneering female artists, many of whom have historically been overlooked or actively undermined due to their gender. For instance, many of Schwitters’ female contemporaries were excluded from exhibitions, omitted from fellow artists’ written accounts, not collected by museums, and had their contributions belittled by art historians.
The result is a history of twentieth century avant-garde practice which appears to be dominated by men, even though women’s work was some of the most radical.
Although progress is being made in art history, exhibitions and museums are especially susceptible to perpetuating these historical ‘blindspots’, as it is often impossible to exhibit work by these artists due to gaps in public collections. As such, Exploding Collage seeks to circumnavigate the exhibition’s traditional reliance on historical artworks and objects, instead operating through contemporary artists’ work which carries within it the influence of such avant-garde artists, and testifies to their continued relevance and valued legacy, which can persist independently of the objects themselves.
at Segedunum Roman Fort
To mark 100 years since the end of WW1 this exhibition explores the enormous impact the war had on society and individuals. North Tyneside had played its part in the victory, not just through the troops fighting on the front lines but by the dedication of the men and women who supported the war effort in shipyards and armaments factories.
The years following the war would not be easy.
at Discovery Museum
Delve into the drama of the big top and explore the incredible stories behind the spectacle.
With wondrous surprises for all ages, including school holiday activities inspired by the exhibition.
Gallery highlights include the fabulous Arthur Fenwick Collection of circus art and memorabilia, a collection of national importance spanning the 1770s up to the 1950s.
We will also shine the spotlight on the fascinating life and career of Tyneside’s nineteenth century clown and entertainer extraordinaire Billy Purvis, as well as exploring the history and development of clowns in the circus ring.
The story will be brought right up-to-date with the inclusion of the Family La Bonche Collection providing an intimate and colourful look at contemporary Newcastle and North East circus communities and the contribution they make to the changing face of circus in our own times.
This exhibition shares the highs and lows of the history of circus, of which animal acts were one aspect when they first appeared from the mid-19th century. The exhibition addresses both sides of the argument, a debate that incidentally has been going on since the end of the 19th century. The Performing Animals Defence League was in fact founded in 1914 in response to the treatment of animal acts in circuses and in music halls.
Circus! Show of Shows, is a series of major exhibitions celebrating 250 years of circus in Great Britain. Exhibitions at Discovery Museum, Sheffield’s Weston Park Museum and Time and Tide Museum of Great Yarmouth Life are co-curated by The University of Sheffield’s Professor Vanessa Toulmin, one of the UK’s preeminent circus experts.
Circus! Show of Shows is made possible thanks to National Lottery players through the Heritage Lottery Fund (HLF).
Circus 250 is a UK-wide celebration marking the anniversary of this most pervasive, popular, born-in-Britain art form. Circus 250 will see museums, filmmakers, designers, theatres, orchestras, schools, libraries and circuses will all join in – circus is everywhere and for everyone.
at South Shields Museum & Art Gallery
To mark 100 years since the end of WW1 this exhibition explores the profound and lasting effect the war had on South Tyneside, changing life for ordinary people in ways that could hardly have been imagined before the war.
This exhibition explores the end of the First World War and the years that followed, the social change that took place and how individual people in South Tyneside were affected.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
Portraiture is a very old art form going back at least to ancient Egypt, where it flourished from about 5,000 years ago. Before the invention of photography, a painted, sculpted, or drawn portrait was the only way to record the appearance of someone. A portrait is an artistic representation of a person intending to display their likeness, personality and even mood.
But portraits have always been more than just a record. They have been used to show the power, importance, virtue, beauty, wealth, taste, learning or other qualities of the sitter. Portraits have almost always been flattering, and painters who refused to flatter tended to find their work rejected.
Among leading modern artists, portrait painting to order has become increasingly rare. Instead artists paint their friends and lovers in whatever way they pleased. At the same time, photography became the most important medium of traditional portraiture, making what was formerly an expensive luxury product affordable for almost everyone.
This exhibition of clothed portraits draws from the collections of the Laing Art Gallery and Hatton Gallery.
Highlights include key works by leading artists such as Sir Joshua Reynolds, Allan Ramsay, William Orpen, George Clausen and Chris Ofili, Thomas Lawrence, Augustus John, Sir John Lavery, Beryl Fowler and Christina Robertson.
Image: Portrait of Mrs Leathart and Her Three Children (1863–1865) by Arthur Hughes
at South Shields Museum & Art Gallery
A display commemorating one of Tyneside's most beloved women.
Dame Catherine Cookson is remembered 21 years after her death.
Part of the museum's Women 100, a programme started in 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
Exploding Collage explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats. It is comprised of presentations by three contemporary artists – Nadia Hebson, Linder, and Ursula Mayer - whose work examines, celebrates or reinstates such avant-garde figures.
Nadia Hebson presents a new commission made especially for Exploding Collage, which explores the idea of clothing as an instinctive form of collage. At the heart of Hebson’s installation are two paintings by the English Surrealist, Marion Adnams, whose work she navigates through a purposefully subjective, implicitly feminist lens.
Internationally renowned artist Linder – who last year won the one of the largest art prizes in the UK – will show three new works alongside elements from two interdisciplinary, experimental and deeply collaborative bodies of work inspired by Surrealist artist Ithell Colquhoun, and Modernist sculptor Barbara Hepworth.
Ursula Mayer – 2014 winner of the prestigious Jarman Award – will show her film Lunch in Fur, structured around a fictional meeting between Surrealist Meret Oppenheim, performer Josephine Baker, and photographer Dora Maar, reopening questions of the recognition and disappearance of artistic legacies.
Listen to the Hey Art, What's Good? podcast and hear what they thought of Exploding Collage. Listen here.
About the Exploding Collage Season
Exploding Collage is a season of exhibitions at the Hatton Gallery inspired by the idea that Kurt Schwitters’ Merz Barn Wall – on permanent display in the Hatton Gallery – is a work of genre exploding collage practice, applying Schwitters’ collage technique on an architectural scale.
Each exhibition in the Exploding Collage season explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. The exhibitions include, Exploding Collage, Gathering, and The Loud and the Soft Speakers.
Read Aesthetica Magazine's interview with Exploding Collage Curator, Madeleine Kennedy.
About the Merz Barn Wall
The Merz Barn Wall is a fragment of an unfinished artwork created by German artist Kurt Schwitters in a Lake District barn between 1947 and the artist’s death in 1948. Made up of plaster, paint and found objects, the work is emblematic of Schwitters’ interdisciplinary ‘Merz’ practice, which applied the principle of collage to all areas of life, re-contextualising discarded material to create new meanings and forms, whether in poetry, music, sculpture or space.
The Merz Barn Wall is the largest surviving fragment of the four Merzbauten (Merz Buildings) Schwitters began work on. The first Merzbau, made in his apartment in Hanover, Germany, was destroyed by allied bombing in 1943. Parts of his second Merzbau, begun in his holiday home in Hjertøyain, Norway, still survive. His third Merzbau near Oslo was destroyed by fire in 1951.
About the curatorial approach
The Merzbauten’s history of erasure and rebuilding informs the curatorial approach of Exploding Collage, which recognises the heightened risk of radically different artistic practice becoming lost due to the difficulty of preserving and exhibiting it.
Alongside this recognition is an awareness of the dual erasure that often effects the work of pioneering female artists, many of whom have historically been overlooked or actively undermined due to their gender. For instance, many of Schwitters’ female contemporaries were excluded from exhibitions, omitted from fellow artists’ written accounts, not collected by museums, and had their contributions belittled by art historians.
The result is a history of twentieth century avant-garde practice which appears to be dominated by men, even though women’s work was some of the most radical.
Although progress is being made in art history, exhibitions and museums are especially susceptible to perpetuating these historical ‘blindspots’, as it is often impossible to exhibit work by these artists due to gaps in public collections. As such, Exploding Collage seeks to circumnavigate the exhibition’s traditional reliance on historical artworks and objects, instead operating through contemporary artists’ work which carries within it the influence of such avant-garde artists, and testifies to their continued relevance and valued legacy, which can persist independently of the objects themselves.
at Shipley Art Gallery
“As soon as I found out that an illustrator’s job was to tell stories through pictures, I wanted to be one.”
Ceramics have been used since the earliest human civilisations to record stories and cultural beliefs for coming generations. The most well-known examples come from the ancient Greeks, who developed a distinctive artistic style to show military achievements, mythical stories, and religious scenes on vases and jugs.
Internationally acclaimed book illustrator Laura Carlin explores this link between ceramics and narrative by taking her illustration from paper to pottery. Using familiar forms such as figurines, plates and tiles, she shows that ceramics can, like books, be a powerful storytelling medium.
“My work with ceramics is self-taught. Yet there is freedom in not knowing the rules and, more importantly, it helps keep me looking and learning. This feeds back into my job as an illustrator. I am forced to look again and question my way of working.”
Laura Carlin has won numerous awards for her work, including the V&A Illustration Award and the Biennial of Illustrations Bratislava Award in 2015. She illustrates a weekly column in the Financial Times and regularly contributes to Condé Nast Traveller, The New York Times, The Guardian and The New Statesman. Carlin’s illustrated books are published by Phaidon, Walker Books and The Folio Society.
With thanks to Jo Cartwright.
Laura Carlin: Ceramics is a touring exhibition from House of Illustration.
at Discovery Museum
On display within Charge! The Story of England's Northern Cavalry
The 11th November 2018 marks the 100th anniversary of the signing of the Armistice and the end of the First World War.
This exhibition looks at the last 100 days of the war for the Northumberland Hussars and the regiments that later formed The Light Dragoons.
Using a mixture of graphics, quotes, images and objects it also explores the introduction of Armistice Day as an annual commemoration, the importance of remembrance today and the introduction of the Royal British Legion and the Poppy Appeal.
The exhibition features interviews with serving soldiers and veterans who explain the importance of Remembrance to them.
The exhibition will run until the end of January.
at South Shields Museum & Art Gallery
A collection of paintings by Albert Ernest Black. Black was born in North Shields in 1882, he loved sketching and devoted the last 30 years of his life, until his death in 1963, to his art. South Shields was a popular subject of his work.
The art in this exhibition has been selected by members of the WEA history group.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
The final artist intervention takes place on Saturday 16 February - find out more.
Take a look at what interventions have been at Gathering so far...
To accompany Exploding Collage, collaborators Julia Heslop & Ed Wainwright present Gathering, an architectural intervention which is designed to host the work of other artists, as in Kurt Schwitters’ Hannover Merz Bau, which concealed niches dedicated to his artistic heroes. Likewise, Gathering is comprised of an interconnected sequence of ‘grottoes’ assembled from found and given material, each of which will be dedicated to an artist whose work deserves to be reconsidered in relation to collage as an expanded, immersive or time-based practice.
Gathering will host a programme of interventions which will unfold throughout the course of the exhibition. Every fortnight, an invited artist or researcher will dedicate another ‘grotto’ to the work of an avant-garde figure who they consider to have expanded collage towards new potential forms, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. Please keep an eye on the Hatton Gallery website and social media channels for updates and more details as these happen.
Currently exhibiting as part of Gathering is Anka Schmid's video work Sophie Dances Anyway.
Other interventions so far have included:
Sonia Allorri, Ruth Hemus, Vaia Paziana
About the artists
Heslop & Wainwright work across the boundaries of art and architecture, recognising the scope of the artist to act as a critical spatial practitioner, in this case questioning who is afforded and who is denied space in histories of collage.
About the Exploding Collage Season
Exploding Collage was a season of exhibitions at the Hatton Gallery inspired by the idea that Kurt Schwitters’ Merz Barn Wall – on permanent display in the Hatton Gallery – is a work of genre exploding collage practice, applying Schwitters’ collage technique on an architectural scale.
Each exhibition in the Exploding Collage season explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. The exhibitions included, Exploding Collage, Gathering, and The Loud and the Soft Speakers.
About the Merz Barn Wall
The Merz Barn Wall is a fragment of an unfinished artwork created by German artist Kurt Schwitters in a Lake District barn between 1947 and the artist’s death in 1948. Made up of plaster, paint and found objects, the work is emblematic of Schwitters’ interdisciplinary ‘Merz’ practice, which applied the principle of collage to all areas of life, re-contextualising discarded material to create new meanings and forms, whether in poetry, music, sculpture or space.
The Merz Barn Wall is the largest surviving fragment of the four Merzbauten (Merz Buildings) Schwitters began work on. The first Merzbau, made in his apartment in Hanover, Germany, was destroyed by allied bombing in 1943. Parts of his second Merzbau, begun in his holiday home in Hjertøyain, Norway, still survive. His third Merzbau near Oslo was destroyed by fire in 1951.
About the curatorial approach
The Merzbauten’s history of erasure and rebuilding informs the curatorial approach of Exploding Collage, which recognises the heightened risk of radically different artistic practice becoming lost due to the difficulty of preserving and exhibiting it.
Alongside this recognition is an awareness of the dual erasure that often effects the work of pioneering female artists, many of whom have historically been overlooked or actively undermined due to their gender. For instance, many of Schwitters’ female contemporaries were excluded from exhibitions, omitted from fellow artists’ written accounts, not collected by museums, and had their contributions belittled by art historians.
The result is a history of twentieth century avant-garde practice which appears to be dominated by men, even though women’s work was some of the most radical.
Although progress is being made in art history, exhibitions and museums are especially susceptible to perpetuating these historical ‘blindspots’, as it is often impossible to exhibit work by these artists due to gaps in public collections. As such, Exploding Collage seeks to circumnavigate the exhibition’s traditional reliance on historical artworks and objects, instead operating through contemporary artists’ work which carries within it the influence of such avant-garde artists, and testifies to their continued relevance and valued legacy, which can persist independently of the objects themselves.
at Hatton Gallery
Included in Gathering are a series of prints from the Hatton Gallery Archive, belonging to the late printmaker Gwyneth Alban Davis and generated by Heather Ross's 2017 collaborative project The Caravan Press: Making visible the Archive of Gwyneth Alban Davis. Previously Heather discussed these prints in conjunction with The Loud and the Soft Speakers - each explore different aspects of Kurt Schwitters' experience of being in exile in Britain (1940-48).
Both Gathering and The Loud and the Soft Speakers are currently installed in the Hatton Gallery as part of the Exploding Collage season and relate to Heather's current practice-based PhD project which seeks to provide new sensorial insights into Kurt Schwitters' Merz Barn Wall (also situated within the Hatton Gallery).
at Hatton Gallery
Film director, screenwriter and video artist, Anka Schmid has provided this intervention in Gathering. Schmid's video work Sophie Dances Anyway is dedicated to Sophie Taeuber (1889-1943).
"Sophie Taeuber created an extraordinary varied oeuvre. Since dance has accompanied me in my own work for years, my main focus was on her dance work. To this day there is something mysterious about her Dada dances. My research revealed that only one photo exists of her performances, only a few descriptions of contemporary witnesses and no personal texts by Taeuber herself. I began to imagine her dances. The attempt to realise the circumstances under which Taueber danced to capture her spirit seemed more appealing to me than knowing the exact choreography. In her performances, the artist reacted "live" to the actions of other Dada activists and created a fleeting work out of this common creative spirit - a dance destined for the moment alone.
"This spirit also flows into my video installation. I initiated a collaboration with the young dancer Nina Vallon, the Kazakh singer Saadet Türköz and the costume designer Dorothee Schmid to create a dialogue with Sophie Taeuber and her marionettes through a common imagination. The film clips of our interaction are shown as a synchronized two-channel video in the grotto. This evokes a kind of live performance that involves the viewers.
"Sophie Taeuber's willingness to take risks made a lasting impression on me as she risked her employment at the School of Applied Arts with these avant-garde dance performances. She was threatened with dismissal if she were to continue to play an active role with the Dadaists. But Taeuber kept dancing behind a mask (hence the title of my video work: Sophie Dances Anyway). Art is risk, the mask is a means of resistance."
Anka Schmid, August 2014
Concept, idea, camera: Anka Schmid
Dance: Nina Vallon,
Vocals: Saadet Türköz
Costumes: Dorothee Schmid
at Laing Art Gallery
As featured in
⭐️ The Times
⭐️ The Guardian (pick of the week!)
⭐️ i Newspaper
Facebook discount:
20% discount on admissions throughout February (Wednesdays & Thursdays only). Click here to claim.
Please note due to the explicit nature of this exhibition those aged 16 years and below must be accompanied by an adult.
This exhibition of unclothed portraits from the National Portrait Gallery Collection invites questions about identity and gender, the real and ideal. It includes portraits of exposed sitters from Nell Gwyn to Naomi Campbell, Gilbert & George to John Lennon and Yoko Ono. Featured artists include Duncan Grant, Vanessa Bell, Sam Taylor-Johnson, David Hockney, Annie Leibovitz, Linda McCartney, Tracy Emin, David Bailey, Mario Testino and Dorothy Wilding. This exhibition is a partnership jointly curated between the National Portrait Gallery and the Laing Art Gallery.
Exposure has more than one meaning. It can describe harmful or welcome experiences: the revelation of a shameful secret or the achievement of longed-for publicity for a person or cause. It can refer to acute vulnerability or complete self-assurance. The various meanings of ‘exposed’ can be found in the portraits in this exhibition.
A distinction is often made between the naked and the nude. Nakedness is associated with authenticity – ‘the naked truth’. In contrast, the nude belongs to a tradition of idealised figures that extends back to ancient Greece and was central to artistic training from the Renaissance to the late nineteenth century.
The exhibition is divided into two parts; Bodies of Desire focuses on the vital role of gender and sexuality in portraiture and how it exhibits elements associated with the nude such as an interest in the eroticised or idealised body. In close juxtaposition, Reclaiming the Body addresses postmodern and feminist theory and ways in which it has brought about a reappraisal of the naked body in art.
All of the images in Exposed are naked portraits rather than depictions of the nude. This is due to their focus on particular individuals. There are numerous reasons for artists to create naked portraits and for sitters to pose for them. Freed from the social and cultural markers of clothing, naked portraits enable artists to explore various expressive and formal questions. The portraits in this display show that naked portraits can be flattering or honest, seductive or shocking, vulnerable or liberating.
This exhibition is accompanied by a display of portraits from the Laing Art Gallery and Hatton Gallery in gallery C. This display is part of the offer for Exposed and is included in the ticket price.
Highlights include key works by leading artists such as Sir Joshua Reynolds, Allan Ramsay, William Orpen, George Clausen and Chris Ofili, Thomas Lawrence, Augustus John, Sir John Lavery, Beryl Fowler and Christina Robertson.
Image: Mick Jagger; Jerry Hall by Norman Parkinson, July 81 © Norman Parkinson / Iconic Images (detail)
at South Shields Museum & Art Gallery
This exhibition features works by the artist Ethel Walker RA on loan from the Royal Academy of Arts collection as part of the Royal Academy of Arts 250th anniversary celebrations.
An exhibition highlight is a portrait of Dame Flora Robson, feted actor of stage and screen, born in South Shields.
Also includes artworks on loan from the Laing Art Gallery.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
Programmed to coincide with Exploding Collage (which exhibited at Hatton Gallery September 2018 - January 2019) artist Heather Ross presents The Loud and the Soft Speakers, a contemporary iteration of a performance work - The Silence Poem or Leise - by the avant-garde German artist, Kurt Schwitters.
Taking the form of an immersive two channel video, Ross’ work examines The Silence Poem as a work of creation and destruction, which Schwitters repeated across multiple sites, incorporating newfound material and environmental influences to generate something new each time. Notably, Schwitters performed and developed The Silence Poem in English whilst interned in the Hutchinson Camp on the Isle of Man during World War II.
The Loud and the Soft Speakers – filmed on the same site and featuring musician and performance artist Florian Kaplick – employs performance as an exploratory tool for the visualisation of some of the historical and environmental influences which contributed to Schwitters experience of internment, and subsequently the development of The Silence Poem.
The Loud and the Soft Speakers is the outcome of Ross’ practice-based research excavating the varied meanings of The Pointless Collage (also known as Untitled (with porcelain shard)), which Schwitters made a year before he commenced work on the Merz Barn.
This exhibition is part of the Schwitters Legacy programme at the Hatton, an annual series of exhibitions that each examine a different facet of Schwitters’ influence on modern and contemporary art and culture.
Read our interview with Heather Ross.
About the Exploding Collage Season
Exploding Collage is a season of exhibitions at the Hatton Gallery inspired by the idea that Kurt Schwitters’ Merz Barn Wall – on permanent display in the Hatton Gallery – is a work of genre exploding collage practice, applying Schwitters’ collage technique on an architectural scale.
Each exhibition in the Exploding Collage season explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. The exhibitions include, Exploding Collage, Gathering, and The Loud and the Soft Speakers.
About the Merz Barn Wall
The Merz Barn Wall is a fragment of an unfinished artwork created by German artist Kurt Schwitters in a Lake District barn between 1947 and the artist’s death in 1948. Made up of plaster, paint and found objects, the work is emblematic of Schwitters’ interdisciplinary ‘Merz’ practice, which applied the principle of collage to all areas of life, re-contextualising discarded material to create new meanings and forms, whether in poetry, music, sculpture or space.
The Merz Barn Wall is the largest surviving fragment of the four Merzbauten (Merz Buildings) Schwitters began work on. The first Merzbau, made in his apartment in Hanover, Germany, was destroyed by allied bombing in 1943. Parts of his second Merzbau, begun in his holiday home in Hjertøyain, Norway, still survive. His third Merzbau near Oslo was destroyed by fire in 1951.
About the curatorial approach
The Merzbauten’s history of erasure and rebuilding informs the curatorial approach of Exploding Collage, which recognises the heightened risk of radically different artistic practice becoming lost due to the difficulty of preserving and exhibiting it.
Alongside this recognition is an awareness of the dual erasure that often effects the work of pioneering female artists, many of whom have historically been overlooked or actively undermined due to their gender. For instance, many of Schwitters’ female contemporaries were excluded from exhibitions, omitted from fellow artists’ written accounts, not collected by museums, and had their contributions belittled by art historians.
The result is a history of twentieth century avant-garde practice which appears to be dominated by men, even though women’s work was some of the most radical.
Although progress is being made in art history, exhibitions and museums are especially susceptible to perpetuating these historical ‘blindspots’, as it is often impossible to exhibit work by these artists due to gaps in public collections. As such, Exploding Collage seeks to circumnavigate the exhibition’s traditional reliance on historical artworks and objects, instead operating through contemporary artists’ work which carries within it the influence of such avant-garde artists, and testifies to their continued relevance and valued legacy, which can persist independently of the objects themselves.
at Segedunum Roman Fort
To mark 100 years since the end of WW1 this exhibition explores the enormous impact the war had on society and individuals. North Tyneside had played its part in the victory, not just through the troops fighting on the front lines but by the dedication of the men and women who supported the war effort in shipyards and armaments factories.
The years following the war would not be easy.
at Discovery Museum
Delve into the drama of the big top and explore the incredible stories behind the spectacle.
With wondrous surprises for all ages, including school holiday activities inspired by the exhibition.
Gallery highlights include the fabulous Arthur Fenwick Collection of circus art and memorabilia, a collection of national importance spanning the 1770s up to the 1950s.
We will also shine the spotlight on the fascinating life and career of Tyneside’s nineteenth century clown and entertainer extraordinaire Billy Purvis, as well as exploring the history and development of clowns in the circus ring.
The story will be brought right up-to-date with the inclusion of the Family La Bonche Collection providing an intimate and colourful look at contemporary Newcastle and North East circus communities and the contribution they make to the changing face of circus in our own times.
This exhibition shares the highs and lows of the history of circus, of which animal acts were one aspect when they first appeared from the mid-19th century. The exhibition addresses both sides of the argument, a debate that incidentally has been going on since the end of the 19th century. The Performing Animals Defence League was in fact founded in 1914 in response to the treatment of animal acts in circuses and in music halls.
Circus! Show of Shows, is a series of major exhibitions celebrating 250 years of circus in Great Britain. Exhibitions at Discovery Museum, Sheffield’s Weston Park Museum and Time and Tide Museum of Great Yarmouth Life are co-curated by The University of Sheffield’s Professor Vanessa Toulmin, one of the UK’s preeminent circus experts.
Circus! Show of Shows is made possible thanks to National Lottery players through the Heritage Lottery Fund (HLF).
Circus 250 is a UK-wide celebration marking the anniversary of this most pervasive, popular, born-in-Britain art form. Circus 250 will see museums, filmmakers, designers, theatres, orchestras, schools, libraries and circuses will all join in – circus is everywhere and for everyone.
at South Shields Museum & Art Gallery
To mark 100 years since the end of WW1 this exhibition explores the profound and lasting effect the war had on South Tyneside, changing life for ordinary people in ways that could hardly have been imagined before the war.
This exhibition explores the end of the First World War and the years that followed, the social change that took place and how individual people in South Tyneside were affected.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
Portraiture is a very old art form going back at least to ancient Egypt, where it flourished from about 5,000 years ago. Before the invention of photography, a painted, sculpted, or drawn portrait was the only way to record the appearance of someone. A portrait is an artistic representation of a person intending to display their likeness, personality and even mood.
But portraits have always been more than just a record. They have been used to show the power, importance, virtue, beauty, wealth, taste, learning or other qualities of the sitter. Portraits have almost always been flattering, and painters who refused to flatter tended to find their work rejected.
Among leading modern artists, portrait painting to order has become increasingly rare. Instead artists paint their friends and lovers in whatever way they pleased. At the same time, photography became the most important medium of traditional portraiture, making what was formerly an expensive luxury product affordable for almost everyone.
This exhibition of clothed portraits draws from the collections of the Laing Art Gallery and Hatton Gallery.
Highlights include key works by leading artists such as Sir Joshua Reynolds, Allan Ramsay, William Orpen, George Clausen and Chris Ofili, Thomas Lawrence, Augustus John, Sir John Lavery, Beryl Fowler and Christina Robertson.
Image: Portrait of Mrs Leathart and Her Three Children (1863–1865) by Arthur Hughes
at South Shields Museum & Art Gallery
A display commemorating one of Tyneside's most beloved women.
Dame Catherine Cookson is remembered 21 years after her death.
Part of the museum's Women 100, a programme started in 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
Exploding Collage explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats. It is comprised of presentations by three contemporary artists – Nadia Hebson, Linder, and Ursula Mayer - whose work examines, celebrates or reinstates such avant-garde figures.
Nadia Hebson presents a new commission made especially for Exploding Collage, which explores the idea of clothing as an instinctive form of collage. At the heart of Hebson’s installation are two paintings by the English Surrealist, Marion Adnams, whose work she navigates through a purposefully subjective, implicitly feminist lens.
Internationally renowned artist Linder – who last year won the one of the largest art prizes in the UK – will show three new works alongside elements from two interdisciplinary, experimental and deeply collaborative bodies of work inspired by Surrealist artist Ithell Colquhoun, and Modernist sculptor Barbara Hepworth.
Ursula Mayer – 2014 winner of the prestigious Jarman Award – will show her film Lunch in Fur, structured around a fictional meeting between Surrealist Meret Oppenheim, performer Josephine Baker, and photographer Dora Maar, reopening questions of the recognition and disappearance of artistic legacies.
Listen to the Hey Art, What's Good? podcast and hear what they thought of Exploding Collage. Listen here.
About the Exploding Collage Season
Exploding Collage is a season of exhibitions at the Hatton Gallery inspired by the idea that Kurt Schwitters’ Merz Barn Wall – on permanent display in the Hatton Gallery – is a work of genre exploding collage practice, applying Schwitters’ collage technique on an architectural scale.
Each exhibition in the Exploding Collage season explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. The exhibitions include, Exploding Collage, Gathering, and The Loud and the Soft Speakers.
Read Aesthetica Magazine's interview with Exploding Collage Curator, Madeleine Kennedy.
About the Merz Barn Wall
The Merz Barn Wall is a fragment of an unfinished artwork created by German artist Kurt Schwitters in a Lake District barn between 1947 and the artist’s death in 1948. Made up of plaster, paint and found objects, the work is emblematic of Schwitters’ interdisciplinary ‘Merz’ practice, which applied the principle of collage to all areas of life, re-contextualising discarded material to create new meanings and forms, whether in poetry, music, sculpture or space.
The Merz Barn Wall is the largest surviving fragment of the four Merzbauten (Merz Buildings) Schwitters began work on. The first Merzbau, made in his apartment in Hanover, Germany, was destroyed by allied bombing in 1943. Parts of his second Merzbau, begun in his holiday home in Hjertøyain, Norway, still survive. His third Merzbau near Oslo was destroyed by fire in 1951.
About the curatorial approach
The Merzbauten’s history of erasure and rebuilding informs the curatorial approach of Exploding Collage, which recognises the heightened risk of radically different artistic practice becoming lost due to the difficulty of preserving and exhibiting it.
Alongside this recognition is an awareness of the dual erasure that often effects the work of pioneering female artists, many of whom have historically been overlooked or actively undermined due to their gender. For instance, many of Schwitters’ female contemporaries were excluded from exhibitions, omitted from fellow artists’ written accounts, not collected by museums, and had their contributions belittled by art historians.
The result is a history of twentieth century avant-garde practice which appears to be dominated by men, even though women’s work was some of the most radical.
Although progress is being made in art history, exhibitions and museums are especially susceptible to perpetuating these historical ‘blindspots’, as it is often impossible to exhibit work by these artists due to gaps in public collections. As such, Exploding Collage seeks to circumnavigate the exhibition’s traditional reliance on historical artworks and objects, instead operating through contemporary artists’ work which carries within it the influence of such avant-garde artists, and testifies to their continued relevance and valued legacy, which can persist independently of the objects themselves.
at Shipley Art Gallery
“As soon as I found out that an illustrator’s job was to tell stories through pictures, I wanted to be one.”
Ceramics have been used since the earliest human civilisations to record stories and cultural beliefs for coming generations. The most well-known examples come from the ancient Greeks, who developed a distinctive artistic style to show military achievements, mythical stories, and religious scenes on vases and jugs.
Internationally acclaimed book illustrator Laura Carlin explores this link between ceramics and narrative by taking her illustration from paper to pottery. Using familiar forms such as figurines, plates and tiles, she shows that ceramics can, like books, be a powerful storytelling medium.
“My work with ceramics is self-taught. Yet there is freedom in not knowing the rules and, more importantly, it helps keep me looking and learning. This feeds back into my job as an illustrator. I am forced to look again and question my way of working.”
Laura Carlin has won numerous awards for her work, including the V&A Illustration Award and the Biennial of Illustrations Bratislava Award in 2015. She illustrates a weekly column in the Financial Times and regularly contributes to Condé Nast Traveller, The New York Times, The Guardian and The New Statesman. Carlin’s illustrated books are published by Phaidon, Walker Books and The Folio Society.
With thanks to Jo Cartwright.
Laura Carlin: Ceramics is a touring exhibition from House of Illustration.
at Discovery Museum
On display within Charge! The Story of England's Northern Cavalry
The 11th November 2018 marks the 100th anniversary of the signing of the Armistice and the end of the First World War.
This exhibition looks at the last 100 days of the war for the Northumberland Hussars and the regiments that later formed The Light Dragoons.
Using a mixture of graphics, quotes, images and objects it also explores the introduction of Armistice Day as an annual commemoration, the importance of remembrance today and the introduction of the Royal British Legion and the Poppy Appeal.
The exhibition features interviews with serving soldiers and veterans who explain the importance of Remembrance to them.
The exhibition will run until the end of January.
at Discovery Museum
Project Godie: Revealing a Forgotten Chapter of North East History explores the shared industrial, military and cultural heritage of the North East of England and Japan.
Today the North East enjoys strong business relations with Japan, not the least of which is Nissan whose presence at Sunderland is significant. However, the region’s cultural and commercial exchanges with Japan run deeper than might first be thought.
Japanese warships were once built on the banks of the River Tyne in Elswick. Five graves occupied by Japanese nationals lie nearby in St John's Cemetery, showing us that their time here was more than simply a business exchange - they lived their lives out in the North East.
And it wasn't just those working in the shipbuilding industry who experienced life in the region during that time. An acrobatic troupe, Tannaker's Japanese, brought their version of Japanese culture to the North East, and it is this little-known fact that influenced the project's name. Little Godie, the baby son of two of the performers who sadly passed away aged just 15 months, is buried just over ten miles away from the five Newcastle graves in neighbouring Sunderland.
at South Shields Museum & Art Gallery
A collection of paintings by Albert Ernest Black. Black was born in North Shields in 1882, he loved sketching and devoted the last 30 years of his life, until his death in 1963, to his art. South Shields was a popular subject of his work.
The art in this exhibition has been selected by members of the WEA history group.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
The final artist intervention takes place on Saturday 16 February - find out more.
Take a look at what interventions have been at Gathering so far...
To accompany Exploding Collage, collaborators Julia Heslop & Ed Wainwright present Gathering, an architectural intervention which is designed to host the work of other artists, as in Kurt Schwitters’ Hannover Merz Bau, which concealed niches dedicated to his artistic heroes. Likewise, Gathering is comprised of an interconnected sequence of ‘grottoes’ assembled from found and given material, each of which will be dedicated to an artist whose work deserves to be reconsidered in relation to collage as an expanded, immersive or time-based practice.
Gathering will host a programme of interventions which will unfold throughout the course of the exhibition. Every fortnight, an invited artist or researcher will dedicate another ‘grotto’ to the work of an avant-garde figure who they consider to have expanded collage towards new potential forms, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. Please keep an eye on the Hatton Gallery website and social media channels for updates and more details as these happen.
Currently exhibiting as part of Gathering is Anka Schmid's video work Sophie Dances Anyway.
Other interventions so far have included:
Sonia Allorri, Ruth Hemus, Vaia Paziana
About the artists
Heslop & Wainwright work across the boundaries of art and architecture, recognising the scope of the artist to act as a critical spatial practitioner, in this case questioning who is afforded and who is denied space in histories of collage.
About the Exploding Collage Season
Exploding Collage was a season of exhibitions at the Hatton Gallery inspired by the idea that Kurt Schwitters’ Merz Barn Wall – on permanent display in the Hatton Gallery – is a work of genre exploding collage practice, applying Schwitters’ collage technique on an architectural scale.
Each exhibition in the Exploding Collage season explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. The exhibitions included, Exploding Collage, Gathering, and The Loud and the Soft Speakers.
About the Merz Barn Wall
The Merz Barn Wall is a fragment of an unfinished artwork created by German artist Kurt Schwitters in a Lake District barn between 1947 and the artist’s death in 1948. Made up of plaster, paint and found objects, the work is emblematic of Schwitters’ interdisciplinary ‘Merz’ practice, which applied the principle of collage to all areas of life, re-contextualising discarded material to create new meanings and forms, whether in poetry, music, sculpture or space.
The Merz Barn Wall is the largest surviving fragment of the four Merzbauten (Merz Buildings) Schwitters began work on. The first Merzbau, made in his apartment in Hanover, Germany, was destroyed by allied bombing in 1943. Parts of his second Merzbau, begun in his holiday home in Hjertøyain, Norway, still survive. His third Merzbau near Oslo was destroyed by fire in 1951.
About the curatorial approach
The Merzbauten’s history of erasure and rebuilding informs the curatorial approach of Exploding Collage, which recognises the heightened risk of radically different artistic practice becoming lost due to the difficulty of preserving and exhibiting it.
Alongside this recognition is an awareness of the dual erasure that often effects the work of pioneering female artists, many of whom have historically been overlooked or actively undermined due to their gender. For instance, many of Schwitters’ female contemporaries were excluded from exhibitions, omitted from fellow artists’ written accounts, not collected by museums, and had their contributions belittled by art historians.
The result is a history of twentieth century avant-garde practice which appears to be dominated by men, even though women’s work was some of the most radical.
Although progress is being made in art history, exhibitions and museums are especially susceptible to perpetuating these historical ‘blindspots’, as it is often impossible to exhibit work by these artists due to gaps in public collections. As such, Exploding Collage seeks to circumnavigate the exhibition’s traditional reliance on historical artworks and objects, instead operating through contemporary artists’ work which carries within it the influence of such avant-garde artists, and testifies to their continued relevance and valued legacy, which can persist independently of the objects themselves.
at Hatton Gallery
Included in Gathering are a series of prints from the Hatton Gallery Archive, belonging to the late printmaker Gwyneth Alban Davis and generated by Heather Ross's 2017 collaborative project The Caravan Press: Making visible the Archive of Gwyneth Alban Davis. Previously Heather discussed these prints in conjunction with The Loud and the Soft Speakers - each explore different aspects of Kurt Schwitters' experience of being in exile in Britain (1940-48).
Both Gathering and The Loud and the Soft Speakers are currently installed in the Hatton Gallery as part of the Exploding Collage season and relate to Heather's current practice-based PhD project which seeks to provide new sensorial insights into Kurt Schwitters' Merz Barn Wall (also situated within the Hatton Gallery).
at Hatton Gallery
Film director, screenwriter and video artist, Anka Schmid has provided this intervention in Gathering. Schmid's video work Sophie Dances Anyway is dedicated to Sophie Taeuber (1889-1943).
"Sophie Taeuber created an extraordinary varied oeuvre. Since dance has accompanied me in my own work for years, my main focus was on her dance work. To this day there is something mysterious about her Dada dances. My research revealed that only one photo exists of her performances, only a few descriptions of contemporary witnesses and no personal texts by Taeuber herself. I began to imagine her dances. The attempt to realise the circumstances under which Taueber danced to capture her spirit seemed more appealing to me than knowing the exact choreography. In her performances, the artist reacted "live" to the actions of other Dada activists and created a fleeting work out of this common creative spirit - a dance destined for the moment alone.
"This spirit also flows into my video installation. I initiated a collaboration with the young dancer Nina Vallon, the Kazakh singer Saadet Türköz and the costume designer Dorothee Schmid to create a dialogue with Sophie Taeuber and her marionettes through a common imagination. The film clips of our interaction are shown as a synchronized two-channel video in the grotto. This evokes a kind of live performance that involves the viewers.
"Sophie Taeuber's willingness to take risks made a lasting impression on me as she risked her employment at the School of Applied Arts with these avant-garde dance performances. She was threatened with dismissal if she were to continue to play an active role with the Dadaists. But Taeuber kept dancing behind a mask (hence the title of my video work: Sophie Dances Anyway). Art is risk, the mask is a means of resistance."
Anka Schmid, August 2014
Concept, idea, camera: Anka Schmid
Dance: Nina Vallon,
Vocals: Saadet Türköz
Costumes: Dorothee Schmid
at Hatton Gallery
The contents of this grotto will be a material resource of textual and visual references to selected literature and artwork of Mina Loy, by writers and artists, including Jackie Haynes, in addition to references to Kurt Schwitters.
The idea of the social nature and materiality seen in aspects of both Loy’s and Schwitters’ artwork, will be expanded in the grotto to explore the idea of the social nature of research. Both artists used ‘rubbish’ to make collages and the research aims to reveal further commonalities in their work. There will be opportunity throughout the two weeks for the public to annotate the reference material with their own thoughts and material responses.
‘Her poetry wasn't just excessive - it was madly in love with excess, celebrating excess as the point where poetry began. Her poems are full of textual noise: asterisks, dots, fields of whitespace, neologisms, archaisms, non sequiturs, arcane Anglo-mongrel words, dashes, capitals, carats, tildes, ready mades, foreign locutions, chatty throwaway lines, catchphrases…She writes in an exploded vocabulary, one that takes its vitality from the exploded modern city…. wearing the scars of its initiation into the world.’
(SHEFFIELD, R., 2003. Mina Loy in Too Much Too Soon: Poetry / Celebrity / Sexuality / Modernity. Literary Review, 46(4), pp. 625.)
About the artist
Artist, Jackie Haynes, has a lifelong and ongoing background of experimentation, making and doing things. In recent years, this has expanded from being textile-related to include other materials such as concrete, balloons, adhesive vinyls and text. Forms range from objects to installations and performance, with recent examples in Germany, Italy and the UK.
Jackie established House of Haynes Fancy Dress Hire in 1995, in Manchester’s Northern Quarter. For seventeen years, she developed a business of making and hiring costumes alongside bespoke commission work and a wholesale range.
In 2012 she changed direction, creating an art practice from existing skills and completing an MA in Textiles at Manchester Metropolitan University. Whilst studying, she became interested in the work of artist, Kurt Schwitters.
Following the MA, she continued to generate and participate in both independent and collaborative art projects, symposia, residencies and exhibitions. Much of this activity centred around contemporary responses to the artistic activities of Dada and Kurt Schwitters’ Merz. This subsequently developed into a more focussed exploration through a successful application to the Kurt Schwitters PhD scholarship which began in 2016 at University of Cumbria Institute of the Arts in Carlisle and is due for completion in March 2020.
Jackie shares a studio at Islington Mill in Salford and lives in Manchester with her two daughters.
To find out more about Jackie, click here.
at Laing Art Gallery
As featured in
⭐️ The Times
⭐️ The Guardian (pick of the week!)
⭐️ i Newspaper
Facebook discount:
20% discount on admissions throughout February (Wednesdays & Thursdays only). Click here to claim.
Please note due to the explicit nature of this exhibition those aged 16 years and below must be accompanied by an adult.
This exhibition of unclothed portraits from the National Portrait Gallery Collection invites questions about identity and gender, the real and ideal. It includes portraits of exposed sitters from Nell Gwyn to Naomi Campbell, Gilbert & George to John Lennon and Yoko Ono. Featured artists include Duncan Grant, Vanessa Bell, Sam Taylor-Johnson, David Hockney, Annie Leibovitz, Linda McCartney, Tracy Emin, David Bailey, Mario Testino and Dorothy Wilding. This exhibition is a partnership jointly curated between the National Portrait Gallery and the Laing Art Gallery.
Exposure has more than one meaning. It can describe harmful or welcome experiences: the revelation of a shameful secret or the achievement of longed-for publicity for a person or cause. It can refer to acute vulnerability or complete self-assurance. The various meanings of ‘exposed’ can be found in the portraits in this exhibition.
A distinction is often made between the naked and the nude. Nakedness is associated with authenticity – ‘the naked truth’. In contrast, the nude belongs to a tradition of idealised figures that extends back to ancient Greece and was central to artistic training from the Renaissance to the late nineteenth century.
The exhibition is divided into two parts; Bodies of Desire focuses on the vital role of gender and sexuality in portraiture and how it exhibits elements associated with the nude such as an interest in the eroticised or idealised body. In close juxtaposition, Reclaiming the Body addresses postmodern and feminist theory and ways in which it has brought about a reappraisal of the naked body in art.
All of the images in Exposed are naked portraits rather than depictions of the nude. This is due to their focus on particular individuals. There are numerous reasons for artists to create naked portraits and for sitters to pose for them. Freed from the social and cultural markers of clothing, naked portraits enable artists to explore various expressive and formal questions. The portraits in this display show that naked portraits can be flattering or honest, seductive or shocking, vulnerable or liberating.
This exhibition is accompanied by a display of portraits from the Laing Art Gallery and Hatton Gallery in gallery C. This display is part of the offer for Exposed and is included in the ticket price.
Highlights include key works by leading artists such as Sir Joshua Reynolds, Allan Ramsay, William Orpen, George Clausen and Chris Ofili, Thomas Lawrence, Augustus John, Sir John Lavery, Beryl Fowler and Christina Robertson.
Image: Mick Jagger; Jerry Hall by Norman Parkinson, July 81 © Norman Parkinson / Iconic Images (detail)
at South Shields Museum & Art Gallery
This exhibition features works by the artist Ethel Walker RA on loan from the Royal Academy of Arts collection as part of the Royal Academy of Arts 250th anniversary celebrations.
An exhibition highlight is a portrait of Dame Flora Robson, feted actor of stage and screen, born in South Shields.
Also includes artworks on loan from the Laing Art Gallery.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
Programmed to coincide with Exploding Collage (which exhibited at Hatton Gallery September 2018 - January 2019) artist Heather Ross presents The Loud and the Soft Speakers, a contemporary iteration of a performance work - The Silence Poem or Leise - by the avant-garde German artist, Kurt Schwitters.
Taking the form of an immersive two channel video, Ross’ work examines The Silence Poem as a work of creation and destruction, which Schwitters repeated across multiple sites, incorporating newfound material and environmental influences to generate something new each time. Notably, Schwitters performed and developed The Silence Poem in English whilst interned in the Hutchinson Camp on the Isle of Man during World War II.
The Loud and the Soft Speakers – filmed on the same site and featuring musician and performance artist Florian Kaplick – employs performance as an exploratory tool for the visualisation of some of the historical and environmental influences which contributed to Schwitters experience of internment, and subsequently the development of The Silence Poem.
The Loud and the Soft Speakers is the outcome of Ross’ practice-based research excavating the varied meanings of The Pointless Collage (also known as Untitled (with porcelain shard)), which Schwitters made a year before he commenced work on the Merz Barn.
This exhibition is part of the Schwitters Legacy programme at the Hatton, an annual series of exhibitions that each examine a different facet of Schwitters’ influence on modern and contemporary art and culture.
Read our interview with Heather Ross.
About the Exploding Collage Season
Exploding Collage is a season of exhibitions at the Hatton Gallery inspired by the idea that Kurt Schwitters’ Merz Barn Wall – on permanent display in the Hatton Gallery – is a work of genre exploding collage practice, applying Schwitters’ collage technique on an architectural scale.
Each exhibition in the Exploding Collage season explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. The exhibitions include, Exploding Collage, Gathering, and The Loud and the Soft Speakers.
About the Merz Barn Wall
The Merz Barn Wall is a fragment of an unfinished artwork created by German artist Kurt Schwitters in a Lake District barn between 1947 and the artist’s death in 1948. Made up of plaster, paint and found objects, the work is emblematic of Schwitters’ interdisciplinary ‘Merz’ practice, which applied the principle of collage to all areas of life, re-contextualising discarded material to create new meanings and forms, whether in poetry, music, sculpture or space.
The Merz Barn Wall is the largest surviving fragment of the four Merzbauten (Merz Buildings) Schwitters began work on. The first Merzbau, made in his apartment in Hanover, Germany, was destroyed by allied bombing in 1943. Parts of his second Merzbau, begun in his holiday home in Hjertøyain, Norway, still survive. His third Merzbau near Oslo was destroyed by fire in 1951.
About the curatorial approach
The Merzbauten’s history of erasure and rebuilding informs the curatorial approach of Exploding Collage, which recognises the heightened risk of radically different artistic practice becoming lost due to the difficulty of preserving and exhibiting it.
Alongside this recognition is an awareness of the dual erasure that often effects the work of pioneering female artists, many of whom have historically been overlooked or actively undermined due to their gender. For instance, many of Schwitters’ female contemporaries were excluded from exhibitions, omitted from fellow artists’ written accounts, not collected by museums, and had their contributions belittled by art historians.
The result is a history of twentieth century avant-garde practice which appears to be dominated by men, even though women’s work was some of the most radical.
Although progress is being made in art history, exhibitions and museums are especially susceptible to perpetuating these historical ‘blindspots’, as it is often impossible to exhibit work by these artists due to gaps in public collections. As such, Exploding Collage seeks to circumnavigate the exhibition’s traditional reliance on historical artworks and objects, instead operating through contemporary artists’ work which carries within it the influence of such avant-garde artists, and testifies to their continued relevance and valued legacy, which can persist independently of the objects themselves.
at Segedunum Roman Fort
To mark 100 years since the end of WW1 this exhibition explores the enormous impact the war had on society and individuals. North Tyneside had played its part in the victory, not just through the troops fighting on the front lines but by the dedication of the men and women who supported the war effort in shipyards and armaments factories.
The years following the war would not be easy.
at Hatton Gallery
This is the first exhibition in a new strand of programming at the Hatton Gallery premised on the visual synergies between different artists’ bodies of work. This curatorial strategy seeks to deal creatively with the Hatton’s collection, providing an alternative to strictly art-historical approaches.
Francis Bacon’s piece Study for Figure VI, 1956-57, one of the most iconic works in the Hatton collection is the catalyst for Francis Bacon | Ellen Gallagher which sheds new light on each artists’ work. Specifically, the exhibition presents a dialogue between oil paintings by Bacon and Morphia, a series of works on paper by Ellen Gallagher, considered to be one of the most acclaimed contemporary artists to have emerged from North America since the mid-1990s.
Follow Francis Bacon's eventful journey to become one of Britain's most acclaimed artists... Find out more
at Discovery Museum
Delve into the drama of the big top and explore the incredible stories behind the spectacle.
With wondrous surprises for all ages, including school holiday activities inspired by the exhibition.
Gallery highlights include the fabulous Arthur Fenwick Collection of circus art and memorabilia, a collection of national importance spanning the 1770s up to the 1950s.
We will also shine the spotlight on the fascinating life and career of Tyneside’s nineteenth century clown and entertainer extraordinaire Billy Purvis, as well as exploring the history and development of clowns in the circus ring.
The story will be brought right up-to-date with the inclusion of the Family La Bonche Collection providing an intimate and colourful look at contemporary Newcastle and North East circus communities and the contribution they make to the changing face of circus in our own times.
This exhibition shares the highs and lows of the history of circus, of which animal acts were one aspect when they first appeared from the mid-19th century. The exhibition addresses both sides of the argument, a debate that incidentally has been going on since the end of the 19th century. The Performing Animals Defence League was in fact founded in 1914 in response to the treatment of animal acts in circuses and in music halls.
Circus! Show of Shows, is a series of major exhibitions celebrating 250 years of circus in Great Britain. Exhibitions at Discovery Museum, Sheffield’s Weston Park Museum and Time and Tide Museum of Great Yarmouth Life are co-curated by The University of Sheffield’s Professor Vanessa Toulmin, one of the UK’s preeminent circus experts.
Circus! Show of Shows is made possible thanks to National Lottery players through the Heritage Lottery Fund (HLF).
Circus 250 is a UK-wide celebration marking the anniversary of this most pervasive, popular, born-in-Britain art form. Circus 250 will see museums, filmmakers, designers, theatres, orchestras, schools, libraries and circuses will all join in – circus is everywhere and for everyone.
at South Shields Museum & Art Gallery
To mark 100 years since the end of WW1 this exhibition explores the profound and lasting effect the war had on South Tyneside, changing life for ordinary people in ways that could hardly have been imagined before the war.
This exhibition explores the end of the First World War and the years that followed, the social change that took place and how individual people in South Tyneside were affected.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
Portraiture is a very old art form going back at least to ancient Egypt, where it flourished from about 5,000 years ago. Before the invention of photography, a painted, sculpted, or drawn portrait was the only way to record the appearance of someone. A portrait is an artistic representation of a person intending to display their likeness, personality and even mood.
But portraits have always been more than just a record. They have been used to show the power, importance, virtue, beauty, wealth, taste, learning or other qualities of the sitter. Portraits have almost always been flattering, and painters who refused to flatter tended to find their work rejected.
Among leading modern artists, portrait painting to order has become increasingly rare. Instead artists paint their friends and lovers in whatever way they pleased. At the same time, photography became the most important medium of traditional portraiture, making what was formerly an expensive luxury product affordable for almost everyone.
This exhibition of clothed portraits draws from the collections of the Laing Art Gallery and Hatton Gallery.
Highlights include key works by leading artists such as Sir Joshua Reynolds, Allan Ramsay, William Orpen, George Clausen and Chris Ofili, Thomas Lawrence, Augustus John, Sir John Lavery, Beryl Fowler and Christina Robertson.
Image: Portrait of Mrs Leathart and Her Three Children (1863–1865) by Arthur Hughes
at South Shields Museum & Art Gallery
A display commemorating one of Tyneside's most beloved women.
Dame Catherine Cookson is remembered 21 years after her death.
Part of the museum's Women 100, a programme started in 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
A collection of paintings by Albert Ernest Black. Black was born in North Shields in 1882, he loved sketching and devoted the last 30 years of his life, until his death in 1963, to his art. South Shields was a popular subject of his work.
The art in this exhibition has been selected by members of the WEA history group.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
During their intervention, Young People’s group, L-INK, unpacked a suitcase of their own artworks and personal objects, each of which have connections to the theme of ‘bravery’.
This act is inspired by the life and work of Elsa von Freytag-Loringhoven (also known as ‘the Baroness’) who, as well as being an artist, poet and performer in her own right, is credited with being the first female American Dadaist, and was once arrested for wearing mens clothing, The public are invited to move, change, create, destroy or interact with the contents of the case. (An act of bravery in itself!).
L-INK 2019 are: Lucie Robson, Sara Hassan, Andrew Parr, James Barker, Jack Bray, Naomi Harrison, Charlotte Simpson & Holly Mae Robinson
at Hatton Gallery
Included in Gathering are a series of prints from the Hatton Gallery Archive, belonging to the late printmaker Gwyneth Alban Davis and generated by Heather Ross's 2017 collaborative project The Caravan Press: Making visible the Archive of Gwyneth Alban Davis. Previously Heather discussed these prints in conjunction with The Loud and the Soft Speakers - each explore different aspects of Kurt Schwitters' experience of being in exile in Britain (1940-48).
Both Gathering and The Loud and the Soft Speakers are currently installed in the Hatton Gallery as part of the Exploding Collage season and relate to Heather's current practice-based PhD project which seeks to provide new sensorial insights into Kurt Schwitters' Merz Barn Wall (also situated within the Hatton Gallery).
at Hatton Gallery
Film director, screenwriter and video artist, Anka Schmid has provided this intervention in Gathering. Schmid's video work Sophie Dances Anyway is dedicated to Sophie Taeuber (1889-1943).
"Sophie Taeuber created an extraordinary varied oeuvre. Since dance has accompanied me in my own work for years, my main focus was on her dance work. To this day there is something mysterious about her Dada dances. My research revealed that only one photo exists of her performances, only a few descriptions of contemporary witnesses and no personal texts by Taeuber herself. I began to imagine her dances. The attempt to realise the circumstances under which Taueber danced to capture her spirit seemed more appealing to me than knowing the exact choreography. In her performances, the artist reacted "live" to the actions of other Dada activists and created a fleeting work out of this common creative spirit - a dance destined for the moment alone.
"This spirit also flows into my video installation. I initiated a collaboration with the young dancer Nina Vallon, the Kazakh singer Saadet Türköz and the costume designer Dorothee Schmid to create a dialogue with Sophie Taeuber and her marionettes through a common imagination. The film clips of our interaction are shown as a synchronized two-channel video in the grotto. This evokes a kind of live performance that involves the viewers.
"Sophie Taeuber's willingness to take risks made a lasting impression on me as she risked her employment at the School of Applied Arts with these avant-garde dance performances. She was threatened with dismissal if she were to continue to play an active role with the Dadaists. But Taeuber kept dancing behind a mask (hence the title of my video work: Sophie Dances Anyway). Art is risk, the mask is a means of resistance."
Anka Schmid, August 2014
Concept, idea, camera: Anka Schmid
Dance: Nina Vallon,
Vocals: Saadet Türköz
Costumes: Dorothee Schmid
at Hatton Gallery
The contents of this grotto will be a material resource of textual and visual references to selected literature and artwork of Mina Loy, by writers and artists, including Jackie Haynes, in addition to references to Kurt Schwitters.
The idea of the social nature and materiality seen in aspects of both Loy’s and Schwitters’ artwork, will be expanded in the grotto to explore the idea of the social nature of research. Both artists used ‘rubbish’ to make collages and the research aims to reveal further commonalities in their work. There will be opportunity throughout the two weeks for the public to annotate the reference material with their own thoughts and material responses.
‘Her poetry wasn't just excessive - it was madly in love with excess, celebrating excess as the point where poetry began. Her poems are full of textual noise: asterisks, dots, fields of whitespace, neologisms, archaisms, non sequiturs, arcane Anglo-mongrel words, dashes, capitals, carats, tildes, ready mades, foreign locutions, chatty throwaway lines, catchphrases…She writes in an exploded vocabulary, one that takes its vitality from the exploded modern city…. wearing the scars of its initiation into the world.’
(SHEFFIELD, R., 2003. Mina Loy in Too Much Too Soon: Poetry / Celebrity / Sexuality / Modernity. Literary Review, 46(4), pp. 625.)
About the artist
Artist, Jackie Haynes, has a lifelong and ongoing background of experimentation, making and doing things. In recent years, this has expanded from being textile-related to include other materials such as concrete, balloons, adhesive vinyls and text. Forms range from objects to installations and performance, with recent examples in Germany, Italy and the UK.
Jackie established House of Haynes Fancy Dress Hire in 1995, in Manchester’s Northern Quarter. For seventeen years, she developed a business of making and hiring costumes alongside bespoke commission work and a wholesale range.
In 2012 she changed direction, creating an art practice from existing skills and completing an MA in Textiles at Manchester Metropolitan University. Whilst studying, she became interested in the work of artist, Kurt Schwitters.
Following the MA, she continued to generate and participate in both independent and collaborative art projects, symposia, residencies and exhibitions. Much of this activity centred around contemporary responses to the artistic activities of Dada and Kurt Schwitters’ Merz. This subsequently developed into a more focussed exploration through a successful application to the Kurt Schwitters PhD scholarship which began in 2016 at University of Cumbria Institute of the Arts in Carlisle and is due for completion in March 2020.
Jackie shares a studio at Islington Mill in Salford and lives in Manchester with her two daughters.
To find out more about Jackie, click here.
at Hatton Gallery
Claude Cahun once said "Under this mask, another mask; I will never finish removing all these faces"
As she explored the ‘self’ and ‘identity’, her work acts like a ‘hunt’ through her text, imagery and photography. She does not make complete artworks but rather all the different elements of her photographs and writings combine to form part of a bigger, unfinished, whole. As she creates her identity and imagery, each one becomes a new layer on top of the last, relating back to her diaristic publication Aveux Non Avenus, translated as Disavowels, which suggests that for all that is revealed and given, much is still hidden or has been lost.
Mani Kambo takes inspiration from these elements, from Cahun’s practice of multiplying objects and her use of symbols and motifs such as hands within her work. Kambo abstracts these elements further, merging them with her own created imagery and art practice. For her Intervention, the final one of Gathering, Kambo will use form, line and shape and symbols to create new work and reflect upon the self, dream worlds and identity.
at Discovery Museum
Throughout half term, meet real-life cavalry veterans, who between them have served with the Household Cavalry, the Queen’s Own Yeomanry, 15th/19th The King’s Royal Hussars and the 9th Lancers, from the 1950s up to early 2000.
Come along and find out more about their own experiences as cavalry soldiers, and enjoy a guided tour around the gallery.
Monday 18 February, 11am-12.30pm
Veteran guided tour
Tuesday 19 February, 1-3pm (drop-in)
Meet the veteran
Wednesday 20 February, 1.30-3pm
Veteran guided tour
Thursday 21 February, 1-3pm (drop-in)
Meet the veteran
Friday 22 February, 11am-12.30pm
Veteran guided tour
at Laing Art Gallery
As featured in
⭐️ The Times
⭐️ The Guardian (pick of the week!)
⭐️ i Newspaper
Facebook discount:
20% discount on admissions throughout February (Wednesdays & Thursdays only). Click here to claim.
Please note due to the explicit nature of this exhibition those aged 16 years and below must be accompanied by an adult.
This exhibition of unclothed portraits from the National Portrait Gallery Collection invites questions about identity and gender, the real and ideal. It includes portraits of exposed sitters from Nell Gwyn to Naomi Campbell, Gilbert & George to John Lennon and Yoko Ono. Featured artists include Duncan Grant, Vanessa Bell, Sam Taylor-Johnson, David Hockney, Annie Leibovitz, Linda McCartney, Tracy Emin, David Bailey, Mario Testino and Dorothy Wilding. This exhibition is a partnership jointly curated between the National Portrait Gallery and the Laing Art Gallery.
Exposure has more than one meaning. It can describe harmful or welcome experiences: the revelation of a shameful secret or the achievement of longed-for publicity for a person or cause. It can refer to acute vulnerability or complete self-assurance. The various meanings of ‘exposed’ can be found in the portraits in this exhibition.
A distinction is often made between the naked and the nude. Nakedness is associated with authenticity – ‘the naked truth’. In contrast, the nude belongs to a tradition of idealised figures that extends back to ancient Greece and was central to artistic training from the Renaissance to the late nineteenth century.
The exhibition is divided into two parts; Bodies of Desire focuses on the vital role of gender and sexuality in portraiture and how it exhibits elements associated with the nude such as an interest in the eroticised or idealised body. In close juxtaposition, Reclaiming the Body addresses postmodern and feminist theory and ways in which it has brought about a reappraisal of the naked body in art.
All of the images in Exposed are naked portraits rather than depictions of the nude. This is due to their focus on particular individuals. There are numerous reasons for artists to create naked portraits and for sitters to pose for them. Freed from the social and cultural markers of clothing, naked portraits enable artists to explore various expressive and formal questions. The portraits in this display show that naked portraits can be flattering or honest, seductive or shocking, vulnerable or liberating.
This exhibition is accompanied by a display of portraits from the Laing Art Gallery and Hatton Gallery in gallery C. This display is part of the offer for Exposed and is included in the ticket price.
Highlights include key works by leading artists such as Sir Joshua Reynolds, Allan Ramsay, William Orpen, George Clausen and Chris Ofili, Thomas Lawrence, Augustus John, Sir John Lavery, Beryl Fowler and Christina Robertson.
Image: Mick Jagger; Jerry Hall by Norman Parkinson, July 81 © Norman Parkinson / Iconic Images (detail)
at South Shields Museum & Art Gallery
This exhibition features works by the artist Ethel Walker RA on loan from the Royal Academy of Arts collection as part of the Royal Academy of Arts 250th anniversary celebrations.
An exhibition highlight is a portrait of Dame Flora Robson, feted actor of stage and screen, born in South Shields.
Also includes artworks on loan from the Laing Art Gallery.
All details on the South Shields Museum & Art Gallery website
at Segedunum Roman Fort
To mark 100 years since the end of WW1 this exhibition explores the enormous impact the war had on society and individuals. North Tyneside had played its part in the victory, not just through the troops fighting on the front lines but by the dedication of the men and women who supported the war effort in shipyards and armaments factories.
The years following the war would not be easy.
at Hatton Gallery
This is the first exhibition in a new strand of programming at the Hatton Gallery premised on the visual synergies between different artists’ bodies of work. This curatorial strategy seeks to deal creatively with the Hatton’s collection, providing an alternative to strictly art-historical approaches.
Francis Bacon’s piece Study for Figure VI, 1956-57, one of the most iconic works in the Hatton collection is the catalyst for Francis Bacon | Ellen Gallagher which sheds new light on each artists’ work. Specifically, the exhibition presents a dialogue between oil paintings by Bacon and Morphia, a series of works on paper by Ellen Gallagher, considered to be one of the most acclaimed contemporary artists to have emerged from North America since the mid-1990s.
Follow Francis Bacon's eventful journey to become one of Britain's most acclaimed artists... Find out more
at Hatton Gallery
From 1952 to 1958, Professor Lawrence Gowing built up a collection of historic and modern work which forms the core of the Hatton Gallery teaching collection. Pre-1800 European paintings were a major focus of his purchasing programme, alongside work by living artists. In the same period the Hatton received several modern works of significance through Contemporary Art Society donations. Gowing intended to celebrate this eclectic body of paintings with a permanent display for students to study and for visitors to enjoy.
The Development of the Hatton Collection presents the Old Master paintings and the modern works of the teaching collection together for the first time in many years, inviting fresh readings of Gowing’s vision from a contemporary audience. The exhibition also includes the work of past students and tutors of the fine art department, encouraging viewers to discover visual and thematic connections across the centuries, and revealing the relevance of the collection as a learning resource within the art school.
at South Shields Museum & Art Gallery
A display of artworks by South Shields’ based illustrator Peter Leech.
Peter Leech’s cartoons are well known for creating detailed local backgrounds populated by numerous highly imaginative characters.
Artwork will be available for purchase.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Delve into the drama of the big top and explore the incredible stories behind the spectacle.
With wondrous surprises for all ages, including school holiday activities inspired by the exhibition.
Gallery highlights include the fabulous Arthur Fenwick Collection of circus art and memorabilia, a collection of national importance spanning the 1770s up to the 1950s.
We will also shine the spotlight on the fascinating life and career of Tyneside’s nineteenth century clown and entertainer extraordinaire Billy Purvis, as well as exploring the history and development of clowns in the circus ring.
The story will be brought right up-to-date with the inclusion of the Family La Bonche Collection providing an intimate and colourful look at contemporary Newcastle and North East circus communities and the contribution they make to the changing face of circus in our own times.
This exhibition shares the highs and lows of the history of circus, of which animal acts were one aspect when they first appeared from the mid-19th century. The exhibition addresses both sides of the argument, a debate that incidentally has been going on since the end of the 19th century. The Performing Animals Defence League was in fact founded in 1914 in response to the treatment of animal acts in circuses and in music halls.
Circus! Show of Shows, is a series of major exhibitions celebrating 250 years of circus in Great Britain. Exhibitions at Discovery Museum, Sheffield’s Weston Park Museum and Time and Tide Museum of Great Yarmouth Life are co-curated by The University of Sheffield’s Professor Vanessa Toulmin, one of the UK’s preeminent circus experts.
Circus! Show of Shows is made possible thanks to National Lottery players through the Heritage Lottery Fund (HLF).
Circus 250 is a UK-wide celebration marking the anniversary of this most pervasive, popular, born-in-Britain art form. Circus 250 will see museums, filmmakers, designers, theatres, orchestras, schools, libraries and circuses will all join in – circus is everywhere and for everyone.
at South Shields Museum & Art Gallery
To mark 100 years since the end of WW1 this exhibition explores the profound and lasting effect the war had on South Tyneside, changing life for ordinary people in ways that could hardly have been imagined before the war.
This exhibition explores the end of the First World War and the years that followed, the social change that took place and how individual people in South Tyneside were affected.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
Portraiture is a very old art form going back at least to ancient Egypt, where it flourished from about 5,000 years ago. Before the invention of photography, a painted, sculpted, or drawn portrait was the only way to record the appearance of someone. A portrait is an artistic representation of a person intending to display their likeness, personality and even mood.
But portraits have always been more than just a record. They have been used to show the power, importance, virtue, beauty, wealth, taste, learning or other qualities of the sitter. Portraits have almost always been flattering, and painters who refused to flatter tended to find their work rejected.
Among leading modern artists, portrait painting to order has become increasingly rare. Instead artists paint their friends and lovers in whatever way they pleased. At the same time, photography became the most important medium of traditional portraiture, making what was formerly an expensive luxury product affordable for almost everyone.
This exhibition of clothed portraits draws from the collections of the Laing Art Gallery and Hatton Gallery.
Highlights include key works by leading artists such as Sir Joshua Reynolds, Allan Ramsay, William Orpen, George Clausen and Chris Ofili, Thomas Lawrence, Augustus John, Sir John Lavery, Beryl Fowler and Christina Robertson.
Image: Portrait of Mrs Leathart and Her Three Children (1863–1865) by Arthur Hughes
at South Shields Museum & Art Gallery
A display commemorating one of Tyneside's most beloved women.
Dame Catherine Cookson is remembered 21 years after her death.
Part of the museum's Women 100, a programme started in 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
As featured in
⭐️ The Times
⭐️ The Guardian (pick of the week!)
⭐️ i Newspaper
Facebook discount:
20% discount on admissions throughout February (Wednesdays & Thursdays only). Click here to claim.
Please note due to the explicit nature of this exhibition those aged 16 years and below must be accompanied by an adult.
This exhibition of unclothed portraits from the National Portrait Gallery Collection invites questions about identity and gender, the real and ideal. It includes portraits of exposed sitters from Nell Gwyn to Naomi Campbell, Gilbert & George to John Lennon and Yoko Ono. Featured artists include Duncan Grant, Vanessa Bell, Sam Taylor-Johnson, David Hockney, Annie Leibovitz, Linda McCartney, Tracy Emin, David Bailey, Mario Testino and Dorothy Wilding. This exhibition is a partnership jointly curated between the National Portrait Gallery and the Laing Art Gallery.
Exposure has more than one meaning. It can describe harmful or welcome experiences: the revelation of a shameful secret or the achievement of longed-for publicity for a person or cause. It can refer to acute vulnerability or complete self-assurance. The various meanings of ‘exposed’ can be found in the portraits in this exhibition.
A distinction is often made between the naked and the nude. Nakedness is associated with authenticity – ‘the naked truth’. In contrast, the nude belongs to a tradition of idealised figures that extends back to ancient Greece and was central to artistic training from the Renaissance to the late nineteenth century.
The exhibition is divided into two parts; Bodies of Desire focuses on the vital role of gender and sexuality in portraiture and how it exhibits elements associated with the nude such as an interest in the eroticised or idealised body. In close juxtaposition, Reclaiming the Body addresses postmodern and feminist theory and ways in which it has brought about a reappraisal of the naked body in art.
All of the images in Exposed are naked portraits rather than depictions of the nude. This is due to their focus on particular individuals. There are numerous reasons for artists to create naked portraits and for sitters to pose for them. Freed from the social and cultural markers of clothing, naked portraits enable artists to explore various expressive and formal questions. The portraits in this display show that naked portraits can be flattering or honest, seductive or shocking, vulnerable or liberating.
This exhibition is accompanied by a display of portraits from the Laing Art Gallery and Hatton Gallery in gallery C. This display is part of the offer for Exposed and is included in the ticket price.
Highlights include key works by leading artists such as Sir Joshua Reynolds, Allan Ramsay, William Orpen, George Clausen and Chris Ofili, Thomas Lawrence, Augustus John, Sir John Lavery, Beryl Fowler and Christina Robertson.
Image: Mick Jagger; Jerry Hall by Norman Parkinson, July 81 © Norman Parkinson / Iconic Images (detail)
at South Shields Museum & Art Gallery
This exhibition features works by the artist Ethel Walker RA on loan from the Royal Academy of Arts collection as part of the Royal Academy of Arts 250th anniversary celebrations.
An exhibition highlight is a portrait of Dame Flora Robson, feted actor of stage and screen, born in South Shields.
Also includes artworks on loan from the Laing Art Gallery.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
Curated by students from Newcastle University’s Art Museum and Gallery Studies course, State of Mind explores themes of self reflection, introspection and wellbeing. This exhibition uses selected works from the Hatton & Laing Collections to reflect on the individual experiences of artists and their subjects.
State of Mind features works from Edouard Manet, Marlene Dumas, Dame Laura Knight, Harold Knight, Karl Schmidt-Rottluff, Frank Henrickson, Francesco Pier Mola, Keith Vaughan and James Bateman.
Image: Back To by Marlene Dumas (Laing collection)
at Hatton Gallery
Programmed to coincide with Exploding Collage (which exhibited at Hatton Gallery September 2018 - January 2019) artist Heather Ross presents The Loud and the Soft Speakers, a contemporary iteration of a performance work - The Silence Poem or Leise - by the avant-garde German artist, Kurt Schwitters.
Taking the form of an immersive two channel video, Ross’ work examines The Silence Poem as a work of creation and destruction, which Schwitters repeated across multiple sites, incorporating newfound material and environmental influences to generate something new each time. Notably, Schwitters performed and developed The Silence Poem in English whilst interned in the Hutchinson Camp on the Isle of Man during World War II.
The Loud and the Soft Speakers – filmed on the same site and featuring musician and performance artist Florian Kaplick – employs performance as an exploratory tool for the visualisation of some of the historical and environmental influences which contributed to Schwitters experience of internment, and subsequently the development of The Silence Poem.
The Loud and the Soft Speakers is the outcome of Ross’ practice-based research excavating the varied meanings of The Pointless Collage (also known as Untitled (with porcelain shard)), which Schwitters made a year before he commenced work on the Merz Barn.
This exhibition is part of the Schwitters Legacy programme at the Hatton, an annual series of exhibitions that each examine a different facet of Schwitters’ influence on modern and contemporary art and culture.
Read our interview with Heather Ross.
About the Exploding Collage Season
Exploding Collage is a season of exhibitions at the Hatton Gallery inspired by the idea that Kurt Schwitters’ Merz Barn Wall – on permanent display in the Hatton Gallery – is a work of genre exploding collage practice, applying Schwitters’ collage technique on an architectural scale.
Each exhibition in the Exploding Collage season explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. The exhibitions include, Exploding Collage, Gathering, and The Loud and the Soft Speakers.
About the Merz Barn Wall
The Merz Barn Wall is a fragment of an unfinished artwork created by German artist Kurt Schwitters in a Lake District barn between 1947 and the artist’s death in 1948. Made up of plaster, paint and found objects, the work is emblematic of Schwitters’ interdisciplinary ‘Merz’ practice, which applied the principle of collage to all areas of life, re-contextualising discarded material to create new meanings and forms, whether in poetry, music, sculpture or space.
The Merz Barn Wall is the largest surviving fragment of the four Merzbauten (Merz Buildings) Schwitters began work on. The first Merzbau, made in his apartment in Hanover, Germany, was destroyed by allied bombing in 1943. Parts of his second Merzbau, begun in his holiday home in Hjertøyain, Norway, still survive. His third Merzbau near Oslo was destroyed by fire in 1951.
About the curatorial approach
The Merzbauten’s history of erasure and rebuilding informs the curatorial approach of Exploding Collage, which recognises the heightened risk of radically different artistic practice becoming lost due to the difficulty of preserving and exhibiting it.
Alongside this recognition is an awareness of the dual erasure that often effects the work of pioneering female artists, many of whom have historically been overlooked or actively undermined due to their gender. For instance, many of Schwitters’ female contemporaries were excluded from exhibitions, omitted from fellow artists’ written accounts, not collected by museums, and had their contributions belittled by art historians.
The result is a history of twentieth century avant-garde practice which appears to be dominated by men, even though women’s work was some of the most radical.
Although progress is being made in art history, exhibitions and museums are especially susceptible to perpetuating these historical ‘blindspots’, as it is often impossible to exhibit work by these artists due to gaps in public collections. As such, Exploding Collage seeks to circumnavigate the exhibition’s traditional reliance on historical artworks and objects, instead operating through contemporary artists’ work which carries within it the influence of such avant-garde artists, and testifies to their continued relevance and valued legacy, which can persist independently of the objects themselves.
at Segedunum Roman Fort
To mark 100 years since the end of WW1 this exhibition explores the enormous impact the war had on society and individuals. North Tyneside had played its part in the victory, not just through the troops fighting on the front lines but by the dedication of the men and women who supported the war effort in shipyards and armaments factories.
The years following the war would not be easy.
at Hatton Gallery
This is the first exhibition in a new strand of programming at the Hatton Gallery premised on the visual synergies between different artists’ bodies of work. This curatorial strategy seeks to deal creatively with the Hatton’s collection, providing an alternative to strictly art-historical approaches.
Francis Bacon’s piece Study for Figure VI, 1956-57, one of the most iconic works in the Hatton collection is the catalyst for Francis Bacon | Ellen Gallagher which sheds new light on each artists’ work. Specifically, the exhibition presents a dialogue between oil paintings by Bacon and Morphia, a series of works on paper by Ellen Gallagher, considered to be one of the most acclaimed contemporary artists to have emerged from North America since the mid-1990s.
Follow Francis Bacon's eventful journey to become one of Britain's most acclaimed artists... Find out more
at Hatton Gallery
From 1952 to 1958, Professor Lawrence Gowing built up a collection of historic and modern work which forms the core of the Hatton Gallery teaching collection. Pre-1800 European paintings were a major focus of his purchasing programme, alongside work by living artists. In the same period the Hatton received several modern works of significance through Contemporary Art Society donations. Gowing intended to celebrate this eclectic body of paintings with a permanent display for students to study and for visitors to enjoy.
The Development of the Hatton Collection presents the Old Master paintings and the modern works of the teaching collection together for the first time in many years, inviting fresh readings of Gowing’s vision from a contemporary audience. The exhibition also includes the work of past students and tutors of the fine art department, encouraging viewers to discover visual and thematic connections across the centuries, and revealing the relevance of the collection as a learning resource within the art school.
at South Shields Museum & Art Gallery
A display of artworks by South Shields’ based illustrator Peter Leech.
Peter Leech’s cartoons are well known for creating detailed local backgrounds populated by numerous highly imaginative characters.
Artwork will be available for purchase.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Delve into the drama of the big top and explore the incredible stories behind the spectacle.
With wondrous surprises for all ages, including school holiday activities inspired by the exhibition.
Gallery highlights include the fabulous Arthur Fenwick Collection of circus art and memorabilia, a collection of national importance spanning the 1770s up to the 1950s.
We will also shine the spotlight on the fascinating life and career of Tyneside’s nineteenth century clown and entertainer extraordinaire Billy Purvis, as well as exploring the history and development of clowns in the circus ring.
The story will be brought right up-to-date with the inclusion of the Family La Bonche Collection providing an intimate and colourful look at contemporary Newcastle and North East circus communities and the contribution they make to the changing face of circus in our own times.
This exhibition shares the highs and lows of the history of circus, of which animal acts were one aspect when they first appeared from the mid-19th century. The exhibition addresses both sides of the argument, a debate that incidentally has been going on since the end of the 19th century. The Performing Animals Defence League was in fact founded in 1914 in response to the treatment of animal acts in circuses and in music halls.
Circus! Show of Shows, is a series of major exhibitions celebrating 250 years of circus in Great Britain. Exhibitions at Discovery Museum, Sheffield’s Weston Park Museum and Time and Tide Museum of Great Yarmouth Life are co-curated by The University of Sheffield’s Professor Vanessa Toulmin, one of the UK’s preeminent circus experts.
Circus! Show of Shows is made possible thanks to National Lottery players through the Heritage Lottery Fund (HLF).
Circus 250 is a UK-wide celebration marking the anniversary of this most pervasive, popular, born-in-Britain art form. Circus 250 will see museums, filmmakers, designers, theatres, orchestras, schools, libraries and circuses will all join in – circus is everywhere and for everyone.
at South Shields Museum & Art Gallery
To mark 100 years since the end of WW1 this exhibition explores the profound and lasting effect the war had on South Tyneside, changing life for ordinary people in ways that could hardly have been imagined before the war.
This exhibition explores the end of the First World War and the years that followed, the social change that took place and how individual people in South Tyneside were affected.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
Whistler declared: ‘Nature contains the elements, in colour and form, of all pictures, as the keyboard contains the notes of all music’.
Born in America but spending most of his life in the UK, James Abbott McNeill Whistler became one of the best-known artists of the late-19th century. This exhibition of around 90 of Whistler’s oil paintings, watercolours, lithographs and etchings examines his singular attitude to the natural world, and reveals how it was underpinned by his enduring kinship with the makers of railroads, bridges and ships, the legacy of his early training as a military cadet and the topographical drawing skill he learnt then. These influences are evident in Whistler’s fine group of etchings of the Thames, known as Thames Set, which are characterised by detail, accuracy and focus on line. In these views, Whistler depicts nature on the margins, where the river meets city, trade and industry. Whistler also made sketching trips to the woods and fields along the Thames, drawing on the spot for a series of etchings.
The Thames in the city had a continuing attraction for Whistler, and his paintings of the river are represented in the exhibition with Nocturne and Battersea Reach from Lindsey Houses. In these pictures, nature is constrained by man-made structures: the shadowy outline of the warehouses and chimneys on the far shore, and boats on the river. The seeming simplicity of the compositions reveals Whistler’s admiration for Japanese prints as well as his fascination with the atmospheric effects of mist and twilight. Whistler based his pictures on rigorous scrutiny, but composed their elements in a manner akin to music. He described his art as ‘an arrangement of line, form and colour … I make use of any means, any incident or object in nature’. A similar approach also shaped Whistler’s etched views of Venice, which often depict buildings at twilight or masked by mist in pared-down compositions. In his studies of the human form, Whistler aimed at graceful simplicity, while carefully observing his subjects, and his figure studies had much in common with Albert Moore’s elegant paintings of women in diaphanous classical drapery.
Other highlights in the exhibition include watercolours and small oils that Whistler made on trips to the seaside in southern England, northern France and the Netherlands. Often painting on the beach, Whistler captured the immensity of the ocean and freshness of weather. Yet Whistler never lost his interest in the Thames, and the exhibition concludes with etchings of the Thames and London from the last years of his life.
This exhibition has been developed by Compton Verney in partnership with The Hunterian, University of Glasgow, which holds the world-leading collection of Whistler's work. It is accompanied by an illustrated publication written by Dr Patricia de Montfort of the University of Glasgow.
Image: James McNeill Whistler, Nocturne, 1875 – 1877 © The Hunterian, University of Glasgow (detail)
at Laing Art Gallery
Portraiture is a very old art form going back at least to ancient Egypt, where it flourished from about 5,000 years ago. Before the invention of photography, a painted, sculpted, or drawn portrait was the only way to record the appearance of someone. A portrait is an artistic representation of a person intending to display their likeness, personality and even mood.
But portraits have always been more than just a record. They have been used to show the power, importance, virtue, beauty, wealth, taste, learning or other qualities of the sitter. Portraits have almost always been flattering, and painters who refused to flatter tended to find their work rejected.
Among leading modern artists, portrait painting to order has become increasingly rare. Instead artists paint their friends and lovers in whatever way they pleased. At the same time, photography became the most important medium of traditional portraiture, making what was formerly an expensive luxury product affordable for almost everyone.
This exhibition of clothed portraits draws from the collections of the Laing Art Gallery and Hatton Gallery.
Highlights include key works by leading artists such as Sir Joshua Reynolds, Allan Ramsay, William Orpen, George Clausen and Chris Ofili, Thomas Lawrence, Augustus John, Sir John Lavery, Beryl Fowler and Christina Robertson.
Image: Portrait of Mrs Leathart and Her Three Children (1863–1865) by Arthur Hughes
at South Shields Museum & Art Gallery
A display commemorating one of Tyneside's most beloved women.
Dame Catherine Cookson is remembered 21 years after her death.
Part of the museum's Women 100, a programme started in 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Our own northern cavalry regiments, The Light Dragoons (Regular Army) and Queen’s Own Yeomanry (Reserve Army) will be welcoming visitors to the museum, outside on the Plaza and displaying their Jackal and RWMIK armoured vehicles.
Come along and meet real-life soldiers as they share their own stories serving in the Royal Armoured Corps in today’s army. Don’t forget to visit our gallery, Charge! The Story of England's Northern Cavalry where you can explore the history of England's Northern Cavalry through fascinating historic artefacts, and hands-on activities and displays. The veteran cavalry soldiers will be available in the gallery to showcase some of the objects on display and answer any questions.
The Regiments of the Royal Armoured Corps are descendants of the famous Cavalry Regiments who rode into battle on horseback as heavy or light horsemen; and of the Royal Tank Regiment who manned the first tanks during the World War 1. The Corps was created in 1939 by combining Cavalry units and the Royal Tank Corps (renamed Royal Tank Regiment).
at South Shields Museum & Art Gallery
This exhibition features works by the artist Ethel Walker RA on loan from the Royal Academy of Arts collection as part of the Royal Academy of Arts 250th anniversary celebrations.
An exhibition highlight is a portrait of Dame Flora Robson, feted actor of stage and screen, born in South Shields.
Also includes artworks on loan from the Laing Art Gallery.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
Curated by students from Newcastle University’s Art Museum and Gallery Studies course, State of Mind explores themes of self reflection, introspection and wellbeing. This exhibition uses selected works from the Hatton & Laing Collections to reflect on the individual experiences of artists and their subjects.
State of Mind features works from Edouard Manet, Marlene Dumas, Dame Laura Knight, Harold Knight, Karl Schmidt-Rottluff, Frank Henrickson, Francesco Pier Mola, Keith Vaughan and James Bateman.
Image: Back To by Marlene Dumas (Laing collection)
at Hatton Gallery
Programmed to coincide with Exploding Collage (which exhibited at Hatton Gallery September 2018 - January 2019) artist Heather Ross presents The Loud and the Soft Speakers, a contemporary iteration of a performance work - The Silence Poem or Leise - by the avant-garde German artist, Kurt Schwitters.
Taking the form of an immersive two channel video, Ross’ work examines The Silence Poem as a work of creation and destruction, which Schwitters repeated across multiple sites, incorporating newfound material and environmental influences to generate something new each time. Notably, Schwitters performed and developed The Silence Poem in English whilst interned in the Hutchinson Camp on the Isle of Man during World War II.
The Loud and the Soft Speakers – filmed on the same site and featuring musician and performance artist Florian Kaplick – employs performance as an exploratory tool for the visualisation of some of the historical and environmental influences which contributed to Schwitters experience of internment, and subsequently the development of The Silence Poem.
The Loud and the Soft Speakers is the outcome of Ross’ practice-based research excavating the varied meanings of The Pointless Collage (also known as Untitled (with porcelain shard)), which Schwitters made a year before he commenced work on the Merz Barn.
This exhibition is part of the Schwitters Legacy programme at the Hatton, an annual series of exhibitions that each examine a different facet of Schwitters’ influence on modern and contemporary art and culture.
Read our interview with Heather Ross.
About the Exploding Collage Season
Exploding Collage is a season of exhibitions at the Hatton Gallery inspired by the idea that Kurt Schwitters’ Merz Barn Wall – on permanent display in the Hatton Gallery – is a work of genre exploding collage practice, applying Schwitters’ collage technique on an architectural scale.
Each exhibition in the Exploding Collage season explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. The exhibitions include, Exploding Collage, Gathering, and The Loud and the Soft Speakers.
About the Merz Barn Wall
The Merz Barn Wall is a fragment of an unfinished artwork created by German artist Kurt Schwitters in a Lake District barn between 1947 and the artist’s death in 1948. Made up of plaster, paint and found objects, the work is emblematic of Schwitters’ interdisciplinary ‘Merz’ practice, which applied the principle of collage to all areas of life, re-contextualising discarded material to create new meanings and forms, whether in poetry, music, sculpture or space.
The Merz Barn Wall is the largest surviving fragment of the four Merzbauten (Merz Buildings) Schwitters began work on. The first Merzbau, made in his apartment in Hanover, Germany, was destroyed by allied bombing in 1943. Parts of his second Merzbau, begun in his holiday home in Hjertøyain, Norway, still survive. His third Merzbau near Oslo was destroyed by fire in 1951.
About the curatorial approach
The Merzbauten’s history of erasure and rebuilding informs the curatorial approach of Exploding Collage, which recognises the heightened risk of radically different artistic practice becoming lost due to the difficulty of preserving and exhibiting it.
Alongside this recognition is an awareness of the dual erasure that often effects the work of pioneering female artists, many of whom have historically been overlooked or actively undermined due to their gender. For instance, many of Schwitters’ female contemporaries were excluded from exhibitions, omitted from fellow artists’ written accounts, not collected by museums, and had their contributions belittled by art historians.
The result is a history of twentieth century avant-garde practice which appears to be dominated by men, even though women’s work was some of the most radical.
Although progress is being made in art history, exhibitions and museums are especially susceptible to perpetuating these historical ‘blindspots’, as it is often impossible to exhibit work by these artists due to gaps in public collections. As such, Exploding Collage seeks to circumnavigate the exhibition’s traditional reliance on historical artworks and objects, instead operating through contemporary artists’ work which carries within it the influence of such avant-garde artists, and testifies to their continued relevance and valued legacy, which can persist independently of the objects themselves.
at Segedunum Roman Fort
To mark 100 years since the end of WW1 this exhibition explores the enormous impact the war had on society and individuals. North Tyneside had played its part in the victory, not just through the troops fighting on the front lines but by the dedication of the men and women who supported the war effort in shipyards and armaments factories.
The years following the war would not be easy.
at Great North Museum: Hancock
This display looks at some of the archaeological evidence in our collections for the significance of feet and footwear in the Greek and Roman World.
It also showcases some examples of footwear from our World Cultures collections, demonstrating some of the many ways in which people have designed shoes throughout the centuries.
Image: Roman brooch in the form of a shoe
at Hatton Gallery
This is the first exhibition in a new strand of programming at the Hatton Gallery premised on the visual synergies between different artists’ bodies of work. This curatorial strategy seeks to deal creatively with the Hatton’s collection, providing an alternative to strictly art-historical approaches.
Francis Bacon’s piece Study for Figure VI, 1956-57, one of the most iconic works in the Hatton collection is the catalyst for Francis Bacon | Ellen Gallagher which sheds new light on each artists’ work. Specifically, the exhibition presents a dialogue between oil paintings by Bacon and Morphia, a series of works on paper by Ellen Gallagher, considered to be one of the most acclaimed contemporary artists to have emerged from North America since the mid-1990s.
Follow Francis Bacon's eventful journey to become one of Britain's most acclaimed artists... Find out more
at Hatton Gallery
From 1952 to 1958, Professor Lawrence Gowing built up a collection of historic and modern work which forms the core of the Hatton Gallery teaching collection. Pre-1800 European paintings were a major focus of his purchasing programme, alongside work by living artists. In the same period the Hatton received several modern works of significance through Contemporary Art Society donations. Gowing intended to celebrate this eclectic body of paintings with a permanent display for students to study and for visitors to enjoy.
The Development of the Hatton Collection presents the Old Master paintings and the modern works of the teaching collection together for the first time in many years, inviting fresh readings of Gowing’s vision from a contemporary audience. The exhibition also includes the work of past students and tutors of the fine art department, encouraging viewers to discover visual and thematic connections across the centuries, and revealing the relevance of the collection as a learning resource within the art school.
at South Shields Museum & Art Gallery
A display of artworks by South Shields’ based illustrator Peter Leech.
Peter Leech’s cartoons are well known for creating detailed local backgrounds populated by numerous highly imaginative characters.
Artwork will be available for purchase.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Delve into the drama of the big top and explore the incredible stories behind the spectacle.
With wondrous surprises for all ages, including school holiday activities inspired by the exhibition.
Gallery highlights include the fabulous Arthur Fenwick Collection of circus art and memorabilia, a collection of national importance spanning the 1770s up to the 1950s.
We will also shine the spotlight on the fascinating life and career of Tyneside’s nineteenth century clown and entertainer extraordinaire Billy Purvis, as well as exploring the history and development of clowns in the circus ring.
The story will be brought right up-to-date with the inclusion of the Family La Bonche Collection providing an intimate and colourful look at contemporary Newcastle and North East circus communities and the contribution they make to the changing face of circus in our own times.
This exhibition shares the highs and lows of the history of circus, of which animal acts were one aspect when they first appeared from the mid-19th century. The exhibition addresses both sides of the argument, a debate that incidentally has been going on since the end of the 19th century. The Performing Animals Defence League was in fact founded in 1914 in response to the treatment of animal acts in circuses and in music halls.
Circus! Show of Shows, is a series of major exhibitions celebrating 250 years of circus in Great Britain. Exhibitions at Discovery Museum, Sheffield’s Weston Park Museum and Time and Tide Museum of Great Yarmouth Life are co-curated by The University of Sheffield’s Professor Vanessa Toulmin, one of the UK’s preeminent circus experts.
Circus! Show of Shows is made possible thanks to National Lottery players through the Heritage Lottery Fund (HLF).
Circus 250 is a UK-wide celebration marking the anniversary of this most pervasive, popular, born-in-Britain art form. Circus 250 will see museums, filmmakers, designers, theatres, orchestras, schools, libraries and circuses will all join in – circus is everywhere and for everyone.
at South Shields Museum & Art Gallery
To mark 100 years since the end of WW1 this exhibition explores the profound and lasting effect the war had on South Tyneside, changing life for ordinary people in ways that could hardly have been imagined before the war.
This exhibition explores the end of the First World War and the years that followed, the social change that took place and how individual people in South Tyneside were affected.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
Whistler declared: ‘Nature contains the elements, in colour and form, of all pictures, as the keyboard contains the notes of all music’.
Born in America but spending most of his life in the UK, James Abbott McNeill Whistler became one of the best-known artists of the late-19th century. This exhibition of around 90 of Whistler’s oil paintings, watercolours, lithographs and etchings examines his singular attitude to the natural world, and reveals how it was underpinned by his enduring kinship with the makers of railroads, bridges and ships, the legacy of his early training as a military cadet and the topographical drawing skill he learnt then. These influences are evident in Whistler’s fine group of etchings of the Thames, known as Thames Set, which are characterised by detail, accuracy and focus on line. In these views, Whistler depicts nature on the margins, where the river meets city, trade and industry. Whistler also made sketching trips to the woods and fields along the Thames, drawing on the spot for a series of etchings.
The Thames in the city had a continuing attraction for Whistler, and his paintings of the river are represented in the exhibition with Nocturne and Battersea Reach from Lindsey Houses. In these pictures, nature is constrained by man-made structures: the shadowy outline of the warehouses and chimneys on the far shore, and boats on the river. The seeming simplicity of the compositions reveals Whistler’s admiration for Japanese prints as well as his fascination with the atmospheric effects of mist and twilight. Whistler based his pictures on rigorous scrutiny, but composed their elements in a manner akin to music. He described his art as ‘an arrangement of line, form and colour … I make use of any means, any incident or object in nature’. A similar approach also shaped Whistler’s etched views of Venice, which often depict buildings at twilight or masked by mist in pared-down compositions. In his studies of the human form, Whistler aimed at graceful simplicity, while carefully observing his subjects, and his figure studies had much in common with Albert Moore’s elegant paintings of women in diaphanous classical drapery.
Other highlights in the exhibition include watercolours and small oils that Whistler made on trips to the seaside in southern England, northern France and the Netherlands. Often painting on the beach, Whistler captured the immensity of the ocean and freshness of weather. Yet Whistler never lost his interest in the Thames, and the exhibition concludes with etchings of the Thames and London from the last years of his life.
This exhibition has been developed by Compton Verney in partnership with The Hunterian, University of Glasgow, which holds the world-leading collection of Whistler's work. It is accompanied by an illustrated publication written by Dr Patricia de Montfort of the University of Glasgow.
Image: James McNeill Whistler, Nocturne, 1875 – 1877 © The Hunterian, University of Glasgow (detail)
at Laing Art Gallery
Portraiture is a very old art form going back at least to ancient Egypt, where it flourished from about 5,000 years ago. Before the invention of photography, a painted, sculpted, or drawn portrait was the only way to record the appearance of someone. A portrait is an artistic representation of a person intending to display their likeness, personality and even mood.
But portraits have always been more than just a record. They have been used to show the power, importance, virtue, beauty, wealth, taste, learning or other qualities of the sitter. Portraits have almost always been flattering, and painters who refused to flatter tended to find their work rejected.
Among leading modern artists, portrait painting to order has become increasingly rare. Instead artists paint their friends and lovers in whatever way they pleased. At the same time, photography became the most important medium of traditional portraiture, making what was formerly an expensive luxury product affordable for almost everyone.
This exhibition of clothed portraits draws from the collections of the Laing Art Gallery and Hatton Gallery.
Highlights include key works by leading artists such as Sir Joshua Reynolds, Allan Ramsay, William Orpen, George Clausen and Chris Ofili, Thomas Lawrence, Augustus John, Sir John Lavery, Beryl Fowler and Christina Robertson.
Image: Portrait of Mrs Leathart and Her Three Children (1863–1865) by Arthur Hughes
at South Shields Museum & Art Gallery
A display commemorating one of Tyneside's most beloved women.
Dame Catherine Cookson is remembered 21 years after her death.
Part of the museum's Women 100, a programme started in 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
Curated by students from Newcastle University’s Art Museum and Gallery Studies course, State of Mind explores themes of self reflection, introspection and wellbeing. This exhibition uses selected works from the Hatton & Laing Collections to reflect on the individual experiences of artists and their subjects.
State of Mind features works from Edouard Manet, Marlene Dumas, Dame Laura Knight, Harold Knight, Karl Schmidt-Rottluff, Frank Henrickson, Francesco Pier Mola, Keith Vaughan and James Bateman.
Image: Back To by Marlene Dumas (Laing collection)
at Hatton Gallery
‘Drawing Together’ exhibits a visual partnership amongst shared cultures and backgrounds, represented by objects of mixed-method drawing, painting and sculpture. Through its series of collaborative creations, this special exhibition showcases the imagination that asylum seekers, refugees and volunteers possess and contribute to the North East community. It offers viewers the opportunity to explore the power of art to unite multiple cultural and linguistic backgrounds.
The exhibition is in partnership with N.E.S.T Create, a branch of North East Solidarity and Teaching, a NUSU Go Volunteer project.
The Create project draws on diverse cultural art, ranging from Islamic calligraphy to German 1940s refugee art. The exhibition will be curated in multiple languages, celebrating the multicultural nature of the community.
N.E.S.T Create runs weekly sessions which use artistic activities to form a welcoming space for asylum seekers and refugees to improve their English conversation skills. It is one of the many branches of the wider award-winning N.E.S.T project which supports over 250 members of the forced migration community with a volunteer base of over 400 Newcastle University students. Highly commended at the 2018 Times Higher Education awards, N.E.S.T aims to educate and empower the refugee and asylum seeker community in the region. For more information visit N.E.S.T on Facebook.
Newcastle University’s Hatton Gallery is known for its own work with asylum seekers and refugees, particularly exemplified by the 2016 Home and Belonging project in which Hatton staff worked with asylum seekers and refugees to explore issues around belonging, creativity, and culture within and beyond the migration experience using multiple artistic methods. Read more about the Home & Belonging project.
at Hatton Gallery
Programmed to coincide with Exploding Collage (which exhibited at Hatton Gallery September 2018 - January 2019) artist Heather Ross presents The Loud and the Soft Speakers, a contemporary iteration of a performance work - The Silence Poem or Leise - by the avant-garde German artist, Kurt Schwitters.
Taking the form of an immersive two channel video, Ross’ work examines The Silence Poem as a work of creation and destruction, which Schwitters repeated across multiple sites, incorporating newfound material and environmental influences to generate something new each time. Notably, Schwitters performed and developed The Silence Poem in English whilst interned in the Hutchinson Camp on the Isle of Man during World War II.
The Loud and the Soft Speakers – filmed on the same site and featuring musician and performance artist Florian Kaplick – employs performance as an exploratory tool for the visualisation of some of the historical and environmental influences which contributed to Schwitters experience of internment, and subsequently the development of The Silence Poem.
The Loud and the Soft Speakers is the outcome of Ross’ practice-based research excavating the varied meanings of The Pointless Collage (also known as Untitled (with porcelain shard)), which Schwitters made a year before he commenced work on the Merz Barn.
This exhibition is part of the Schwitters Legacy programme at the Hatton, an annual series of exhibitions that each examine a different facet of Schwitters’ influence on modern and contemporary art and culture.
Read our interview with Heather Ross.
About the Exploding Collage Season
Exploding Collage is a season of exhibitions at the Hatton Gallery inspired by the idea that Kurt Schwitters’ Merz Barn Wall – on permanent display in the Hatton Gallery – is a work of genre exploding collage practice, applying Schwitters’ collage technique on an architectural scale.
Each exhibition in the Exploding Collage season explores how avant-garde artists of the early twentieth century expanded the notion of collage into immersive, often ephemeral, formats, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium. The exhibitions include, Exploding Collage, Gathering, and The Loud and the Soft Speakers.
About the Merz Barn Wall
The Merz Barn Wall is a fragment of an unfinished artwork created by German artist Kurt Schwitters in a Lake District barn between 1947 and the artist’s death in 1948. Made up of plaster, paint and found objects, the work is emblematic of Schwitters’ interdisciplinary ‘Merz’ practice, which applied the principle of collage to all areas of life, re-contextualising discarded material to create new meanings and forms, whether in poetry, music, sculpture or space.
The Merz Barn Wall is the largest surviving fragment of the four Merzbauten (Merz Buildings) Schwitters began work on. The first Merzbau, made in his apartment in Hanover, Germany, was destroyed by allied bombing in 1943. Parts of his second Merzbau, begun in his holiday home in Hjertøyain, Norway, still survive. His third Merzbau near Oslo was destroyed by fire in 1951.
About the curatorial approach
The Merzbauten’s history of erasure and rebuilding informs the curatorial approach of Exploding Collage, which recognises the heightened risk of radically different artistic practice becoming lost due to the difficulty of preserving and exhibiting it.
Alongside this recognition is an awareness of the dual erasure that often effects the work of pioneering female artists, many of whom have historically been overlooked or actively undermined due to their gender. For instance, many of Schwitters’ female contemporaries were excluded from exhibitions, omitted from fellow artists’ written accounts, not collected by museums, and had their contributions belittled by art historians.
The result is a history of twentieth century avant-garde practice which appears to be dominated by men, even though women’s work was some of the most radical.
Although progress is being made in art history, exhibitions and museums are especially susceptible to perpetuating these historical ‘blindspots’, as it is often impossible to exhibit work by these artists due to gaps in public collections. As such, Exploding Collage seeks to circumnavigate the exhibition’s traditional reliance on historical artworks and objects, instead operating through contemporary artists’ work which carries within it the influence of such avant-garde artists, and testifies to their continued relevance and valued legacy, which can persist independently of the objects themselves.
at Hatton Gallery
Enjoy a variety of artwork created through one of our community projects at this pop-up exhibition.
Between January and March 2019, the Hatton Gallery brought together a group of Creative Friends (a dementia-friendly group working with Equal Arts in Newcastle), and a group of pre-school children and helpers (mostly) from Ladybird nursery in Gosforth.
The groups worked together to explore who we are and what we look like, make mess, get to know the gallery, enjoy juice & tea & biscuits and make new friends.
For one day only, we are proud to present the work produced over the course of the project, which includes painting, printing, drawing & sculpture.
- Thank you so much for letting us be a part of the Equal Age project. The children have come back and talked non-stop, one even used the word ‘awesome’ to describe it.
- I could work with the little ones forever - that’s the best morning I’ve had in months.
at Segedunum Roman Fort
To mark 100 years since the end of WW1 this exhibition explores the enormous impact the war had on society and individuals. North Tyneside had played its part in the victory, not just through the troops fighting on the front lines but by the dedication of the men and women who supported the war effort in shipyards and armaments factories.
The years following the war would not be easy.
at Great North Museum: Hancock
This display looks at some of the archaeological evidence in our collections for the significance of feet and footwear in the Greek and Roman World.
It also showcases some examples of footwear from our World Cultures collections, demonstrating some of the many ways in which people have designed shoes throughout the centuries.
Image: Roman brooch in the form of a shoe
at Hatton Gallery
This is the first exhibition in a new strand of programming at the Hatton Gallery premised on the visual synergies between different artists’ bodies of work. This curatorial strategy seeks to deal creatively with the Hatton’s collection, providing an alternative to strictly art-historical approaches.
Francis Bacon’s piece Study for Figure VI, 1956-57, one of the most iconic works in the Hatton collection is the catalyst for Francis Bacon | Ellen Gallagher which sheds new light on each artists’ work. Specifically, the exhibition presents a dialogue between oil paintings by Bacon and Morphia, a series of works on paper by Ellen Gallagher, considered to be one of the most acclaimed contemporary artists to have emerged from North America since the mid-1990s.
Follow Francis Bacon's eventful journey to become one of Britain's most acclaimed artists... Find out more
at Hatton Gallery
From 1952 to 1958, Professor Lawrence Gowing built up a collection of historic and modern work which forms the core of the Hatton Gallery teaching collection. Pre-1800 European paintings were a major focus of his purchasing programme, alongside work by living artists. In the same period the Hatton received several modern works of significance through Contemporary Art Society donations. Gowing intended to celebrate this eclectic body of paintings with a permanent display for students to study and for visitors to enjoy.
The Development of the Hatton Collection presents the Old Master paintings and the modern works of the teaching collection together for the first time in many years, inviting fresh readings of Gowing’s vision from a contemporary audience. The exhibition also includes the work of past students and tutors of the fine art department, encouraging viewers to discover visual and thematic connections across the centuries, and revealing the relevance of the collection as a learning resource within the art school.
at South Shields Museum & Art Gallery
A display of artworks by South Shields’ based illustrator Peter Leech.
Peter Leech’s cartoons are well known for creating detailed local backgrounds populated by numerous highly imaginative characters.
Artwork will be available for purchase.
All details on the South Shields Museum & Art Gallery website
at Shipley Art Gallery
This Spring the group has worked with visual artist Michael Davies exploring the notion of moving on and what home means.
The group took part in a seven week residency at Shipley Art Gallery, experimenting with a range of arts processes to capture their individual feelings of home and belonging. Come along and chat to the group about their exhibition in the gallery’s main hall.
at Shipley Art Gallery
DRY RUN EXHIBITION 2019
Dry Run, the annual exhibition of University of Sunderland 2nd year BA Glass and Ceramics students is celebrating its 20th year. The show is introducing the works of 14 emerging U.K. and foreign artists for the first time, and is always celebrated by the public and newspaper reviews. Even though most of the participants are in beginning of their careers the pieces show a high level of professionalism already. The diverse range of ideas and conceptions is based on their ability to use glass and ceramics as a material in service of original artistic expression and a high standard of craft execution. The exhibition represents the ideal opportunity for the students to show their work in a professional and contemporary cultural environment.
The Glass and Ceramics Department at the University of Sunderland has a very special position among schools teaching glass in the UK and Europe. It is the largest department in UK with an extraordinarily high level of equipment. Throughout its 30 years of history, staff, BA, MA, PHD students and visiting artists from a number of foreign countries have focused upon the development of glass and ceramics as an art form. This has positioned the University of Sunderland as one of the most significant providers of glass and ceramics education, training and research in UK. Many of the graduates associated with glass and ceramic studies are now significant artists, designers and tutors in Europe, Australia, the United States and elsewhere, having gained a reputation in their subject at national and international level.
at Discovery Museum
*Last chance to see*
Closes 2 June 2019
Circus! Show of Shows
Celebrate 250 years of circus in Great Britain through rare memorabilia and original props at this new exhibition.
Delve into the drama of the big top and explore the incredible stories behind the spectacle. With wondrous surprises for all ages.
Tuesday 28 & Thursday 30 May, 10am-2pm (drop-in)
Discovery Days: Springtime Flower Fun
Come and join us for fun with flowers. Decorate a flowerpot and plant some seeds, or create your own paper flower.
Tuesday 28 - Thursday 30 May, 11am-2pm (drop-in)
Charge! Veterans in the Gallery
Meet real-life cavalry veterans and find out more about their own experiences as cavalry soldiers, and enjoy a guided tour around the gallery.
Wednesday 29 May, 11am-3pm (drop-in)
Inventive Wednesdays
Discover real life inventions on display in the museum, then have-a-go at making your own creations out of recyclable materials, in our Play+Invent Space.
at Discovery Museum
Delve into the drama of the big top and explore the incredible stories behind the spectacle.
With wondrous surprises for all ages, including school holiday activities inspired by the exhibition.
Gallery highlights include the fabulous Arthur Fenwick Collection of circus art and memorabilia, a collection of national importance spanning the 1770s up to the 1950s.
We will also shine the spotlight on the fascinating life and career of Tyneside’s nineteenth century clown and entertainer extraordinaire Billy Purvis, as well as exploring the history and development of clowns in the circus ring.
The story will be brought right up-to-date with the inclusion of the Family La Bonche Collection providing an intimate and colourful look at contemporary Newcastle and North East circus communities and the contribution they make to the changing face of circus in our own times.
This exhibition shares the highs and lows of the history of circus, of which animal acts were one aspect when they first appeared from the mid-19th century. The exhibition addresses both sides of the argument, a debate that incidentally has been going on since the end of the 19th century. The Performing Animals Defence League was in fact founded in 1914 in response to the treatment of animal acts in circuses and in music halls.
Circus! Show of Shows, is a series of major exhibitions celebrating 250 years of circus in Great Britain. Exhibitions at Discovery Museum, Sheffield’s Weston Park Museum and Time and Tide Museum of Great Yarmouth Life are co-curated by The University of Sheffield’s Professor Vanessa Toulmin, one of the UK’s preeminent circus experts.
Circus! Show of Shows is made possible thanks to National Lottery players through the Heritage Lottery Fund (HLF).
Circus 250 is a UK-wide celebration marking the anniversary of this most pervasive, popular, born-in-Britain art form. Circus 250 will see museums, filmmakers, designers, theatres, orchestras, schools, libraries and circuses will all join in – circus is everywhere and for everyone.
at South Shields Museum & Art Gallery
To mark 100 years since the end of WW1 this exhibition explores the profound and lasting effect the war had on South Tyneside, changing life for ordinary people in ways that could hardly have been imagined before the war.
This exhibition explores the end of the First World War and the years that followed, the social change that took place and how individual people in South Tyneside were affected.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
Whistler declared: ‘Nature contains the elements, in colour and form, of all pictures, as the keyboard contains the notes of all music’.
Born in America but spending most of his life in the UK, James Abbott McNeill Whistler became one of the best-known artists of the late-19th century. This exhibition of around 90 of Whistler’s oil paintings, watercolours, lithographs and etchings examines his singular attitude to the natural world, and reveals how it was underpinned by his enduring kinship with the makers of railroads, bridges and ships, the legacy of his early training as a military cadet and the topographical drawing skill he learnt then. These influences are evident in Whistler’s fine group of etchings of the Thames, known as Thames Set, which are characterised by detail, accuracy and focus on line. In these views, Whistler depicts nature on the margins, where the river meets city, trade and industry. Whistler also made sketching trips to the woods and fields along the Thames, drawing on the spot for a series of etchings.
The Thames in the city had a continuing attraction for Whistler, and his paintings of the river are represented in the exhibition with Nocturne and Battersea Reach from Lindsey Houses. In these pictures, nature is constrained by man-made structures: the shadowy outline of the warehouses and chimneys on the far shore, and boats on the river. The seeming simplicity of the compositions reveals Whistler’s admiration for Japanese prints as well as his fascination with the atmospheric effects of mist and twilight. Whistler based his pictures on rigorous scrutiny, but composed their elements in a manner akin to music. He described his art as ‘an arrangement of line, form and colour … I make use of any means, any incident or object in nature’. A similar approach also shaped Whistler’s etched views of Venice, which often depict buildings at twilight or masked by mist in pared-down compositions. In his studies of the human form, Whistler aimed at graceful simplicity, while carefully observing his subjects, and his figure studies had much in common with Albert Moore’s elegant paintings of women in diaphanous classical drapery.
Other highlights in the exhibition include watercolours and small oils that Whistler made on trips to the seaside in southern England, northern France and the Netherlands. Often painting on the beach, Whistler captured the immensity of the ocean and freshness of weather. Yet Whistler never lost his interest in the Thames, and the exhibition concludes with etchings of the Thames and London from the last years of his life.
This exhibition has been developed by Compton Verney in partnership with The Hunterian, University of Glasgow, which holds the world-leading collection of Whistler's work. It is accompanied by an illustrated publication written by Dr Patricia de Montfort of the University of Glasgow.
Image: James McNeill Whistler, Nocturne, 1875 – 1877 © The Hunterian, University of Glasgow (detail)
at Laing Art Gallery
Portraiture is a very old art form going back at least to ancient Egypt, where it flourished from about 5,000 years ago. Before the invention of photography, a painted, sculpted, or drawn portrait was the only way to record the appearance of someone. A portrait is an artistic representation of a person intending to display their likeness, personality and even mood.
But portraits have always been more than just a record. They have been used to show the power, importance, virtue, beauty, wealth, taste, learning or other qualities of the sitter. Portraits have almost always been flattering, and painters who refused to flatter tended to find their work rejected.
Among leading modern artists, portrait painting to order has become increasingly rare. Instead artists paint their friends and lovers in whatever way they pleased. At the same time, photography became the most important medium of traditional portraiture, making what was formerly an expensive luxury product affordable for almost everyone.
This exhibition of clothed portraits draws from the collections of the Laing Art Gallery and Hatton Gallery.
Highlights include key works by leading artists such as Sir Joshua Reynolds, Allan Ramsay, William Orpen, George Clausen and Chris Ofili, Thomas Lawrence, Augustus John, Sir John Lavery, Beryl Fowler and Christina Robertson.
Image: Portrait of Mrs Leathart and Her Three Children (1863–1865) by Arthur Hughes
at Segedunum Roman Fort
Borderline Funny is a new exhibition exploring the depiction of ancient Rome's great northern frontier of Hadrian’s Wall in cartoons.
It is the first time an exhibition dedicated to cartoons about Hadrian's Wall has been shown.
Featuring Roman era graffiti, cartoons from the 19c - 21c, some funny, some satirical, including new original work produced for the exhibition referencing contemporary topics such as Brexit and US politics.
Also featuring are works of the late Roger Oram, who produced the Arbeia Society magazine, and many other cartoon works imagining life on Hadrian’s Wall.
This exhibition coincides with the 14th Pilgrimage to Hadrian’s Wall in July 2019. This decennial event will see almost 250 ‘Pilgrims’ tour the Wall for a week, reviewing the latest discoveries from the past ten years.
at South Shields Museum & Art Gallery
The star of this exhibition is a portrait of the famous writer Charles Dickens on loan from the National Portrait Gallery.
A regular visitor to the North East, it is said that Dickens was inspired by a stay at Cleadon House in South Shields while writing Great Expectations.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
Following his visits to Dorchester, Birmingham, Belfast and Glasgow, the Natural History Museum's famous Dinosaur Dippy has come to Newcastle for a very special exhibition.
Dippy the Diplodocus lived in London for over 100 years but now he's on an adventure around the UK's best family museums.
Unveiled to the British public in 1905, Dippy was cast from the type specimen found in America. The full skeleton is 21.3 metres long, 4.3 metres wide and 4.25 metres high.
Enjoy a day out with Dippy and get inspired about the natural world!
at South Shields Museum & Art Gallery
A display commemorating one of Tyneside's most beloved women.
Dame Catherine Cookson is remembered 21 years after her death.
Part of the museum's Women 100, a programme started in 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
*Last chance to see*
Closes 2 June 2019
Circus! Show of Shows
Celebrate 250 years of circus in Great Britain through rare memorabilia and original props at this new exhibition.
Delve into the drama of the big top and explore the incredible stories behind the spectacle. With wondrous surprises for all ages.
Tuesday 28 & Thursday 30 May, 10am-2pm (drop-in)
Discovery Days: Springtime Flower Fun
Come and join us for fun with flowers. Decorate a flowerpot and plant some seeds, or create your own paper flower.
Tuesday 28 - Thursday 30 May, 11am-2pm (drop-in)
Charge! Veterans in the Gallery
Meet real-life cavalry veterans and find out more about their own experiences as cavalry soldiers, and enjoy a guided tour around the gallery.
Wednesday 29 May, 11am-3pm (drop-in)
Inventive Wednesdays
Discover real life inventions on display in the museum, then have-a-go at making your own creations out of recyclable materials, in our Play+Invent Space.
at Discovery Museum
Delve into the drama of the big top and explore the incredible stories behind the spectacle.
With wondrous surprises for all ages, including school holiday activities inspired by the exhibition.
Gallery highlights include the fabulous Arthur Fenwick Collection of circus art and memorabilia, a collection of national importance spanning the 1770s up to the 1950s.
We will also shine the spotlight on the fascinating life and career of Tyneside’s nineteenth century clown and entertainer extraordinaire Billy Purvis, as well as exploring the history and development of clowns in the circus ring.
The story will be brought right up-to-date with the inclusion of the Family La Bonche Collection providing an intimate and colourful look at contemporary Newcastle and North East circus communities and the contribution they make to the changing face of circus in our own times.
This exhibition shares the highs and lows of the history of circus, of which animal acts were one aspect when they first appeared from the mid-19th century. The exhibition addresses both sides of the argument, a debate that incidentally has been going on since the end of the 19th century. The Performing Animals Defence League was in fact founded in 1914 in response to the treatment of animal acts in circuses and in music halls.
Circus! Show of Shows, is a series of major exhibitions celebrating 250 years of circus in Great Britain. Exhibitions at Discovery Museum, Sheffield’s Weston Park Museum and Time and Tide Museum of Great Yarmouth Life are co-curated by The University of Sheffield’s Professor Vanessa Toulmin, one of the UK’s preeminent circus experts.
Circus! Show of Shows is made possible thanks to National Lottery players through the Heritage Lottery Fund (HLF).
Circus 250 is a UK-wide celebration marking the anniversary of this most pervasive, popular, born-in-Britain art form. Circus 250 will see museums, filmmakers, designers, theatres, orchestras, schools, libraries and circuses will all join in – circus is everywhere and for everyone.
at Discovery Museum
A talk by the staff and volunteers of Charge! The Story of England’s Northern Cavalry emphasising the role of the 13th/18th Royal Hussars and their deployment in the first wave of the invasion force in their Duplex-Drive amphibious Sherman tanks.
This will be followed by time in the new D Day exhibition within the Charge! gallery.
at South Shields Museum & Art Gallery
To mark 100 years since the end of WW1 this exhibition explores the profound and lasting effect the war had on South Tyneside, changing life for ordinary people in ways that could hardly have been imagined before the war.
This exhibition explores the end of the First World War and the years that followed, the social change that took place and how individual people in South Tyneside were affected.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
The Newcastle University Fine Art BA Degree Show brings together the work 58 emerging artists at the culmination of four-year study on the BA in Fine Art. The exhibition displays a diverse set of contemporary voices, practices and media including painting, new media, film, video, sculpture, photography, print, sound, performance and installation.
at Laing Art Gallery
Whistler declared: ‘Nature contains the elements, in colour and form, of all pictures, as the keyboard contains the notes of all music’.
Born in America but spending most of his life in the UK, James Abbott McNeill Whistler became one of the best-known artists of the late-19th century. This exhibition of around 90 of Whistler’s oil paintings, watercolours, lithographs and etchings examines his singular attitude to the natural world, and reveals how it was underpinned by his enduring kinship with the makers of railroads, bridges and ships, the legacy of his early training as a military cadet and the topographical drawing skill he learnt then. These influences are evident in Whistler’s fine group of etchings of the Thames, known as Thames Set, which are characterised by detail, accuracy and focus on line. In these views, Whistler depicts nature on the margins, where the river meets city, trade and industry. Whistler also made sketching trips to the woods and fields along the Thames, drawing on the spot for a series of etchings.
The Thames in the city had a continuing attraction for Whistler, and his paintings of the river are represented in the exhibition with Nocturne and Battersea Reach from Lindsey Houses. In these pictures, nature is constrained by man-made structures: the shadowy outline of the warehouses and chimneys on the far shore, and boats on the river. The seeming simplicity of the compositions reveals Whistler’s admiration for Japanese prints as well as his fascination with the atmospheric effects of mist and twilight. Whistler based his pictures on rigorous scrutiny, but composed their elements in a manner akin to music. He described his art as ‘an arrangement of line, form and colour … I make use of any means, any incident or object in nature’. A similar approach also shaped Whistler’s etched views of Venice, which often depict buildings at twilight or masked by mist in pared-down compositions. In his studies of the human form, Whistler aimed at graceful simplicity, while carefully observing his subjects, and his figure studies had much in common with Albert Moore’s elegant paintings of women in diaphanous classical drapery.
Other highlights in the exhibition include watercolours and small oils that Whistler made on trips to the seaside in southern England, northern France and the Netherlands. Often painting on the beach, Whistler captured the immensity of the ocean and freshness of weather. Yet Whistler never lost his interest in the Thames, and the exhibition concludes with etchings of the Thames and London from the last years of his life.
This exhibition has been developed by Compton Verney in partnership with The Hunterian, University of Glasgow, which holds the world-leading collection of Whistler's work. It is accompanied by an illustrated publication written by Dr Patricia de Montfort of the University of Glasgow.
Image: James McNeill Whistler, Nocturne, 1875 – 1877 © The Hunterian, University of Glasgow (detail)
at Hatton Gallery
In the summer of 2018 the research project Mapping Contemporary Art in the Heritage Experience commissioned five new contemporary artworks for heritage sites in North East England. Out of Place re-presents these artworks within the context of the Hatton Gallery, prompting a questioning of how art changes when it is relocated from its original site. Out of Place features commissioned sound-works, installation, painting and sculpture by Susan Philipsz, Matt Stokes, Fiona Curran, Andrew Burton, Marcus Coates and Mark Fairnington. In the Hatton, these works are exhibited in relation to Kurt Schwitters’ Merz Barn, a key example of a site-specific artwork that is relocated from its original context.
Mapping Contemporary Art in the Heritage Experience was led by Newcastle and Leeds Universities and delivered in partnership with the National Trust, English Heritage and the Churches Conservation Trust.
at Hatton Gallery
Platform is a new initiative selected from an open call for proposals from Newcastle University staff and early career researchers for exhibitions during specific periods in the Hatton exhibition calendar.
This year artist and practice-led PhD researcher Harriet Sutcliffe presents A Continuing Process. Her work investigates the pioneering teaching methods of the ‘Basic Course’ devised and developed by artists Richard Hamilton and Victor Pasmore in the 50s and 60s at King’s College, Durham University (now Newcastle University). Drawing inspiration from the archive, the Hatton’s progressive culture of display and first hand accounts, this exhibition will explore the Basic Course and its relevance to contemporary fine art practice.
at Laing Art Gallery
Portraiture is a very old art form going back at least to ancient Egypt, where it flourished from about 5,000 years ago. Before the invention of photography, a painted, sculpted, or drawn portrait was the only way to record the appearance of someone. A portrait is an artistic representation of a person intending to display their likeness, personality and even mood.
But portraits have always been more than just a record. They have been used to show the power, importance, virtue, beauty, wealth, taste, learning or other qualities of the sitter. Portraits have almost always been flattering, and painters who refused to flatter tended to find their work rejected.
Among leading modern artists, portrait painting to order has become increasingly rare. Instead artists paint their friends and lovers in whatever way they pleased. At the same time, photography became the most important medium of traditional portraiture, making what was formerly an expensive luxury product affordable for almost everyone.
This exhibition of clothed portraits draws from the collections of the Laing Art Gallery and Hatton Gallery.
Highlights include key works by leading artists such as Sir Joshua Reynolds, Allan Ramsay, William Orpen, George Clausen and Chris Ofili, Thomas Lawrence, Augustus John, Sir John Lavery, Beryl Fowler and Christina Robertson.
Image: Portrait of Mrs Leathart and Her Three Children (1863–1865) by Arthur Hughes
at Laing Art Gallery
We need your feedback!
If you have recently visited Victoria & Albert: Our Lives in Watercolour we would love to hear your thoughts. Please spare a couple of minutes to fill out our survey - you could win a £25 Love2Shop voucher too! Thank you.
Throughout their marriage, Queen Victoria and Prince Albert were enthusiastic patrons (and practitioners) of the art of watercolour painting. They formed a collection of thousands of watercolours, many illustrating scenes of their public and private lives, and often spent happy evenings together organising their acquisitions into albums.
This touring exhibition – including many works being displayed for the first time – marks the bicentenary of the births of both Victoria and Albert. These colourful, dynamic watercolours capture the pomp and spectacle of the British court, foreign travel and diplomacy, the exploration and shaping of a modern nation and, importantly, the close-knit family at the heart of it all.
As featured in:
The Times
The Mail on Sunday
Living North
Luxe Magazine
Town & Country Magazine
Image: Paul Jacob, The Queen and Prince Albert landing at St Pierre, Guernsey, 24 August 1846.
Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019
at Segedunum Roman Fort
Borderline Funny is a new exhibition exploring the depiction of ancient Rome's great northern frontier of Hadrian’s Wall in cartoons.
It is the first time an exhibition dedicated to cartoons about Hadrian's Wall has been shown.
Featuring Roman era graffiti, cartoons from the 19c - 21c, some funny, some satirical, including new original work produced for the exhibition referencing contemporary topics such as Brexit and US politics.
Also featuring are works of the late Roger Oram, who produced the Arbeia Society magazine, and many other cartoon works imagining life on Hadrian’s Wall.
This exhibition coincides with the 14th Pilgrimage to Hadrian’s Wall in July 2019. This decennial event will see almost 250 ‘Pilgrims’ tour the Wall for a week, reviewing the latest discoveries from the past ten years.
at South Shields Museum & Art Gallery
The star of this exhibition is a portrait of the famous writer Charles Dickens on loan from the National Portrait Gallery.
A regular visitor to the North East, it is said that Dickens was inspired by a stay at Cleadon House in South Shields while writing Great Expectations.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
Following his visits to Dorchester, Birmingham, Belfast and Glasgow, the Natural History Museum's famous Dinosaur Dippy has come to Newcastle for a very special exhibition.
Dippy the Diplodocus lived in London for over 100 years but now he's on an adventure around the UK's best family museums.
Unveiled to the British public in 1905, Dippy was cast from the type specimen found in America. The full skeleton is 21.3 metres long, 4.3 metres wide and 4.25 metres high.
Enjoy a day out with Dippy and get inspired about the natural world!
at South Shields Museum & Art Gallery
A new exhibition exploring stories of players and fans from the early days and up to the present day, from the famous, to the local and unsung heroes of the game in South Tyneside.
More than a Game highlights the centenary of South Shields FC’s entry to the Football League, and also Hebburn Town FC, the many amateur teams of the Borough’s yesteryear to works’ teams including Reyrolles, Leslies and the colliery welfares, through to church and school teams.
Highlighting players like Mary Lyons of Jarrow, who was and still remains to this day the youngest player to play and score for England in a senior international match,and Demi Stokes, currently on the England team.
See a wide range of team photos, as well as programmes, medals, cups, trophies, strips and kit from the late 19th century up to the present day.
Featuring loans from the Fans Museum, National Football Museum and Charlton Athletic Museum, including objects associated with South Shields’ born Stan Mortenson, who was the only player to score a hat-trick in a Wembley FA Cup Final.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
“Immigration has always been part of our lives in society and, of course, it always will be.” Jeremy Abrahams
In tribute to Tyneside’s diverse population, this powerful series of portraits by photographer Jeremy Abrahams documents the experience of people who have migrated to the region from overseas.
The exhibition captures the stories of 41 individuals who settled here between 1939 and 2018 and explores why they left their country of origin and provides an insight into how they feel about their adopted home.
The debate around immigration has long been an ongoing one. Jeremy’s documentary style focuses on positive representations of migration and related issues, and invites visitors to consider their own attitudes towards immigration.
Since becoming a professional photographer in 2014, Jeremy has had three solo exhibitions and his pictures have appeared in The Guardian, The New York Times and The Sunday Times.
at South Shields Museum & Art Gallery
A display commemorating one of Tyneside's most beloved women.
Dame Catherine Cookson is remembered 21 years after her death.
Part of the museum's Women 100, a programme started in 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
The South Shields Local History Group have created this exhibition of images of Westoe Village links to the publication of a new book about Westoe Village, for sale in the museum shop.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
Works by members of the Friends of the Hatton are on show in the Long Gallery which is adjacent to the Hatton reception area.
This is a selling exhibition featuring a range of styles including representational, abstract and contemporary art in oils, acrylic, mixed media and print making.
There are works priced to suit everyone’s budget.
at Hatton Gallery
In the summer of 2018 the research project Mapping Contemporary Art in the Heritage Experience commissioned five new contemporary artworks for heritage sites in North East England. Out of Place re-presents these artworks within the context of the Hatton Gallery, prompting a questioning of how art changes when it is relocated from its original site. Out of Place features commissioned sound-works, installation, painting and sculpture by Susan Philipsz, Matt Stokes, Fiona Curran, Andrew Burton, Marcus Coates and Mark Fairnington. In the Hatton, these works are exhibited in relation to Kurt Schwitters’ Merz Barn, a key example of a site-specific artwork that is relocated from its original context.
Mapping Contemporary Art in the Heritage Experience was led by Newcastle and Leeds Universities and delivered in partnership with the National Trust, English Heritage and the Churches Conservation Trust.
at Hatton Gallery
Platform is a new initiative selected from an open call for proposals from Newcastle University staff and early career researchers for exhibitions during specific periods in the Hatton exhibition calendar.
This year artist and practice-led PhD researcher Harriet Sutcliffe presents A Continuing Process. Her work investigates the pioneering teaching methods of the ‘Basic Course’ devised and developed by artists Richard Hamilton and Victor Pasmore in the 50s and 60s at King’s College, Durham University (now Newcastle University). Drawing inspiration from the archive, the Hatton’s progressive culture of display and first hand accounts, this exhibition will explore the Basic Course and its relevance to contemporary fine art practice.
at Discovery Museum
Join us as we celebrate all things LEGO® this summer with an exhibition featuring models of Northern innovations and an events programme full of exploring, inventing and building activities for all the family.
Brilliant Bricks: A LEGO® Timeline of Northern Innovation
This exhibition highlights what the North has done for the world through 45 intricate models created by LEGO® artist Steve Mayes. Exhibition runs until 3 November.
Discovery Days
Craft sessions every Tuesday & Thursday during the school holidays
Play + Invent
Explore and build your own inventions on Wednesdays during the school holidays
LEGO® Minifigures Trail
Follow the clues to find the science-themed minifigures in the Museum
Summer Science Clubs
30 July - 2 August for ages 7-10
13 - 16 August for ages 11-16
Liquid Science Show
8 - 11 August, 12pm, 1.30pm & 3pm
Relaxed sessions: 8 - 11 August, 10.30am
Interactive bubble show with Jesse Ward
Battle of the Brick Bots
16 August, 10.30am & 12pm
Go into battle with your customised LEGO robot
Disco of Light and Sound
21 August; 11am-1pm & 2-4pm
Summer family disco
at Laing Art Gallery
Portraiture is a very old art form going back at least to ancient Egypt, where it flourished from about 5,000 years ago. Before the invention of photography, a painted, sculpted, or drawn portrait was the only way to record the appearance of someone. A portrait is an artistic representation of a person intending to display their likeness, personality and even mood.
But portraits have always been more than just a record. They have been used to show the power, importance, virtue, beauty, wealth, taste, learning or other qualities of the sitter. Portraits have almost always been flattering, and painters who refused to flatter tended to find their work rejected.
Among leading modern artists, portrait painting to order has become increasingly rare. Instead artists paint their friends and lovers in whatever way they pleased. At the same time, photography became the most important medium of traditional portraiture, making what was formerly an expensive luxury product affordable for almost everyone.
This exhibition of clothed portraits draws from the collections of the Laing Art Gallery and Hatton Gallery.
Highlights include key works by leading artists such as Sir Joshua Reynolds, Allan Ramsay, William Orpen, George Clausen and Chris Ofili, Thomas Lawrence, Augustus John, Sir John Lavery, Beryl Fowler and Christina Robertson.
Image: Portrait of Mrs Leathart and Her Three Children (1863–1865) by Arthur Hughes
at Laing Art Gallery
We need your feedback!
If you have recently visited Victoria & Albert: Our Lives in Watercolour we would love to hear your thoughts. Please spare a couple of minutes to fill out our survey - you could win a £25 Love2Shop voucher too! Thank you.
Throughout their marriage, Queen Victoria and Prince Albert were enthusiastic patrons (and practitioners) of the art of watercolour painting. They formed a collection of thousands of watercolours, many illustrating scenes of their public and private lives, and often spent happy evenings together organising their acquisitions into albums.
This touring exhibition – including many works being displayed for the first time – marks the bicentenary of the births of both Victoria and Albert. These colourful, dynamic watercolours capture the pomp and spectacle of the British court, foreign travel and diplomacy, the exploration and shaping of a modern nation and, importantly, the close-knit family at the heart of it all.
As featured in:
The Times
The Mail on Sunday
Living North
Luxe Magazine
Town & Country Magazine
Image: Paul Jacob, The Queen and Prince Albert landing at St Pierre, Guernsey, 24 August 1846.
Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019
at Segedunum Roman Fort
Borderline Funny is a new exhibition exploring the depiction of ancient Rome's great northern frontier of Hadrian’s Wall in cartoons.
It is the first time an exhibition dedicated to cartoons about Hadrian's Wall has been shown.
Featuring Roman era graffiti, cartoons from the 19c - 21c, some funny, some satirical, including new original work produced for the exhibition referencing contemporary topics such as Brexit and US politics.
Also featuring are works of the late Roger Oram, who produced the Arbeia Society magazine, and many other cartoon works imagining life on Hadrian’s Wall.
This exhibition coincides with the 14th Pilgrimage to Hadrian’s Wall in July 2019. This decennial event will see almost 250 ‘Pilgrims’ tour the Wall for a week, reviewing the latest discoveries from the past ten years.
at South Shields Museum & Art Gallery
The star of this exhibition is a portrait of the famous writer Charles Dickens on loan from the National Portrait Gallery.
A regular visitor to the North East, it is said that Dickens was inspired by a stay at Cleadon House in South Shields while writing Great Expectations.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
Following his visits to Dorchester, Birmingham, Belfast and Glasgow, the Natural History Museum's famous Dinosaur Dippy has come to Newcastle for a very special exhibition.
Dippy the Diplodocus lived in London for over 100 years but now he's on an adventure around the UK's best family museums.
Unveiled to the British public in 1905, Dippy was cast from the type specimen found in America. The full skeleton is 21.3 metres long, 4.3 metres wide and 4.25 metres high.
Enjoy a day out with Dippy and get inspired about the natural world!
at South Shields Museum & Art Gallery
A new exhibition exploring stories of players and fans from the early days and up to the present day, from the famous, to the local and unsung heroes of the game in South Tyneside.
More than a Game highlights the centenary of South Shields FC’s entry to the Football League, and also Hebburn Town FC, the many amateur teams of the Borough’s yesteryear to works’ teams including Reyrolles, Leslies and the colliery welfares, through to church and school teams.
Highlighting players like Mary Lyons of Jarrow, who was and still remains to this day the youngest player to play and score for England in a senior international match,and Demi Stokes, currently on the England team.
See a wide range of team photos, as well as programmes, medals, cups, trophies, strips and kit from the late 19th century up to the present day.
Featuring loans from the Fans Museum, National Football Museum and Charlton Athletic Museum, including objects associated with South Shields’ born Stan Mortenson, who was the only player to score a hat-trick in a Wembley FA Cup Final.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
“Immigration has always been part of our lives in society and, of course, it always will be.” Jeremy Abrahams
In tribute to Tyneside’s diverse population, this powerful series of portraits by photographer Jeremy Abrahams documents the experience of people who have migrated to the region from overseas.
The exhibition captures the stories of 41 individuals who settled here between 1939 and 2018 and explores why they left their country of origin and provides an insight into how they feel about their adopted home.
The debate around immigration has long been an ongoing one. Jeremy’s documentary style focuses on positive representations of migration and related issues, and invites visitors to consider their own attitudes towards immigration.
Since becoming a professional photographer in 2014, Jeremy has had three solo exhibitions and his pictures have appeared in The Guardian, The New York Times and The Sunday Times.
at Discovery Museum
Pioneering northerners have been transforming our world with their clever inventions for centuries. This exhibition, built by LEGO® creator Steve Mayes, highlights what the North has done for the world through 45 intricate models, using 50,000 mini bricks.
See how many of these northern innovations you recognise in this 3D timeline, which features everything from the Geordie Lamp, Stephenson's Rocket and Turbinia through to the futuristic Hyperloop. Don't forget to look for the real life Geordie inventions around the museum.
at Discovery Museum
This exhibition was produced in association with BLESMA, the Limbless Veterans and celebrate the lives and service of the organisation and its north-east members.
The exhibition includes first person oral histories and digitised photographs.
at South Shields Museum & Art Gallery
A display commemorating one of Tyneside's most beloved women.
Dame Catherine Cookson is remembered 21 years after her death.
Part of the museum's Women 100, a programme started in 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
The South Shields Local History Group have created this exhibition of images of Westoe Village links to the publication of a new book about Westoe Village, for sale in the museum shop.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
Works by members of the Friends of the Hatton are on show in the Long Gallery which is adjacent to the Hatton reception area.
This is a selling exhibition featuring a range of styles including representational, abstract and contemporary art in oils, acrylic, mixed media and print making.
There are works priced to suit everyone’s budget.
at Hatton Gallery
In the summer of 2018 the research project Mapping Contemporary Art in the Heritage Experience commissioned five new contemporary artworks for heritage sites in North East England. Out of Place re-presents these artworks within the context of the Hatton Gallery, prompting a questioning of how art changes when it is relocated from its original site. Out of Place features commissioned sound-works, installation, painting and sculpture by Susan Philipsz, Matt Stokes, Fiona Curran, Andrew Burton, Marcus Coates and Mark Fairnington. In the Hatton, these works are exhibited in relation to Kurt Schwitters’ Merz Barn, a key example of a site-specific artwork that is relocated from its original context.
Mapping Contemporary Art in the Heritage Experience was led by Newcastle and Leeds Universities and delivered in partnership with the National Trust, English Heritage and the Churches Conservation Trust.
at Hatton Gallery
Platform is a new initiative selected from an open call for proposals from Newcastle University staff and early career researchers for exhibitions during specific periods in the Hatton exhibition calendar.
This year artist and practice-led PhD researcher Harriet Sutcliffe presents A Continuing Process. Her work investigates the pioneering teaching methods of the ‘Basic Course’ devised and developed by artists Richard Hamilton and Victor Pasmore in the 50s and 60s at King’s College, Durham University (now Newcastle University). Drawing inspiration from the archive, the Hatton’s progressive culture of display and first hand accounts, this exhibition will explore the Basic Course and its relevance to contemporary fine art practice.
at Discovery Museum
Join us as we celebrate all things LEGO® this summer with an exhibition featuring models of Northern innovations and an events programme full of exploring, inventing and building activities for all the family.
Brilliant Bricks: A LEGO® Timeline of Northern Innovation
This exhibition highlights what the North has done for the world through 45 intricate models created by LEGO® artist Steve Mayes. Exhibition runs until 3 November.
Discovery Days
Craft sessions every Tuesday & Thursday during the school holidays
Play + Invent
Explore and build your own inventions on Wednesdays during the school holidays
LEGO® Minifigures Trail
Follow the clues to find the science-themed minifigures in the Museum
Summer Science Clubs
30 July - 2 August for ages 7-10
13 - 16 August for ages 11-16
Liquid Science Show
8 - 11 August, 12pm, 1.30pm & 3pm
Relaxed sessions: 8 - 11 August, 10.30am
Interactive bubble show with Jesse Ward
Battle of the Brick Bots
16 August, 10.30am & 12pm
Go into battle with your customised LEGO robot
Disco of Light and Sound
21 August; 11am-1pm & 2-4pm
Summer family disco
at Hatton Gallery
The Newcastle University Fine Art MFA Degree Show brings together the work of emerging artists at both the mid-point and the culmination of two years of study on the MFA. The exhibition includes a diverse set of contemporary voices, working across the disciplines of painting, sculpture, installation, and new media. The show is curated in collaboration with Turner-prize nominated artists Jane and Louise Wilson and will occupy much of the Fine Art building.
This year's exhibitors are:
Alice Adams, Eleanor Curry, Carole McCourt, Jenny Mc Namara, Rebecca Reed, Yan Yin, Ella Jones, Sophia Juergens, Darryn Sharpe, Genevieve Stone, Zenaira Mahmood, Wan-Chen Chan, Sara Palmer, Valeriia Savina.
at Laing Art Gallery
Portraiture is a very old art form going back at least to ancient Egypt, where it flourished from about 5,000 years ago. Before the invention of photography, a painted, sculpted, or drawn portrait was the only way to record the appearance of someone. A portrait is an artistic representation of a person intending to display their likeness, personality and even mood.
But portraits have always been more than just a record. They have been used to show the power, importance, virtue, beauty, wealth, taste, learning or other qualities of the sitter. Portraits have almost always been flattering, and painters who refused to flatter tended to find their work rejected.
Among leading modern artists, portrait painting to order has become increasingly rare. Instead artists paint their friends and lovers in whatever way they pleased. At the same time, photography became the most important medium of traditional portraiture, making what was formerly an expensive luxury product affordable for almost everyone.
This exhibition of clothed portraits draws from the collections of the Laing Art Gallery and Hatton Gallery.
Highlights include key works by leading artists such as Sir Joshua Reynolds, Allan Ramsay, William Orpen, George Clausen and Chris Ofili, Thomas Lawrence, Augustus John, Sir John Lavery, Beryl Fowler and Christina Robertson.
Image: Portrait of Mrs Leathart and Her Three Children (1863–1865) by Arthur Hughes
at Laing Art Gallery
We need your feedback!
If you have recently visited Victoria & Albert: Our Lives in Watercolour we would love to hear your thoughts. Please spare a couple of minutes to fill out our survey - you could win a £25 Love2Shop voucher too! Thank you.
Throughout their marriage, Queen Victoria and Prince Albert were enthusiastic patrons (and practitioners) of the art of watercolour painting. They formed a collection of thousands of watercolours, many illustrating scenes of their public and private lives, and often spent happy evenings together organising their acquisitions into albums.
This touring exhibition – including many works being displayed for the first time – marks the bicentenary of the births of both Victoria and Albert. These colourful, dynamic watercolours capture the pomp and spectacle of the British court, foreign travel and diplomacy, the exploration and shaping of a modern nation and, importantly, the close-knit family at the heart of it all.
As featured in:
The Times
The Mail on Sunday
Living North
Luxe Magazine
Town & Country Magazine
Image: Paul Jacob, The Queen and Prince Albert landing at St Pierre, Guernsey, 24 August 1846.
Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019
at Segedunum Roman Fort
Borderline Funny is a new exhibition exploring the depiction of ancient Rome's great northern frontier of Hadrian’s Wall in cartoons.
It is the first time an exhibition dedicated to cartoons about Hadrian's Wall has been shown.
Featuring Roman era graffiti, cartoons from the 19c - 21c, some funny, some satirical, including new original work produced for the exhibition referencing contemporary topics such as Brexit and US politics.
Also featuring are works of the late Roger Oram, who produced the Arbeia Society magazine, and many other cartoon works imagining life on Hadrian’s Wall.
This exhibition coincides with the 14th Pilgrimage to Hadrian’s Wall in July 2019. This decennial event will see almost 250 ‘Pilgrims’ tour the Wall for a week, reviewing the latest discoveries from the past ten years.
at South Shields Museum & Art Gallery
The star of this exhibition is a portrait of the famous writer Charles Dickens on loan from the National Portrait Gallery.
A regular visitor to the North East, it is said that Dickens was inspired by a stay at Cleadon House in South Shields while writing Great Expectations.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
Following his visits to Dorchester, Birmingham, Belfast and Glasgow, the Natural History Museum's famous Dinosaur Dippy has come to Newcastle for a very special exhibition.
Dippy the Diplodocus lived in London for over 100 years but now he's on an adventure around the UK's best family museums.
Unveiled to the British public in 1905, Dippy was cast from the type specimen found in America. The full skeleton is 21.3 metres long, 4.3 metres wide and 4.25 metres high.
Enjoy a day out with Dippy and get inspired about the natural world!
at South Shields Museum & Art Gallery
A new exhibition exploring stories of players and fans from the early days and up to the present day, from the famous, to the local and unsung heroes of the game in South Tyneside.
More than a Game highlights the centenary of South Shields FC’s entry to the Football League, and also Hebburn Town FC, the many amateur teams of the Borough’s yesteryear to works’ teams including Reyrolles, Leslies and the colliery welfares, through to church and school teams.
Highlighting players like Mary Lyons of Jarrow, who was and still remains to this day the youngest player to play and score for England in a senior international match,and Demi Stokes, currently on the England team.
See a wide range of team photos, as well as programmes, medals, cups, trophies, strips and kit from the late 19th century up to the present day.
Featuring loans from the Fans Museum, National Football Museum and Charlton Athletic Museum, including objects associated with South Shields’ born Stan Mortenson, who was the only player to score a hat-trick in a Wembley FA Cup Final.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
“Immigration has always been part of our lives in society and, of course, it always will be.” Jeremy Abrahams
In tribute to Tyneside’s diverse population, this powerful series of portraits by photographer Jeremy Abrahams documents the experience of people who have migrated to the region from overseas.
The exhibition captures the stories of 41 individuals who settled here between 1939 and 2018 and explores why they left their country of origin and provides an insight into how they feel about their adopted home.
The debate around immigration has long been an ongoing one. Jeremy’s documentary style focuses on positive representations of migration and related issues, and invites visitors to consider their own attitudes towards immigration.
Since becoming a professional photographer in 2014, Jeremy has had three solo exhibitions and his pictures have appeared in The Guardian, The New York Times and The Sunday Times.
at Discovery Museum
Pioneering northerners have been transforming our world with their clever inventions for centuries. This exhibition, built by LEGO® creator Steve Mayes, highlights what the North has done for the world through 45 intricate models, using 50,000 mini bricks.
See how many of these northern innovations you recognise in this 3D timeline, which features everything from the Geordie Lamp, Stephenson's Rocket and Turbinia through to the futuristic Hyperloop. Don't forget to look for the real life Geordie inventions around the museum.
at Discovery Museum
This exhibition was produced in association with BLESMA, the Limbless Veterans and celebrate the lives and service of the organisation and its north-east members.
The exhibition includes first person oral histories and digitised photographs.
at Great North Museum: Hancock
This temporary exhibition celebrates the extraordinary life of Professor Brian Shefton (1919-2012) and marks what would have been his 100th birthday.
Professor Shefton, who taught at Newcastle University from 1955 until his retirement in 1984, was responsible for establishing the internationally significant Greek archaeology collection that is now on display at the Museum.
This exhibition is the result of a collaboration between the Museum and colleagues in the University from Fine Art and History, Classics and Archaeology. It also includes an installation showcasing the research of Daisy-Alys Vaughan, a Northern Bridge funded partnership PhD student.
at South Shields Museum & Art Gallery
A display commemorating one of Tyneside's most beloved women.
Dame Catherine Cookson is remembered 21 years after her death.
Part of the museum's Women 100, a programme started in 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at South Shields Museum & Art Gallery
The South Shields Local History Group have created this exhibition of images of Westoe Village links to the publication of a new book about Westoe Village, for sale in the museum shop.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
Join us as we celebrate all things LEGO® this summer with an exhibition featuring models of Northern innovations and an events programme full of exploring, inventing and building activities for all the family.
Brilliant Bricks: A LEGO® Timeline of Northern Innovation
This exhibition highlights what the North has done for the world through 45 intricate models created by LEGO® artist Steve Mayes. Exhibition runs until 3 November.
Discovery Days
Craft sessions every Tuesday & Thursday during the school holidays
Play + Invent
Explore and build your own inventions on Wednesdays during the school holidays
LEGO® Minifigures Trail
Follow the clues to find the science-themed minifigures in the Museum
Summer Science Clubs
30 July - 2 August for ages 7-10
13 - 16 August for ages 11-16
Liquid Science Show
8 - 11 August, 12pm, 1.30pm & 3pm
Relaxed sessions: 8 - 11 August, 10.30am
Interactive bubble show with Jesse Ward
Battle of the Brick Bots
16 August, 10.30am & 12pm
Go into battle with your customised LEGO robot
Disco of Light and Sound
21 August; 11am-1pm & 2-4pm
Summer family disco
at Hatton Gallery
The Newcastle University Fine Art MFA Degree Show brings together the work of emerging artists at both the mid-point and the culmination of two years of study on the MFA. The exhibition includes a diverse set of contemporary voices, working across the disciplines of painting, sculpture, installation, and new media. The show is curated in collaboration with Turner-prize nominated artists Jane and Louise Wilson and will occupy much of the Fine Art building.
This year's exhibitors are:
Alice Adams, Eleanor Curry, Carole McCourt, Jenny Mc Namara, Rebecca Reed, Yan Yin, Ella Jones, Sophia Juergens, Darryn Sharpe, Genevieve Stone, Zenaira Mahmood, Wan-Chen Chan, Sara Palmer, Valeriia Savina.
at Laing Art Gallery
Portraiture is a very old art form going back at least to ancient Egypt, where it flourished from about 5,000 years ago. Before the invention of photography, a painted, sculpted, or drawn portrait was the only way to record the appearance of someone. A portrait is an artistic representation of a person intending to display their likeness, personality and even mood.
But portraits have always been more than just a record. They have been used to show the power, importance, virtue, beauty, wealth, taste, learning or other qualities of the sitter. Portraits have almost always been flattering, and painters who refused to flatter tended to find their work rejected.
Among leading modern artists, portrait painting to order has become increasingly rare. Instead artists paint their friends and lovers in whatever way they pleased. At the same time, photography became the most important medium of traditional portraiture, making what was formerly an expensive luxury product affordable for almost everyone.
This exhibition of clothed portraits draws from the collections of the Laing Art Gallery and Hatton Gallery.
Highlights include key works by leading artists such as Sir Joshua Reynolds, Allan Ramsay, William Orpen, George Clausen and Chris Ofili, Thomas Lawrence, Augustus John, Sir John Lavery, Beryl Fowler and Christina Robertson.
Image: Portrait of Mrs Leathart and Her Three Children (1863–1865) by Arthur Hughes
at South Shields Museum & Art Gallery
The museum is usually closed on a Sunday but in celebration of the Great North Run we'll be open.
You can take in two temporary exhibitions More than a Game: the story of football in South Tyneside and Charles Dickens as well as the rest of the museum.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
We need your feedback!
If you have recently visited Victoria & Albert: Our Lives in Watercolour we would love to hear your thoughts. Please spare a couple of minutes to fill out our survey - you could win a £25 Love2Shop voucher too! Thank you.
Throughout their marriage, Queen Victoria and Prince Albert were enthusiastic patrons (and practitioners) of the art of watercolour painting. They formed a collection of thousands of watercolours, many illustrating scenes of their public and private lives, and often spent happy evenings together organising their acquisitions into albums.
This touring exhibition – including many works being displayed for the first time – marks the bicentenary of the births of both Victoria and Albert. These colourful, dynamic watercolours capture the pomp and spectacle of the British court, foreign travel and diplomacy, the exploration and shaping of a modern nation and, importantly, the close-knit family at the heart of it all.
As featured in:
The Times
The Mail on Sunday
Living North
Luxe Magazine
Town & Country Magazine
Image: Paul Jacob, The Queen and Prince Albert landing at St Pierre, Guernsey, 24 August 1846.
Royal Collection Trust / © Her Majesty Queen Elizabeth II 2019
at Segedunum Roman Fort
Borderline Funny is a new exhibition exploring the depiction of ancient Rome's great northern frontier of Hadrian’s Wall in cartoons.
It is the first time an exhibition dedicated to cartoons about Hadrian's Wall has been shown.
Featuring Roman era graffiti, cartoons from the 19c - 21c, some funny, some satirical, including new original work produced for the exhibition referencing contemporary topics such as Brexit and US politics.
Also featuring are works of the late Roger Oram, who produced the Arbeia Society magazine, and many other cartoon works imagining life on Hadrian’s Wall.
This exhibition coincides with the 14th Pilgrimage to Hadrian’s Wall in July 2019. This decennial event will see almost 250 ‘Pilgrims’ tour the Wall for a week, reviewing the latest discoveries from the past ten years.
at Segedunum Roman Fort
Seize an
opportunity to discover the ancient site of Segedunum and museum on the banks
of the River Tyne, near the old Wallsend slipway.
Travel nine stories high to the legendary 35m Viewing Tower and take in spectacular views across the city and river, and explore the museum galleries inspired by the area's Roman and industrial past.
See the Borderline Funny exhibition which ends 22 September; view the remains of the original Roman bathhouse or explore a section of Hadrian's Wall.
Guided tours are available on Saturday and Sunday. Call the museum to book a free place.
Heritage Open Days are an annual celebration of England's architecture and culture that
allows visitors free access to historical landmarks.
at Great North Museum: Hancock
The Micro Food Library presents the first installment of E-NUMBERS v2.0 as a week long exhibition and event at the European Researchers' Night, Great North Museum: Hancock.
E-NUMBERS v2.0 is a new and expanding version of the 'E-Number’ or ‘European Number’ food additive system. This version however includes only biologically ENGINEERED or EDITED micro-organisms that have been genetically altered, created or re-programmed through novel scientific methods to produce flavours, aromas, colours, preservatives and nutrition as food additives.
Presented in public for the first time and new to the world, these micro-organisms have previously not existed in nature in the same way - they are born in laboratories through integrating science, engineering and computing.
This exhibition includes a number of these new and unique micro-organisms and the results of their labour as aromas, colours and nutritional additives, bringing to the forefront the changes taking place within our food landscape of a new kind.
Visitors can experience 'aroma boxes' containing the altered micro-organisms that produce fragrances of grapefruit, Valencia orange and banana.
at South Shields Museum & Art Gallery
The star of this exhibition is a portrait of the famous writer Charles Dickens on loan from the National Portrait Gallery.
A regular visitor to the North East, it is said that Dickens was inspired by a stay at Cleadon House in South Shields while writing Great Expectations.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
Following his visits to Dorchester, Birmingham, Belfast and Glasgow, the Natural History Museum's famous Dinosaur Dippy has come to Newcastle for a very special exhibition.
Dippy the Diplodocus lived in London for over 100 years but now he's on an adventure around the UK's best family museums.
Unveiled to the British public in 1905, Dippy was cast from the type specimen found in America. The full skeleton is 21.3 metres long, 4.3 metres wide and 4.25 metres high.
Enjoy a day out with Dippy and get inspired about the natural world!
at South Shields Museum & Art Gallery
A new exhibition exploring stories of players and fans from the early days and up to the present day, from the famous, to the local and unsung heroes of the game in South Tyneside.
More than a Game highlights the centenary of South Shields FC’s entry to the Football League, and also Hebburn Town FC, the many amateur teams of the Borough’s yesteryear to works’ teams including Reyrolles, Leslies and the colliery welfares, through to church and school teams.
Highlighting players like Mary Lyons of Jarrow, who was and still remains to this day the youngest player to play and score for England in a senior international match,and Demi Stokes, currently on the England team.
See a wide range of team photos, as well as programmes, medals, cups, trophies, strips and kit from the late 19th century up to the present day.
Featuring loans from the Fans Museum, National Football Museum and Charlton Athletic Museum, including objects associated with South Shields’ born Stan Mortenson, who was the only player to score a hat-trick in a Wembley FA Cup Final.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
“Immigration has always been part of our lives in society and, of course, it always will be.” Jeremy Abrahams
In tribute to Tyneside’s diverse population, this powerful series of portraits by photographer Jeremy Abrahams documents the experience of people who have migrated to the region from overseas.
The exhibition captures the stories of 41 individuals who settled here between 1939 and 2018 and explores why they left their country of origin and provides an insight into how they feel about their adopted home.
The debate around immigration has long been an ongoing one. Jeremy’s documentary style focuses on positive representations of migration and related issues, and invites visitors to consider their own attitudes towards immigration.
Since becoming a professional photographer in 2014, Jeremy has had three solo exhibitions and his pictures have appeared in The Guardian, The New York Times and The Sunday Times.
at Discovery Museum
Pioneering northerners have been transforming our world with their clever inventions for centuries. This exhibition, built by LEGO® creator Steve Mayes, highlights what the North has done for the world through 45 intricate models, using 50,000 mini bricks.
See how many of these northern innovations you recognise in this 3D timeline, which features everything from the Geordie Lamp, Stephenson's Rocket and Turbinia through to the futuristic Hyperloop. Don't forget to look for the real life Geordie inventions around the museum.
at Discovery Museum
This exhibition was produced in association with BLESMA, the Limbless Veterans and celebrate the lives and service of the organisation and its north-east members.
The exhibition includes first person oral histories and digitised photographs.
at Great North Museum: Hancock
This temporary exhibition celebrates the extraordinary life of Professor Brian Shefton (1919-2012) and marks what would have been his 100th birthday.
Professor Shefton, who taught at Newcastle University from 1955 until his retirement in 1984, was responsible for establishing the internationally significant Greek archaeology collection that is now on display at the Museum.
This exhibition is the result of a collaboration between the Museum and colleagues in the University from Fine Art and History, Classics and Archaeology. It also includes an installation showcasing the research of Daisy-Alys Vaughan, a Northern Bridge funded partnership PhD student.
at South Shields Museum & Art Gallery
A display commemorating one of Tyneside's most beloved women.
Dame Catherine Cookson is remembered 21 years after her death.
Part of the museum's Women 100, a programme started in 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
This autumn Hatton Gallery presents the work of one of the most influential and innovative artists of the twentieth century. Roy Lichtenstein (1923–1997) is one of the pioneers of Pop art, best-known for his paintings based on comic strips, advertising imagery, and playful adaptations of works of art by other artists. Lichtenstein produced a new type of art that responded to the optimism and growing commercialisation of the 1960s, bringing popular, everyday images into fine art, and questioning authorship and originality. Unapologetically entertaining, graphically arresting and decoratively appealing, the popularity of his work has been enduring.
ARTIST ROOMS Roy Lichtenstein offers a rare opportunity to see such an important collection of the artist’s work in the North East. The exhibition takes as its focus an extraordinary series of large-scale screen prints made in the 1990s towards the end of the artist’s life, which have been placed on long loan to ARTIST ROOMS by the Roy Lichtenstein Foundation. Innovative and technically complex, these works are shown alongside loans from the National Galleries of Scotland and Tate. The exhibition explores key themes that preoccupied the artist throughout his career, alongside imagery associated with pop: his fascination with the history of art, his investigations into reflections and mirroring, and his love of musical, as well as visual, composition.
ARTIST ROOMS
The ARTIST ROOMS collection of over 1,600 works of modern and contemporary art is displayed across the UK in solo exhibitions that showcase the work of 42 major international artists. The programme gives young people the chance to get involved in creative projects, discover more about art and learn new skills. Since 2009, nearly 50 million people have visited over 185 displays at some 87 museums and galleries.
The touring programme is delivered by the National Galleries of Scotland and Tate in a partnership with Ferens Art Gallery through to 2020, supported using public funding by the National Lottery through Arts Council England, by Art Fund and by the National Lottery through Creative Scotland. #ARTISTROOMS
ARTIST ROOMS is jointly owned by the National Galleries of Scotland and Tate. The collection was established through The d’Offay Donation in 2008, with the assistance of the National Heritage Memorial Fund, Art Fund, and the Scottish and British Governments.
at South Shields Museum & Art Gallery
The South Shields Local History Group have created this exhibition of images of Westoe Village links to the publication of a new book about Westoe Village, for sale in the museum shop.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
This installation emerged from Ross's 2014-17 project entitled On Being Out of Touch which explored the gaps between information, knowledge and experience, specifically considered in relation to learning about the birds. In All The Better To Hear You With Ross combines these concerns with her research into Kurt Schwitters' experimental approaches to the written and spoken word, exploring the discrepancies between how words are read, perceived, stored in memory and processed internally and orally. Literary works by Schwitters which include: the Ursonata, Anna Blume, Consistent Poetry, Language and typography and orthography: small letters, affirm the agency of the individual to critique conventional linguistic structures and to explore letters, words and sounds as audio-visual material to be re-thought. The discrepancies between how sound is written, perceived or committed to memory are particularly pertinent when processing bird call, where written accounts act as placeholders of experience, awaiting activation.
In All The Better To Hear You With Ross's aims to re-interpret written descriptions of bird call as printed gestures of sound making; encouraging the individual to activate and interpret sound through play, decoding and transcribing the words as a performative act. Presented on mobile units, the printed gestures of sound will change throughout the exhibition to enact twelve different verbal notations. These sounds have further been transcribed as a set of twelve printed sound poems, type-set using Alban Davis' press and printed during Ross' residency at the rural 'Merz Barn' site in 2017. Included in the exhibition is archival material belonging to the late Gwyneth Alban Davis and supporting texts by Kurt Schwitters and Stefan Themerson. This exhibition forms part of Ross's ongoing practice based PhD investigation into Kurt Schwitters Merz Barn Relief Wall, situated in the Hatton Gallery.
at South Shields Museum & Art Gallery
The star of this exhibition is a portrait of the famous writer Charles Dickens on loan from the National Portrait Gallery.
A regular visitor to the North East, it is said that Dickens was inspired by a stay at Cleadon House in South Shields while writing Great Expectations.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
Following his visits to Dorchester, Birmingham, Belfast and Glasgow, the Natural History Museum's famous Dinosaur Dippy has come to Newcastle for a very special exhibition.
Dippy the Diplodocus lived in London for over 100 years but now he's on an adventure around the UK's best family museums.
Unveiled to the British public in 1905, Dippy was cast from the type specimen found in America. The full skeleton is 21.3 metres long, 4.3 metres wide and 4.25 metres high.
Enjoy a day out with Dippy and get inspired about the natural world!
at South Shields Museum & Art Gallery
A new exhibition exploring stories of players and fans from the early days and up to the present day, from the famous, to the local and unsung heroes of the game in South Tyneside.
More than a Game highlights the centenary of South Shields FC’s entry to the Football League, and also Hebburn Town FC, the many amateur teams of the Borough’s yesteryear to works’ teams including Reyrolles, Leslies and the colliery welfares, through to church and school teams.
Highlighting players like Mary Lyons of Jarrow, who was and still remains to this day the youngest player to play and score for England in a senior international match,and Demi Stokes, currently on the England team.
See a wide range of team photos, as well as programmes, medals, cups, trophies, strips and kit from the late 19th century up to the present day.
Featuring loans from the Fans Museum, National Football Museum and Charlton Athletic Museum, including objects associated with South Shields’ born Stan Mortenson, who was the only player to score a hat-trick in a Wembley FA Cup Final.
All details on the South Shields Museum & Art Gallery website
at Discovery Museum
“Immigration has always been part of our lives in society and, of course, it always will be.” Jeremy Abrahams
In tribute to Tyneside’s diverse population, this powerful series of portraits by photographer Jeremy Abrahams documents the experience of people who have migrated to the region from overseas.
The exhibition captures the stories of 41 individuals who settled here between 1939 and 2018 and explores why they left their country of origin and provides an insight into how they feel about their adopted home.
The debate around immigration has long been an ongoing one. Jeremy’s documentary style focuses on positive representations of migration and related issues, and invites visitors to consider their own attitudes towards immigration.
Since becoming a professional photographer in 2014, Jeremy has had three solo exhibitions and his pictures have appeared in The Guardian, The New York Times and The Sunday Times.
at Discovery Museum
Pioneering northerners have been transforming our world with their clever inventions for centuries. This exhibition, built by LEGO® creator Steve Mayes, highlights what the North has done for the world through 45 intricate models, using 50,000 mini bricks.
See how many of these northern innovations you recognise in this 3D timeline, which features everything from the Geordie Lamp, Stephenson's Rocket and Turbinia through to the futuristic Hyperloop. Don't forget to look for the real life Geordie inventions around the museum.
at Discovery Museum
This exhibition was produced in association with BLESMA, the Limbless Veterans and celebrate the lives and service of the organisation and its north-east members.
The exhibition includes first person oral histories and digitised photographs.
at Great North Museum: Hancock
This temporary exhibition celebrates the extraordinary life of Professor Brian Shefton (1919-2012) and marks what would have been his 100th birthday.
Professor Shefton, who taught at Newcastle University from 1955 until his retirement in 1984, was responsible for establishing the internationally significant Greek archaeology collection that is now on display at the Museum.
This exhibition is the result of a collaboration between the Museum and colleagues in the University from Fine Art and History, Classics and Archaeology. It also includes an installation showcasing the research of Daisy-Alys Vaughan, a Northern Bridge funded partnership PhD student.
at South Shields Museum & Art Gallery
A display commemorating one of Tyneside's most beloved women.
Dame Catherine Cookson is remembered 21 years after her death.
Part of the museum's Women 100, a programme started in 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
This autumn Hatton Gallery presents the work of one of the most influential and innovative artists of the twentieth century. Roy Lichtenstein (1923–1997) is one of the pioneers of Pop art, best-known for his paintings based on comic strips, advertising imagery, and playful adaptations of works of art by other artists. Lichtenstein produced a new type of art that responded to the optimism and growing commercialisation of the 1960s, bringing popular, everyday images into fine art, and questioning authorship and originality. Unapologetically entertaining, graphically arresting and decoratively appealing, the popularity of his work has been enduring.
ARTIST ROOMS Roy Lichtenstein offers a rare opportunity to see such an important collection of the artist’s work in the North East. The exhibition takes as its focus an extraordinary series of large-scale screen prints made in the 1990s towards the end of the artist’s life, which have been placed on long loan to ARTIST ROOMS by the Roy Lichtenstein Foundation. Innovative and technically complex, these works are shown alongside loans from the National Galleries of Scotland and Tate. The exhibition explores key themes that preoccupied the artist throughout his career, alongside imagery associated with pop: his fascination with the history of art, his investigations into reflections and mirroring, and his love of musical, as well as visual, composition.
ARTIST ROOMS
The ARTIST ROOMS collection of over 1,600 works of modern and contemporary art is displayed across the UK in solo exhibitions that showcase the work of 42 major international artists. The programme gives young people the chance to get involved in creative projects, discover more about art and learn new skills. Since 2009, nearly 50 million people have visited over 185 displays at some 87 museums and galleries.
The touring programme is delivered by the National Galleries of Scotland and Tate in a partnership with Ferens Art Gallery through to 2020, supported using public funding by the National Lottery through Arts Council England, by Art Fund and by the National Lottery through Creative Scotland. #ARTISTROOMS
ARTIST ROOMS is jointly owned by the National Galleries of Scotland and Tate. The collection was established through The d’Offay Donation in 2008, with the assistance of the National Heritage Memorial Fund, Art Fund, and the Scottish and British Governments.
at Hatton Gallery
Lothar Götz is an artist whose practice ranges from site-specific wall paintings and room-sized spatial installations to paintings and drawings. His painting is characterised by its use of abstract geometric forms, fields and lines of intense colour, juxtaposed with one another. For this newly commissioned work at the Hatton Gallery, Lothar Götz will create an immersive wall painting in response to the gallery’s Edwardian architecture, as well as specific works within the Hatton Gallery’s unique collection.
This will be the fourth large scale mural by Lothar Götz on display at the same time in the UK; two in other public galleries Leeds Art Gallery and Towner Art Gallery, and the final one in Pallant House Museum.
at South Shields Museum & Art Gallery
The South Shields Local History Group have created this exhibition of images of Westoe Village links to the publication of a new book about Westoe Village, for sale in the museum shop.
All details on the South Shields Museum & Art Gallery website
at Hatton Gallery
This installation emerged from Ross's 2014-17 project entitled On Being Out of Touch which explored the gaps between information, knowledge and experience, specifically considered in relation to learning about the birds. In All The Better To Hear You With Ross combines these concerns with her research into Kurt Schwitters' experimental approaches to the written and spoken word, exploring the discrepancies between how words are read, perceived, stored in memory and processed internally and orally. Literary works by Schwitters which include: the Ursonata, Anna Blume, Consistent Poetry, Language and typography and orthography: small letters, affirm the agency of the individual to critique conventional linguistic structures and to explore letters, words and sounds as audio-visual material to be re-thought. The discrepancies between how sound is written, perceived or committed to memory are particularly pertinent when processing bird call, where written accounts act as placeholders of experience, awaiting activation.
In All The Better To Hear You With Ross's aims to re-interpret written descriptions of bird call as printed gestures of sound making; encouraging the individual to activate and interpret sound through play, decoding and transcribing the words as a performative act. Presented on mobile units, the printed gestures of sound will change throughout the exhibition to enact twelve different verbal notations. These sounds have further been transcribed as a set of twelve printed sound poems, type-set using Alban Davis' press and printed during Ross' residency at the rural 'Merz Barn' site in 2017. Included in the exhibition is archival material belonging to the late Gwyneth Alban Davis and supporting texts by Kurt Schwitters and Stefan Themerson. This exhibition forms part of Ross's ongoing practice based PhD investigation into Kurt Schwitters Merz Barn Relief Wall, situated in the Hatton Gallery.
at Laing Art Gallery
The Enchanted Interior explores the sinister implications of a popular theme in nineteenth-century painting: the depiction of the interior as a ‘gilded cage’ in which women are pictured as ornamental objects. Iconic Pre-Raphaelite paintings by artists such as Edward Burne-Jones and William Holman Hunt will be shown alongside works by their female peers such as Emma Sandys and Evelyn De Morgan, who challenge and subvert the idealisation of women as captive damsels or passive beauties. Meanwhile, installation and moving image work by contemporary artists such as Mona Hatoum and Fiona Tan highlight the duality inherent in the interior, as a site that can be a sanctuary or a threat.
This exhibition has been developed by the Laing Art Gallery and will tour nationally.
Admission charges apply
Image credit: Evelyn de Morgan, The Love Potion (1903) © De Morgan Collection, courtesy of the De Morgan Foundation
This exhibition was made possible by grants from the Weston Loan Programme with Art Fund, the John Ellerman Foundation, The Henry Moore Foundation, and a Jonathan Ruffer Curatorial Research Grant from Art Fund. It will be accompanied by an illustrated publication made possible by a grant from the Paul Mellon Centre for Studies in British Art. In kind support by Bon Bloemen.
at Laing Art Gallery
This film forms part of The Enchanted Interior, an exhibition which traces the motif of the interior as a ‘gilded cage’ where women may be confined, exploring how this idea was crystallised in the work of nineteenth-century artists, as it haunts the work of twentieth-century artists, and as it is itself captured and rethought by contemporary artists who seek to expose and escape its sinister implications.
The Crystal Gaze is by Austrian-born artist Ursula Mayer, who was the 2014 winner of the prestigious Derek Jarman Award for experimental film. It follows three actors – each impeccably dressed in 1920s costume – as they languorously move through the Art Deco splendour of London’s Eltham Palace in a dreamlike exploration of the relationship between living inhabitants and their built environment.
The title of the work is evocative of prophetic visions, alluding to the use of crystals as a form of divination or seeing into the future. However, in this context, the crystals the women gaze into are mirrors, which distort their reflection so that their bodies become exquisitely framed but fragmented images to be enjoyed by onlookers.
Featuring dialogue that alludes to desire, fame, possession and abandon, the slow movements of the camera and the soft piano music create a seductive cinematic image that suggests female subjectivity entrapped in artifice, whilst the timeline of the film alternates between past and present, catching the actors in a never-ending loop of looking and being looked at. Although surrounded by excessive elegance, the women appear discontent, as if captives in this sensual scene, enchanted by their own gaze.
Please note that this film can be viewed free of charge, however tickets for admission to the full exhibition must be purchased in the Laing shop.
Image: Film still from The Crystal Gaze. Courtesy: Ursula Mayer. Photo by Tim Brotherton.
at Discovery Museum
“Immigration has always been part of our lives in society and, of course, it always will be.” Jeremy Abrahams
In tribute to Tyneside’s diverse population, this powerful series of portraits by photographer Jeremy Abrahams documents the experience of people who have migrated to the region from overseas.
The exhibition captures the stories of 41 individuals who settled here between 1939 and 2018 and explores why they left their country of origin and provides an insight into how they feel about their adopted home.
The debate around immigration has long been an ongoing one. Jeremy’s documentary style focuses on positive representations of migration and related issues, and invites visitors to consider their own attitudes towards immigration.
Since becoming a professional photographer in 2014, Jeremy has had three solo exhibitions and his pictures have appeared in The Guardian, The New York Times and The Sunday Times.
at Discovery Museum
Pioneering northerners have been transforming our world with their clever inventions for centuries. This exhibition, built by LEGO® creator Steve Mayes, highlights what the North has done for the world through 45 intricate models, using 50,000 mini bricks.
See how many of these northern innovations you recognise in this 3D timeline, which features everything from the Geordie Lamp, Stephenson's Rocket and Turbinia through to the futuristic Hyperloop. Don't forget to look for the real life Geordie inventions around the museum.
at Discovery Museum
This exhibition was produced in association with BLESMA, the Limbless Veterans and celebrate the lives and service of the organisation and its north-east members.
The exhibition includes first person oral histories and digitised photographs.
at Great North Museum: Hancock
This temporary exhibition celebrates the extraordinary life of Professor Brian Shefton (1919-2012) and marks what would have been his 100th birthday.
Professor Shefton, who taught at Newcastle University from 1955 until his retirement in 1984, was responsible for establishing the internationally significant Greek archaeology collection that is now on display at the Museum.
This exhibition is the result of a collaboration between the Museum and colleagues in the University from Fine Art and History, Classics and Archaeology. It also includes an installation showcasing the research of Daisy-Alys Vaughan, a Northern Bridge funded partnership PhD student.
at South Shields Museum & Art Gallery
A display commemorating one of Tyneside's most beloved women.
Dame Catherine Cookson is remembered 21 years after her death.
Part of the museum's Women 100, a programme started in 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at Shipley Art Gallery
2019 marks 71 years since Gateshead Art Society’s first exhibition at the Shipley Art Gallery. In celebration, the annual exhibition includes artworks by every member, featuring a variety of media including pencil, charcoal, oil and acrylic. Including local landscapes, portraiture, street scenes, wildlife scenes and architectural drawing, this is the ideal opportunity to find a unique Christmas present at an affordable price!
Gateshead Art Society formed in 1948 and meet weekly at the Shipley Art Gallery to produce their work.
The society are always on the lookout for new members. Find out more on their website: www.gatesheadartsociety.org.uk
at Hatton Gallery
This autumn Hatton Gallery presents the work of one of the most influential and innovative artists of the twentieth century. Roy Lichtenstein (1923–1997) is one of the pioneers of Pop art, best-known for his paintings based on comic strips, advertising imagery, and playful adaptations of works of art by other artists. Lichtenstein produced a new type of art that responded to the optimism and growing commercialisation of the 1960s, bringing popular, everyday images into fine art, and questioning authorship and originality. Unapologetically entertaining, graphically arresting and decoratively appealing, the popularity of his work has been enduring.
ARTIST ROOMS Roy Lichtenstein offers a rare opportunity to see such an important collection of the artist’s work in the North East. The exhibition takes as its focus an extraordinary series of large-scale screen prints made in the 1990s towards the end of the artist’s life, which have been placed on long loan to ARTIST ROOMS by the Roy Lichtenstein Foundation. Innovative and technically complex, these works are shown alongside loans from the National Galleries of Scotland and Tate. The exhibition explores key themes that preoccupied the artist throughout his career, alongside imagery associated with pop: his fascination with the history of art, his investigations into reflections and mirroring, and his love of musical, as well as visual, composition.
ARTIST ROOMS
The ARTIST ROOMS collection of over 1,600 works of modern and contemporary art is displayed across the UK in solo exhibitions that showcase the work of 42 major international artists. The programme gives young people the chance to get involved in creative projects, discover more about art and learn new skills. Since 2009, nearly 50 million people have visited over 185 displays at some 87 museums and galleries.
The touring programme is delivered by the National Galleries of Scotland and Tate in a partnership with Ferens Art Gallery through to 2020, supported using public funding by the National Lottery through Arts Council England, by Art Fund and by the National Lottery through Creative Scotland. #ARTISTROOMS
ARTIST ROOMS is jointly owned by the National Galleries of Scotland and Tate. The collection was established through The d’Offay Donation in 2008, with the assistance of the National Heritage Memorial Fund, Art Fund, and the Scottish and British Governments.
at Hatton Gallery
Lothar Götz is an artist whose practice ranges from site-specific wall paintings and room-sized spatial installations to paintings and drawings. His painting is characterised by its use of abstract geometric forms, fields and lines of intense colour, juxtaposed with one another. For this newly commissioned work at the Hatton Gallery, Lothar Götz will create an immersive wall painting in response to the gallery’s Edwardian architecture, as well as specific works within the Hatton Gallery’s unique collection.
This will be the fourth large scale mural by Lothar Götz on display at the same time in the UK; two in other public galleries Leeds Art Gallery and Towner Art Gallery, and the final one in Pallant House Museum.
at Great North Museum: Hancock
In the past, objects created by indigenous peoples of North America were not considered to be artistically beautiful by many European collectors. Instead they were viewed as functional objects and called 'applied arts' or 'crafts.'
In modern times attitudes changed. Many First Nations artists from Canada, and native Americans in the USA, helped indigenous art to flourish. They rediscovered old skills and created new forms of artistic expression. Highly skilled individuals began to be recognised for their exceptional art, which often revealed traditions and beliefs.
Since the time of first contact with white Europeans, native American art has found its way into many museums around the world, including the Great North Museum: Hancock. The Creative Power research project celebrates the incredible variety of objects within the collection. By delving into the histories, myths and cultures of First Nations and native American peoples, the artistry of the North American continent can be fully explored.
The Creative Power research project was made possible thanks to a Headley Fellowship with Art Fund
at South Shields Museum & Art Gallery
The South Shields Local History Group have created this exhibition of images of Westoe Village links to the publication of a new book about Westoe Village, for sale in the museum shop.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
An exhibition celebrating the 20th anniversary of The Policy Ethics and Life Sciences Research Centre (PEALS) at Newcastle University.
PEALS was founded at a time of rapid developments in human genetics and embryo research. These advances pushed the boundaries of the life sciences, promising great benefits but also bringing new challenges for society.
In addition to scholarly research PEALS has developed models of public engagement, from Café Scientifique and other kinds of public events to work with teachers and schools. Creative approaches to fostering engagement include working and collaborating with artists, writers, musicians and poets.
Many people have contributed to PEALS’ success, and this exhibition celebrates them all.
PEALS’ original purpose was to promote “research and debate on the social and ethical aspects of the life sciences”, through academic enquiry and public outreach and policy engagement. This combination of activities continues to be a distinctive feature of PEALS and is represented in this exhibition.
at Hatton Gallery
This installation emerged from Ross's 2014-17 project entitled On Being Out of Touch which explored the gaps between information, knowledge and experience, specifically considered in relation to learning about the birds. In All The Better To Hear You With Ross combines these concerns with her research into Kurt Schwitters' experimental approaches to the written and spoken word, exploring the discrepancies between how words are read, perceived, stored in memory and processed internally and orally. Literary works by Schwitters which include: the Ursonata, Anna Blume, Consistent Poetry, Language and typography and orthography: small letters, affirm the agency of the individual to critique conventional linguistic structures and to explore letters, words and sounds as audio-visual material to be re-thought. The discrepancies between how sound is written, perceived or committed to memory are particularly pertinent when processing bird call, where written accounts act as placeholders of experience, awaiting activation.
In All The Better To Hear You With Ross's aims to re-interpret written descriptions of bird call as printed gestures of sound making; encouraging the individual to activate and interpret sound through play, decoding and transcribing the words as a performative act. Presented on mobile units, the printed gestures of sound will change throughout the exhibition to enact twelve different verbal notations. These sounds have further been transcribed as a set of twelve printed sound poems, type-set using Alban Davis' press and printed during Ross' residency at the rural 'Merz Barn' site in 2017. Included in the exhibition is archival material belonging to the late Gwyneth Alban Davis and supporting texts by Kurt Schwitters and Stefan Themerson. This exhibition forms part of Ross's ongoing practice based PhD investigation into Kurt Schwitters Merz Barn Relief Wall, situated in the Hatton Gallery.
at Laing Art Gallery
The Enchanted Interior explores the sinister implications of a popular theme in nineteenth-century painting: the depiction of the interior as a ‘gilded cage’ in which women are pictured as ornamental objects. Iconic Pre-Raphaelite paintings by artists such as Edward Burne-Jones and William Holman Hunt will be shown alongside works by their female peers such as Emma Sandys and Evelyn De Morgan, who challenge and subvert the idealisation of women as captive damsels or passive beauties. Meanwhile, installation and moving image work by contemporary artists such as Mona Hatoum and Fiona Tan highlight the duality inherent in the interior, as a site that can be a sanctuary or a threat.
This exhibition has been developed by the Laing Art Gallery and will tour nationally.
Admission charges apply
Image credit: Evelyn de Morgan, The Love Potion (1903) © De Morgan Collection, courtesy of the De Morgan Foundation
This exhibition was made possible by grants from the Weston Loan Programme with Art Fund, the John Ellerman Foundation, The Henry Moore Foundation, and a Jonathan Ruffer Curatorial Research Grant from Art Fund. It will be accompanied by an illustrated publication made possible by a grant from the Paul Mellon Centre for Studies in British Art. In kind support by Bon Bloemen.
at Laing Art Gallery
This film forms part of The Enchanted Interior, an exhibition which traces the motif of the interior as a ‘gilded cage’ where women may be confined, exploring how this idea was crystallised in the work of nineteenth-century artists, as it haunts the work of twentieth-century artists, and as it is itself captured and rethought by contemporary artists who seek to expose and escape its sinister implications.
The Crystal Gaze is by Austrian-born artist Ursula Mayer, who was the 2014 winner of the prestigious Derek Jarman Award for experimental film. It follows three actors – each impeccably dressed in 1920s costume – as they languorously move through the Art Deco splendour of London’s Eltham Palace in a dreamlike exploration of the relationship between living inhabitants and their built environment.
The title of the work is evocative of prophetic visions, alluding to the use of crystals as a form of divination or seeing into the future. However, in this context, the crystals the women gaze into are mirrors, which distort their reflection so that their bodies become exquisitely framed but fragmented images to be enjoyed by onlookers.
Featuring dialogue that alludes to desire, fame, possession and abandon, the slow movements of the camera and the soft piano music create a seductive cinematic image that suggests female subjectivity entrapped in artifice, whilst the timeline of the film alternates between past and present, catching the actors in a never-ending loop of looking and being looked at. Although surrounded by excessive elegance, the women appear discontent, as if captives in this sensual scene, enchanted by their own gaze.
Please note that this film can be viewed free of charge, however tickets for admission to the full exhibition must be purchased in the Laing shop.
Image: Film still from The Crystal Gaze. Courtesy: Ursula Mayer. Photo by Tim Brotherton.
at Discovery Museum
The bicentenary of the Northumberland Hussars is being celebrated through a new exhibition at Discovery Museum.
Originally known as the Northumberland and Newcastle Volunteer Cavalry, the regiment was formed in 1819 to support the authorities during times of civil disturbance, such as the strike by Tyne keelmen in 1822.
In 1876 its name changed to the Northumberland (Hussars) Yeomanry Cavalry and the regiment served during the Second Boer War.
In World War 1 the Northumberland Hussars were the first territorial regiment to see action and performed with great distinction at the First Battle of Ypres in October 1914.
In World War 2 they converted from cavalry and became 102 (Northumberland Hussars) Anti-Tank and Anti-Aircraft Regiment Royal Artillery Regiment. In this capacity they were in almost constant action, from the Western Desert, the German invasions of Greece and Crete, to the invasion of Sicily, and then D-day, Normandy and across the Rhine.
Today, the regiment exists as Command and Support (Northumberland Hussars) Squadron of the Queen’s Own Yeomanry, based at Fenham Barracks in Newcastle, and maintains close links with the Light Dragoons. Since 2003 the squadron has provided numerous reserve soldiers as individual reinforcements to regular cavalry regiments for operational service in Iraq and Afghanistan.
The exhibition, featuring artefacts and audio illustrating the rich heritage and proud tradition of the regiment, will run until April 2020.
at Great North Museum: Hancock
This temporary exhibition celebrates the extraordinary life of Professor Brian Shefton (1919-2012) and marks what would have been his 100th birthday.
Professor Shefton, who taught at Newcastle University from 1955 until his retirement in 1984, was responsible for establishing the internationally significant Greek archaeology collection that is now on display at the Museum.
This exhibition is the result of a collaboration between the Museum and colleagues in the University from Fine Art and History, Classics and Archaeology. It also includes an installation showcasing the research of Daisy-Alys Vaughan, a Northern Bridge funded partnership PhD student.
at South Shields Museum & Art Gallery
A display commemorating one of Tyneside's most beloved women.
Dame Catherine Cookson is remembered 21 years after her death.
Part of the museum's Women 100, a programme started in 2018 sharing the stories of several exceptional women connected to South Tyneside as part of the 100 year anniversary of the Representation of the People Act 1918.
All details on the South Shields Museum & Art Gallery website
at Shipley Art Gallery
2019 marks 71 years since Gateshead Art Society’s first exhibition at the Shipley Art Gallery. In celebration, the annual exhibition includes artworks by every member, featuring a variety of media including pencil, charcoal, oil and acrylic. Including local landscapes, portraiture, street scenes, wildlife scenes and architectural drawing, this is the ideal opportunity to find a unique Christmas present at an affordable price!
Gateshead Art Society formed in 1948 and meet weekly at the Shipley Art Gallery to produce their work.
The society are always on the lookout for new members. Find out more on their website: www.gatesheadartsociety.org.uk
at Hatton Gallery
This autumn Hatton Gallery presents the work of one of the most influential and innovative artists of the twentieth century. Roy Lichtenstein (1923–1997) is one of the pioneers of Pop art, best-known for his paintings based on comic strips, advertising imagery, and playful adaptations of works of art by other artists. Lichtenstein produced a new type of art that responded to the optimism and growing commercialisation of the 1960s, bringing popular, everyday images into fine art, and questioning authorship and originality. Unapologetically entertaining, graphically arresting and decoratively appealing, the popularity of his work has been enduring.
ARTIST ROOMS Roy Lichtenstein offers a rare opportunity to see such an important collection of the artist’s work in the North East. The exhibition takes as its focus an extraordinary series of large-scale screen prints made in the 1990s towards the end of the artist’s life, which have been placed on long loan to ARTIST ROOMS by the Roy Lichtenstein Foundation. Innovative and technically complex, these works are shown alongside loans from the National Galleries of Scotland and Tate. The exhibition explores key themes that preoccupied the artist throughout his career, alongside imagery associated with pop: his fascination with the history of art, his investigations into reflections and mirroring, and his love of musical, as well as visual, composition.
ARTIST ROOMS
The ARTIST ROOMS collection of over 1,600 works of modern and contemporary art is displayed across the UK in solo exhibitions that showcase the work of 42 major international artists. The programme gives young people the chance to get involved in creative projects, discover more about art and learn new skills. Since 2009, nearly 50 million people have visited over 185 displays at some 87 museums and galleries.
The touring programme is delivered by the National Galleries of Scotland and Tate in a partnership with Ferens Art Gallery through to 2020, supported using public funding by the National Lottery through Arts Council England, by Art Fund and by the National Lottery through Creative Scotland. #ARTISTROOMS
ARTIST ROOMS is jointly owned by the National Galleries of Scotland and Tate. The collection was established through The d’Offay Donation in 2008, with the assistance of the National Heritage Memorial Fund, Art Fund, and the Scottish and British Governments.
at Hatton Gallery
Lothar Götz is an artist whose practice ranges from site-specific wall paintings and room-sized spatial installations to paintings and drawings. His painting is characterised by its use of abstract geometric forms, fields and lines of intense colour, juxtaposed with one another. For this newly commissioned work at the Hatton Gallery, Lothar Götz will create an immersive wall painting in response to the gallery’s Edwardian architecture, as well as specific works within the Hatton Gallery’s unique collection.
This will be the fourth large scale mural by Lothar Götz on display at the same time in the UK; two in other public galleries Leeds Art Gallery and Towner Art Gallery, and the final one in Pallant House Museum.
at Great North Museum: Hancock
In the past, objects created by indigenous peoples of North America were not considered to be artistically beautiful by many European collectors. Instead they were viewed as functional objects and called 'applied arts' or 'crafts.'
In modern times attitudes changed. Many First Nations artists from Canada, and native Americans in the USA, helped indigenous art to flourish. They rediscovered old skills and created new forms of artistic expression. Highly skilled individuals began to be recognised for their exceptional art, which often revealed traditions and beliefs.
Since the time of first contact with white Europeans, native American art has found its way into many museums around the world, including the Great North Museum: Hancock. The Creative Power research project celebrates the incredible variety of objects within the collection. By delving into the histories, myths and cultures of First Nations and native American peoples, the artistry of the North American continent can be fully explored.
The Creative Power research project was made possible thanks to a Headley Fellowship with Art Fund
at South Shields Museum & Art Gallery
The South Shields Local History Group have created this exhibition of images of Westoe Village links to the publication of a new book about Westoe Village, for sale in the museum shop.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
An exhibition celebrating the 20th anniversary of The Policy Ethics and Life Sciences Research Centre (PEALS) at Newcastle University.
PEALS was founded at a time of rapid developments in human genetics and embryo research. These advances pushed the boundaries of the life sciences, promising great benefits but also bringing new challenges for society.
In addition to scholarly research PEALS has developed models of public engagement, from Café Scientifique and other kinds of public events to work with teachers and schools. Creative approaches to fostering engagement include working and collaborating with artists, writers, musicians and poets.
Many people have contributed to PEALS’ success, and this exhibition celebrates them all.
PEALS’ original purpose was to promote “research and debate on the social and ethical aspects of the life sciences”, through academic enquiry and public outreach and policy engagement. This combination of activities continues to be a distinctive feature of PEALS and is represented in this exhibition.
at Hatton Gallery
This installation emerged from Ross's 2014-17 project entitled On Being Out of Touch which explored the gaps between information, knowledge and experience, specifically considered in relation to learning about the birds. In All The Better To Hear You With Ross combines these concerns with her research into Kurt Schwitters' experimental approaches to the written and spoken word, exploring the discrepancies between how words are read, perceived, stored in memory and processed internally and orally. Literary works by Schwitters which include: the Ursonata, Anna Blume, Consistent Poetry, Language and typography and orthography: small letters, affirm the agency of the individual to critique conventional linguistic structures and to explore letters, words and sounds as audio-visual material to be re-thought. The discrepancies between how sound is written, perceived or committed to memory are particularly pertinent when processing bird call, where written accounts act as placeholders of experience, awaiting activation.
In All The Better To Hear You With Ross's aims to re-interpret written descriptions of bird call as printed gestures of sound making; encouraging the individual to activate and interpret sound through play, decoding and transcribing the words as a performative act. Presented on mobile units, the printed gestures of sound will change throughout the exhibition to enact twelve different verbal notations. These sounds have further been transcribed as a set of twelve printed sound poems, type-set using Alban Davis' press and printed during Ross' residency at the rural 'Merz Barn' site in 2017. Included in the exhibition is archival material belonging to the late Gwyneth Alban Davis and supporting texts by Kurt Schwitters and Stefan Themerson. This exhibition forms part of Ross's ongoing practice based PhD investigation into Kurt Schwitters Merz Barn Relief Wall, situated in the Hatton Gallery.
at Laing Art Gallery
The Enchanted Interior explores the sinister implications of a popular theme in nineteenth-century painting: the depiction of the interior as a ‘gilded cage’ in which women are pictured as ornamental objects. Iconic Pre-Raphaelite paintings by artists such as Edward Burne-Jones and William Holman Hunt will be shown alongside works by their female peers such as Emma Sandys and Evelyn De Morgan, who challenge and subvert the idealisation of women as captive damsels or passive beauties. Meanwhile, installation and moving image work by contemporary artists such as Mona Hatoum and Fiona Tan highlight the duality inherent in the interior, as a site that can be a sanctuary or a threat.
This exhibition has been developed by the Laing Art Gallery and will tour nationally.
Admission charges apply
Image credit: Evelyn de Morgan, The Love Potion (1903) © De Morgan Collection, courtesy of the De Morgan Foundation
This exhibition was made possible by grants from the Weston Loan Programme with Art Fund, the John Ellerman Foundation, The Henry Moore Foundation, and a Jonathan Ruffer Curatorial Research Grant from Art Fund. It will be accompanied by an illustrated publication made possible by a grant from the Paul Mellon Centre for Studies in British Art. In kind support by Bon Bloemen.
at Laing Art Gallery
This film forms part of The Enchanted Interior, an exhibition which traces the motif of the interior as a ‘gilded cage’ where women may be confined, exploring how this idea was crystallised in the work of nineteenth-century artists, as it haunts the work of twentieth-century artists, and as it is itself captured and rethought by contemporary artists who seek to expose and escape its sinister implications.
The Crystal Gaze is by Austrian-born artist Ursula Mayer, who was the 2014 winner of the prestigious Derek Jarman Award for experimental film. It follows three actors – each impeccably dressed in 1920s costume – as they languorously move through the Art Deco splendour of London’s Eltham Palace in a dreamlike exploration of the relationship between living inhabitants and their built environment.
The title of the work is evocative of prophetic visions, alluding to the use of crystals as a form of divination or seeing into the future. However, in this context, the crystals the women gaze into are mirrors, which distort their reflection so that their bodies become exquisitely framed but fragmented images to be enjoyed by onlookers.
Featuring dialogue that alludes to desire, fame, possession and abandon, the slow movements of the camera and the soft piano music create a seductive cinematic image that suggests female subjectivity entrapped in artifice, whilst the timeline of the film alternates between past and present, catching the actors in a never-ending loop of looking and being looked at. Although surrounded by excessive elegance, the women appear discontent, as if captives in this sensual scene, enchanted by their own gaze.
Please note that this film can be viewed free of charge, however tickets for admission to the full exhibition must be purchased in the Laing shop.
Image: Film still from The Crystal Gaze. Courtesy: Ursula Mayer. Photo by Tim Brotherton.
at Discovery Museum
The bicentenary of the Northumberland Hussars is being celebrated through a new exhibition at Discovery Museum.
Originally known as the Northumberland and Newcastle Volunteer Cavalry, the regiment was formed in 1819 to support the authorities during times of civil disturbance, such as the strike by Tyne keelmen in 1822.
In 1876 its name changed to the Northumberland (Hussars) Yeomanry Cavalry and the regiment served during the Second Boer War.
In World War 1 the Northumberland Hussars were the first territorial regiment to see action and performed with great distinction at the First Battle of Ypres in October 1914.
In World War 2 they converted from cavalry and became 102 (Northumberland Hussars) Anti-Tank and Anti-Aircraft Regiment Royal Artillery Regiment. In this capacity they were in almost constant action, from the Western Desert, the German invasions of Greece and Crete, to the invasion of Sicily, and then D-day, Normandy and across the Rhine.
Today, the regiment exists as Command and Support (Northumberland Hussars) Squadron of the Queen’s Own Yeomanry, based at Fenham Barracks in Newcastle, and maintains close links with the Light Dragoons. Since 2003 the squadron has provided numerous reserve soldiers as individual reinforcements to regular cavalry regiments for operational service in Iraq and Afghanistan.
The exhibition, featuring artefacts and audio illustrating the rich heritage and proud tradition of the regiment, will run until April 2020.
at Hatton Gallery
This autumn Hatton Gallery presents the work of one of the most influential and innovative artists of the twentieth century. Roy Lichtenstein (1923–1997) is one of the pioneers of Pop art, best-known for his paintings based on comic strips, advertising imagery, and playful adaptations of works of art by other artists. Lichtenstein produced a new type of art that responded to the optimism and growing commercialisation of the 1960s, bringing popular, everyday images into fine art, and questioning authorship and originality. Unapologetically entertaining, graphically arresting and decoratively appealing, the popularity of his work has been enduring.
ARTIST ROOMS Roy Lichtenstein offers a rare opportunity to see such an important collection of the artist’s work in the North East. The exhibition takes as its focus an extraordinary series of large-scale screen prints made in the 1990s towards the end of the artist’s life, which have been placed on long loan to ARTIST ROOMS by the Roy Lichtenstein Foundation. Innovative and technically complex, these works are shown alongside loans from the National Galleries of Scotland and Tate. The exhibition explores key themes that preoccupied the artist throughout his career, alongside imagery associated with pop: his fascination with the history of art, his investigations into reflections and mirroring, and his love of musical, as well as visual, composition.
ARTIST ROOMS
The ARTIST ROOMS collection of over 1,600 works of modern and contemporary art is displayed across the UK in solo exhibitions that showcase the work of 42 major international artists. The programme gives young people the chance to get involved in creative projects, discover more about art and learn new skills. Since 2009, nearly 50 million people have visited over 185 displays at some 87 museums and galleries.
The touring programme is delivered by the National Galleries of Scotland and Tate in a partnership with Ferens Art Gallery through to 2020, supported using public funding by the National Lottery through Arts Council England, by Art Fund and by the National Lottery through Creative Scotland. #ARTISTROOMS
ARTIST ROOMS is jointly owned by the National Galleries of Scotland and Tate. The collection was established through The d’Offay Donation in 2008, with the assistance of the National Heritage Memorial Fund, Art Fund, and the Scottish and British Governments.
at Hatton Gallery
Lothar Götz is an artist whose practice ranges from site-specific wall paintings and room-sized spatial installations to paintings and drawings. His painting is characterised by its use of abstract geometric forms, fields and lines of intense colour, juxtaposed with one another. For this newly commissioned work at the Hatton Gallery, Lothar Götz will create an immersive wall painting in response to the gallery’s Edwardian architecture, as well as specific works within the Hatton Gallery’s unique collection.
This will be the fourth large scale mural by Lothar Götz on display at the same time in the UK; two in other public galleries Leeds Art Gallery and Towner Art Gallery, and the final one in Pallant House Museum.
at Laing Art Gallery
Come join a member of the curatorial team for a 45 minute introduction to the highlights of The Enchanted Interior exhibition. This tour will explore different perspectives and connections between the artworks on display.
at Hatton Gallery
Join Josie Foster, Sarah Hollywell and Ed Wainright for an exploration and informal chat about their new work Regathering.
Gathering was an architectural intervention which took place in the Gallery in 2018-19, as part of the Hatton’s Exploding Collage exhibition season. Gathering was designed by collaborators Julia Heslop & Ed Wainwright to host the work of other artists, as in Kurt Schwitters’ Hannover Merz Bau, which concealed niches dedicated to his artistic heroes. Likewise, Gathering was comprised of an interconnected sequence of ‘grottoes’ assembled from found and given material, each of which was dedicated to an artist whose work deserves to be reconsidered in relation to collage as an expanded, immersive or time-based practice.
Every fortnight during the exhibition an invited artist or researcher dedicated a ‘grotto’ to the work of an avant-garde figure who they considered to have expanded collage towards new potential forms, with an emphasis on those whose radical practice has led to their contribution being less recognised in canonical histories of the medium.
During the last week of the exhibition and its de-install, architecture students Josie Foster & Sarah Hollywell worked with researcher and practitioner Ed Wainwright, using LiDar technology to make a series of 360O scans of the installation. The scans that were produced show ghostly, sometimes disjointed configurations of an exhibition that no longer exists. In keeping with the legacy of the Exploding Collage exhibition, Foster, Hollywell & Wainwright have collaged the scans back together to form a new, experimental exhibit.
During 13-17 January 2020, Foster, Hollywell & Wainwright will be in residence at Crit 1 in the Architecture Building at Newcastle University, exploring ways to re-present this ephemeral, yet more permanent record of Gathering as an exploratory immersive digital environment.
at Great North Museum: Hancock
In the past, objects created by indigenous peoples of North America were not considered to be artistically beautiful by many European collectors. Instead they were viewed as functional objects and called 'applied arts' or 'crafts.'
In modern times attitudes changed. Many First Nations artists from Canada, and native Americans in the USA, helped indigenous art to flourish. They rediscovered old skills and created new forms of artistic expression. Highly skilled individuals began to be recognised for their exceptional art, which often revealed traditions and beliefs.
Since the time of first contact with white Europeans, native American art has found its way into many museums around the world, including the Great North Museum: Hancock. The Creative Power research project celebrates the incredible variety of objects within the collection. By delving into the histories, myths and cultures of First Nations and native American peoples, the artistry of the North American continent can be fully explored.
The Creative Power research project was made possible thanks to a Headley Fellowship with Art Fund
at South Shields Museum & Art Gallery
The South Shields Local History Group have created this exhibition of images of Westoe Village links to the publication of a new book about Westoe Village, for sale in the museum shop.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
An exhibition celebrating the 20th anniversary of The Policy Ethics and Life Sciences Research Centre (PEALS) at Newcastle University.
PEALS was founded at a time of rapid developments in human genetics and embryo research. These advances pushed the boundaries of the life sciences, promising great benefits but also bringing new challenges for society.
In addition to scholarly research PEALS has developed models of public engagement, from Café Scientifique and other kinds of public events to work with teachers and schools. Creative approaches to fostering engagement include working and collaborating with artists, writers, musicians and poets.
Many people have contributed to PEALS’ success, and this exhibition celebrates them all.
PEALS’ original purpose was to promote “research and debate on the social and ethical aspects of the life sciences”, through academic enquiry and public outreach and policy engagement. This combination of activities continues to be a distinctive feature of PEALS and is represented in this exhibition.
at Hatton Gallery
This installation emerged from Ross's 2014-17 project entitled On Being Out of Touch which explored the gaps between information, knowledge and experience, specifically considered in relation to learning about the birds. In All The Better To Hear You With Ross combines these concerns with her research into Kurt Schwitters' experimental approaches to the written and spoken word, exploring the discrepancies between how words are read, perceived, stored in memory and processed internally and orally. Literary works by Schwitters which include: the Ursonata, Anna Blume, Consistent Poetry, Language and typography and orthography: small letters, affirm the agency of the individual to critique conventional linguistic structures and to explore letters, words and sounds as audio-visual material to be re-thought. The discrepancies between how sound is written, perceived or committed to memory are particularly pertinent when processing bird call, where written accounts act as placeholders of experience, awaiting activation.
In All The Better To Hear You With Ross's aims to re-interpret written descriptions of bird call as printed gestures of sound making; encouraging the individual to activate and interpret sound through play, decoding and transcribing the words as a performative act. Presented on mobile units, the printed gestures of sound will change throughout the exhibition to enact twelve different verbal notations. These sounds have further been transcribed as a set of twelve printed sound poems, type-set using Alban Davis' press and printed during Ross' residency at the rural 'Merz Barn' site in 2017. Included in the exhibition is archival material belonging to the late Gwyneth Alban Davis and supporting texts by Kurt Schwitters and Stefan Themerson. This exhibition forms part of Ross's ongoing practice based PhD investigation into Kurt Schwitters Merz Barn Relief Wall, situated in the Hatton Gallery.
at Laing Art Gallery
The Enchanted Interior explores the sinister implications of a popular theme in nineteenth-century painting: the depiction of the interior as a ‘gilded cage’ in which women are pictured as ornamental objects. Iconic Pre-Raphaelite paintings by artists such as Edward Burne-Jones and William Holman Hunt will be shown alongside works by their female peers such as Emma Sandys and Evelyn De Morgan, who challenge and subvert the idealisation of women as captive damsels or passive beauties. Meanwhile, installation and moving image work by contemporary artists such as Mona Hatoum and Fiona Tan highlight the duality inherent in the interior, as a site that can be a sanctuary or a threat.
This exhibition has been developed by the Laing Art Gallery and will tour nationally.
Admission charges apply
Image credit: Evelyn de Morgan, The Love Potion (1903) © De Morgan Collection, courtesy of the De Morgan Foundation
This exhibition was made possible by grants from the Weston Loan Programme with Art Fund, the John Ellerman Foundation, The Henry Moore Foundation, and a Jonathan Ruffer Curatorial Research Grant from Art Fund. It will be accompanied by an illustrated publication made possible by a grant from the Paul Mellon Centre for Studies in British Art. In kind support by Bon Bloemen.
at Laing Art Gallery
This film forms part of The Enchanted Interior, an exhibition which traces the motif of the interior as a ‘gilded cage’ where women may be confined, exploring how this idea was crystallised in the work of nineteenth-century artists, as it haunts the work of twentieth-century artists, and as it is itself captured and rethought by contemporary artists who seek to expose and escape its sinister implications.
The Crystal Gaze is by Austrian-born artist Ursula Mayer, who was the 2014 winner of the prestigious Derek Jarman Award for experimental film. It follows three actors – each impeccably dressed in 1920s costume – as they languorously move through the Art Deco splendour of London’s Eltham Palace in a dreamlike exploration of the relationship between living inhabitants and their built environment.
The title of the work is evocative of prophetic visions, alluding to the use of crystals as a form of divination or seeing into the future. However, in this context, the crystals the women gaze into are mirrors, which distort their reflection so that their bodies become exquisitely framed but fragmented images to be enjoyed by onlookers.
Featuring dialogue that alludes to desire, fame, possession and abandon, the slow movements of the camera and the soft piano music create a seductive cinematic image that suggests female subjectivity entrapped in artifice, whilst the timeline of the film alternates between past and present, catching the actors in a never-ending loop of looking and being looked at. Although surrounded by excessive elegance, the women appear discontent, as if captives in this sensual scene, enchanted by their own gaze.
Please note that this film can be viewed free of charge, however tickets for admission to the full exhibition must be purchased in the Laing shop.
Image: Film still from The Crystal Gaze. Courtesy: Ursula Mayer. Photo by Tim Brotherton.
at Discovery Museum
A fascinating display of objects highlighting the struggles of the LGBTQ+ community and significant moments in history.
February is LGBT+ history month – and launch of Newcastle Pride 2020.
Northern Pride won their bid for Newcastle to host the UK Pride event on 17 - 19 July 2020.
Image: button badge, received by the museum in 2005.
at Hatton Gallery
This exhibition brings together the work of an artist and a musician who have collaborated with PEALS academics and scientists.
The Policy, Ethics & Life Sciences Research Centre (PEALS) at Newcastle University aims to research, inform and improve practice, policy and public engagement in the life sciences through the empirical investigation and critical analysis of socio-ethical aspects of those sciences.
The exhibition will highlight partnerships that have culminated in creative works in response to the academic research carried out by PEALS, and ranges across the broad themes of being human, and how we engage both culturally and societally with the medical and scientific research that affects us all from the beginnings to the ending of life.
The works align with the current growing interest in the Medical Humanities, and the relationship between bioethics and arts practice as a medium for research and engagement. The exhibition features works by musician Mark Carroll and artist Marianne Wilde.
The Policy Ethics and Life Sciences Research Centre (PEALS) was founded at the turn of the 21st century, at a time when rapid developments in human genetics research and the increasing availability of fertility treatment gave rise to studies involving human embryos. These advances pushed the boundaries of the life sciences, promising great benefits but also bringing new challenges. PEALS’ original purpose was to promote “research and debate on the social and ethical aspects of the life sciences”, through academic enquiry, public outreach and policy engagement. This combination of activities continues to be a distinctive feature of PEALS.
at Discovery Museum
The bicentenary of the Northumberland Hussars is being celebrated through a new exhibition at Discovery Museum.
Originally known as the Northumberland and Newcastle Volunteer Cavalry, the regiment was formed in 1819 to support the authorities during times of civil disturbance, such as the strike by Tyne keelmen in 1822.
In 1876 its name changed to the Northumberland (Hussars) Yeomanry Cavalry and the regiment served during the Second Boer War.
In World War 1 the Northumberland Hussars were the first territorial regiment to see action and performed with great distinction at the First Battle of Ypres in October 1914.
In World War 2 they converted from cavalry and became 102 (Northumberland Hussars) Anti-Tank and Anti-Aircraft Regiment Royal Artillery Regiment. In this capacity they were in almost constant action, from the Western Desert, the German invasions of Greece and Crete, to the invasion of Sicily, and then D-day, Normandy and across the Rhine.
Today, the regiment exists as Command and Support (Northumberland Hussars) Squadron of the Queen’s Own Yeomanry, based at Fenham Barracks in Newcastle, and maintains close links with the Light Dragoons. Since 2003 the squadron has provided numerous reserve soldiers as individual reinforcements to regular cavalry regiments for operational service in Iraq and Afghanistan.
The exhibition, featuring artefacts and audio illustrating the rich heritage and proud tradition of the regiment, will run until April 2020.
at Hatton Gallery
Illuminating the Self is an exhibition of new work by artists Susan Aldworth and Andrew Carnie in response to groundbreaking research led by Newcastle University into developing a new treatment for epilepsy.
The exhibition, which includes further work at Vane Gallery, will explore different aspects of the University's CANDO project (Controlling Abnormal Network Dynamics using Optogenetics). Optogenetics is a biological technique that involves the use of light to control cells in the brain that have been genetically modified to express light-sensitive ion channels.
Themes within the two exhibitions include the human perspective of living with epilepsy and the potential impact of technological interventions within the brain. Aldworth and Carnie utilise a range of artistic techniques including large scale video and sculptural installations to explore through art the complex scientific, emotional and ethical issues involved, whether that is revealing the inner workings of the brain or expressing how it feels to have epilepsy.
Illuminating the Self is supported by Wellcome. Wellcome exists to improve health by helping great ideas to thrive. They support researchers, take on big health challenges, campaign for better science, and help everyone get involved with science and health research. Wellcome are a politically and financially independent foundation.
at Laing Art Gallery
Following new advice in response to the COVID 19 pandemic and in line with other cultural organisations, we have taken the difficult decision to close the Laing Art Gallery from 5pm on Wednesday 18 March.
This is provisionally until 1 May 2020 but we will be reviewing the situation and updating if anything changes.
Please sign up to our emails at mustseemuseums.org.uk and check our social media channels and website so we can keep you up to date with what’s going on.
Thank you for your support and understanding at this challenging time. Stay well and we look forward to welcoming you back in due course.
Watercolour at War is the first in a series of exhibitions that critically examine
why artists have chosen to use watercolour. During the First and Second World
Wars, war artists used watercolour out of necessity. The medium is portable,
adaptable and quicker-drying than oil paint meaning that they could work at
speed to capture what was happening around them.
The exhibition focuses on the Second World War and the interwar period in Britain. It also highlights wartime printmaking through the Artists International Association (AIA) Everyman Prints.
The series is inspired by the Laing’s recent acquisition of Edward Burra’s Landscape with Red Wheels (1937-9). Due to suffering from rheumatoid arthritis and a debilitating blood disease, Burra struggled to work upright at a canvas and instead chose to work flat on a table in watercolour. To this end, Burra achieved a vibrant opacity that is rarely captured through the medium.
Image: Norway by Eric Ravilious, 1940 © Laing Art Gallery
at South Shields Museum & Art Gallery
The South Shields Local History Group have created this exhibition of images of Westoe Village links to the publication of a new book about Westoe Village, for sale in the museum shop.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
Come join a member of the curatorial team for a 45 minute introduction to the highlights of The Enchanted Interior exhibition. This tour will explore different perspectives and connections between the artworks on display.
at Great North Museum: Hancock
An exhibition celebrating the 20th anniversary of The Policy Ethics and Life Sciences Research Centre (PEALS) at Newcastle University.
PEALS was founded at a time of rapid developments in human genetics and embryo research. These advances pushed the boundaries of the life sciences, promising great benefits but also bringing new challenges for society.
In addition to scholarly research PEALS has developed models of public engagement, from Café Scientifique and other kinds of public events to work with teachers and schools. Creative approaches to fostering engagement include working and collaborating with artists, writers, musicians and poets.
Many people have contributed to PEALS’ success, and this exhibition celebrates them all.
PEALS’ original purpose was to promote “research and debate on the social and ethical aspects of the life sciences”, through academic enquiry and public outreach and policy engagement. This combination of activities continues to be a distinctive feature of PEALS and is represented in this exhibition.
at Hatton Gallery
This installation emerged from Ross's 2014-17 project entitled On Being Out of Touch which explored the gaps between information, knowledge and experience, specifically considered in relation to learning about the birds. In All The Better To Hear You With Ross combines these concerns with her research into Kurt Schwitters' experimental approaches to the written and spoken word, exploring the discrepancies between how words are read, perceived, stored in memory and processed internally and orally. Literary works by Schwitters which include: the Ursonata, Anna Blume, Consistent Poetry, Language and typography and orthography: small letters, affirm the agency of the individual to critique conventional linguistic structures and to explore letters, words and sounds as audio-visual material to be re-thought. The discrepancies between how sound is written, perceived or committed to memory are particularly pertinent when processing bird call, where written accounts act as placeholders of experience, awaiting activation.
In All The Better To Hear You With Ross's aims to re-interpret written descriptions of bird call as printed gestures of sound making; encouraging the individual to activate and interpret sound through play, decoding and transcribing the words as a performative act. Presented on mobile units, the printed gestures of sound will change throughout the exhibition to enact twelve different verbal notations. These sounds have further been transcribed as a set of twelve printed sound poems, type-set using Alban Davis' press and printed during Ross' residency at the rural 'Merz Barn' site in 2017. Included in the exhibition is archival material belonging to the late Gwyneth Alban Davis and supporting texts by Kurt Schwitters and Stefan Themerson. This exhibition forms part of Ross's ongoing practice based PhD investigation into Kurt Schwitters Merz Barn Relief Wall, situated in the Hatton Gallery.
at Laing Art Gallery
The Enchanted Interior explores the sinister implications of a popular theme in nineteenth-century painting: the depiction of the interior as a ‘gilded cage’ in which women are pictured as ornamental objects. Iconic Pre-Raphaelite paintings by artists such as Edward Burne-Jones and William Holman Hunt will be shown alongside works by their female peers such as Emma Sandys and Evelyn De Morgan, who challenge and subvert the idealisation of women as captive damsels or passive beauties. Meanwhile, installation and moving image work by contemporary artists such as Mona Hatoum and Fiona Tan highlight the duality inherent in the interior, as a site that can be a sanctuary or a threat.
This exhibition has been developed by the Laing Art Gallery and will tour nationally.
Admission charges apply
Image credit: Evelyn de Morgan, The Love Potion (1903) © De Morgan Collection, courtesy of the De Morgan Foundation
This exhibition was made possible by grants from the Weston Loan Programme with Art Fund, the John Ellerman Foundation, The Henry Moore Foundation, and a Jonathan Ruffer Curatorial Research Grant from Art Fund. It will be accompanied by an illustrated publication made possible by a grant from the Paul Mellon Centre for Studies in British Art. In kind support by Bon Bloemen.
at Laing Art Gallery
This film forms part of The Enchanted Interior, an exhibition which traces the motif of the interior as a ‘gilded cage’ where women may be confined, exploring how this idea was crystallised in the work of nineteenth-century artists, as it haunts the work of twentieth-century artists, and as it is itself captured and rethought by contemporary artists who seek to expose and escape its sinister implications.
The Crystal Gaze is by Austrian-born artist Ursula Mayer, who was the 2014 winner of the prestigious Derek Jarman Award for experimental film. It follows three actors – each impeccably dressed in 1920s costume – as they languorously move through the Art Deco splendour of London’s Eltham Palace in a dreamlike exploration of the relationship between living inhabitants and their built environment.
The title of the work is evocative of prophetic visions, alluding to the use of crystals as a form of divination or seeing into the future. However, in this context, the crystals the women gaze into are mirrors, which distort their reflection so that their bodies become exquisitely framed but fragmented images to be enjoyed by onlookers.
Featuring dialogue that alludes to desire, fame, possession and abandon, the slow movements of the camera and the soft piano music create a seductive cinematic image that suggests female subjectivity entrapped in artifice, whilst the timeline of the film alternates between past and present, catching the actors in a never-ending loop of looking and being looked at. Although surrounded by excessive elegance, the women appear discontent, as if captives in this sensual scene, enchanted by their own gaze.
Please note that this film can be viewed free of charge, however tickets for admission to the full exhibition must be purchased in the Laing shop.
Image: Film still from The Crystal Gaze. Courtesy: Ursula Mayer. Photo by Tim Brotherton.
at Hatton Gallery
This exhibition brings together the work of an artist and a musician who have collaborated with PEALS academics and scientists.
The Policy, Ethics & Life Sciences Research Centre (PEALS) at Newcastle University aims to research, inform and improve practice, policy and public engagement in the life sciences through the empirical investigation and critical analysis of socio-ethical aspects of those sciences.
The exhibition will highlight partnerships that have culminated in creative works in response to the academic research carried out by PEALS, and ranges across the broad themes of being human, and how we engage both culturally and societally with the medical and scientific research that affects us all from the beginnings to the ending of life.
The works align with the current growing interest in the Medical Humanities, and the relationship between bioethics and arts practice as a medium for research and engagement. The exhibition features works by musician Mark Carroll and artist Marianne Wilde.
The Policy Ethics and Life Sciences Research Centre (PEALS) was founded at the turn of the 21st century, at a time when rapid developments in human genetics research and the increasing availability of fertility treatment gave rise to studies involving human embryos. These advances pushed the boundaries of the life sciences, promising great benefits but also bringing new challenges. PEALS’ original purpose was to promote “research and debate on the social and ethical aspects of the life sciences”, through academic enquiry, public outreach and policy engagement. This combination of activities continues to be a distinctive feature of PEALS.
at Hatton Gallery
Illuminating the Self is an exhibition of new work by artists Susan Aldworth and Andrew Carnie in response to groundbreaking research led by Newcastle University into developing a new treatment for epilepsy.
The exhibition, which includes further work at Vane Gallery, will explore different aspects of the University's CANDO project (Controlling Abnormal Network Dynamics using Optogenetics). Optogenetics is a biological technique that involves the use of light to control cells in the brain that have been genetically modified to express light-sensitive ion channels.
Themes within the two exhibitions include the human perspective of living with epilepsy and the potential impact of technological interventions within the brain. Aldworth and Carnie utilise a range of artistic techniques including large scale video and sculptural installations to explore through art the complex scientific, emotional and ethical issues involved, whether that is revealing the inner workings of the brain or expressing how it feels to have epilepsy.
Illuminating the Self is supported by Wellcome. Wellcome exists to improve health by helping great ideas to thrive. They support researchers, take on big health challenges, campaign for better science, and help everyone get involved with science and health research. Wellcome are a politically and financially independent foundation.
at Hatton Gallery
This exhibition is the culmination of Heather Ross’s practice- based PhD research into the work of artist Kurt Schwitters, specifically focusing on his Merz Barn Wall.
The objects and materials presented respond to the Hatton Gallery’s archive, focusing on the movement of the ‘Wall’ from its original site in the Lake District in
1965, to its restoration and re-contextualisation in the Hatton Gallery.
Kurt Schwitters’ one-man art movement ‘Merz’ sought to re-think discarded or fragmentary everyday materials by re-using and re-purposing them for the creation of new artwork.
The Losses refers to a term used in conservator’s reports, to describe the ephemera (or fragments) which have been detached or become displaced from the original artwork.
In this exhibition, Ross employs Schwitters’ ‘Merz’ philosophy to consider how ‘the losses’ might be repurposed, reconstructed or reformed to offer new readings of his Merz Barn Wall. In addition, how the language of conservation, restoration and archival study - as constantly evolving activities - form part of the viewer’s experience of engaging with the Wall as a fragment itself, which continues to be re-imagined.
The artist would like to thank the following people for their help, guidance and support:
Robert Mullender-Ross; Fred Brookes; Chris Jones; Helen Golding Miller; Northern Bridge
Consortium and The Artlab Contemporary Print Studios team (The University of Central
Lancashire): Tracy Hill; Magda Stawarska Beavan; Kathryn Poole and Nick Rhodes.
at Laing Art Gallery
Following new advice in response to the COVID 19 pandemic and in line with other cultural organisations, we have taken the difficult decision to close the Laing Art Gallery from 5pm on Wednesday 18 March.
This is provisionally until 1 May 2020 but we will be reviewing the situation and updating if anything changes.
Please sign up to our emails at mustseemuseums.org.uk and check our social media channels and website so we can keep you up to date with what’s going on.
Thank you for your support and understanding at this challenging time. Stay well and we look forward to welcoming you back in due course.
Watercolour at War is the first in a series of exhibitions that critically examine
why artists have chosen to use watercolour. During the First and Second World
Wars, war artists used watercolour out of necessity. The medium is portable,
adaptable and quicker-drying than oil paint meaning that they could work at
speed to capture what was happening around them.
The exhibition focuses on the Second World War and the interwar period in Britain. It also highlights wartime printmaking through the Artists International Association (AIA) Everyman Prints.
The series is inspired by the Laing’s recent acquisition of Edward Burra’s Landscape with Red Wheels (1937-9). Due to suffering from rheumatoid arthritis and a debilitating blood disease, Burra struggled to work upright at a canvas and instead chose to work flat on a table in watercolour. To this end, Burra achieved a vibrant opacity that is rarely captured through the medium.
Image: Norway by Eric Ravilious, 1940 © Laing Art Gallery
at Discovery Museum
A fascinating display of objects highlighting the struggles of the LGBTQ+ community and significant moments in history.
February is LGBT+ history month – and launch of Newcastle Pride 2020.
Northern Pride won their bid for Newcastle to host the UK Pride event on 17 - 19 July 2020.
Image: button badge, received by the museum in 2005.
at Hatton Gallery
This exhibition brings together the work of an artist and a musician who have collaborated with PEALS academics and scientists.
The Policy, Ethics & Life Sciences Research Centre (PEALS) at Newcastle University aims to research, inform and improve practice, policy and public engagement in the life sciences through the empirical investigation and critical analysis of socio-ethical aspects of those sciences.
The exhibition will highlight partnerships that have culminated in creative works in response to the academic research carried out by PEALS, and ranges across the broad themes of being human, and how we engage both culturally and societally with the medical and scientific research that affects us all from the beginnings to the ending of life.
The works align with the current growing interest in the Medical Humanities, and the relationship between bioethics and arts practice as a medium for research and engagement. The exhibition features works by musician Mark Carroll and artist Marianne Wilde.
The Policy Ethics and Life Sciences Research Centre (PEALS) was founded at the turn of the 21st century, at a time when rapid developments in human genetics research and the increasing availability of fertility treatment gave rise to studies involving human embryos. These advances pushed the boundaries of the life sciences, promising great benefits but also bringing new challenges. PEALS’ original purpose was to promote “research and debate on the social and ethical aspects of the life sciences”, through academic enquiry, public outreach and policy engagement. This combination of activities continues to be a distinctive feature of PEALS.
at Laing Art Gallery
Following new advice in response to the COVID 19 pandemic and in line with other cultural organisations, we have taken the difficult decision to close the Laing Art Gallery from 5pm on Wednesday 18 March.
This is provisionally until 1 May 2020 but we will be reviewing the situation and updating if anything changes.
Please sign up to our emails at mustseemuseums.org.uk and check our social media channels and website so we can keep you up to date with what’s going on.
Thank you for your support and understanding at this challenging time. Stay well and we look forward to welcoming you back in due course.
A selection of works from the Laing’s extensive collections.
Our new display for 2020 features artists including Agnes Pringle, Flora Glover, Winifred Nicholson and Marlene Dumas.
at Discovery Museum
The bicentenary of the Northumberland Hussars is being celebrated through a new exhibition at Discovery Museum.
Originally known as the Northumberland and Newcastle Volunteer Cavalry, the regiment was formed in 1819 to support the authorities during times of civil disturbance, such as the strike by Tyne keelmen in 1822.
In 1876 its name changed to the Northumberland (Hussars) Yeomanry Cavalry and the regiment served during the Second Boer War.
In World War 1 the Northumberland Hussars were the first territorial regiment to see action and performed with great distinction at the First Battle of Ypres in October 1914.
In World War 2 they converted from cavalry and became 102 (Northumberland Hussars) Anti-Tank and Anti-Aircraft Regiment Royal Artillery Regiment. In this capacity they were in almost constant action, from the Western Desert, the German invasions of Greece and Crete, to the invasion of Sicily, and then D-day, Normandy and across the Rhine.
Today, the regiment exists as Command and Support (Northumberland Hussars) Squadron of the Queen’s Own Yeomanry, based at Fenham Barracks in Newcastle, and maintains close links with the Light Dragoons. Since 2003 the squadron has provided numerous reserve soldiers as individual reinforcements to regular cavalry regiments for operational service in Iraq and Afghanistan.
The exhibition, featuring artefacts and audio illustrating the rich heritage and proud tradition of the regiment, will run until April 2020.
at Hatton Gallery
Illuminating the Self is an exhibition of new work by artists Susan Aldworth and Andrew Carnie in response to groundbreaking research led by Newcastle University into developing a new treatment for epilepsy.
The exhibition, which includes further work at Vane Gallery, will explore different aspects of the University's CANDO project (Controlling Abnormal Network Dynamics using Optogenetics). Optogenetics is a biological technique that involves the use of light to control cells in the brain that have been genetically modified to express light-sensitive ion channels.
Themes within the two exhibitions include the human perspective of living with epilepsy and the potential impact of technological interventions within the brain. Aldworth and Carnie utilise a range of artistic techniques including large scale video and sculptural installations to explore through art the complex scientific, emotional and ethical issues involved, whether that is revealing the inner workings of the brain or expressing how it feels to have epilepsy.
Illuminating the Self is supported by Wellcome. Wellcome exists to improve health by helping great ideas to thrive. They support researchers, take on big health challenges, campaign for better science, and help everyone get involved with science and health research. Wellcome are a politically and financially independent foundation.
at Hatton Gallery
This exhibition is the culmination of Heather Ross’s practice- based PhD research into the work of artist Kurt Schwitters, specifically focusing on his Merz Barn Wall.
The objects and materials presented respond to the Hatton Gallery’s archive, focusing on the movement of the ‘Wall’ from its original site in the Lake District in
1965, to its restoration and re-contextualisation in the Hatton Gallery.
Kurt Schwitters’ one-man art movement ‘Merz’ sought to re-think discarded or fragmentary everyday materials by re-using and re-purposing them for the creation of new artwork.
The Losses refers to a term used in conservator’s reports, to describe the ephemera (or fragments) which have been detached or become displaced from the original artwork.
In this exhibition, Ross employs Schwitters’ ‘Merz’ philosophy to consider how ‘the losses’ might be repurposed, reconstructed or reformed to offer new readings of his Merz Barn Wall. In addition, how the language of conservation, restoration and archival study - as constantly evolving activities - form part of the viewer’s experience of engaging with the Wall as a fragment itself, which continues to be re-imagined.
The artist would like to thank the following people for their help, guidance and support:
Robert Mullender-Ross; Fred Brookes; Chris Jones; Helen Golding Miller; Northern Bridge
Consortium and The Artlab Contemporary Print Studios team (The University of Central
Lancashire): Tracy Hill; Magda Stawarska Beavan; Kathryn Poole and Nick Rhodes.
at Laing Art Gallery
Following new advice in response to the COVID 19 pandemic and in line with other cultural organisations, we have taken the difficult decision to close the Laing Art Gallery from 5pm on Wednesday 18 March.
This is provisionally until 1 May 2020 but we will be reviewing the situation and updating if anything changes.
Please sign up to our emails at mustseemuseums.org.uk and check our social media channels and website so we can keep you up to date with what’s going on.
Thank you for your support and understanding at this challenging time. Stay well and we look forward to welcoming you back in due course.
Watercolour at War is the first in a series of exhibitions that critically examine
why artists have chosen to use watercolour. During the First and Second World
Wars, war artists used watercolour out of necessity. The medium is portable,
adaptable and quicker-drying than oil paint meaning that they could work at
speed to capture what was happening around them.
The exhibition focuses on the Second World War and the interwar period in Britain. It also highlights wartime printmaking through the Artists International Association (AIA) Everyman Prints.
The series is inspired by the Laing’s recent acquisition of Edward Burra’s Landscape with Red Wheels (1937-9). Due to suffering from rheumatoid arthritis and a debilitating blood disease, Burra struggled to work upright at a canvas and instead chose to work flat on a table in watercolour. To this end, Burra achieved a vibrant opacity that is rarely captured through the medium.
Image: Norway by Eric Ravilious, 1940 © Laing Art Gallery
at Discovery Museum
The bicentenary of the Northumberland Hussars is being celebrated through a new exhibition at Discovery Museum.
Originally known as the Northumberland and Newcastle Volunteer Cavalry, the regiment was formed in 1819 to support the authorities during times of civil disturbance, such as the strike by Tyne keelmen in 1822.
In 1876 its name changed to the Northumberland (Hussars) Yeomanry Cavalry and the regiment served during the Second Boer War.
In World War 1 the Northumberland Hussars were the first territorial regiment to see action and performed with great distinction at the First Battle of Ypres in October 1914.
In World War 2 they converted from cavalry and became 102 (Northumberland Hussars) Anti-Tank and Anti-Aircraft Regiment Royal Artillery Regiment. In this capacity they were in almost constant action, from the Western Desert, the German invasions of Greece and Crete, to the invasion of Sicily, and then D-day, Normandy and across the Rhine.
Today, the regiment exists as Command and Support (Northumberland Hussars) Squadron of the Queen’s Own Yeomanry, based at Fenham Barracks in Newcastle, and maintains close links with the Light Dragoons. Since 2003 the squadron has provided numerous reserve soldiers as individual reinforcements to regular cavalry regiments for operational service in Iraq and Afghanistan.
The exhibition, featuring artefacts and audio illustrating the rich heritage and proud tradition of the regiment, will run until April 2020.
at Hatton Gallery
Illuminating the Self is an exhibition of new work by artists Susan Aldworth and Andrew Carnie in response to groundbreaking research led by Newcastle University into developing a new treatment for epilepsy.
The exhibition, which includes further work at Vane Gallery, will explore different aspects of the University's CANDO project (Controlling Abnormal Network Dynamics using Optogenetics). Optogenetics is a biological technique that involves the use of light to control cells in the brain that have been genetically modified to express light-sensitive ion channels.
Themes within the two exhibitions include the human perspective of living with epilepsy and the potential impact of technological interventions within the brain. Aldworth and Carnie utilise a range of artistic techniques including large scale video and sculptural installations to explore through art the complex scientific, emotional and ethical issues involved, whether that is revealing the inner workings of the brain or expressing how it feels to have epilepsy.
Illuminating the Self is supported by Wellcome. Wellcome exists to improve health by helping great ideas to thrive. They support researchers, take on big health challenges, campaign for better science, and help everyone get involved with science and health research. Wellcome are a politically and financially independent foundation.
at Hatton Gallery
This exhibition is the culmination of Heather Ross’s practice- based PhD research into the work of artist Kurt Schwitters, specifically focusing on his Merz Barn Wall.
The objects and materials presented respond to the Hatton Gallery’s archive, focusing on the movement of the ‘Wall’ from its original site in the Lake District in
1965, to its restoration and re-contextualisation in the Hatton Gallery.
Kurt Schwitters’ one-man art movement ‘Merz’ sought to re-think discarded or fragmentary everyday materials by re-using and re-purposing them for the creation of new artwork.
The Losses refers to a term used in conservator’s reports, to describe the ephemera (or fragments) which have been detached or become displaced from the original artwork.
In this exhibition, Ross employs Schwitters’ ‘Merz’ philosophy to consider how ‘the losses’ might be repurposed, reconstructed or reformed to offer new readings of his Merz Barn Wall. In addition, how the language of conservation, restoration and archival study - as constantly evolving activities - form part of the viewer’s experience of engaging with the Wall as a fragment itself, which continues to be re-imagined.
The artist would like to thank the following people for their help, guidance and support:
Robert Mullender-Ross; Fred Brookes; Chris Jones; Helen Golding Miller; Northern Bridge
Consortium and The Artlab Contemporary Print Studios team (The University of Central
Lancashire): Tracy Hill; Magda Stawarska Beavan; Kathryn Poole and Nick Rhodes.
at Laing Art Gallery
Following new advice in response to the COVID 19 pandemic and in line with other cultural organisations, we have taken the difficult decision to close the Laing Art Gallery from 5pm on Wednesday 18 March.
This is provisionally until 1 May 2020 but we will be reviewing the situation and updating if anything changes.
Please sign up to our emails at mustseemuseums.org.uk and check our social media channels and website so we can keep you up to date with what’s going on.
Thank you for your support and understanding at this challenging time. Stay well and we look forward to welcoming you back in due course.
Watercolour at War is the first in a series of exhibitions that critically examine
why artists have chosen to use watercolour. During the First and Second World
Wars, war artists used watercolour out of necessity. The medium is portable,
adaptable and quicker-drying than oil paint meaning that they could work at
speed to capture what was happening around them.
The exhibition focuses on the Second World War and the interwar period in Britain. It also highlights wartime printmaking through the Artists International Association (AIA) Everyman Prints.
The series is inspired by the Laing’s recent acquisition of Edward Burra’s Landscape with Red Wheels (1937-9). Due to suffering from rheumatoid arthritis and a debilitating blood disease, Burra struggled to work upright at a canvas and instead chose to work flat on a table in watercolour. To this end, Burra achieved a vibrant opacity that is rarely captured through the medium.
Image: Norway by Eric Ravilious, 1940 © Laing Art Gallery
at Hatton Gallery
Illuminating the Self is an exhibition of new work by artists Susan Aldworth and Andrew Carnie in response to groundbreaking research led by Newcastle University into developing a new treatment for epilepsy.
The exhibition, which includes further work at Vane Gallery, will explore different aspects of the University's CANDO project (Controlling Abnormal Network Dynamics using Optogenetics). Optogenetics is a biological technique that involves the use of light to control cells in the brain that have been genetically modified to express light-sensitive ion channels.
Themes within the two exhibitions include the human perspective of living with epilepsy and the potential impact of technological interventions within the brain. Aldworth and Carnie utilise a range of artistic techniques including large scale video and sculptural installations to explore through art the complex scientific, emotional and ethical issues involved, whether that is revealing the inner workings of the brain or expressing how it feels to have epilepsy.
Illuminating the Self is supported by Wellcome. Wellcome exists to improve health by helping great ideas to thrive. They support researchers, take on big health challenges, campaign for better science, and help everyone get involved with science and health research. Wellcome are a politically and financially independent foundation.
at Hatton Gallery
This exhibition is the culmination of Heather Ross’s practice- based PhD research into the work of artist Kurt Schwitters, specifically focusing on his Merz Barn Wall.
The objects and materials presented respond to the Hatton Gallery’s archive, focusing on the movement of the ‘Wall’ from its original site in the Lake District in
1965, to its restoration and re-contextualisation in the Hatton Gallery.
Kurt Schwitters’ one-man art movement ‘Merz’ sought to re-think discarded or fragmentary everyday materials by re-using and re-purposing them for the creation of new artwork.
The Losses refers to a term used in conservator’s reports, to describe the ephemera (or fragments) which have been detached or become displaced from the original artwork.
In this exhibition, Ross employs Schwitters’ ‘Merz’ philosophy to consider how ‘the losses’ might be repurposed, reconstructed or reformed to offer new readings of his Merz Barn Wall. In addition, how the language of conservation, restoration and archival study - as constantly evolving activities - form part of the viewer’s experience of engaging with the Wall as a fragment itself, which continues to be re-imagined.
The artist would like to thank the following people for their help, guidance and support:
Robert Mullender-Ross; Fred Brookes; Chris Jones; Helen Golding Miller; Northern Bridge
Consortium and The Artlab Contemporary Print Studios team (The University of Central
Lancashire): Tracy Hill; Magda Stawarska Beavan; Kathryn Poole and Nick Rhodes.
at Laing Art Gallery
Following new advice in response to the COVID 19 pandemic and in line with other cultural organisations, we have taken the difficult decision to close the Laing Art Gallery from 5pm on Wednesday 18 March.
This is provisionally until 1 May 2020 but we will be reviewing the situation and updating if anything changes.
Please sign up to our emails at mustseemuseums.org.uk and check our social media channels and website so we can keep you up to date with what’s going on.
Thank you for your support and understanding at this challenging time. Stay well and we look forward to welcoming you back in due course.
Watercolour at War is the first in a series of exhibitions that critically examine
why artists have chosen to use watercolour. During the First and Second World
Wars, war artists used watercolour out of necessity. The medium is portable,
adaptable and quicker-drying than oil paint meaning that they could work at
speed to capture what was happening around them.
The exhibition focuses on the Second World War and the interwar period in Britain. It also highlights wartime printmaking through the Artists International Association (AIA) Everyman Prints.
The series is inspired by the Laing’s recent acquisition of Edward Burra’s Landscape with Red Wheels (1937-9). Due to suffering from rheumatoid arthritis and a debilitating blood disease, Burra struggled to work upright at a canvas and instead chose to work flat on a table in watercolour. To this end, Burra achieved a vibrant opacity that is rarely captured through the medium.
Image: Norway by Eric Ravilious, 1940 © Laing Art Gallery
at Laing Art Gallery
Following new advice in response to the COVID 19 pandemic and in line with other cultural organisations, we have taken the difficult decision to close the Laing Art Gallery from 5pm on Wednesday 18 March.
This is provisionally until 1 May 2020 but we will be reviewing the situation and updating if anything changes.
Please sign up to our emails at mustseemuseums.org.uk and check our social media channels and website so we can keep you up to date with what’s going on.
Thank you for your support and understanding at this challenging time. Stay well and we look forward to welcoming you back in due course.
Watercolour at War is the first in a series of exhibitions that critically examine
why artists have chosen to use watercolour. During the First and Second World
Wars, war artists used watercolour out of necessity. The medium is portable,
adaptable and quicker-drying than oil paint meaning that they could work at
speed to capture what was happening around them.
The exhibition focuses on the Second World War and the interwar period in Britain. It also highlights wartime printmaking through the Artists International Association (AIA) Everyman Prints.
The series is inspired by the Laing’s recent acquisition of Edward Burra’s Landscape with Red Wheels (1937-9). Due to suffering from rheumatoid arthritis and a debilitating blood disease, Burra struggled to work upright at a canvas and instead chose to work flat on a table in watercolour. To this end, Burra achieved a vibrant opacity that is rarely captured through the medium.
Image: Norway by Eric Ravilious, 1940 © Laing Art Gallery
at Laing Art Gallery
Sir Edward Poynter, President of the Royal Academy, described married couple William and Evelyn De Morgan as ‘two of the rarest spirits of the age’.
William De Morgan was undoubtedly the most intriguing and inventive ceramic designer of the late Victorian period. He was life-long friends with William Morris and Edward Burne-Jones and created stunning arts and crafts tiles and ceramics to complement their fashionable designs for interiors. William was the son of a mathematician and had a classical art training at the Royal Academy School. As a result, he always underpinned his elaborate designs with geometric structures, borrowed from medieval design and Islamic art. These complex influences on his art are explored in this exhibition.
In 1887, William married professional artist Evelyn Pickering. Her remarkable paintings bear the influence of early Italian Renaissance art as well as that of her Pre-Raphaelite contemporaries, yet have a distinctive style. Her unique paintings also projected her political concerns. She was deeply affected by the outbreak of the First World War, and created many pictures in response to the conflict. This exhibition showcases her peace paintings and the preparatory drawings she made for them, giving an overview of her working process and ideals.
This exhibition explores the exceptional work created by this pair of very different and equally intriguing 19th/20th century British artists.
The exhibition has been produced by the De Morgan Foundation.
Changes to your visit:
We are encouraging visitors to book tickets for the exhibition online - click here to book.
When you visit, you will notice some changes to help ensure the safety of our visitors and staff. Read more here.
Image: Night and Sleep, Evelyn de Morgan, 1878 © De Morgan Collection, courtesy of the De Morgan Foundation
at South Shields Museum & Art Gallery
This exhibition tells the story of Landing Craft Tank 7074. LCT 7074 was constructed at Hawthorne Leslie’s shipyard in Hebburn in 1944 and used during D-Day and is the only one left in the UK.
The D-Day landings were the largest seaborne invasion to ever take place. Over 7000, mostly British, ships and boats took part in the operation. Landing craft played a crucial role, carrying troops, tanks and supplies right onto the beaches.
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
Sir Edward Poynter, President of the Royal Academy, described married couple William and Evelyn De Morgan as ‘two of the rarest spirits of the age’.
William De Morgan was undoubtedly the most intriguing and inventive ceramic designer of the late Victorian period. He was life-long friends with William Morris and Edward Burne-Jones and created stunning arts and crafts tiles and ceramics to complement their fashionable designs for interiors. William was the son of a mathematician and had a classical art training at the Royal Academy School. As a result, he always underpinned his elaborate designs with geometric structures, borrowed from medieval design and Islamic art. These complex influences on his art are explored in this exhibition.
In 1887, William married professional artist Evelyn Pickering. Her remarkable paintings bear the influence of early Italian Renaissance art as well as that of her Pre-Raphaelite contemporaries, yet have a distinctive style. Her unique paintings also projected her political concerns. She was deeply affected by the outbreak of the First World War, and created many pictures in response to the conflict. This exhibition showcases her peace paintings and the preparatory drawings she made for them, giving an overview of her working process and ideals.
This exhibition explores the exceptional work created by this pair of very different and equally intriguing 19th/20th century British artists.
The exhibition has been produced by the De Morgan Foundation.
Changes to your visit:
We are encouraging visitors to book tickets for the exhibition online - click here to book.
When you visit, you will notice some changes to help ensure the safety of our visitors and staff. Read more here.
Image: Night and Sleep, Evelyn de Morgan, 1878 © De Morgan Collection, courtesy of the De Morgan Foundation
at South Shields Museum & Art Gallery
This exhibition tells the story of Landing Craft Tank 7074. LCT 7074 was constructed at Hawthorne Leslie’s shipyard in Hebburn in 1944 and used during D-Day and is the only one left in the UK.
The D-Day landings were the largest seaborne invasion to ever take place. Over 7000, mostly British, ships and boats took part in the operation. Landing craft played a crucial role, carrying troops, tanks and supplies right onto the beaches.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
In this family-friendly exhibition, fascinating stories of ancient Iraq come to life through over 80 amazing items from the British Museum.
Learn how 4,000-year-old cities like Girsu shaped today’s urban way of life, from laws and transport to writing and how we measure time.
Come face to face with the historical king Gudea. Discover the Epic of Gilgamesh – one of the earliest great works of literature – and see how current archaeologists are continuing to reveal the secrets of Iraq’s lost empires.
Generously supported by the Dorset Foundation in memory of Harry M. Weinrebe.
at South Shields Museum & Art Gallery
This exhibition tells the story of Landing Craft Tank 7074. LCT 7074 was constructed at Hawthorne Leslie’s shipyard in Hebburn in 1944 and used during D-Day and is the only one left in the UK.
The D-Day landings were the largest seaborne invasion to ever take place. Over 7000, mostly British, ships and boats took part in the operation. Landing craft played a crucial role, carrying troops, tanks and supplies right onto the beaches.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
In this family-friendly exhibition, fascinating stories of ancient Iraq come to life through over 80 amazing items from the British Museum.
Learn how 4,000-year-old cities like Girsu shaped today’s urban way of life, from laws and transport to writing and how we measure time.
Come face to face with the historical king Gudea. Discover the Epic of Gilgamesh – one of the earliest great works of literature – and see how current archaeologists are continuing to reveal the secrets of Iraq’s lost empires.
Generously supported by the Dorset Foundation in memory of Harry M. Weinrebe.
at Laing Art Gallery
Art Deco by the Sea is the first major exhibition to explore how the Art Deco style transformed the British seaside during the 1920s and 30s. Art Deco became the style of pleasure and leisure, as coastal resorts were modernised, new resorts established and transport networks modernised, to meet the needs of a new age in mass tourism. The show will celebrate iconic examples of seaside architecture, from hotels and apartment blocks to lidos and cinemas, and it will show how the Art Deco style permeated all aspects of life by the sea from fashion and furniture to fairgrounds and funfairs. The exhibition will include around 120 works drawn from public and private collections across the UK.
This exhibition has been developed by The Sainsbury Centre at the University of East Anglia, Norwich. Admission charges apply.
Watch a short film about the exhibition - part of BBC Arts' Culture in Quarantine series.
Exhibitions Unpacked: Art Deco by the Sea
Keeper of Art, Sarah Richardson unpacks Art Deco by the Sea at the Laing Art Gallery. Watch below:
at Discovery Museum
The Final Push highlights the role played by the 15th/19th Hussars (as part of the 11th Armoured Division) as they discovered and consequently liberated the internment camp at Bergen – Belsen on 15 April 1945.
The display features a newly recorded interview with veteran Ian Forsyth in which he shares his experiences of that terrible day.
The Final Push explores the story of both antecedent regiments of the Light Dragoons and the part they played in North West Germany during the final six weeks of the Second World War, which in turn led to Victory in Europe Day on 8 May 1945.
at Great North Museum: Hancock
In this family-friendly exhibition, fascinating stories of ancient Iraq come to life through over 80 amazing items from the British Museum.
Learn how 4,000-year-old cities like Girsu shaped today’s urban way of life, from laws and transport to writing and how we measure time.
Come face to face with the historical king Gudea. Discover the Epic of Gilgamesh – one of the earliest great works of literature – and see how current archaeologists are continuing to reveal the secrets of Iraq’s lost empires.
Generously supported by the Dorset Foundation in memory of Harry M. Weinrebe.
at Shipley Art Gallery
The Gateshead Art Society was formed by a group of artists in December 1947 under the presidency of the curator of the Shipley Art Gallery, G. Nevin Drinkwater. The Society was, and still is, based in the Gallery workshop where members meet once a week to produce their art. Their work is shown at the annual exhibition which is held in the Gallery, the first of these being held in October 1948, when eighty five paintings were shown.
Artworks available for sale
The Gateshead Art Society 2020 Exhibition is a selling exhibition. Paintings may be purchased through the Contact Form on the website. A confirmation reply will be sent by e-mail or telephone as preferred. Paintings will be sold on a first come first served basis.
The prices of the paintings generally include a frame but the more moderately priced art may not. A simple enquiry will confirm how a painting is presented.
Collection
Please get in touch with Gateshead Art Society via the contact form on their website for any collection queries.
Cover image: Jenny Dyson
at Hatton Gallery
‘Linderism’, which was previously on show at Kettle’s Yard in Cambridge, is the first UK survey exhibition of Linder (b. 1954) and spans five decades of the artist’s career.
Linder is well known for her radical feminist photomontage which cuts through the veneer of print culture. An important figure in the punk movement, she designed artwork for bands including Buzzcocks and Magazine, as well as for her own post-punk band Ludus, of which she was founder and lead singer.
Linder said: “It is an honour and several ambitions fulfilled to be able to show my work at Hatton Gallery, where Schwitters, Picabia and Richard Hamilton all had ground-breaking exhibitions.
The exhibition explores every area of Linder’s diverse practice, from her emergence in the Manchester punk scene of the 1970s to her more recent interventionist public commissions. The title ‘Linderism’ claims the artist’s work is its own art historical movement but also gestures to Linder’s interest in style, from the artistic to the fashionable.
The exhibition includes examples of photomontage works from throughout her career, from the early work exposing the domestic consumerism of the 1970s, to later works that are more complex meditations on representation, myth and belief. In some of the later photomontages luscious roses obscure the features of nude models, conveying beauty as a form of camouflage, while other pieces, combining fashion plates and interiors advertisements, stage metamorphoses where models physically merge with pieces of furniture.
Linderism is organised by Kettle's Yard, University of Cambridge in association with Hatton Gallery.
at Laing Art Gallery
Art Deco by the Sea is the first major exhibition to explore how the Art Deco style transformed the British seaside during the 1920s and 30s. Art Deco became the style of pleasure and leisure, as coastal resorts were modernised, new resorts established and transport networks modernised, to meet the needs of a new age in mass tourism. The show will celebrate iconic examples of seaside architecture, from hotels and apartment blocks to lidos and cinemas, and it will show how the Art Deco style permeated all aspects of life by the sea from fashion and furniture to fairgrounds and funfairs. The exhibition will include around 120 works drawn from public and private collections across the UK.
This exhibition has been developed by The Sainsbury Centre at the University of East Anglia, Norwich. Admission charges apply.
Watch a short film about the exhibition - part of BBC Arts' Culture in Quarantine series.
Exhibitions Unpacked: Art Deco by the Sea
Keeper of Art, Sarah Richardson unpacks Art Deco by the Sea at the Laing Art Gallery. Watch below:
at Discovery Museum
The Final Push highlights the role played by the 15th/19th Hussars (as part of the 11th Armoured Division) as they discovered and consequently liberated the internment camp at Bergen – Belsen on 15 April 1945.
The display features a newly recorded interview with veteran Ian Forsyth in which he shares his experiences of that terrible day.
The Final Push explores the story of both antecedent regiments of the Light Dragoons and the part they played in North West Germany during the final six weeks of the Second World War, which in turn led to Victory in Europe Day on 8 May 1945.
at Shipley Art Gallery
The Gateshead Art Society was formed by a group of artists in December 1947 under the presidency of the curator of the Shipley Art Gallery, G. Nevin Drinkwater. The Society was, and still is, based in the Gallery workshop where members meet once a week to produce their art. Their work is shown at the annual exhibition which is held in the Gallery, the first of these being held in October 1948, when eighty five paintings were shown.
Artworks available for sale
The Gateshead Art Society 2020 Exhibition is a selling exhibition. Paintings may be purchased through the Contact Form on the website. A confirmation reply will be sent by e-mail or telephone as preferred. Paintings will be sold on a first come first served basis.
The prices of the paintings generally include a frame but the more moderately priced art may not. A simple enquiry will confirm how a painting is presented.
Collection
Please get in touch with Gateshead Art Society via the contact form on their website for any collection queries.
Cover image: Jenny Dyson
at Hatton Gallery
‘Linderism’, which was previously on show at Kettle’s Yard in Cambridge, is the first UK survey exhibition of Linder (b. 1954) and spans five decades of the artist’s career.
Linder is well known for her radical feminist photomontage which cuts through the veneer of print culture. An important figure in the punk movement, she designed artwork for bands including Buzzcocks and Magazine, as well as for her own post-punk band Ludus, of which she was founder and lead singer.
Linder said: “It is an honour and several ambitions fulfilled to be able to show my work at Hatton Gallery, where Schwitters, Picabia and Richard Hamilton all had ground-breaking exhibitions.
The exhibition explores every area of Linder’s diverse practice, from her emergence in the Manchester punk scene of the 1970s to her more recent interventionist public commissions. The title ‘Linderism’ claims the artist’s work is its own art historical movement but also gestures to Linder’s interest in style, from the artistic to the fashionable.
The exhibition includes examples of photomontage works from throughout her career, from the early work exposing the domestic consumerism of the 1970s, to later works that are more complex meditations on representation, myth and belief. In some of the later photomontages luscious roses obscure the features of nude models, conveying beauty as a form of camouflage, while other pieces, combining fashion plates and interiors advertisements, stage metamorphoses where models physically merge with pieces of furniture.
Linderism is organised by Kettle's Yard, University of Cambridge in association with Hatton Gallery.
at Laing Art Gallery
Art Deco by the Sea is the first major exhibition to explore how the Art Deco style transformed the British seaside during the 1920s and 30s. Art Deco became the style of pleasure and leisure, as coastal resorts were modernised, new resorts established and transport networks modernised, to meet the needs of a new age in mass tourism. The show will celebrate iconic examples of seaside architecture, from hotels and apartment blocks to lidos and cinemas, and it will show how the Art Deco style permeated all aspects of life by the sea from fashion and furniture to fairgrounds and funfairs. The exhibition will include around 120 works drawn from public and private collections across the UK.
This exhibition has been developed by The Sainsbury Centre at the University of East Anglia, Norwich. Admission charges apply.
Watch a short film about the exhibition - part of BBC Arts' Culture in Quarantine series.
Exhibitions Unpacked: Art Deco by the Sea
Keeper of Art, Sarah Richardson unpacks Art Deco by the Sea at the Laing Art Gallery. Watch below:
at Discovery Museum
The Final Push highlights the role played by the 15th/19th Hussars (as part of the 11th Armoured Division) as they discovered and consequently liberated the internment camp at Bergen – Belsen on 15 April 1945.
The display features a newly recorded interview with veteran Ian Forsyth in which he shares his experiences of that terrible day.
The Final Push explores the story of both antecedent regiments of the Light Dragoons and the part they played in North West Germany during the final six weeks of the Second World War, which in turn led to Victory in Europe Day on 8 May 1945.
at Shipley Art Gallery
The Gateshead Art Society was formed by a group of artists in December 1947 under the presidency of the curator of the Shipley Art Gallery, G. Nevin Drinkwater. The Society was, and still is, based in the Gallery workshop where members meet once a week to produce their art. Their work is shown at the annual exhibition which is held in the Gallery, the first of these being held in October 1948, when eighty five paintings were shown.
Artworks available for sale
The Gateshead Art Society 2020 Exhibition is a selling exhibition. Paintings may be purchased through the Contact Form on the website. A confirmation reply will be sent by e-mail or telephone as preferred. Paintings will be sold on a first come first served basis.
The prices of the paintings generally include a frame but the more moderately priced art may not. A simple enquiry will confirm how a painting is presented.
Collection
Please get in touch with Gateshead Art Society via the contact form on their website for any collection queries.
Cover image: Jenny Dyson
at Hatton Gallery
‘Linderism’, which was previously on show at Kettle’s Yard in Cambridge, is the first UK survey exhibition of Linder (b. 1954) and spans five decades of the artist’s career.
Linder is well known for her radical feminist photomontage which cuts through the veneer of print culture. An important figure in the punk movement, she designed artwork for bands including Buzzcocks and Magazine, as well as for her own post-punk band Ludus, of which she was founder and lead singer.
Linder said: “It is an honour and several ambitions fulfilled to be able to show my work at Hatton Gallery, where Schwitters, Picabia and Richard Hamilton all had ground-breaking exhibitions.
The exhibition explores every area of Linder’s diverse practice, from her emergence in the Manchester punk scene of the 1970s to her more recent interventionist public commissions. The title ‘Linderism’ claims the artist’s work is its own art historical movement but also gestures to Linder’s interest in style, from the artistic to the fashionable.
The exhibition includes examples of photomontage works from throughout her career, from the early work exposing the domestic consumerism of the 1970s, to later works that are more complex meditations on representation, myth and belief. In some of the later photomontages luscious roses obscure the features of nude models, conveying beauty as a form of camouflage, while other pieces, combining fashion plates and interiors advertisements, stage metamorphoses where models physically merge with pieces of furniture.
Linderism is organised by Kettle's Yard, University of Cambridge in association with Hatton Gallery.
at Laing Art Gallery
Art Deco by the Sea is the first major exhibition to explore how the Art Deco style transformed the British seaside during the 1920s and 30s. Art Deco became the style of pleasure and leisure, as coastal resorts were modernised, new resorts established and transport networks modernised, to meet the needs of a new age in mass tourism. The show will celebrate iconic examples of seaside architecture, from hotels and apartment blocks to lidos and cinemas, and it will show how the Art Deco style permeated all aspects of life by the sea from fashion and furniture to fairgrounds and funfairs. The exhibition will include around 120 works drawn from public and private collections across the UK.
This exhibition has been developed by The Sainsbury Centre at the University of East Anglia, Norwich. Admission charges apply.
Watch a short film about the exhibition - part of BBC Arts' Culture in Quarantine series.
Exhibitions Unpacked: Art Deco by the Sea
Keeper of Art, Sarah Richardson unpacks Art Deco by the Sea at the Laing Art Gallery. Watch below:
at Discovery Museum
The Final Push highlights the role played by the 15th/19th Hussars (as part of the 11th Armoured Division) as they discovered and consequently liberated the internment camp at Bergen – Belsen on 15 April 1945.
The display features a newly recorded interview with veteran Ian Forsyth in which he shares his experiences of that terrible day.
The Final Push explores the story of both antecedent regiments of the Light Dragoons and the part they played in North West Germany during the final six weeks of the Second World War, which in turn led to Victory in Europe Day on 8 May 1945.
at Laing Art Gallery
A portrait of acclaimed film director Sir Ridley Scott has been loaned to the Laing Art Gallery from the National Portrait Gallery in London as part of its COMING HOME initiative, which sees portraits of iconic individuals being loaned to places across the UK with which they are most closely associated.
Scott was born in South Shields, Tyne and Wear in 1937 and his films include Alien (1979), Thelma and Louise (1991) and Academy Award-winning drama Gladiator (2000). He was knighted in 2003 for services to the film industry and in 2018 received the BAFTA Fellowship Award.
The drawing is by Nina Mae Fowler and is part of a larger series that the National Portrait Gallery in London commissioned of leading film directors.
The artist captured the portrait of Scott with his face lit only by the light of the screen in an otherwise darkened space. Scott chose to watch the scene from a film that was a major turning point for him and his relationship to cinema. The title of the portrait, "29:04:37", refers to the exact film frame the director is watching when Fowler captured his portrait.
The initiative will be supported by an online learning programme for teachers and schools. This will include two virtual CPD opportunities with Art Consultant Susan Coles, and a Portrait Challenge which can be set as classroom or home learning.
Whilst the gallery is closed there will also be a digital preview of the painting and digital content - when this is ready it will be shared on our website and social media.
COMING HOME has been made possible by the National Portrait Gallery, the Department for Digital, Culture, Media and Sport, generous contributions from The Thompson Family Charitable Trust and funds raised at the Gallery’s Portrait Gala in 2017.
Watch the digital preview of the portrait here:
Learn more about our learning programme here:
The Word, South Shields | SIR RIDLEY SCOTT: PAST, PRESENT AND FUTURE VISIONARY | Online exhibition
Visit npg.org.uk to find out more about COMING HOME.
#PortraitsComingHome
Image caption: "29:04:37" (Sir Ridley Scott) by Nina Mae Fowler, 2019 © National Portrait Gallery, London
at Great North Museum: Hancock
at Laing Art Gallery
Art Deco by the Sea is the first major exhibition to explore how the Art Deco style transformed the British seaside during the 1920s and 30s. Art Deco became the style of pleasure and leisure, as coastal resorts were modernised, new resorts established and transport networks modernised, to meet the needs of a new age in mass tourism. The show will celebrate iconic examples of seaside architecture, from hotels and apartment blocks to lidos and cinemas, and it will show how the Art Deco style permeated all aspects of life by the sea from fashion and furniture to fairgrounds and funfairs. The exhibition will include around 120 works drawn from public and private collections across the UK.
This exhibition has been developed by The Sainsbury Centre at the University of East Anglia, Norwich. Admission charges apply.
Watch a short film about the exhibition - part of BBC Arts' Culture in Quarantine series.
Exhibitions Unpacked: Art Deco by the Sea
Keeper of Art, Sarah Richardson unpacks Art Deco by the Sea at the Laing Art Gallery. Watch below:
at Discovery Museum
The Final Push highlights the role played by the 15th/19th Hussars (as part of the 11th Armoured Division) as they discovered and consequently liberated the internment camp at Bergen – Belsen on 15 April 1945.
The display features a newly recorded interview with veteran Ian Forsyth in which he shares his experiences of that terrible day.
The Final Push explores the story of both antecedent regiments of the Light Dragoons and the part they played in North West Germany during the final six weeks of the Second World War, which in turn led to Victory in Europe Day on 8 May 1945.
at Laing Art Gallery
A portrait of acclaimed film director Sir Ridley Scott has been loaned to the Laing Art Gallery from the National Portrait Gallery in London as part of its COMING HOME initiative, which sees portraits of iconic individuals being loaned to places across the UK with which they are most closely associated.
Scott was born in South Shields, Tyne and Wear in 1937 and his films include Alien (1979), Thelma and Louise (1991) and Academy Award-winning drama Gladiator (2000). He was knighted in 2003 for services to the film industry and in 2018 received the BAFTA Fellowship Award.
The drawing is by Nina Mae Fowler and is part of a larger series that the National Portrait Gallery in London commissioned of leading film directors.
The artist captured the portrait of Scott with his face lit only by the light of the screen in an otherwise darkened space. Scott chose to watch the scene from a film that was a major turning point for him and his relationship to cinema. The title of the portrait, "29:04:37", refers to the exact film frame the director is watching when Fowler captured his portrait.
The initiative will be supported by an online learning programme for teachers and schools. This will include two virtual CPD opportunities with Art Consultant Susan Coles, and a Portrait Challenge which can be set as classroom or home learning.
Whilst the gallery is closed there will also be a digital preview of the painting and digital content - when this is ready it will be shared on our website and social media.
COMING HOME has been made possible by the National Portrait Gallery, the Department for Digital, Culture, Media and Sport, generous contributions from The Thompson Family Charitable Trust and funds raised at the Gallery’s Portrait Gala in 2017.
Watch the digital preview of the portrait here:
Learn more about our learning programme here:
The Word, South Shields | SIR RIDLEY SCOTT: PAST, PRESENT AND FUTURE VISIONARY | Online exhibition
Visit npg.org.uk to find out more about COMING HOME.
#PortraitsComingHome
Image caption: "29:04:37" (Sir Ridley Scott) by Nina Mae Fowler, 2019 © National Portrait Gallery, London
at Great North Museum: Hancock
at Laing Art Gallery
A portrait of acclaimed film director Sir Ridley Scott has been loaned to the Laing Art Gallery from the National Portrait Gallery in London as part of its COMING HOME initiative, which sees portraits of iconic individuals being loaned to places across the UK with which they are most closely associated.
Scott was born in South Shields, Tyne and Wear in 1937 and his films include Alien (1979), Thelma and Louise (1991) and Academy Award-winning drama Gladiator (2000). He was knighted in 2003 for services to the film industry and in 2018 received the BAFTA Fellowship Award.
The drawing is by Nina Mae Fowler and is part of a larger series that the National Portrait Gallery in London commissioned of leading film directors.
The artist captured the portrait of Scott with his face lit only by the light of the screen in an otherwise darkened space. Scott chose to watch the scene from a film that was a major turning point for him and his relationship to cinema. The title of the portrait, "29:04:37", refers to the exact film frame the director is watching when Fowler captured his portrait.
The initiative will be supported by an online learning programme for teachers and schools. This will include two virtual CPD opportunities with Art Consultant Susan Coles, and a Portrait Challenge which can be set as classroom or home learning.
Whilst the gallery is closed there will also be a digital preview of the painting and digital content - when this is ready it will be shared on our website and social media.
COMING HOME has been made possible by the National Portrait Gallery, the Department for Digital, Culture, Media and Sport, generous contributions from The Thompson Family Charitable Trust and funds raised at the Gallery’s Portrait Gala in 2017.
Watch the digital preview of the portrait here:
Learn more about our learning programme here:
The Word, South Shields | SIR RIDLEY SCOTT: PAST, PRESENT AND FUTURE VISIONARY | Online exhibition
Visit npg.org.uk to find out more about COMING HOME.
#PortraitsComingHome
Image caption: "29:04:37" (Sir Ridley Scott) by Nina Mae Fowler, 2019 © National Portrait Gallery, London
at Great North Museum: Hancock
at Great North Museum: Hancock
at Laing Art Gallery
The 20th century was a time of great change for women in Britain. Those born, raised and educated in the 19th century, then forming relationships and working in the 20th century saw extraordinary progress. But against that backdrop was their struggle to challenge the conventions imposed upon them by a patriarchal society.
Challenging Convention explores four women artists – Vanessa Bell (1879-1961), Laura Knight (1877-1970), Gwen John (1876-1939) and Dod Procter (1890-1972) - through their lives and work in a climate of modernism, transformation and increasing emancipation. Each of them was embedded within a web of fellow artists and intellectuals; and made a significant impact on the profile of women artists within traditional institutions and in the public eye.
This exhibition is curated by the Laing Art Gallery and brings significant works by Bell, Knight, John and Procter, from over forty UK public collections, to Newcastle. With support from The Golsoncott Foundation.
Take a virtual tour of the exhibition below:
You can view a preview of the exhibition via Art UK Curations here.
Image: A Dark Pool, c.1917 by Laura Knight / Laing Art Gallery © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2020. All Rights Reserved / Bridgeman Images
Cover image: A Balloon Site, Coventry, 1942 by Laura Knight . Photo credit: Imperial War Museum / Bridgeman Images
at Great North Museum: Hancock
Imagination is in all of us. You just have to find the spark.
The art of Gateshead design studio Atomhawk will take you to other worlds in this new exhibition for everyone.
Enter the fantasy universe of The Realm and experience Tyneside like never before as you delve into the process of a digital artist to see what makes them tick.
Atomhawk’s designers have contributed to films and video games like Guardians of the Galaxy, Age of Empires and Minecraft Earth. Will they inspire you to begin your creative journey?
Sound design by Ed Carter.
at South Shields Museum & Art Gallery
Sheila Graber’s major retrospective exhibition marking her 80th birthday, which was originally scheduled for May 2020, was unveiled when the museum reopened on 17 March 2021. During the Covid 19 pandemic Graber reflected further on her artistic journey and re-shaped the themes and content of the exhibition to heighten their relevance for today.
This family-friendly exhibition brings together the full range of Graber’s engaging and passionate work, including landscapes, portraits and delightful animations. Her playful and humorous cartoon cat companion features throughout. The South Shields artist is also a great champion of the creativity that exists in us all and has encouraged and inspired countless others. As well as celebrating Graber’s own work, the exhibition will capture her wider impact and offer the opportunity for everyone to try their hand at creating an artwork. Find out further information about this exhibition.
Visit Sheila Graber’s website to find over a dozen on-line workshops all linked to the show. Workshops range from print making to psychology, animation to art and tips on how to write for publication.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
at Laing Art Gallery
Running concurrently with Challenging Convention, the Laing is also exhibiting WOW: Women Only Works on Paper, a display of over 50 watercolours and pastels complemented by etchings and screenprints.
The artists Winifred Knights, Ithell Colquhoun, Annie French, Lucy Kemp-Welch, Thérèse Lessore, Hilda Carline and Paule Vézelay are all represented, as well as other accomplished but lesser-known female artists working in the first part of the 20th century. The exhibition has been brought together by the renowned art dealers Liss Llewellyn and includes some works from private collections as well as pictures from the Laing collection.
This exhibition will be accompanied by a new Liss Llewellyn publication.
Donations welcome, free entry
Image credit: Edith Rimmington, Museum II, Watercolour, gouache, pen and ink on paper, 29 15/16 x 22 1/16 in. (76 x 56 cm)
at Shipley Art Gallery
Still life has proved a popular subject in Western art since the 17th century. Historic still life paintings frequently pictured luxury items of the day in order to celebrate material pleasures such as food and wine, as well as to warn of the temporality of these pleasures and the brevity of human life.
Since the late 19th century, artists and makers have generally used simpler still life arrangements as a way of demonstrating skill or for formal experimentation. Some examples of still life from the Shipley’s painting and craft collections are on display in this gallery.
at Hatton Gallery
10am-5pm, Mon - Sat
Free entry, suggested donation £5. Donate online.
Please note you must book a ticket for each member of your party before you visit.
at Discovery Museum
To mark Armed Forces Day Discovery Museum is celebrating the launch of the new online 360 Virtual Tour of Charge! The Story of England's Northern Cavalry gallery.
Charge! charts the 300-year history of England's Northern Cavalry, the Light Dragoons and its antecedent regiments. It also tells the story of the Northumberland Hussars from its formation in 1819 to becoming part of the Queen's Own Yeomanry.
The new online Charge! Virtual Tour features films from actively serving soldiers and military experts delving deeper into the stories of the gallery. allowing people to navigate the gallery on their own device. The online tour can be enjoyed remotely and enhances the in-person gallery experience too.
Also launching on Armed Forces Day is the new exhibition in the Charge gallery, In Times of Emergency, a look at how The Light Dragoons have responded to national emergencies at home.
On Armed Forces Day 26 June visitors can:
at Laing Art Gallery
The 20th century was a time of great change for women in Britain. Those born, raised and educated in the 19th century, then forming relationships and working in the 20th century saw extraordinary progress. But against that backdrop was their struggle to challenge the conventions imposed upon them by a patriarchal society.
Challenging Convention explores four women artists – Vanessa Bell (1879-1961), Laura Knight (1877-1970), Gwen John (1876-1939) and Dod Procter (1890-1972) - through their lives and work in a climate of modernism, transformation and increasing emancipation. Each of them was embedded within a web of fellow artists and intellectuals; and made a significant impact on the profile of women artists within traditional institutions and in the public eye.
This exhibition is curated by the Laing Art Gallery and brings significant works by Bell, Knight, John and Procter, from over forty UK public collections, to Newcastle. With support from The Golsoncott Foundation.
Take a virtual tour of the exhibition below:
You can view a preview of the exhibition via Art UK Curations here.
Image: A Dark Pool, c.1917 by Laura Knight / Laing Art Gallery © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2020. All Rights Reserved / Bridgeman Images
Cover image: A Balloon Site, Coventry, 1942 by Laura Knight . Photo credit: Imperial War Museum / Bridgeman Images
at Great North Museum: Hancock
Imagination is in all of us. You just have to find the spark.
The art of Gateshead design studio Atomhawk will take you to other worlds in this new exhibition for everyone.
Enter the fantasy universe of The Realm and experience Tyneside like never before as you delve into the process of a digital artist to see what makes them tick.
Atomhawk’s designers have contributed to films and video games like Guardians of the Galaxy, Age of Empires and Minecraft Earth. Will they inspire you to begin your creative journey?
Sound design by Ed Carter.
at South Shields Museum & Art Gallery
Sheila Graber’s major retrospective exhibition marking her 80th birthday, which was originally scheduled for May 2020, was unveiled when the museum reopened on 17 March 2021. During the Covid 19 pandemic Graber reflected further on her artistic journey and re-shaped the themes and content of the exhibition to heighten their relevance for today.
This family-friendly exhibition brings together the full range of Graber’s engaging and passionate work, including landscapes, portraits and delightful animations. Her playful and humorous cartoon cat companion features throughout. The South Shields artist is also a great champion of the creativity that exists in us all and has encouraged and inspired countless others. As well as celebrating Graber’s own work, the exhibition will capture her wider impact and offer the opportunity for everyone to try their hand at creating an artwork. Find out further information about this exhibition.
Visit Sheila Graber’s website to find over a dozen on-line workshops all linked to the show. Workshops range from print making to psychology, animation to art and tips on how to write for publication.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
at Laing Art Gallery
Running concurrently with Challenging Convention, the Laing is also exhibiting WOW: Women Only Works on Paper, a display of over 50 watercolours and pastels complemented by etchings and screenprints.
The artists Winifred Knights, Ithell Colquhoun, Annie French, Lucy Kemp-Welch, Thérèse Lessore, Hilda Carline and Paule Vézelay are all represented, as well as other accomplished but lesser-known female artists working in the first part of the 20th century. The exhibition has been brought together by the renowned art dealers Liss Llewellyn and includes some works from private collections as well as pictures from the Laing collection.
This exhibition will be accompanied by a new Liss Llewellyn publication.
Donations welcome, free entry
Image credit: Edith Rimmington, Museum II, Watercolour, gouache, pen and ink on paper, 29 15/16 x 22 1/16 in. (76 x 56 cm)
at Segedunum Roman Fort
There are over 600 artefacts on display in Segedunum's Museum, many of them small, every-day items. This exhibition features photographs that look at some of the finer decoration or texture of 20 of these objects to reveal details perhaps easily overlooked on a first viewing. The images sometimes also show the damage or decay that has affected the objects after being in the ground for 1800 years.
All the artefacts featured in the exhibition are on display in the Museum.
Audio tour
Take the Geotourist audio tour, narrated by Alex Croom, Keeper of Archaeology, as you walk round the exhibition - download the app now on your mobile.
at Discovery Museum
In times of national emergency or crisis the Ministry of Defence can provide British Army assistance to support the civil authorities.
This exhibition looks at how The Light Dragoons - and its antecedent regiments - have been deployed in this way and how that role has changed overtime.
Using a mixture of imagery, objects and quotes from serving soldiers, the exhibition covers emergencies like the Fire Brigade Union Strikes of 2002, the flooding in 2015 and 2019 and the Covid-19 pandemic.
at Shipley Art Gallery
Still life has proved a popular subject in Western art since the 17th century. Historic still life paintings frequently pictured luxury items of the day in order to celebrate material pleasures such as food and wine, as well as to warn of the temporality of these pleasures and the brevity of human life.
Since the late 19th century, artists and makers have generally used simpler still life arrangements as a way of demonstrating skill or for formal experimentation. Some examples of still life from the Shipley’s painting and craft collections are on display in this gallery.
at Hatton Gallery
at Laing Art Gallery
The 20th century was a time of great change for women in Britain. Those born, raised and educated in the 19th century, then forming relationships and working in the 20th century saw extraordinary progress. But against that backdrop was their struggle to challenge the conventions imposed upon them by a patriarchal society.
Challenging Convention explores four women artists – Vanessa Bell (1879-1961), Laura Knight (1877-1970), Gwen John (1876-1939) and Dod Procter (1890-1972) - through their lives and work in a climate of modernism, transformation and increasing emancipation. Each of them was embedded within a web of fellow artists and intellectuals; and made a significant impact on the profile of women artists within traditional institutions and in the public eye.
This exhibition is curated by the Laing Art Gallery and brings significant works by Bell, Knight, John and Procter, from over forty UK public collections, to Newcastle. With support from The Golsoncott Foundation.
Take a virtual tour of the exhibition below:
You can view a preview of the exhibition via Art UK Curations here.
Image: A Dark Pool, c.1917 by Laura Knight / Laing Art Gallery © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2020. All Rights Reserved / Bridgeman Images
Cover image: A Balloon Site, Coventry, 1942 by Laura Knight . Photo credit: Imperial War Museum / Bridgeman Images
at Great North Museum: Hancock
Imagination is in all of us. You just have to find the spark.
The art of Gateshead design studio Atomhawk will take you to other worlds in this new exhibition for everyone.
Enter the fantasy universe of The Realm and experience Tyneside like never before as you delve into the process of a digital artist to see what makes them tick.
Atomhawk’s designers have contributed to films and video games like Guardians of the Galaxy, Age of Empires and Minecraft Earth. Will they inspire you to begin your creative journey?
Sound design by Ed Carter.
at South Shields Museum & Art Gallery
Sheila Graber’s major retrospective exhibition marking her 80th birthday, which was originally scheduled for May 2020, was unveiled when the museum reopened on 17 March 2021. During the Covid 19 pandemic Graber reflected further on her artistic journey and re-shaped the themes and content of the exhibition to heighten their relevance for today.
This family-friendly exhibition brings together the full range of Graber’s engaging and passionate work, including landscapes, portraits and delightful animations. Her playful and humorous cartoon cat companion features throughout. The South Shields artist is also a great champion of the creativity that exists in us all and has encouraged and inspired countless others. As well as celebrating Graber’s own work, the exhibition will capture her wider impact and offer the opportunity for everyone to try their hand at creating an artwork. Find out further information about this exhibition.
Visit Sheila Graber’s website to find over a dozen on-line workshops all linked to the show. Workshops range from print making to psychology, animation to art and tips on how to write for publication.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
at Laing Art Gallery
Running concurrently with Challenging Convention, the Laing is also exhibiting WOW: Women Only Works on Paper, a display of over 50 watercolours and pastels complemented by etchings and screenprints.
The artists Winifred Knights, Ithell Colquhoun, Annie French, Lucy Kemp-Welch, Thérèse Lessore, Hilda Carline and Paule Vézelay are all represented, as well as other accomplished but lesser-known female artists working in the first part of the 20th century. The exhibition has been brought together by the renowned art dealers Liss Llewellyn and includes some works from private collections as well as pictures from the Laing collection.
This exhibition will be accompanied by a new Liss Llewellyn publication.
Donations welcome, free entry
Image credit: Edith Rimmington, Museum II, Watercolour, gouache, pen and ink on paper, 29 15/16 x 22 1/16 in. (76 x 56 cm)
at Segedunum Roman Fort
There are over 600 artefacts on display in Segedunum's Museum, many of them small, every-day items. This exhibition features photographs that look at some of the finer decoration or texture of 20 of these objects to reveal details perhaps easily overlooked on a first viewing. The images sometimes also show the damage or decay that has affected the objects after being in the ground for 1800 years.
All the artefacts featured in the exhibition are on display in the Museum.
Audio tour
Take the Geotourist audio tour, narrated by Alex Croom, Keeper of Archaeology, as you walk round the exhibition - download the app now on your mobile.
at Discovery Museum
In times of national emergency or crisis the Ministry of Defence can provide British Army assistance to support the civil authorities.
This exhibition looks at how The Light Dragoons - and its antecedent regiments - have been deployed in this way and how that role has changed overtime.
Using a mixture of imagery, objects and quotes from serving soldiers, the exhibition covers emergencies like the Fire Brigade Union Strikes of 2002, the flooding in 2015 and 2019 and the Covid-19 pandemic.
at Laing Art Gallery
New Perspectives: Outside In
The Coronavirus pandemic has shifted perceptions. After a year of being in lockdown, the relationship we have to domestic and interior spaces has invariably altered. Many of us have reassessed the relationships of significance in our lives and how they relate to the spaces within which we occupy our lives.
Since January 2021, the Laing Art Gallery’s young people’s group L-INK, have come together online to engage in a process of creative collaboration with the aim of co-curating a new display. The resultant exhibition here reflects the varied discussions had between the group as they explored issues surrounding identity in relation to domestic spaces within the confines of their own homes.
Two new acquisitions by the artist Mike Silva provide the central inspiration for the exhibition. They represent alternative perspectives of intimacy, both to people and familiar spaces. Members of the group bring their individual perspectives to respond to Silva’s works through an exploration of the Laing collection. Significant pieces included within the exhibition include those by Linder Sterling, Eduardo Paolozzi, and a curious work by an unknown artist long held within the archives and never-before displayed in the gallery. This exhibition invites you to think about the similarities and differences in the perceptions of interior spaces presented here, and how you occupy and present your own interior spaces.
Text by Ella Nixon & Caitlin Milne
Image: Mike Silva, Kitchen Window, 2020, courtesy of the artist and The Approach
This display is curated by L-INK. L-INK are a group of young people who work with the Laing Art Gallery to make exhibitions, produce events, work with artists and create artworks.
L-INK 2021 participants are: Remy Harkensee, Caitlin Milne, Andrew Parr, Naomi Harrison, Caroline Reeves, Katie Carr, Ella Nixon, Lizzie Jatwa, Angelica Jones, Chloe Myers & Emma Gaukroger.
This activity was made possible using public funding by the National Lottery through Arts Council England and Creative Scotland, and with the support of Art Fund.
at Shipley Art Gallery
Still life has proved a popular subject in Western art since the 17th century. Historic still life paintings frequently pictured luxury items of the day in order to celebrate material pleasures such as food and wine, as well as to warn of the temporality of these pleasures and the brevity of human life.
Since the late 19th century, artists and makers have generally used simpler still life arrangements as a way of demonstrating skill or for formal experimentation. Some examples of still life from the Shipley’s painting and craft collections are on display in this gallery.
at Hatton Gallery
at Laing Art Gallery
The 20th century was a time of great change for women in Britain. Those born, raised and educated in the 19th century, then forming relationships and working in the 20th century saw extraordinary progress. But against that backdrop was their struggle to challenge the conventions imposed upon them by a patriarchal society.
Challenging Convention explores four women artists – Vanessa Bell (1879-1961), Laura Knight (1877-1970), Gwen John (1876-1939) and Dod Procter (1890-1972) - through their lives and work in a climate of modernism, transformation and increasing emancipation. Each of them was embedded within a web of fellow artists and intellectuals; and made a significant impact on the profile of women artists within traditional institutions and in the public eye.
This exhibition is curated by the Laing Art Gallery and brings significant works by Bell, Knight, John and Procter, from over forty UK public collections, to Newcastle. With support from The Golsoncott Foundation.
Take a virtual tour of the exhibition below:
You can view a preview of the exhibition via Art UK Curations here.
Image: A Dark Pool, c.1917 by Laura Knight / Laing Art Gallery © Reproduced with permission of The Estate of Dame Laura Knight DBE RA 2020. All Rights Reserved / Bridgeman Images
Cover image: A Balloon Site, Coventry, 1942 by Laura Knight . Photo credit: Imperial War Museum / Bridgeman Images
at Segedunum Roman Fort
Michael Cunliffe, Artistic Coordinator of North Tyneside Art Studio, said: “Being involved in art and creativity has been shown to improve your mental health and North Tyneside is home to an incredible range of art, artists, and art organisations. We want to encourage people to get out and see what we have to offer and take time to enjoy the natural and cultural sights of the county as well.”
“Over
lockdown we have seen people exploring their own creativity, from
baking bread to making rainbows for the NHS. We want to
encourage everyone to keep being creative, even when restrictions
lift by making art about reconnecting with the world and the people
they love and putting it up in their windows for the public to
enjoy.”
As part of the art trail, residents of North Tyneside are being encouraged to join in and show off their own creations at home and on social media with the hashtag #ntat21.
Visit all 12 highlighted key sites on the map and claim your hand-made, limited edition completion medal from North Tyneside Art Studio.
To find out more and view the Trail map, visit: www.northtynesidearttrail.com
at Segedunum Roman Fort
Usually, Marvellous Mondays take place in our venue, Segedunum Roman Fort, every Monday of the school holidays. Unfortunately, this won’t be possible this summer, so instead we'll be providing handouts at our venue with activities for you and your family to take home and try.
This summer’s weekly activities will be linked to our current exhibition ‘Take a Closer Look’. Families will be able to take part in different craft activities at home to recreate their own versions of some of the close-up images of the objects featured in this exhibition.
Pick up an activity sheet at reception, visit the exhibition 'Take a Closer Look' for inspiration, then try out the craft activities at home.
New activity sheet available each Monday.
Week 1 (19 July): How would you like to look on a coin?
Week 2 (26 July): Create your own freehand design - try icing a biscuit with a piping bag
Week 3 (2 August): Create your own millefiori pattern - using playdough or plasticine
Week 4 (9 August): Making your mark - make patterns and marks using natural materials and clay (Ways to Play)
Week 5 (16 August): Roman writing - find out about the Roman alphabet and try writing your name in Latin
Week 6 (23 August): Marvellous Roman patterns - make your own embossed design
We'd love to see your creations - share on Facebook and Twitter using hashtag #MarvellousMondays
at Stephenson Steam Railway
Michael Cunliffe, Artistic Coordinator of North Tyneside Art Studio, said: “Being involved in art and creativity has been shown to improve your mental health and North Tyneside is home to an incredible range of art, artists, and art organisations. We want to encourage people to get out and see what we have to offer and take time to enjoy the natural and cultural sights of the county as well.”
“Over lockdown we have seen people exploring their own creativity, from baking bread to making rainbows for the NHS. We want to encourage everyone to keep being creative, even when restrictions lift by making art about reconnecting with the world and the people they love and putting it up in their windows for the public to enjoy.”
As part of the art trail, residents of North Tyneside are being encouraged to join in and show off their own creations at home and on social media with the hashtag #ntat21.
Visit all 12 highlighted key sites on the map and claim your hand-made, limited edition completion medal from North Tyneside Art Studio.
To find out more and view the Trail map, visit: www.northtynesidearttrail.com
at Great North Museum: Hancock
Imagination is in all of us. You just have to find the spark.
The art of Gateshead design studio Atomhawk will take you to other worlds in this new exhibition for everyone.
Enter the fantasy universe of The Realm and experience Tyneside like never before as you delve into the process of a digital artist to see what makes them tick.
Atomhawk’s designers have contributed to films and video games like Guardians of the Galaxy, Age of Empires and Minecraft Earth. Will they inspire you to begin your creative journey?
Sound design by Ed Carter.
at South Shields Museum & Art Gallery
Sheila Graber’s major retrospective exhibition marking her 80th birthday, which was originally scheduled for May 2020, was unveiled when the museum reopened on 17 March 2021. During the Covid 19 pandemic Graber reflected further on her artistic journey and re-shaped the themes and content of the exhibition to heighten their relevance for today.
This family-friendly exhibition brings together the full range of Graber’s engaging and passionate work, including landscapes, portraits and delightful animations. Her playful and humorous cartoon cat companion features throughout. The South Shields artist is also a great champion of the creativity that exists in us all and has encouraged and inspired countless others. As well as celebrating Graber’s own work, the exhibition will capture her wider impact and offer the opportunity for everyone to try their hand at creating an artwork. Find out further information about this exhibition.
Visit Sheila Graber’s website to find over a dozen on-line workshops all linked to the show. Workshops range from print making to psychology, animation to art and tips on how to write for publication.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
at Laing Art Gallery
Running concurrently with Challenging Convention, the Laing is also exhibiting WOW: Women Only Works on Paper, a display of over 50 watercolours and pastels complemented by etchings and screenprints.
The artists Winifred Knights, Ithell Colquhoun, Annie French, Lucy Kemp-Welch, Thérèse Lessore, Hilda Carline and Paule Vézelay are all represented, as well as other accomplished but lesser-known female artists working in the first part of the 20th century. The exhibition has been brought together by the renowned art dealers Liss Llewellyn and includes some works from private collections as well as pictures from the Laing collection.
This exhibition will be accompanied by a new Liss Llewellyn publication.
Donations welcome, free entry
Image credit: Edith Rimmington, Museum II, Watercolour, gouache, pen and ink on paper, 29 15/16 x 22 1/16 in. (76 x 56 cm)
at Segedunum Roman Fort
There are over 600 artefacts on display in Segedunum's Museum, many of them small, every-day items. This exhibition features photographs that look at some of the finer decoration or texture of 20 of these objects to reveal details perhaps easily overlooked on a first viewing. The images sometimes also show the damage or decay that has affected the objects after being in the ground for 1800 years.
All the artefacts featured in the exhibition are on display in the Museum.
Audio tour
Take the Geotourist audio tour, narrated by Alex Croom, Keeper of Archaeology, as you walk round the exhibition - download the app now on your mobile.
at Discovery Museum
In times of national emergency or crisis the Ministry of Defence can provide British Army assistance to support the civil authorities.
This exhibition looks at how The Light Dragoons - and its antecedent regiments - have been deployed in this way and how that role has changed overtime.
Using a mixture of imagery, objects and quotes from serving soldiers, the exhibition covers emergencies like the Fire Brigade Union Strikes of 2002, the flooding in 2015 and 2019 and the Covid-19 pandemic.
at Laing Art Gallery
New Perspectives: Outside In
The Coronavirus pandemic has shifted perceptions. After a year of being in lockdown, the relationship we have to domestic and interior spaces has invariably altered. Many of us have reassessed the relationships of significance in our lives and how they relate to the spaces within which we occupy our lives.
Since January 2021, the Laing Art Gallery’s young people’s group L-INK, have come together online to engage in a process of creative collaboration with the aim of co-curating a new display. The resultant exhibition here reflects the varied discussions had between the group as they explored issues surrounding identity in relation to domestic spaces within the confines of their own homes.
Two new acquisitions by the artist Mike Silva provide the central inspiration for the exhibition. They represent alternative perspectives of intimacy, both to people and familiar spaces. Members of the group bring their individual perspectives to respond to Silva’s works through an exploration of the Laing collection. Significant pieces included within the exhibition include those by Linder Sterling, Eduardo Paolozzi, and a curious work by an unknown artist long held within the archives and never-before displayed in the gallery. This exhibition invites you to think about the similarities and differences in the perceptions of interior spaces presented here, and how you occupy and present your own interior spaces.
Text by Ella Nixon & Caitlin Milne
Image: Mike Silva, Kitchen Window, 2020, courtesy of the artist and The Approach
This display is curated by L-INK. L-INK are a group of young people who work with the Laing Art Gallery to make exhibitions, produce events, work with artists and create artworks.
L-INK 2021 participants are: Remy Harkensee, Caitlin Milne, Andrew Parr, Naomi Harrison, Caroline Reeves, Katie Carr, Ella Nixon, Lizzie Jatwa, Angelica Jones, Chloe Myers & Emma Gaukroger.
This activity was made possible using public funding by the National Lottery through Arts Council England and Creative Scotland, and with the support of Art Fund.
at Shipley Art Gallery
Still life has proved a popular subject in Western art since the 17th century. Historic still life paintings frequently pictured luxury items of the day in order to celebrate material pleasures such as food and wine, as well as to warn of the temporality of these pleasures and the brevity of human life.
Since the late 19th century, artists and makers have generally used simpler still life arrangements as a way of demonstrating skill or for formal experimentation. Some examples of still life from the Shipley’s painting and craft collections are on display in this gallery.
at Great North Museum: Hancock
Imagination is in all of us. You just have to find the spark.
The art of Gateshead design studio Atomhawk will take you to other worlds in this new exhibition for everyone.
Enter the fantasy universe of The Realm and experience Tyneside like never before as you delve into the process of a digital artist to see what makes them tick.
Atomhawk’s designers have contributed to films and video games like Guardians of the Galaxy, Age of Empires and Minecraft Earth. Will they inspire you to begin your creative journey?
Sound design by Ed Carter.
at South Shields Museum & Art Gallery
Sheila Graber’s major retrospective exhibition marking her 80th birthday, which was originally scheduled for May 2020, was unveiled when the museum reopened on 17 March 2021. During the Covid 19 pandemic Graber reflected further on her artistic journey and re-shaped the themes and content of the exhibition to heighten their relevance for today.
This family-friendly exhibition brings together the full range of Graber’s engaging and passionate work, including landscapes, portraits and delightful animations. Her playful and humorous cartoon cat companion features throughout. The South Shields artist is also a great champion of the creativity that exists in us all and has encouraged and inspired countless others. As well as celebrating Graber’s own work, the exhibition will capture her wider impact and offer the opportunity for everyone to try their hand at creating an artwork. Find out further information about this exhibition.
Visit Sheila Graber’s website to find over a dozen on-line workshops all linked to the show. Workshops range from print making to psychology, animation to art and tips on how to write for publication.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
at Laing Art Gallery
Running concurrently with Challenging Convention, the Laing is also exhibiting WOW: Women Only Works on Paper, a display of over 50 watercolours and pastels complemented by etchings and screenprints.
The artists Winifred Knights, Ithell Colquhoun, Annie French, Lucy Kemp-Welch, Thérèse Lessore, Hilda Carline and Paule Vézelay are all represented, as well as other accomplished but lesser-known female artists working in the first part of the 20th century. The exhibition has been brought together by the renowned art dealers Liss Llewellyn and includes some works from private collections as well as pictures from the Laing collection.
This exhibition will be accompanied by a new Liss Llewellyn publication.
Donations welcome, free entry
Image credit: Edith Rimmington, Museum II, Watercolour, gouache, pen and ink on paper, 29 15/16 x 22 1/16 in. (76 x 56 cm)
at Segedunum Roman Fort
There are over 600 artefacts on display in Segedunum's Museum, many of them small, every-day items. This exhibition features photographs that look at some of the finer decoration or texture of 20 of these objects to reveal details perhaps easily overlooked on a first viewing. The images sometimes also show the damage or decay that has affected the objects after being in the ground for 1800 years.
All the artefacts featured in the exhibition are on display in the Museum.
Audio tour
Take the Geotourist audio tour, narrated by Alex Croom, Keeper of Archaeology, as you walk round the exhibition - download the app now on your mobile.
at Hatton Gallery
Print Goes Pop is the latest in a series of Pop Art-themed exhibitions at the Hatton, which has strong links with the art movement of the 1950s and 60s.
This exhibition will expand on stories told in Pioneers of Pop, which was exhibited at the Gallery in 2017, but will focus on the screenprinting method that was popular with artists at that time. Artists began using screenprinting, a stencil-based printmaking method, in the 1930s, but it became particularly popular with the rise of Pop Art.
During the 1960s, ‘Pop’ artists such as Richard Hamilton, Andy Warhol and Roy Lichtenstein embraced the technique to make vibrant large-scale prints using imagery from popular culture. The exhibition will also explore how the technique has been used in innovative ways by leading artists that weren’t considered ‘Pop’ artists, such as Gillian Ayres and Bridget Riley.
Some of the best-known works in the exhibition are Richard Hamilton’s My Marilyn, which will be shown alongside several works from Andy Warhol’s Marilyn series, and Roy Lichtenstein’s Brushstrokes.
Another highlight of the exhibition is a group of 18 works from Eduardo Paolozzi’s Bunk! series, which is rarely exhibited in such large numbers. Less familiar artists, such as Corita Kent and Parviz Tanavoli, help to diversify the story of how artists have worked creatively with the screenprinting method.
The exhibition is curated by Hatton Gallery, and combines loans from the Arts Council Collection, Tate and the V&A with rarely seen works from the Hatton Gallery and Laing Art Gallery collections.
at Laing Art Gallery
Portrait of an Artist is a new exhibition from renowned art dealers, Liss Llewellyn. Comprising over 85 oil paintings, drawings and prints, the exhibition offers audiences an opportunity to step into the inner world of the artist, shedding light on their personal lives and creative processes.
The exhibition explores five themes: The Artist’s Studio, Self-Portraits, The Artist’s Entourage, Portraits of Artists by Artists, and Allegories of Creation.
Liss Llewellyn have spent over thirty years working directly with artists’ studios, gaining rare access to works that have hardly been seen since the day they were created. Those selected for Portrait of an Artist record the introspective self-gaze of the artist, and moments of intimacy that suggest the artist was in love with their subject- be it a future husband or wife, model or child. Though not always of obvious importance and sometimes modest in size, the works portray intensely emotional moments, transporting the viewer to where the artist’s personal and working environments overlap.
Over 50 artists from the late 19th century to the 1940s are represented, including Evelyn Dunbar, Albert de Belleroche, Winifred Knights, Alan Sorrell and William Strang. They are complemented by popular works from the Laing’s collection, such as those by Sir William Orpen and Ralph Hedley.
The exhibition is accompanied by a new Liss Llewellyn publication.
Watch a digital preview of the exhibition here:
Image: David Foggie (1878 - 1948), Portrait of the Artist's Future Wife, c. 1920 © Liss Llewellyn
at Discovery Museum
In times of national emergency or crisis the Ministry of Defence can provide British Army assistance to support the civil authorities.
This exhibition looks at how The Light Dragoons - and its antecedent regiments - have been deployed in this way and how that role has changed overtime.
Using a mixture of imagery, objects and quotes from serving soldiers, the exhibition covers emergencies like the Fire Brigade Union Strikes of 2002, the flooding in 2015 and 2019 and the Covid-19 pandemic.
at Laing Art Gallery
New Perspectives: Outside In
The Coronavirus pandemic has shifted perceptions. After a year of being in lockdown, the relationship we have to domestic and interior spaces has invariably altered. Many of us have reassessed the relationships of significance in our lives and how they relate to the spaces within which we occupy our lives.
Since January 2021, the Laing Art Gallery’s young people’s group L-INK, have come together online to engage in a process of creative collaboration with the aim of co-curating a new display. The resultant exhibition here reflects the varied discussions had between the group as they explored issues surrounding identity in relation to domestic spaces within the confines of their own homes.
Two new acquisitions by the artist Mike Silva provide the central inspiration for the exhibition. They represent alternative perspectives of intimacy, both to people and familiar spaces. Members of the group bring their individual perspectives to respond to Silva’s works through an exploration of the Laing collection. Significant pieces included within the exhibition include those by Linder Sterling, Eduardo Paolozzi, and a curious work by an unknown artist long held within the archives and never-before displayed in the gallery. This exhibition invites you to think about the similarities and differences in the perceptions of interior spaces presented here, and how you occupy and present your own interior spaces.
Text by Ella Nixon & Caitlin Milne
Image: Mike Silva, Kitchen Window, 2020, courtesy of the artist and The Approach
This display is curated by L-INK. L-INK are a group of young people who work with the Laing Art Gallery to make exhibitions, produce events, work with artists and create artworks.
L-INK 2021 participants are: Remy Harkensee, Caitlin Milne, Andrew Parr, Naomi Harrison, Caroline Reeves, Katie Carr, Ella Nixon, Lizzie Jatwa, Angelica Jones, Chloe Myers & Emma Gaukroger.
This activity was made possible using public funding by the National Lottery through Arts Council England and Creative Scotland, and with the support of Art Fund.
at Shipley Art Gallery
Still life has proved a popular subject in Western art since the 17th century. Historic still life paintings frequently pictured luxury items of the day in order to celebrate material pleasures such as food and wine, as well as to warn of the temporality of these pleasures and the brevity of human life.
Since the late 19th century, artists and makers have generally used simpler still life arrangements as a way of demonstrating skill or for formal experimentation. Some examples of still life from the Shipley’s painting and craft collections are on display in this gallery.
at Shipley Art Gallery
This exhibition is work by a group of adults with learning disabilities and mental health issues and their support workers who have been meeting for a number of years on a weekly basis at the Shipley Art Gallery.
The group is an Art Therapy group facilitated by an Art Psychotherapist from Cumbria, Northumberland and Tyne & Wear NHS Foundation Trust.
Coming back together since COVID has been a positive experience, reducing the participants’ sense of social isolation, providing much needed activity in their weekly routines, and improving their quality of life as they are accessing and working in a cultural space.
As a group we have started to appreciate and make use of the facilities in the gallery more since lockdown, responding to artworks on the gallery walls, arranging previous service user/exhibited artist talks and workshops and making use of the Shipley’s Craft Handling collection with support from gallery staff. This work has been produced in response to these activities.
The Shipley is renowned for its ceramics collection and in response to this the group has been making their own clay pieces in response to what they have seen and held. This has been whilst thinking about what is important and precious to them, that they are keen to “hold on to” (including positive mental health).
Clay work in Art Therapy is a positive approach to working through stress and difficult emotions, enabling the physical release of bottled-up tension and creating an opportunity to make something positive out of this afterwards.
Participants were first encouraged to work tear, squash, poke and cut a lump of clay, providing a safe outlet for their stresses, frustrations and anger and an alternative to aggression or self-harming behaviours.
They were then encouraged to turn their cathartically “destroyed” clay into something more positive and aesthetic, whilst thinking about what mattered to them.
This process of destruction/dismemberment/disintegration and then rebuilding/reintegration provides a sense of healing and reparation, whilst also symbolising the group coming back together after a long period of time separate and apart.
The work produced here is displayed alongside some of the handling objects shown to the group which were inspirational in the themes and ideas used in the artmaking process.
Some pieces are unfinished, unpainted and unvarnished as not everyone (especially support workers who have changeable shifts) are able to return to finish their work. However, this displays the work in process (symbolising the often lengthy journey towards positive mental health) and also parallels some of the items in the object handling exhibit (such as Stephen Dixon’s ‘Lady Godiva’, 1995).
Other pieces reflect cultural icons of the 21st Century that are important to group participants such as Star Wars, K-Pop and Studio Ghibli characters (perhaps inspired by the Stephen Dixon’s “King Kong” sculpture from the handling collection).
There are also a number of bowls and pots, reflecting the Shipley’s collection. You will notice recurring themes in the artwork in response to those found around the gallery including rainbows – a reminder of the COVID lockdown and a symbol of gratitude and hope - figures under trees, animals and figurines/statues.
at Shipley Art Gallery
Out of the Kiln
This exhibition of ceramics was created by members of ReCoCo, a peer led, peer delivered mental health education and support service. The project is funded by the Henry Rothschild Community fund, which supports Gateshead community groups to engage with ceramics at the Shipley Art Gallery and to work with a ceramicist to make their own ceramics.
Working with ceramicist Annabel Talbot the group explored the Shipley Art Gallery’s renowned ceramic and craft collection and created their own ceramics and pottery inspired by it.
Over a number of workshops - taking place at the Shipley Art Gallery, ReCoCo Retreat at Saltwell Park and Bensham Grove Community Centre – the group explored the theme of senses. How does sight, smell, and touch connect to our surroundings as we create, and what senses, in particular smell, have we missed or has comforted us over the last year during lockdown. The moon jar in the centre of the display, created by Annabel Talbot, has scratched into its surface words mentioned by the group over the course of the sessions, when discussing the theme of missed or comforting smells.
Some of the group had experience of working with clay whilst for others it was something completely new, but each came to it with fantastic ideas, enthusiasm and engagement, and supported each other in learning about making with clay. The work produced here shows the talent and interest in the creative process as well as, in some, a new or renewed interest in creativity.
Exhibiting artists:
Susan Benneworth
Donna Pegram
Cath Benneworth
Natalie Duncan
Lee Smith
Simone Wiseman
Brody Finney
Thank you to ReCoCo for supporting the project and Bensham Grove Community Centre for use of the pottery and kiln. Thank you to Annabel Talbot for leading on the sessions with the group and supporting them in making their work.
This project was supported by the Henry Rothschild Community fund
at South Shields Museum & Art Gallery
Sheila Graber’s major retrospective exhibition marking her 80th birthday, which was originally scheduled for May 2020, was unveiled when the museum reopened on 17 March 2021. During the Covid 19 pandemic Graber reflected further on her artistic journey and re-shaped the themes and content of the exhibition to heighten their relevance for today.
This family-friendly exhibition brings together the full range of Graber’s engaging and passionate work, including landscapes, portraits and delightful animations. Her playful and humorous cartoon cat companion features throughout. The South Shields artist is also a great champion of the creativity that exists in us all and has encouraged and inspired countless others. As well as celebrating Graber’s own work, the exhibition will capture her wider impact and offer the opportunity for everyone to try their hand at creating an artwork. Find out further information about this exhibition.
Visit Sheila Graber’s website to find over a dozen on-line workshops all linked to the show. Workshops range from print making to psychology, animation to art and tips on how to write for publication.
All details on the South Shields Museum & Art Gallery website
at Great North Museum: Hancock
at Laing Art Gallery
Running concurrently with Challenging Convention, the Laing is also exhibiting WOW: Women Only Works on Paper, a display of over 50 watercolours and pastels complemented by etchings and screenprints.
The artists Winifred Knights, Ithell Colquhoun, Annie French, Lucy Kemp-Welch, Thérèse Lessore, Hilda Carline and Paule Vézelay are all represented, as well as other accomplished but lesser-known female artists working in the first part of the 20th century. The exhibition has been brought together by the renowned art dealers Liss Llewellyn and includes some works from private collections as well as pictures from the Laing collection.
This exhibition will be accompanied by a new Liss Llewellyn publication.
Donations welcome, free entry
Image credit: Edith Rimmington, Museum II, Watercolour, gouache, pen and ink on paper, 29 15/16 x 22 1/16 in. (76 x 56 cm)
at Segedunum Roman Fort
There are over 600 artefacts on display in Segedunum's Museum, many of them small, every-day items. This exhibition features photographs that look at some of the finer decoration or texture of 20 of these objects to reveal details perhaps easily overlooked on a first viewing. The images sometimes also show the damage or decay that has affected the objects after being in the ground for 1800 years.
All the artefacts featured in the exhibition are on display in the Museum.
Audio tour
Take the Geotourist audio tour, narrated by Alex Croom, Keeper of Archaeology, as you walk round the exhibition - download the app now on your mobile.
at Hatton Gallery
Print Goes Pop is the latest in a series of Pop Art-themed exhibitions at the Hatton, which has strong links with the art movement of the 1950s and 60s.
This exhibition will expand on stories told in Pioneers of Pop, which was exhibited at the Gallery in 2017, but will focus on the screenprinting method that was popular with artists at that time. Artists began using screenprinting, a stencil-based printmaking method, in the 1930s, but it became particularly popular with the rise of Pop Art.
During the 1960s, ‘Pop’ artists such as Richard Hamilton, Andy Warhol and Roy Lichtenstein embraced the technique to make vibrant large-scale prints using imagery from popular culture. The exhibition will also explore how the technique has been used in innovative ways by leading artists that weren’t considered ‘Pop’ artists, such as Gillian Ayres and Bridget Riley.
Some of the best-known works in the exhibition are Richard Hamilton’s My Marilyn, which will be shown alongside several works from Andy Warhol’s Marilyn series, and Roy Lichtenstein’s Brushstrokes.
Another highlight of the exhibition is a group of 18 works from Eduardo Paolozzi’s Bunk! series, which is rarely exhibited in such large numbers. Less familiar artists, such as Corita Kent and Parviz Tanavoli, help to diversify the story of how artists have worked creatively with the screenprinting method.
The exhibition is curated by Hatton Gallery, and combines loans from the Arts Council Collection, Tate and the V&A with rarely seen works from the Hatton Gallery and Laing Art Gallery collections.
at Laing Art Gallery
Portrait of an Artist is a new exhibition from renowned art dealers, Liss Llewellyn. Comprising over 85 oil paintings, drawings and prints, the exhibition offers audiences an opportunity to step into the inner world of the artist, shedding light on their personal lives and creative processes.
The exhibition explores five themes: The Artist’s Studio, Self-Portraits, The Artist’s Entourage, Portraits of Artists by Artists, and Allegories of Creation.
Liss Llewellyn have spent over thirty years working directly with artists’ studios, gaining rare access to works that have hardly been seen since the day they were created. Those selected for Portrait of an Artist record the introspective self-gaze of the artist, and moments of intimacy that suggest the artist was in love with their subject- be it a future husband or wife, model or child. Though not always of obvious importance and sometimes modest in size, the works portray intensely emotional moments, transporting the viewer to where the artist’s personal and working environments overlap.
Over 50 artists from the late 19th century to the 1940s are represented, including Evelyn Dunbar, Albert de Belleroche, Winifred Knights, Alan Sorrell and William Strang. They are complemented by popular works from the Laing’s collection, such as those by Sir William Orpen and Ralph Hedley.
The exhibition is accompanied by a new Liss Llewellyn publication.
Watch a digital preview of the exhibition here:
Image: David Foggie (1878 - 1948), Portrait of the Artist's Future Wife, c. 1920 © Liss Llewellyn
at Discovery Museum
In times of national emergency or crisis the Ministry of Defence can provide British Army assistance to support the civil authorities.
This exhibition looks at how The Light Dragoons - and its antecedent regiments - have been deployed in this way and how that role has changed overtime.
Using a mixture of imagery, objects and quotes from serving soldiers, the exhibition covers emergencies like the Fire Brigade Union Strikes of 2002, the flooding in 2015 and 2019 and the Covid-19 pandemic.
at Discovery Museum
An exploration of sound including the sounds of Tyneside's past and the development of music technology.
Making Waves: A Festival of Sound features
Sounds featured in the online exhibition tell a rich story of the diverse history of our region. We'll be asking you over the course of the programme which sounds you think we should capture to reflect Tyneside in 2022.
The Unlocking our Sound Heritage online exhibition features recordings digitised as part of the British Library Unlocking Our Sound Heritage project – which has preserved sound recordings that were at risk of being lost forever.
We want to know what sounds you think represent contemporary Tyneside - tell us at archives@twmuseums.org.uk or by Tweeting @TWARchives. In April - we'll collect the most popular ones for the collection.
at Laing Art Gallery
New Perspectives: Outside In
The Coronavirus pandemic has shifted perceptions. After a year of being in lockdown, the relationship we have to domestic and interior spaces has invariably altered. Many of us have reassessed the relationships of significance in our lives and how they relate to the spaces within which we occupy our lives.
Since January 2021, the Laing Art Gallery’s young people’s group L-INK, have come together online to engage in a process of creative collaboration with the aim of co-curating a new display. The resultant exhibition here reflects the varied discussions had between the group as they explored issues surrounding identity in relation to domestic spaces within the confines of their own homes.
Two new acquisitions by the artist Mike Silva provide the central inspiration for the exhibition. They represent alternative perspectives of intimacy, both to people and familiar spaces. Members of the group bring their individual perspectives to respond to Silva’s works through an exploration of the Laing collection. Significant pieces included within the exhibition include those by Linder Sterling, Eduardo Paolozzi, and a curious work by an unknown artist long held within the archives and never-before displayed in the gallery. This exhibition invites you to think about the similarities and differences in the perceptions of interior spaces presented here, and how you occupy and present your own interior spaces.
Text by Ella Nixon & Caitlin Milne
Image: Mike Silva, Kitchen Window, 2020, courtesy of the artist and The Approach
This display is curated by L-INK. L-INK are a group of young people who work with the Laing Art Gallery to make exhibitions, produce events, work with artists and create artworks.
L-INK 2021 participants are: Remy Harkensee, Caitlin Milne, Andrew Parr, Naomi Harrison, Caroline Reeves, Katie Carr, Ella Nixon, Lizzie Jatwa, Angelica Jones, Chloe Myers & Emma Gaukroger.
This activity was made possible using public funding by the National Lottery through Arts Council England and Creative Scotland, and with the support of Art Fund.
at Great North Museum: Hancock
Around 250 million years ago, known as the Late Permian period, the land that would become north east England was covered by desert.
As the earth's climate naturally got warmer, ice sheets near the South Pole melted, leading to worldwide sea level changes and flooding.
Our area then became covered by the Zechstein Sea which stretched across the east of England, much of the modern North Sea and into modern day Denmark, Poland and Germany.
We can tell the story of this sea from the remains of fossil fish that have been found in limestone layers in County Durham and North Tyneside. Fossilised plants such as conifers and giant horsetails are also preserved in these rocks.
at Shipley Art Gallery
Still life has proved a popular subject in Western art since the 17th century. Historic still life paintings frequently pictured luxury items of the day in order to celebrate material pleasures such as food and wine, as well as to warn of the temporality of these pleasures and the brevity of human life.
Since the late 19th century, artists and makers have generally used simpler still life arrangements as a way of demonstrating skill or for formal experimentation. Some examples of still life from the Shipley’s painting and craft collections are on display in this gallery.
at Great North Museum: Hancock
at Laing Art Gallery
Running concurrently with Challenging Convention, the Laing is also exhibiting WOW: Women Only Works on Paper, a display of over 50 watercolours and pastels complemented by etchings and screenprints.
The artists Winifred Knights, Ithell Colquhoun, Annie French, Lucy Kemp-Welch, Thérèse Lessore, Hilda Carline and Paule Vézelay are all represented, as well as other accomplished but lesser-known female artists working in the first part of the 20th century. The exhibition has been brought together by the renowned art dealers Liss Llewellyn and includes some works from private collections as well as pictures from the Laing collection.
This exhibition will be accompanied by a new Liss Llewellyn publication.
Donations welcome, free entry
Image credit: Edith Rimmington, Museum II, Watercolour, gouache, pen and ink on paper, 29 15/16 x 22 1/16 in. (76 x 56 cm)
at Segedunum Roman Fort
There are over 600 artefacts on display in Segedunum's Museum, many of them small, every-day items. This exhibition features photographs that look at some of the finer decoration or texture of 20 of these objects to reveal details perhaps easily overlooked on a first viewing. The images sometimes also show the damage or decay that has affected the objects after being in the ground for 1800 years.
All the artefacts featured in the exhibition are on display in the Museum.
Audio tour
Take the Geotourist audio tour, narrated by Alex Croom, Keeper of Archaeology, as you walk round the exhibition - download the app now on your mobile.
at Hatton Gallery
Print Goes Pop is the latest in a series of Pop Art-themed exhibitions at the Hatton, which has strong links with the art movement of the 1950s and 60s.
This exhibition will expand on stories told in Pioneers of Pop, which was exhibited at the Gallery in 2017, but will focus on the screenprinting method that was popular with artists at that time. Artists began using screenprinting, a stencil-based printmaking method, in the 1930s, but it became particularly popular with the rise of Pop Art.
During the 1960s, ‘Pop’ artists such as Richard Hamilton, Andy Warhol and Roy Lichtenstein embraced the technique to make vibrant large-scale prints using imagery from popular culture. The exhibition will also explore how the technique has been used in innovative ways by leading artists that weren’t considered ‘Pop’ artists, such as Gillian Ayres and Bridget Riley.
Some of the best-known works in the exhibition are Richard Hamilton’s My Marilyn, which will be shown alongside several works from Andy Warhol’s Marilyn series, and Roy Lichtenstein’s Brushstrokes.
Another highlight of the exhibition is a group of 18 works from Eduardo Paolozzi’s Bunk! series, which is rarely exhibited in such large numbers. Less familiar artists, such as Corita Kent and Parviz Tanavoli, help to diversify the story of how artists have worked creatively with the screenprinting method.
The exhibition is curated by Hatton Gallery, and combines loans from the Arts Council Collection, Tate and the V&A with rarely seen works from the Hatton Gallery and Laing Art Gallery collections.
at Laing Art Gallery
Portrait of an Artist is a new exhibition from renowned art dealers, Liss Llewellyn. Comprising over 85 oil paintings, drawings and prints, the exhibition offers audiences an opportunity to step into the inner world of the artist, shedding light on their personal lives and creative processes.
The exhibition explores five themes: The Artist’s Studio, Self-Portraits, The Artist’s Entourage, Portraits of Artists by Artists, and Allegories of Creation.
Liss Llewellyn have spent over thirty years working directly with artists’ studios, gaining rare access to works that have hardly been seen since the day they were created. Those selected for Portrait of an Artist record the introspective self-gaze of the artist, and moments of intimacy that suggest the artist was in love with their subject- be it a future husband or wife, model or child. Though not always of obvious importance and sometimes modest in size, the works portray intensely emotional moments, transporting the viewer to where the artist’s personal and working environments overlap.
Over 50 artists from the late 19th century to the 1940s are represented, including Evelyn Dunbar, Albert de Belleroche, Winifred Knights, Alan Sorrell and William Strang. They are complemented by popular works from the Laing’s collection, such as those by Sir William Orpen and Ralph Hedley.
The exhibition is accompanied by a new Liss Llewellyn publication.
Watch a digital preview of the exhibition here:
Image: David Foggie (1878 - 1948), Portrait of the Artist's Future Wife, c. 1920 © Liss Llewellyn
at Discovery Museum
In times of national emergency or crisis the Ministry of Defence can provide British Army assistance to support the civil authorities.
This exhibition looks at how The Light Dragoons - and its antecedent regiments - have been deployed in this way and how that role has changed overtime.
Using a mixture of imagery, objects and quotes from serving soldiers, the exhibition covers emergencies like the Fire Brigade Union Strikes of 2002, the flooding in 2015 and 2019 and the Covid-19 pandemic.
at Discovery Museum
An exploration of sound including the sounds of Tyneside's past and the development of music technology.
Making Waves: A Festival of Sound features
Sounds featured in the online exhibition tell a rich story of the diverse history of our region. We'll be asking you over the course of the programme which sounds you think we should capture to reflect Tyneside in 2022.
The Unlocking our Sound Heritage online exhibition features recordings digitised as part of the British Library Unlocking Our Sound Heritage project – which has preserved sound recordings that were at risk of being lost forever.
We want to know what sounds you think represent contemporary Tyneside - tell us at archives@twmuseums.org.uk or by Tweeting @TWARchives. In April - we'll collect the most popular ones for the collection.
at South Shields Museum & Art Gallery
A major exhibition of the art works of the late John Peace.
Peace studied at the South Shields School of Art from 1949-51, then at Leeds before gaining a place at the Slade School of Fine Art in London. He had a lifelong career in painting, as well as teaching art, and produced hundreds of paintings, many of which captured the landscape and aspects of social life in the changing region around him. It was a career deeply influenced and shaped by his time in South Shields.
This exhibition, the first since Peace died in 2017, brings together a significant selection of some of his finest work. It focuses on landscapes, many depicting the region’s coast and rivers, as well as the area around Lemington, where he spent most of his life, and includes paintings of South Tyneside and Sunderland. Landscape was Peace’s main interest, but he also produced many paintings of other subjects and a section of the gallery will present examples of his portraits, still lifes and scenes of family life.
Above all Peace was interested in capturing the effects of light. His compositions were often simple and painted with a narrow range of colours to create a powerful, striking view of the world around him. Tyne & Tide provides a unique opportunity to see many of his best paintings, including those owned by the artist’s family, alongside a number of loans from private collectors.
More information on John Peace and images of his paintings can be found at: www.johnpeacepaintings.co.uk
All details on the South Shields Museum & Art Gallery website
at Laing Art Gallery
New Perspectives: Outside In
The Coronavirus pandemic has shifted perceptions. After a year of being in lockdown, the relationship we have to domestic and interior spaces has invariably altered. Many of us have reassessed the relationships of significance in our lives and how they relate to the spaces within which we occupy our lives.
Since January 2021, the Laing Art Gallery’s young people’s group L-INK, have come together online to engage in a process of creative collaboration with the aim of co-curating a new display. The resultant exhibition here reflects the varied discussions had between the group as they explored issues surrounding identity in relation to domestic spaces within the confines of their own homes.
Two new acquisitions by the artist Mike Silva provide the central inspiration for the exhibition. They represent alternative perspectives of intimacy, both to people and familiar spaces. Members of the group bring their individual perspectives to respond to Silva’s works through an exploration of the Laing collection. Significant pieces included within the exhibition include those by Linder Sterling, Eduardo Paolozzi, and a curious work by an unknown artist long held within the archives and never-before displayed in the gallery. This exhibition invites you to think about the similarities and differences in the perceptions of interior spaces presented here, and how you occupy and present your own interior spaces.
Text by Ella Nixon & Caitlin Milne
Image: Mike Silva, Kitchen Window, 2020, courtesy of the artist and The Approach
This display is curated by L-INK. L-INK are a group of young people who work with the Laing Art Gallery to make exhibitions, produce events, work with artists and create artworks.
L-INK 2021 participants are: Remy Harkensee, Caitlin Milne, Andrew Parr, Naomi Harrison, Caroline Reeves, Katie Carr, Ella Nixon, Lizzie Jatwa, Angelica Jones, Chloe Myers & Emma Gaukroger.
This activity was made possible using public funding by the National Lottery through Arts Council England and Creative Scotland, and with the support of Art Fund.
at Great North Museum: Hancock
Around 250 million years ago, known as the Late Permian period, the land that would become north east England was covered by desert.
As the earth's climate naturally got warmer, ice sheets near the South Pole melted, leading to worldwide sea level changes and flooding.
Our area then became covered by the Zechstein Sea which stretched across the east of England, much of the modern North Sea and into modern day Denmark, Poland and Germany.
We can tell the story of this sea from the remains of fossil fish that have been found in limestone layers in County Durham and North Tyneside. Fossilised plants such as conifers and giant horsetails are also preserved in these rocks.
at Shipley Art Gallery
Still life has proved a popular subject in Western art since the 17th century. Historic still life paintings frequently pictured luxury items of the day in order to celebrate material pleasures such as food and wine, as well as to warn of the temporality of these pleasures and the brevity of human life.
Since the late 19th century, artists and makers have generally used simpler still life arrangements as a way of demonstrating skill or for formal experimentation. Some examples of still life from the Shipley’s painting and craft collections are on display in this gallery.
at Laing Art Gallery
Running concurrently with Challenging Convention, the Laing is also exhibiting WOW: Women Only Works on Paper, a display of over 50 watercolours and pastels complemented by etchings and screenprints.
The artists Winifred Knights, Ithell Colquhoun, Annie French, Lucy Kemp-Welch, Thérèse Lessore, Hilda Carline and Paule Vézelay are all represented, as well as other accomplished but lesser-known female artists working in the first part of the 20th century. The exhibition has been brought together by the renowned art dealers Liss Llewellyn and includes some works from private collections as well as pictures from the Laing collection.
This exhibition will be accompanied by a new Liss Llewellyn publication.
Donations welcome, free entry
Image credit: Edith Rimmington, Museum II, Watercolour, gouache, pen and ink on paper, 29 15/16 x 22 1/16 in. (76 x 56 cm)
at Segedunum Roman Fort
There are over 600 artefacts on display in Segedunum's Museum, many of them small, every-day items. This exhibition features photographs that look at some of the finer decoration or texture of 20 of these objects to reveal details perhaps easily overlooked on a first viewing. The images sometimes also show the damage or decay that has affected the objects after being in the ground for 1800 years.
All the artefacts featured in the exhibition are on display in the Museum.
Audio tour
Take the Geotourist audio tour, narrated by Alex Croom, Keeper of Archaeology, as you walk round the exhibition - download the app now on your mobile.
at Hatton Gallery
Print Goes Pop is the latest in a series of Pop Art-themed exhibitions at the Hatton, which has strong links with the art movement of the 1950s and 60s.
This exhibition will expand on stories told in Pioneers of Pop, which was exhibited at the Gallery in 2017, but will focus on the screenprinting method that was popular with artists at that time. Artists began using screenprinting, a stencil-based printmaking method, in the 1930s, but it became particularly popular with the rise of Pop Art.
During the 1960s, ‘Pop’ artists such as Richard Hamilton, Andy Warhol and Roy Lichtenstein embraced the technique to make vibrant large-scale prints using imagery from popular culture. The exhibition will also explore how the technique has been used in innovative ways by leading artists that weren’t considered ‘Pop’ artists, such as Gillian Ayres and Bridget Riley.
Some of the best-known works in the exhibition are Richard Hamilton’s My Marilyn, which will be shown alongside several works from Andy Warhol’s Marilyn series, and Roy Lichtenstein’s Brushstrokes.
Another highlight of the exhibition is a group of 18 works from Eduardo Paolozzi’s Bunk! series, which is rarely exhibited in such large numbers. Less familiar artists, such as Corita Kent and Parviz Tanavoli, help to diversify the story of how artists have worked creatively with the screenprinting method.
The exhibition is curated by Hatton Gallery, and combines loans from the Arts Council Collection, Tate and the V&A with rarely seen works from the Hatton Gallery and Laing Art Gallery collections.
at Laing Art Gallery
Portrait of an Artist is a new exhibition from renowned art dealers, Liss Llewellyn. Comprising over 85 oil paintings, drawings and prints, the exhibition offers audiences an opportunity to step into the inner world of the artist, shedding light on their personal lives and creative processes.
The exhibition explores five themes: The Artist’s Studio, Self-Portraits, The Artist’s Entourage, Portraits of Artists by Artists, and Allegories of Creation.
Liss Llewellyn have spent over thirty years working directly with artists’ studios, gaining rare access to works that have hardly been seen since the day they were created. Those selected for Portrait of an Artist record the introspective self-gaze of the artist, and moments of intimacy that suggest the artist was in love with their subject- be it a future husband or wife, model or child. Though not always of obvious importance and sometimes modest in size, the works portray intensely emotional moments, transporting the viewer to where the artist’s personal and working environments overlap.
Over 50 artists from the late 19th century to the 1940s are represented, including Evelyn Dunbar, Albert de Belleroche, Winifred Knights, Alan Sorrell and William Strang. They are complemented by popular works from the Laing’s collection, such as those by Sir William Orpen and Ralph Hedley.
The exhibition is accompanied by a new Liss Llewellyn publication.
Watch a digital preview of the exhibition here:
Image: David Foggie (1878 - 1948), Portrait of the Artist's Future Wife, c. 1920 © Liss Llewellyn
at Discovery Museum
In times of national emergency or crisis the Ministry of Defence can provide British Army assistance to support the civil authorities.
This exhibition looks at how The Light Dragoons - and its antecedent regiments - have been deployed in this way and how that role has changed overtime.
Using a mixture of imagery, objects and quotes from serving soldiers, the exhibition covers emergencies like the Fire Brigade Union Strikes of 2002, the flooding in 2015 and 2019 and the Covid-19 pandemic.
at Discovery Museum
An exploration of sound including the sounds of Tyneside's past and the development of music technology.
Making Waves: A Festival of Sound features
Sounds featured in the online exhibition tell a rich story of the diverse history of our region. We'll be asking you over the course of the programme which sounds you think we should capture to reflect Tyneside in 2022.
The Unlocking our Sound Heritage online exhibition features recordings digitised as part of the British Library Unlocking Our Sound Heritage project – which has preserved sound recordings that were at risk of being lost forever.
We want to know what sounds you think represent contemporary Tyneside - tell us at archives@twmuseums.org.uk or by Tweeting @TWARchives. In April - we'll collect the most popular ones for the collection.
at South Shields Museum & Art Gallery
A major exhibition of the art works of the late John Peace.
Peace studied at the South Shields School of Art from 1949-51, then at Leeds before gaining a place at the Slade School of Fine Art in London. He had a lifelong career in painting, as well as teaching art, and produced hundreds of paintings, many of which captured the landscape and aspects of social life in the changing region around him. It was a career deeply influenced and shaped by his time in South Shields.
This exhibition, the first since Peace died in 2017, brings together a significant selection of some of his finest work. It focuses on landscapes, many depicting the region’s coast and rivers, as well as the area around Lemington, where he spent most of his life, and includes paintings of South Tyneside and Sunderland. Landscape was Peace’s main interest, but he also produced many paintings of other subjects and a section of the gallery will present examples of his portraits, still lifes and scenes of family life.
Above all Peace was interested in capturing the effects of light. His compositions were often simple and painted with a narrow range of colours to create a powerful, striking view of the world around him. Tyne & Tide provides a unique opportunity to see many of his best paintings, including those owned by the artist’s family, alongside a number of loans from private collectors.
More information on John Peace and images of his paintings can be found at: www.johnpeacepaintings.co.uk
All details on the South Shields Museum & Art Gallery website